McCartney

THE Beatles and the Rolling Stones both launched their latest albums yesterday – on separate continents. 

It was a case of let’s attend the knights together in honour of British rock royalty, Sir Paul McCartney and Sir Mick Jagger. 

At London’s fabled Abbey Road Studios, where the Fab Four recorded nearly all their songs, Macca held a lunchtime listening party for his latest LP, The Boys Of Dungeon Lane (out May 29). 

Then, in New York City hours later, Sixties chart rivals Jagger and Keith Richards as well as the later arrival to the ranks, Ronnie Wood, were seen strolling out of a Brooklyn theatre at the launch of their album, Foreign Tongues (out July 10). 

In a neat twist, Sir Paul plays bass on new Stones track Covered In You, recorded at the same session as his contribution to Bite My Head Off from 2023’s Hackney Diamonds. 

And BOTH albums were produced by American hotshot producer Andrew Watt, known for work with Ozzy Osbourne and Lady Gaga. 

END OF AN ERA?

Huge rock band spark SPLIT rumours after 14 years with cryptic video

NO CAP

Lewis Capaldi shocks fans as he drops the C-bomb in brutal takedown of troll

Before a select audience of fans and “my lovely son James” in Studio No2, McCartney, 83, introduced all fourteen tracks on his heartfelt 21st studio effort. 

For nearly two hours, he filled the time with fascinating anecdotes, playing select chords on his acoustic guitar and even mouthing some of the lyrics.  

Many songs have nostalgia-filled backstories, including As You Lie There about unrequited love for a girl called Jasmine. 

The “trippy” Mountain Top recalls Glastonbury, where he headlined in 2022, while Down South is about hitchhiking trips to Wales with George Harrison. 

Elsewhere, there’s a first-ever duet with fellow Beatle Ringo Starr on new single Home To Us, also featuring Chrissie Hynde and Sharleen Spiteri. Salesman Saint is a moving tribute to Macca’s parents, Jim and Mary. 

Meanwhile, the Stones also heralded their album with the release of a single, In The Stars, the follow-up to Rough & Twisted, a limited edition vinyl single which appeared under a pseudonym, The Cockroaches. 

Then Oscars host Conan O’Brien hosted a Q&A session with Mick and Keith, both 82, and Ronnie, 78. 

Besides McCartney, other guests on Foreign Tongues (also 14 songs) include The Cure’s Robert Smith on three tracks and Steve Winwood. 

SIR Paul McCartney got a social media platform ban — for supposedly breaking the rules on his own fan page.

The Beatles legend, 83, joined a Reddit forum to send photos from his no-phones-allowed gig that took place in Los Angeles last Friday.

But his official account on the site was taken down by moderators who thought it was spam — sparking fury from fans.

It is thought Sir Paul’s media team was posting on his behalf.

A message, alongside a link to photos, said: “We wanted to make sure you had memories from the show to share with friends, family and loved ones.”

It was the first time since 2020 that the account of the former Wings frontman, who composed classic 1973 album Band on the Run, had been used.

‘SUDDEN’ SACKING

BBC Radio 2 star Scott Mills sacked over ‘historic male relationship’

BRIT’S BACK

Britney Spears reunites with sons Jayden, 19, and Sean Preston, 20

But hours later, a message on his u/paulmccartney profile said: “Paul McCartney has been banned.”

One fan on the forum declared: “What clownery is going on here that Paul McCartney himself gets banned? I wanted to see the photos but now I can’t.”

The account has since been allowed back on Reddit — but with the photos message still deleted.

It is unclear why he got the boot in the first place.

The forum warns there must be no advertising on its list of rules. Reddit also has a zero-tolerance policy towards spam, banning things judged as responsible for “artificially inflating exposure to unwanted or irrelevant content”.

Sir Paul, who also played the Fonda Theatre venue on Saturday, releases his 19th solo studio album, The Boys of Dungeon Lane, in May.

Paul McCartney sauntered onto the stage of the Fonda Theatre, took in the 1,200 faces before him — “I can see the whites of your eyes,” he said — then offered up a brief history lesson about where we’d gathered Friday night.

The Fonda, he told us, opened 100 years ago; back then, he added, it was called the Music Box.

“Cool little place, innit?”

At 83, McCartney is well into his cool-little-place era.

Last year the rock legend played a string of concerts at New York’s tiny Bowery Ballroom while in town for “Saturday Night Live’s” 50th anniversary; a few months after that, he hit the Santa Barbara Bowl as a kind of warm-up for the latest leg of his Got Back world tour.

Paul McCartney and his band during sound check for Friday’s show.

(MJ Kim)

Friday’s underplay — the first of two instant sell-outs at the Fonda — came as McCartney is drumming up interest in a new studio album he’ll release in May. Outside the venue, a double-decker bus was parked with signage advertising the LP, which is called “The Boys of Dungeon Lane” after a road in his Liverpool hometown.

But that hardly seemed like the purpose of the show itself, which lasted about an hour and 40 minutes and didn’t even include a performance of the album’s lead single. The truth is that Sir Paul genuinely appears to get a kick out of these intimate gigs — out of standing right in front of a crowd and doing the magic trick that is a song like “Get Back” or “Jet” or “Got to Get You Into My Life.”

And why wouldn’t he?

If a Paul McCartney concert in an arena or a stadium is a finely honed spectacle of boomer nostalgia and industrial-strength charm, one of his shows in a club or a theater is a chance to play music, which after six and a half decades still clearly turns his wheels.

You wouldn’t say the shows remind McCartney that he’s a regular guy. (Those six and a half decades have made him anything but.) What they might do, though, is remind him why he became so widely adored — valuable self-knowledge for an artist whose great subject has always been the transformative power of love.

Here, as in Santa Barbara, he and his seven-piece band (which featured three horn players) did a pared-down version of the most recent Got Back set, opening with a killer one-two punch — “Help!” into “Coming Up” — that alone said plenty about McCartney’s range and endurance.

“Let Me Roll It” had a funky swagger, while “Getting Better” chugged with cheerful insistence; “I’ve Just Seen a Face” showed off the group’s crisp harmonies and “Lady Madonna” its tight rhythmic interplay. After “Let ’Em In,” McCartney asked his band member Brian Ray to show off the song’s all-important bass line: a single note plucked over and over and over again.

Friday’s show was the first of two at the Fonda.

(MJ Kim)

He did a few other comic bits, including a memory of Tony Bennett singing without a microphone as a way to demonstrate the excellent acoustics of a concert hall — the punch line was that he later saw Bennett do the same thing at the Beverly Hilton — and some gentle ribbing of the folks sitting up in the “posh seats” of the Fonda’s balcony. Among them, McCartney pointed out, was Morgan Neville, director of the recent “Man on the Run” documentary about McCartney’s life in the aftermath of the Beatles’ breakup.

He also noted that his wife, Nancy Shevell, was in the house and dedicated “My Valentine” to her; truth be told, that one was a bit dreary, as was “Now and Then,” the so-called last Beatles song released in 2023 using machine learning to complete a scratchy demo left behind by John Lennon.

“Thank you, John, for writing that lovely song,” McCartney said afterward, which made it a little harder not to like.

In any event, there were more classics to come, not least a buoyant “Ob-La-Di, Ob-La-Da” and a “Let It Be”/“Hey Jude” twofer that inspired such a lusty singalong that McCartney probably could’ve gotten away with lip-syncing if he’d wanted to.

But of course he didn’t want to — that was kind of the whole point.