Maxine

In the last decade or so, Angelina Jolie has been on screen less frequently. So when she is — and not in forgettable tentpoles like “Eternals” — it’s worth paying attention. There seems to be a thoughtful intentionality to the roles she now chooses, almost as if this astoundingly famous woman wants to tell us something vital about herself, offering clues into her understandably guarded personal life.

Take 2015’s “By the Sea,” which she wrote and directed. Coincidentally or not, that pained study of marital dissolution, co-starring Jolie’s then-husband Brad Pitt, intersected with the couple’s real-life breakup — not to mention Jolie’s grief over the death of her mother, Marcheline Bertrand. Two years ago, Jolie portrayed a version of the elusive, emotionally closed-off opera singer Maria Callas in “Maria.” The conception of the role, marked by a dim view of stardom’s suffocating alienation, was something Jolie clearly understood. Moviegoers should be careful not to read too much autobiography into an actor’s creative choices, but Jolie makes such speculation tantalizing, adding additional layers of drama to her films.

The intermittently affecting “Couture” feels similarly close to her heart, depicting a filmmaker whose life is interrupted by a cancer diagnosis — a reality Jolie knows all too well. In 2013, she underwent a preventive double mastectomy over concerns of her likelihood to develop breast or ovarian cancer. (Bertrand died of cancer in 2007.) Knowledge of Jolie’s circumstance will inform a viewer’s reaction to her wounded, resilient performance, but our inherent sympathies can only take French writer-director Alice Winocour’s ensemble piece so far.

Jolie plays Maxine, an American indie director hired to create a flashy opening film for Paris Fashion Week. Newly arrived in the City of Light, she has only a few days to put together the short, assisted by her trusted cinematographer Anton (Louis Garrel). As we deduce from the phone calls Maxine makes back home, she’s also going through an acrimonious divorce and has trouble connecting with her blasé teenage daughter. At least this Paris paycheck gig will bolster her finances — and get her ready for the feature film she’s been wanting to make for years.

Just then, though, Maxine’s future gets a rewrite. A French doctor (Vincent London) tells her she has breast cancer and needs a double mastectomy immediately. Maybe she can finish the Fashion Week film, but her passion project must wait. An artist and mother who has spent her adulthood in constant motion will have to learn what it means to stop everything and be still.

The film’s title would appear to be a reference to the story’s setting, but in French, “coutures” can also mean “stitches,” and indeed Winocour sews together three thematically linked story strands. As Maxine wrestles with her cancer diagnosis, an inexperienced South Sudanese model named Ada (Anyier Anei) works Fashion Week so she can send money home to her family. (Ada has no interest in modeling, hoping instead to become a pharmacist.) Meanwhile a makeup artist, Angèle (Ella Rumpf), longs to be an author, although she cannot get anyone interested in her writing. Each one becomes a part of the fabric of Fashion Week, but their disparate problems are a far cry from the glitzy event’s self-importance.

Winocour has often made films about women balancing their public-facing life with their private selves In 2019’s “Proxima,” Eva Green played an astronaut missing her young daughter. In 2022’s “Paris Memories,” Virginie Efira starred as an interpreter recovering from the shock of surviving a terrorist attack. Winocour shows us the intimate, vulnerable spaces within her characters that those on the outside don’t have access to.

“Couture’s” three principals rarely interact with one another, but those meaningful exchanges argue that, amid the mad clatter of the everyday, a brief, unguarded moment with a stranger can be supremely restorative. Unfortunately, the juggling of storylines ends up being more schematic than insightful. Angèle’s narrative never catches fire and while Anei is striking as Ada, that section of the film feels slightly patronizing, reducing this immigrant tale to yet another strained salute to perseverance.

This leaves Jolie as the movie’s magnetic center, with Maxine drifting through despair as she ponders what to do. Her doctor insists that the surgery cannot wait, but putting her ambitions on hold means losing a part of herself — a different kind of death sentence than the one she’s now facing.

The character is underwritten but Jolie picks up much of the slack through her silently shattered expression. As she’s gotten older, the Oscar winner has become more comfortable doing less in her performances, allowing for a fragile serenity that is belied by the anguish and anxiety roiling underneath. It’s not just our recognition of the real-life parallels that make Jolie so touching in “Couture” — it’s that ineffable star power she’s possessed for so long. In a story about a potential tragedy, what’s saddest is that Winocour’s film cannot match its lead’s effortless command.

When Compton Unified School Board President Micah Ali checked his mailbox last week, he was in for a shock.

The school district has been making headlines as a state and national leader in student performance gains, and it has been upgrading and replacing its aging campuses to help advance that growth. Next week’s ballot includes a $360-million bond measure called CPT, which would keep that momentum going and replace badly dated Dominguez High School.

So when Ali opened a slate mailer titled “Congresswoman Maxine Waters’ Sample Ballot and Voter Recommendations,” he couldn’t believe her advice on Measure CPT.

Vote “no.”

Given Waters’ stature as a congressional representative for 35 years, Ali said, her slate mailers can swing outcomes.

“Yes, it does carry weight,” Ali said, and the thumbs-down recommendation “can literally cripple our ability to pass this bond.”

Ali was doubly surprised because the mailers went out to voters just a few weeks after Waters attended an unveiling ceremony for the new Compton High School campus. Compton High alums and hip-hop heavyweights Kendrick Lamar and Dr. Dre joined the celebration, and the latter was honored for his $10-million donation to the new performing arts center.

Lunch tables and a temporary cafeteria are set up outdoors at Dominguez High School because of a fire three years ago.

(Eric Thayer / Los Angeles Times)

A second district high school, Centennial, is being replaced with a modern campus, and district officials are hoping Measure CPT passes so Dominguez students aren’t left behind, but also because the district’s other schools would get multiple upgrades and repairs, from infrastructure to classrooms to athletic fields.

I met with Ali on Wednesday afternoon at Dominguez, along with Principal Caleb Oliver. The school turned 70 this year, and it shows. The grounds are scruffy, wiring and plumbing are outdated, the gymnasium air conditioning hasn’t worked in years. To walk the campus is to step back in time — to the Eisenhower administration.

While we were talking, Oliver called out to a senior named Angelina Ramirez, referring to her as a superstar student. I asked Angelina what kind of upgrades the campus could use.

Dominguez High School Principal Caleb Oliver.

(Eric Thayer / Los Angeles Times)

“Well, I like to use the cafeteria as an example,” she said, pointing to where it used to be.

What happened to it?

“It burned down,” she said. An electrical problem was the suspected cause, her principal added.

That was more than three years ago, and since 2023, the cafeteria has been an outdoor plaza.

“I feel like that’s affected students a lot,” Angelina said.

The big question, of course, is why Waters’ campaign committee — Citizens for Waters — recommended a no vote.

I’d like to tell you why it is that a rapper has written a $10-million check in support of Compton’s students while a congresswoman has told them to go fly a kite. But I’ve asked by phone, text and email, and I still don’t have an answer.

After contacting Citizens for Waters, which referred me to the congresswoman, I called her office and emailed her press office, which sent me this response at 7:43 p.m. Thursday:

“Per US House Ethics rules, we are unable to respond to your request.”

I don’t know what rules those are, but the rulebook needs some rewriting if a congresswoman can’t answer a simple question about why her campaign mailer recommends a no vote on a school bond measure.

“We have no idea, and we’re baffled,” Ali said. “Who would oppose the construction of a new school in a community like Compton?”

In the working-class community, the student population is roughly 84% Latino and 14% Black.

I suggested that Ali consider having students march over to Waters’ district office and ask for an explanation.

“We’d rather have these children’s butts in seats and learning,” Ali said, adding that “we need … to continue driving up these test scores.”

Compton school board candidate Tana McCoy talks to school board President Micah Ali about the mailer.

(Eric Thayer / Los Angeles Times)

It’s not as if there is no reasonable opposition to Measure CPT. These kinds of bonds cost taxpayers real money over the course of many years, and CPT would add about $60 per $100,000 of assessed property to annual tax bills.

That would hit working folks and retirees with an added tax burden of between a few hundred and several hundred dollars a year. And taxpayers have been paying off two previous school improvement bond issues, one passed in 2015 and one in 2022.

In addition to the financial burden, according to district parent Anthonia Limon, who wrote the statement against CPT for the L.A. County sample ballot, safety issues have undermined community trust in district leadership.

“Infrastructure alone does not create safe schools,” Limon wrote.

If Waters has similar concerns, that would be one thing. But to my knowledge, and to Ali’s, there has been no public explanation for recommending a no vote. And when you read the fine print on the slate mailer, which advises voters to “take Congresswoman Maxine Waters’ recommendations with you to vote,” it only raises more questions.

“This document was prepared by Citizens for Waters, not an official party organization. Appearance in this mailer does not necessarily imply endorsement of others appearing in this mailer nor does it imply endorsement of, or opposition to, any issues set forth in this mailer,” it says.

Huh?

Are they endorsements or aren’t they?

The Times reported in 2004 that the rep’s daughter, Karen Waters, “has charged candidates for spots on her mother’s ‘slate mailer,’ a sample ballot that many voters in South Los Angeles use to guide their choices.” Last year, the Waters campaign paid a $68,000 fine for campaign finance law violations following a Federal Election Commission investigation that involved Citizens for Waters.

Rep. Maxine Waters’ slate mailer.

(Eric Thayer / Los Angeles Times)

Also in the fine print on the current mailer:

“Appearance is paid for and authorized by each candidate and ballot measure which is designated by” an asterisk.

So are these endorsements or paid advertisements? There’s an asterisk on nearly every endorsement in the mailer, from city council to governor to judgeships to Measure CPT. The way I read this is that various parties paid for endorsements, but the mailer does not reveal who paid, or how much they ponied up. Such mailers, by the way, are not uncommon in California, according to election law experts.

“I think this is misleading for voters,” said Erwin Chemerinsky, dean of the UC Berkeley law school. Although he thinks the endorsements are a form of protected free speech, he said this “reflects a very deep problem in our elections with dark money, when we don’t know where the money is coming from.”

On Thursday, I visited Tana McCoy, a Compton High grad and retired city employee who is running for Compton Unified school board. She showed me the slate mailer delivered to her home, but said she’s going to vote yes on CPT despite Waters’ recommendation.

“Children need to feel good about their environment, because that’s all part of their mental health,” McCoy said.

At Dominguez, where graduates have a 96% college acceptance rate, according to district officials, junior Zaiden Ross gave me a tour that included a stop at a gymnasium fountain that he said hasn’t worked in years. Some fountains are dirty, he added, “and some of the pipes on campus produce water that has, like, extremely high amounts of lead and magnesium.”

Student Zaiden Ross demonstrates a nonworking sink in a bathroom on the campus of Dominguez High School in Compton.

(Eric Thayer / Los Angeles Times)

Zaiden took me to a classroom to show me water samples he’s still testing. Then we visited the robotics classroom, where he turned on a faucet, and the flow was closer to the color of apple juice than water. The air conditioner was rattling, and teacher G.C. Esiobu, who runs the engineering and robotics club, said there had been an “emergency” fix for a busted system. Zaiden gave me a quick rundown of dated computers and other equipment students use to design drones and robots.

And yet despite all that, a display case was filled with trophies. At competitive meets, Esiobu said, “we have been winning with little or nothing.” With equipment upgrades, she added, “just imagine the level we will go.”

There’s still time, before Tuesday’s election, for Waters to visit Dominguez High and maybe get a tour from Zaiden and Esiobu.

If she does, she might rethink that endorsement.

steve.lopez@latimes.com