makeover

“Heartwarming” is a cliche of theater reviewing that I have studiously tried to avoid, but I’m tempted to use the word in my review of “Begin Again,” the new musical based on the 2013 John Carney romantic comedy about two dreamers trying to rekindle the love of making music that the industry nearly destroyed.

The show, which is having its world premiere at the Old Globe’s Donald and Darlene Shiley Stage, is just so damn heartwarming that I can’t help but resort to the language of blurbs. But let the ticket buyer beware: Heartwarming is a feeling, not a complete verdict.

Featuring a book by Jenna Clark Embrey and Molly Beach Murphy and a score by Pat Monahan and his bandmates from Train (Jerry Becker and Matt Musty), “Begin Again” does a pretty good job of distilling and updating the movie. Carney’s film, notable mostly for the vibrantly gritty New York setting, the Oscar-nominated song “Lost Stars” and the lived-in performance of Mark Ruffalo, couldn’t help languishing in the shadow of the filmmaker’s breakout hit “Once,” which later became a Tony-winning musical.

“Begin Again” the musical is likely to suffer a similar fate. It lacks the quirky originality that made “Once” an unexpected Broadway juggernaut. But the new show, directed by Lorin Latarro and choreographed by David Neumann, has heart — there I go with that overused word again!

I succumbed to the show’s charms despite being aware that the comedy isn’t as freshly articulated as it should be and the music, while exuberant, doesn’t seem to emanate from the soul of Gretta, a reworked American version of the singer-songwriter character indifferently played by Keira Knightley in the movie.

Emma Busse as Gretta, center left, and Kevin William Paul as Max with the cast of “Begin Again.”

(Jeff Lorch)

Gretta relates to her songs as though she were the next Joni Mitchell, but the new material she’s composing on the fly with her new friends doesn’t seem particularly intimate or revealing. I liked the indie rock sound, but mostly for the collaborative liftoff. Lyrically, I wasn’t drawn in. But who could resist the ecstatic momentum of her ad hoc band members buying into her grassroots dream?

Gretta, played with folksy innocence by Emma Busse, has traveled to New York from Pennsylvania with her boyfriend Max (Kevin William Paul). A musician with frontman good looks, he’s about to be packaged into a rock star. Gretta’s songwriting has paved the way for this opportunity, but Max is told that he’s being signed as a singer-songwriter and sharing credit is a deal-breaker.

Selfless, naive Gretta gives Max her blessing and her rights, and almost immediately he betrays her with another woman. Perhaps even more disloyally, he allows his producers to run her song “Don’t Let Go” through a pop blender that drains it of all its personal meaning and artistic integrity.

Alone in the big city, she takes refuge at the Queens apartment of college friend Stevie (Casey Whyland), formerly Steve in the movie, the comic sidekick role played by James Corden. Stevie, conveniently, is a sound engineer with an analog heart. She’s not only how Dan (an electric Patrick Heusinger), a washed-up music executive with a broken marriage and a drinking problem, discovers Gretta. But without Stevie’s technical ingeniousness, the prospect of recording an album in outdoor New York locations would never have been possible.

The professional meet-cute between Gretta and Dan happens at an open-mic night at a dive. Stevie calls a heartbroken Gretta to the stage to perform, and she reluctantly complies before giving up in embarrassment. She thinks she’s bombed, but Dan, who has “magic ears,” hears what the song could be.

Patrick Heusinger as Dan, left, and Adrienne Walker as Miriam with the cast of “Begin Again.”

(Jeff Lorch)

Just as Dan glimpses Gretta’s raw potential, she sees his lost purpose, and the two launch a mutual rescue mission. He brings Gretta to meet Saul (Nik Walker), who co-founded Distressed Records with him and just fired him for his erratic behavior. Saul doesn’t have Dan’s ability to spot future talent, but he agrees to give the singer a listen if they cut a demo. And so off Dan and Gretta go, with no budget, to make memorable music together.

Friends are their main resource — and that proves an inexhaustible boon. “Begin Again” really comes alive as Gretta, Dan and their expanding, can-do music network starts pooling its expertise.

You can hear the songs germinating from lonely inspiration to group transformation — and the sound is exhilarating. The process of songwriting, rather than being a solitary slog, is a collective joy, rapturously captured in the number “Write a Way.” And “Twilight Summer Sky,” the number performed on the rooftop of Stevie’s apartment building in Queens, represents perhaps the fruit of all the group’s effort.

“Begin Again” is a musical fantasy, not a work of realism. Gretta and Dan are seemingly brought together by fate to heal one another. As they separately go about their business in New York before they’re introduced, they continually pass like ships in the night in a New York that scenic designer Derek McLane summons in a shifting comic-strip landscape of high-rises that gives the city an industrial quaintness.

The action rewinds from Gretta and Dan’s initial meeting at the bar, and later fast–forwards to speed up some of the more boring bits of the album-writing process. The ensemble moves backward and forward with these narrative jump-cuts.

This literalness can seem overly cute. (I prefer the idiosyncratic yet fully integrated movement direction Steven Hoggett brought to John Tiffany’s Broadway production of “Once.”) But Latarro’s staging and Neumann’s choreography keep the storytelling moving at a pleasantly brisk clip. And Skylar Fox’s illusion design adds an element of visual sorcery.

The cast of “Begin Again.”

(Jeff Lorch)

It’s the actors, however, who elevate the material, supplying a depth of feeling where the writing offers something more general. Heusinger makes it possible to leave Ruffalo’s fine portrayal behind. This is a different and more dynamic Dan, at least in terms of the musical demands placed on the character. Paul’s Max is every bit a rock star, but Dan is convincing as both a burned-out music mogul with a self-sabotaging streak and a gifted artist in his own right who just needs someone to believe in his producing instincts again.

Adrienne Walker, who plays Miriam, Dan’s estranged wife, and Charlotte MacLeod, who plays Violet, Dan’s disaffected daughter, endow their characters with more lineaments than the book provides. Walker’s Saul doesn’t do what Yasiin Bey managed in the movie — make Distressed Records seem like a real New York record company — but his singing compensates for some of the clumsier aspects of his reduced role.

Whyland’s Stevie, serving as emcee when the occasion calls for one, combines genuine camaraderie with comic relief. The gender switch makes sense, and Whyland embodies the spirit of artistic cooperation that makes “Begin Again” such an invigorating experience.

I wish that the musical didn’t amplify Gretta’s artistic insecurities and distress over the breakup with Max. The character seems less self-assured and more wounded than she did in the movie, making her fervently held idealistic beliefs about creative independence seem borrowed from another character. But Busse brings an American innocence to the role, and her ardor about music and community seems genuine.

“Begin Again” transcends its limitations through the kinetic connection of the cast. When all the elements of the music come together, a triumphant feeling — call it uplift — charges the air.

BRITAIN’S oldest Lido has vowed to “definitely reopen” after being left to rot.

The historic swimming facility has been closed for over two years, despite receiving a £9.3million makeover.

Cleveland Baths, first opened in 1815 and is the oldest of its kind to exist in the UK, but closed in 1984.

A huge campaign and a mulit-million pound refurbishment saw it reopen for just four months in 2023 before it was forced to close again due to flood damage.

But now trustees have promised to reopen the 200-year old pool, telling the BBC it is “moving as quickly and responsibly” as possible

It’s definitely going to happen,” Peter Askew, chair of Cleveland Pools Trust, told the outlet.

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The trust has set out a timetable that includes a consultation and more fundraising, with repair works restarting in 2028.

In January 2024, the River Avon burst its banks and destroyed the facility.

A subsequent investigation revealed mechanical and structural damage.

“The first is that floodwater entered the door of the plant room.

“And then, secondly, in the process of emptying the pool of floodwater, the groundwater level wasn’t properly managed, and that led to further damage,” Peter explained.

It comes as just a few weeks back, the lido welcomed visitors to the grounds to take a rake peak at pool.

At the time, visitors were able to meet the trustees and volunteers to hear about their vision for the site, but could not swim.

A HUGE estate with beautiful grounds, tea room and even a museum could be set to completely transform.

Waterperry Gardens in Oxford has submitted plans for a complete change-up including the building of a brand-new tea room additions to the courtyard.

Waterperry Gardens is a popular spot thanks to its beautiful ornamental gardens, award-winning tea rooms, garden shop, gift barn, gallery and museum.

It even has an outdoor amphitheatre for opera, theatre and music with performances through the summer months.

It’s visited year-round thanks to its various flower and plant displays with lots saying it’s still worth a trip out of season in autumn.

One visitor said: “We have visited Waterperry several times and in the early autumn the aster borders are at their best.”

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Another added: “Lovely little place. Great gardens (even in late October there was still plenty of colour). Nice cafe. Good shop and gallery.”

A third wrote: “This is difficult to describe how wonderful these gardens are. Even at the beginning of September they were full of bloom.”

But the Waterperry Gardens could well transform as it submits plans to build a brand new home for its tea room – and reconfigure the site.

The plans say “there is an urgent need to replace the existing catering building with a new facility that serves both the current and future needs of the site“.

The building which houses the tearooms was a former laboratory which has “exceeded its lifespan.”

A new design by Cowper Griffith Architects revealed a much brighter building with large windows.

Other plans include relocating the car park to the west of the picnic lawn and seating on a courtyard between the museum and the new building.

These proposals are currently in its consultation period – so there’s plenty of time to see Waterperry Gardens as it is now.

Anyone visiting will definitely want to pop into its award-winning tea room.

Last year it won Afternoon Tea of the Year 2025 by the Garden Centre Catering Awards.

At lunchtimes it serves up jacket potatoes , soups, salads and homemade cakes.

It also has two afternoon tea options; Waterperry Tea or Celebration Tea.

Each comes with a selection of cakes, homemade jam, scones and clotted cream, sandwiches and mini vegetarian quiche tart, along with loose leaf tea, coffee or Prosecco.

Visitors can also pop into its on-site museum which reveals what rural life was like 100 years ago, and kids can enjoy the play outdoor play area too.

Coleen and Wayne as you’ve never seen them before, as they star in their new Disney+ reality series The Real Rooneys

It’s a Premier League makeover for Wayne Rooney, who is embracing his latest position of reality TV star.

Together with wife Coleen and their four boys, Wayne lets the cameras in to the family’s £20million Cheshire mansion to witness the highs and lows of their chaotic family life. “This is a side of us you’ve never seen before,” promises Coleen. Mrs Rooney appears to be spot on. The former number 10 is seen quaffing champagne in a snowsuit, cuddling up to Mickey Mouse and trying to keep up with his growing sons playing football in the garden.

But it’s not all fizz and frolics, Wayne is also filmed being given the hairdryer treatment by Coleen in scenes that could make Sir Alex Ferguson wince. Coleen tells her husband that he’s ruined a family holiday and storms out of shot as the cameras follow them on a beach, leaving Wayne alone and subdued on a sun-lounger contemplating his actions. “The dog house manual? I’m on the third book,” Wazza quips, safely out of Coleen’s ear.

When he’s not receiving instructions on the shopping list or juggling the school run, Wayne is also seen embracing a career pivot to the BBC Sport punditry team. The former England star was a surprise hit at this year’s FIFA World Cup. His no-nonsense commentary and blunt put-downs were a winner with viewers, especially after branding the multi-million pound half-time show ‘crap.’ “I’ll do my job, entertaining the country,” Wayne smirks to the camera, turning on the charm in one of his first TV confessionals.

A summer at the BBC may have signalled a new showbizzy Wayne, but in his new reality series he dives right in.

In the new Disney+ series, Wayne, 40, shares the spotlight with Coleen, 40, and sons Kai, 16, Klay, 13, Kit, 10, and Cass, eight.

Reflecting on their incredible turn of fortunes, after meeting as teenagers on a council estate in Liverpool, Coleen says: “This house is everything I’ve dreamed of, the only problem is we’ve got to share it with our four boys.”

Klay is seen being interviewed by an off-camera producer who asks: “Who’s more famous, mum or dad?” He replies: “My dad. My mum is only known because of my dad.” Wayne also confirms the couple will not have any more children, saying: “No chance, I’ll have the snip.” Coleen references her court case against fellow WAG Rebekah Vardy and her appearance on I’m A Celebrity… Get Me Out Of Here! as she works on developing a collection with Primark and filming a TV advert alongside actor Danny Dyer. She says: “Since the court case and then the jungle, it’s opened up a lot of doors.” Wayne is also seen in his natural habitat, revelling in having a kick around with eldest son Kai, who is a forward for Manchester United’s youth academy.

Later in the trailer, Wayne holds Coleen up in his arms as they recreate the Dirty Dancing lift.

“It feels like we’re on the edge of a new life,” the mum says in a voiceover.

Wayne also appears to be fully in the grips of a new look. The footballer appears to have undergone a glossy glow-up to match his new on-screen ‘fun dad’ persona.

Ditching his beard for some rugged manscaping, the ex England captain appears noticeably more primped and preened for the small screen. Growing out his salt and pepper hair, Wayne is happy to show off his locks after his many famous hair transplants over the years.

He underwent his first back in 2011, “I was going bald at 25 why not. I’m delighted with the result,” he previously said.

This year Wayne also revealed he had gone under the knife to have nose surgery to correct long-term breathing difficulties from breaking his nose twice during his playing career

Ready for his close-ups, the former striker is also smiling a little more brightly – sporting some straighter white teeth.

They might not be Keeping Up with the Kardashians, but the Rooneys are hardly in a league of their own.

They are the latest footballing family to join the race to become Britain’s next reality star. They follow The Vardys on ITV and the Owens after Michael and his family also let the cameras in for Prime Video with Peter Crouch and Abbey Clancy set to follow suit in the new year.

The Real Rooneys will launch on September 24 on Disney+.

The first edition of “60 Minutes” since CBS News editor in chief Bari Weiss initiated drastic changes to the venerable program made it to air Sunday. But the changes weren’t all that apparent on screen.

The 59th season premiere was highly anticipated following months of turbulence behind the scenes. Weiss fired “60 Minutes” correspondents Sharyn Alfonsi and Cecilia Vega, both of whom complained the executive pushed them to add right-wing talking points to their stories. Longtime correspondent Scott Pelley was ousted after he angrily questioned the firings at a staff meeting.

Weiss — who took over editorial control of CBS News after parent company Paramount acquired her heterodox digital news site the Free Press — also dismissed “60 Minutes” executive producer Tanya Simon and replaced her with screenwriter and documentary filmmaker Nick Bilton, who has no previous experience in TV news.

Weiss restocked the program’s correspondent corps with one new full-timer — Ross Douthat, the longtime conservative opinion writer for the New York Times — and several new contributors, none of whom showed up in the premiere.

Douthat is the only newcomer added to the opening credits where the correspondents introduce themselves on camera. He also did the closing segment called “The Last Minute,” talking about the dangers of AI and the need for “journalism you can trust.”

But the look and tone of “60 Minutes” remained intact, with only a few minor tweaks to the graphics.

The episode was heavily promoted, with one on-air spot drawing on clips with from the program’s storied past. Correspondents throughout CBS News touted the premiere on their social media accounts.

The program opened with Norah O’Donnell’s exclusive interview with the Air Force officer who was shot down over Iran and rescued by special forces. The U.S. fighter jet was the first to be lost over enemy territory in more than 20 years.

The interview gave a detailed account of the rescue mission and steered clear of any political discussion about the Iran war, which O’Donnell described as “costly and unpopular.” Secretary of Defense Pete Hegseth sat for an interview, focusing solely on the rescue mission.

The second segment was a hidden-camera investigation showing how self-styled lobbyists are shopping access to President Trump to felons looking for a pardon. Video captured pardon brokers Jack Burkman and Jacob Wohl, who were seen asking for $300,000 for their help, saying they worked with influencers close to Trump who would advocate for their cases. (The White House told “60 Minutes”: “Anyone spending money to lobby for pardons is foolishly wasting their money … President Trump performs his constitutional duties in an ethically sound manner, and to suggest so otherwise is either ill-informed or malicious.”)

Some on social media expressed surprise that “60 Minutes” would do a tough story on the Trump administration under Weiss after repeated reports that she is attempting to make the program more amenable to conservatives. “So I guess Bari Weiss didn’t totally destroy “60 Minutes” after all?” political analyst Chris Cillizza wrote on X.

The Los Angeles Rams made up the third segment in the program, which typically includes sports stories when CBS has a late afternoon football game leading into prime time. The package mostly focused on Rams head coach Sean McVay.

The ratings for “60 Minutes” will be issued by Nielsen later this week. Last year the program averaged 9.1 million weekly viewers, making it the most watched non-sports program in prime time.

THE UK’s most famous observatory will soon close for two years for a massive renovation project.

Royal Greenwich Observatory in London dates back 350 years and will close for two years on November 2 to undergo a £77million upgrade.

The project, dubbed ‘First Light’, “will bring the story of this historic site to life”, according to the Observatory, as well as “give everyone the chance to experience the wonders of space and time for themselves”.

The Observatory will be home to new galleries, refreshed displays, innovative architecture, as well as improved access for visitors.

As part of the project, there will be a new visitor centre which will be “the jewel in the crown of Greenwich’s UNESCO World Heritage Site”.

Inside the pavilion, there will be a gateway to the rest of the site, which will also have improved access overall, including full accessibility to the Great Equatorial Telescope for the first time.

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There will be new galleries too, in which visitors can explore observation and scientific work that took place at the Observatory.

And there will be new, interactive astronomer galleries, ideal for kids who want to become scientists themselves.

They will explore the fundamentals of astronomy: Light, Matter and Motion.

Many of the existing displays at the attraction will get a refresh including John Harrison’s timekeepers and instruments used for the Prime Meridian line itself.

Visitors can meet astronomers and scientists as well, in the ‘Astronomers’ Court’, with events including live science shows.

Outside the Observatory, Greenwich Park will get new landscaping as well as plants.

The First Light project already began in autumn last year and it is set to be complete by spring 2028

The Royal Observatory will close on November 2, 2026 but parts of the attraction such as the Meridian Courtyard, are expected to reopen in summer 2027.