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‘Unsolved Mysteries’ ventures into a new realm: video podcasts

It’s been nearly 40 years since the dread-filled tones of the “Unsolved Mysteries” theme song first hit network TV airwaves.

In that time, the celebrated documentary series has been through nearly every iteration of the TV business — and is about to embark on a new one.

Next week, “Unsolved Mysteries” will launch a video podcast in partnership with the audio and entertainment firm Audacy. The weekly podcast, which will be available on YouTube and on all podcast platforms, will release new episodes starting Oct. 29 that explore cases such as mysterious deaths and unexplained disappearances.

The podcast will be hosted by actor and TV host Jordan Murphy and will include interviews with the people involved in the case, “Unsolved Mysteries” co-creator Terry Dunn Meurer told me in a recent interview.

“We’re still trying to expand the brand and pivot,” she said. “It just feels like that’s where the industry is heading. The YouTube audience is the biggest audience out there, and we are looking for the biggest audience because we’re trying to help solve these cases. So the more viewers we can get with these episodes, the better.”

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“Unsolved Mysteries” isn’t the only Hollywood player to bet on video podcasts. Spotify has bet big on video podcasts, and Netflix has added them to its platform, both of which are attempts to compete with YouTube, diversify their offerings and keep consumers tuned in.

For “Unsolved Mysteries,” the move is just the latest way the show has tried to evolve with the TV industry’s ups and downs.

The show debuted in 1987 as a series of specials NBC used to fill holes in its lineup, Dunn Meurer said. That kind of pinch-hitting meant there was no marketing or publicity to get audiences excited about the show, but viewers started tuning in anyway.

Eventually, the specials became a weekly show that aired on NBC for nine seasons before moving to CBS. “Unsolved Mysteries” also had a syndication run on cable channels Lifetime and Spike TV.

Throughout its TV lifetime, the show would highlight stories of mysterious disappearances, escaped fugitives, lost connections and even the occasional paranormal story. “Unsolved Mysteries” made appeals to viewers, urging them that someone out there “knows the truth” and encouraged them to write in with tips or new suggestions for investigation, which has resulted in tens of thousands of submissions over the years.

More recently, “Unsolved Mysteries” was revived on Netflix for three seasons, with a format focused on a single story. The series also previously had an audio-only podcast.

In addition to the video podcast, “Unsolved Mysteries” also recently produced a full-length documentary on new evidence surrounding the so-called Tylenol Killer, a 1982 case in which seven people died after unknowingly taking cyanide-filled pill capsules.

Though the method of delivery has changed, Dunn Meurer said the show’s mission remains the same. Over the years, the series has helped to directly solve more than 260 cases, she said, though many are so-called lost love cases of missed connections, as well as fugitive whereabouts and some murders.

“There’s so many mysteries out there that need attention, cases that have gone cold,” she said. “For me personally, it’s hard to not keep putting those stories out there and helping these families and law enforcement that need the help to solve these cases.”

‘Musk’ advertising controversy

In notable media news, the TikTok ad account for Bleecker Street’s documentary “Musk” was “permanently suspended” Friday, the day the film opened nationwide, a spokesperson for the indie studio confirmed.

But on Sunday, a spokesperson for TikTok said the account was restored “after an error.”

The documentary, directed by Alex Gibney, follows billionaire Elon Musk and the effect he has had on politics and his support for the GOP and President Trump.

The ban raised suspicions in Hollywood as TikTok is now partially owned by Oracle, which was co-founded by billionaire Larry Ellison. Ellison, who still serves as executive chairman of the tech company, is briefly mentioned in the documentary when he offers to help Musk finance his acquisition of Twitter, according to the Hollywood Reporter.

The documentary will make its streaming debut on HBO Max, which is owned by Ellison’s son, David.

In its second weekend in theaters, “Musk” grossed about $306,700 across 472 screens in the U.S. and Canada, for a $650 per-screen average. The film has notched a 97% critics rating on aggregator Rotten Tomatoes.

Stuff We Wrote

Film shoots

Number of the week

fifteen million dollars

A24’s “You Can See Everything” brought in $15 million at the domestic box office over the weekend, a huge feat for the nearly three-hour documentary that delves into the life of disgraced Theranos founder Elizabeth Holmes shortly before she reported to federal prison for defrauding investors.

The documentary, directed by deadpan comic Nathan Fielder and “Primetime” filmmaker Lance Oppenheim, got a ton of buzz after its surprise debut at the Telluride Film Festival last month. The $15-million opening is even more impressive given that it was available only on 855 screens.

That was good enough for second place at the weekend box office. In first was Skydance-owned Paramount Pictures’ “Street Fighter,” which scored $31 million domestically for a worldwide gross of $51.1 million.

What I’m watching

During a busy (news) week like last week, sometimes you just need a comfort watch. For me, that’s HGTV.

There’s nothing more calming than watching people try to redo their houses into the home of their dreams. But because it’s spooky season, I ended up watching “Scariest House in America,” a hilarious home makeover competition hosted by “Parks and Recreation” comedian Retta, where homeowners show off their creepy, strange or wildly dilapidated houses in hopes of winning a renovation. After watching the travails of people who chose to live in a former jail or a self-constructed giant gingerbread house with a rickety single-person elevator, I was oddly soothed.

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‘VisionQuest’: Everything to know before watching the Marvel show

The last time audiences saw Vision, the reconstructed synthezoid was flying off into the distance, and we didn’t know when we’d actually see him again. But he’s finally back.

Premiering Tuesday on Disney+, “VisionQuest” brings Vision (Paul Bettany) back into the spotlight — along with a few of his closest inorganic friends — as he tries to figure out his identity and understanding of humanity. Along the way, he’ll encounter a bounty hunter (Todd Stashwick) and a teenager that just might be his son (Ruaridh Mollica), sort of. It’s a long story.

Created by Terry Matalas, “VisionQuest” is set to wrap up the story set into motion by the 2021 series “WandaVision.” The Marvel Cinematic Universe’s first-ever streaming series saw a grief-stricken Wanda magically manifest a happy life for herself and Vision as newlyweds and, eventually, new parents. But that happiness wasn’t meant to last since the actual Vision was gone.

A lot has changed in the MCU since the conclusion of “WandaVision,” so here’s a quick refresher to get you up to speed for everything you need to know before watching “VisionQuest.”

James Spader as Ultron patting Paul Bettany as Vision on the shoulder

Ultron (James Spader), left, and Vision (Paul Bettany) in “VisionQuest.”

(Marvel)

What is ‘VisionQuest’ about?

Set some time after the events of “WandaVision,” “VisionQuest” will follow Vision as he tries to sort through his understanding of his identity and humanity. The former weapon of mass destruction has been in hiding for some time, but a bounty hunter tracks him down and disrupts his quiet life before also discovering a young man who appears to be Vision’s son.

When was the last time we saw Vision?

Audiences last saw Vision at the end of “WandaVision.” The monochromatic version of the former Avenger had been rebuilt without his memories to be a sentient weapon, but during a showdown with his magically created double, he regained them. He then flew off into the unknown to figure out what having access to these memories means for him.

What happened to Wanda?

After undoing her hex that let her live out a version of a happily ever after with Vision, Wanda had to watch him and their kids — twin boys Tommy and Billy Maximoff — disappear. Her story continues in the 2022 movie, “Doctor Strange in the Multiverse of Madness,” where she taps into some dark magic in order to find a way to reunite with her boys somewhere in the multiverse for another attempt at that happy life. But she’s a bit overzealous and things take a (villainous) turn for the worse before she ultimately sacrifices herself and is crushed by a mountain.

Ruaridh Mollica as Tommy Shepherd cuffed to a chair.

Thomas Shepherd (Ruaridh Mollica) in “VisionQuest.”

(Marvel)

What happened to Wanda and Vision’s kids?

Audiences learned in the 2024 series, “Agatha All Along,” that although Billy and Tommy’s physical forms disappeared when Wanda undid her hex at the end of “WandaVision,” their souls remained. Instead of crossing over into the afterlife, Billy, the magically inclined twin, transferred his soul into the body of William Kaplan, a teenager who had just been involved in a fatal car crash. Billy, now inhabiting the body of and living as William, was then able to use his powers to help Tommy’s soul find a new body to inhabit. At the end of “Agatha,” Billy and his magical mentor, Agatha, headed off to search for Tommy.

Who else is in this show?

Joining Vision in his “VisionQuest” adventures are an array of other AIs created by Tony Stark — all of which essentially now reside inside of Vision’s head. Most of these programs did not have physical forms in their original MCU incarnations, but appear in human form within the world inside Vision’s mind.

J.A.R.V.I.S. (James D’Arcy) is the AI assistant that Stark originally created to help manage his home and office as well as his Iron Man suit. His core programming was used to make Vision during “Avengers: Age of Ultron” (2015). F.R.I.D.A.Y. (Orla Brady) is the AI assistant that was created to take over J.A.R.V.I.S.’ duties afterward.

E.D.I.T.H. (Emily Hampshire) was created by Stark to help manage his company’s security and defense systems and was connected to his glasses. These glasses were passed on to Peter Parker in “Spider-Man: Far From Home,” before they were acquired by the film’s villain for his nefarious plot.

Orla Brady, James D'Arcy, Johnathan Sayer and Henry Lewis standing side by side

F.R.I.D.A.Y (Orla Brady), J.A.R.V.I.S. (James D’Arcy), U (Johnathan Sayer) and D.U.M.-E. (Henry Lewis) appear human in Vision’s mind in “VisionQuest.”

(Marvel)

D.U.M.-E. (Henry Lewis) and U (Jonathan Sayer) were a pair of arm robots that helped Stark in his workshop. All of these AI have specific roles and responsibilities within Vision’s home in his mind.

Another resident within Vision’s head is Ultron (James Spader), the misanthropic genocidal AI originally created by Stark and Bruce Banner to help save humanity. He tried to delete J.A.R.V.I.S. during the events of “Age of Ultron,” which led to the creation of Vision, so their dynamic is a bit complicated.

Also set to appear on the show is Mollica’s Thomas Shepherd, an older incarnation of one of Wanda and Vision’s magically created sons who had disappeared when the hex enveloping Westview was undone.

What do I need to watch before watching ‘VisionQuest’?

“VisionQuest” has been touted as the conclusion of the “WandaVision” trilogy, which also includes “Agatha All Along.” The events of “WandaVision” appear to be most central to “VisionQuest’s” story, though.

Those who’d like to see Vision and Ultron’s story from the very beginning should add “Avengers: Age of Ultron” to their queue. Fans who want to delve more into Vision and Wanda’s love story can also check out “Captain America: Civil War” (2016) and “Avengers: Infinity War” (2018) — with the latter adding more context to Vision’s current state of being. Those who want to see what happened to Wanda after “WandaVision” should also watch “Doctor Strange in the Multiverse of Madness.”

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Marvel Unlimited is shutting down for new Webtoon app

Marvel Unlimited, the company’s digital comics subscription service, is shutting down after 19 years.

Marvel announced Monday that it is launching Marvel Comics, a new digital comics app that will house more than 35,000 current and classic titles featuring Spider-Man, the X-Men, Captain Marvel and more from its extensive library. The new platform is built and operated by Webtoon and will launch Nov. 16.

The Marvel Comics app library will feature comics spanning Marvel, Star Wars and 20th Century Studios titles at launch, with stories from Disney’s other brands — like Pixar and Disney Animation — expected to follow. The new app will support both the traditional page-based comics format that mirrors physical books and the more mobile-device-friendly vertical-scroll format. (Marvel Unlimited also featured vertical-scroll comics under its Infinity Comics banner.)

Avengers comic cover on a phone screen

A preview of the Marvel Comics app.

(Marvel Comics)

Those attending New York Comic Con this Thursday through Sunday can get an early look at the new app at the Marvel Comics booth (#2435).

With the arrival of the new Marvel Comics app, Marvel Unlimited will “sunset” on Dec. 7. Marvel Unlimited has been the company’s in-house digital hub for its comics since its launch as Marvel Digital Comics in 2007. Subscriptions and payment information from Marvel Unlimited will not automatically carry over into the Webtoon-operated Marvel Comics, and Marvel says those whose paid subscriptions will be cut short because of the shutdown can expect a prorated refund on or around Nov. 16.

Marvel Unlimited members who sign up for Marvel Comics will be able to import their current library and reading history into the new app once it’s launched. The steps required for that process have not yet been detailed, but the company says these members will have until Dec. 21 to access their Marvel Unlimited library to ensure the transfer was successful.

Marvel Comics will offer two subscription tiers: The base-tier membership will run $9.99 per month or $69.99 annually for access to the app’s full catalog, with new issues of ongoing titles added as early as three months after print release. For those who would rather not wait that long to read newer comics, Ultimate-tier members will be able to access new issues as early as a month after its print release. Subscriptions for that tier will run $12.49 a month or $99.99 a year. Marvel is currently offering a special $59.99 “founder member” price for the first year of an annual Ultimate-tier memberships for those that preorder the service.

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