Maura

FORMER Love Islander Maura Higgins was given a £17,000 Birkin bag by the man who betrayed her on the final of The Traitors US.

Maura, 35, was fooled when American snake wrangler and TV personality Rob Rausch nabbed all the £165,000 prize money.

But he made it up to her by giving her a burgundy Hermès Togo Birkin 30 bag on Bravo TV show Watch What Happens Live with Andy Cohen.

Maura said: “See this is my win.

“I knew I’d have my moment.

“You’re forgiven.

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“I love her.

“She’s beautiful.”

She also poked fun at herself for not guessing Rob was a Traitor by wearing a T-shirt with “I’m dumb?” printed on it.

Maura was later pictured leaving the Bravo TV studios in New York wearing a white outfit with huge fur collar and cuffs.

She also spoke to Elle USA, about the moment she was betrayed in the final.

She said: “The crazy thing about it is, I always have something to say.

“And in that moment — I don’t think I’ll ever forget it — I was genuinely speechless.

“I couldn’t speak.

“It was so crazy.

“Even my mum, she was, like, ‘You always have something to say’.

“And I was like, ‘But I genuinely believed he was a Faithful.

“Honestly, winning best-dressed of the castle, being runner-up on a show that I have never watched, and I’m getting a free Birkin, for me, that’s a win.

“I don’t need anything else.

“I genuinely don’t.

“That is a win.”

However, her movie career is off to an underwhelming start — her debut film, The Spin, took just £12,000 in its opening weekend in the UK and Ireland.

MAURA Higgins continued her fashion hot streak in a stunning designer dress in Milan.

The US Traitors star slipped into a £2,350 Roberto Cavalli number for Milan Fashion Week and cut a modelesque figure as she posed for photos.

The striking golden gown is described as “a tribute to the beauty and power of the sun” on the brand’s website.

Maura gave a glimpse into her hotel room, showing a Roberto Cavalli bag on her bed supplied especially for her by the brand.

The striking look comes hot on the heels of her head-turning appearance at the Baftas on Sunday.

At the Royal Festival Hall she wore a figure-hugging red satin gown with a silhouetted cape and a fan-like neckline for the ultimate sexy senorita look.

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A-MAUR-ICAN DREAM

Maura Higgins’ plan to turn heads in US – & controversy that sparked it

Maura’s career is on the up and she’s been making big waves in America.

The 35-year-old hosts the Love Island USA spin-off show Aftersun and is in the final of Celebrity Traitors, where she struck up a friendship with Real Housewife Lisa Rinna.

She recently attended an event celebrating Lisa’s new book, You Better Believe I’m Gonna Talk About It.

The former reality TV bombshell, who shot to fame in 2019 with her razor-sharp one-liners and no-filter flirting, is fast becoming a US sensation. 

Back home, she has just bagged a six-figure deal with Victoria’s Secret — a major glow- up from her villa days. 

These days, Maura is living a jet-set life that would have felt a ­million miles away from her childhood in the town of Ballymahon, Co Longford. 

Of course, Maura’s American takeover didn’t come out of nowhere. 

In February last year, she found herself at the centre of a Brit Awards storm after being spotted by The Sun kissing married McFly singer Danny Jones.  

While his relationship drama played out publicly, trolls piled into Maura online, landing the blame firmly at her door. 

For a short while, she went quiet — but instead of retreating, she soon landed a spot on The Traitors US, which is hosted by actor Alan Cumming. 

And what looked like a ­reputational wobble in the UK has since become a full-blown American reinvention. 

A source said: “When the ­Traitors came knocking, she knew it could turn things around for her. Maura jumped straight into action. She was a woman who had something to prove.” 

After filming wrapped on the US series at Ardross Castle in Scotland last June, Maura walked away feeling confident that she had smashed it, according to pals. 

She has now signed up with top-tier agency Align PR, whose clients include Madonna and Hollywood stars Matthew McConaughey and Bryce Dallas Howard. 

She has even been doing some acting herself, landing a role in an Irish buddy movie, The Spin, due to be released later this month. 

To age is to find one’s appreciation for life’s daily joys sharpen, especially as more inconvenient realities assert themselves. Lifelong Tangier resident Maria Angeles (Carmen Maura), part of the bustling Moroccan city’s entrenched Spanish community, is one such grateful senior. We see her at the beginning of “Calle Málaga” in a state of smiling contentment, walking her neighborhood streets and being greeted by vendors.

What she surely isn’t expecting, however, as she buys food and makes croquetas in preparation for an eagerly awaited visit from her daughter from Madrid, is that this trip will threaten all she holds dear. That’s because Clara (Marta Etura), a divorced mom struggling to pay the bills, arrives with the news that she’s selling the grand old apartment her widowed mother has lived in for 40 years. Won’t it be nicer for Maria to live with her in Spain and be closer to her grandchildren? Or at the very least be taken care of locally in Spanish-specialized assisted living?

The look on Maura’s face — this celebrated actor’s most well-honed tool — suggests a range of emotions regarding forced elderhood or grannydom that are far less accommodating.

How Maria handles her imminent uprooting is at the core of Moroccan filmmaker Maryam Touzani’s third feature, her follow-up to the similarly sensitive family drama “The Blue Caftan.” “Calle Málaga,” written with Touzani’s husband Nabil Ayouch, is not a passive narrative, though, merely content with the internalized ache of acceptance. It is to some extent an emotional heist film and protest tale in delicate harmony, in that after initially agreeing to be placed in that Tangier senior center while her possessions are boxed up or sold, Maria schemes to steal her life back from under her absent daughter’s nose.

If you don’t look too closely at the details of Touzani’s charming scenario — which requires that a lot of things to fall into place, if enjoyably so — the movie becomes a sweet and spicy counternarrative to stories about aging that patronize their protagonists. (Another noteworthy example was last year’s rapturous American indie “Familiar Touch.”) Maria essentially becomes a crafty squatter in her own up-for-sale apartment, reclaiming some items from a hard-nosed but increasingly understanding antiques dealer (a well-cast Ahmed Boulane) and engineering a clever way to earn money with the help of friendly neighborhood kids who adore her. Her gambit even opens the door for unexpected romance, giving her frequent chats with Josefa (María Alfonsa Rosso), a childhood friend, an increasingly eye-opening frankness.

It’s hard to imagine anyone other than Maura, her almond-shaped eyes as powerfully suggestive as ever, conveying Maria’s rejuvenated spirit and sensuality with as much magnetism. Touzani, an unfussy, patient director with a fondness for the simplicity of human interaction, implicitly trusts her star to carry the film’s effervescence and complexity, although you may wish the filmmaking was a little less straightforward.

There is, after all, a reckoning for Maria’s situation we can’t help but keep in the back of our mind. Because our first brief glimpse of Clara is a sympathetic one — as opposed to conveniently antagonistic — we know “Calle Málaga” won’t settle for a tidy resolution. And it doesn’t, save leaving us with a view of Maria’s bid for freedom that, like the rose petal that is one of Touzani’s go-to visuals, beautifies the air whether still connected to the roots or separated and strewn like so much that’s fragile in life.