Magic

“With memories still fresh of an unforgettable occasion for the Ashes Test, we’re delighted to be able to confirm a return to Hill Dickinson Stadium for the 2026 Super League Magic Weekend,” Rhodri Jones, Rugby League Commercial managing director, said.

“This will be the seventh venue to stage Magic since it was introduced as a new concept for sport in 2007 and our clubs, players and supporters are in for a treat.

“It’s a stunning stadium with outstanding facilities at all levels and also superbly located for summer on the waterfront, and with the many and varied attractions of Liverpool within easy reach.

“We continue to work with the Dragons and Toulouse on the feasibility of delivering a very special event in France too and we hope to be able to announce something in the near future on this.”

ORLANDO, Fla. — Jalen Suggs scored a season-high 23 points and had seven assists, and the Orlando Magic rolled to a 129-101 win over the Clippers on Thursday night.

James Harden had 31 points and eight assists for the Clippers. Ivica Zubac, the only other Clipper in double figures, had 14 points and 19 rebounds.

The injury-riddled Clippers, playing the fourth game of a seven-game trip, lost for the ninth time in 10 games.

The Clippers played a second consecutive game without Derrick Jones Jr. (knee) and Jordan Miller (hamstring) and a ninth in a row without Kawhi Leonard (ankle and foot). The Magic played a fourth consecutive game without Paolo Banchero (groin).

Franz Wagner scored 20 points and Tristan da Silva contributed 17 points and eight rebounds for the Magic, who have won five of six. Anthony Black came off the Orlando bench to finish with 12 points, four rebounds, four assists and four steals.

Clippers center Ivica Zubac goes up for a shoot between Magic guard Tyus Jones (2) and center Wendell Carter Jr., right, during the first half Thursday.

(Phelan M. Ebenhack / Associated Press)

Suggs scored 20 points in the first half and finished with five three-pointers. He did not play in the final quarter.

Orlando made 18 of 34 three-point shots (52.9%). Suggs made one to put the Magic up 61-49 at halftime.

The lead reached 26 when Desmond Bane, Wendell Carter Jr. and Black combined for four three-pointers in the first 2:21 of the fourth quarter.

Up next

Clippers: Visit Charlotte on Saturday. Magic: Host New York on Saturday.

This destination also has the most beautiful Christmas tree and it’s easy to see why

If you’re yearning for a festive break that won’t leave you skint or battling the crowds, one European city has just been hailed as the cheapest place in Europe to visit at Christmas. According to Skyscanner, you can jet off there in December for a mere £35.

Vilnius, the stunning capital of Lithuania, isn’t just a bargain; its Christmas tree has been voted the most beautiful in Europe on several occasions, including 2019 and 2020. It’s now been dubbed the European Christmas Capital for 2025 by the Christmas Cities Network.

Vilnius kicks off its Christmas festivities on 29 November, when its dazzling Christmas tree is illuminated in Cathedral Square. The colossal tree, a winter highlight in the city, will stay put until 6 January 2026, giving both visitors and locals plenty of time to soak up the holiday spirit.

Folks can wander around the city’s enchanting Christmas Market, glide on the Vilnius ice rink nestled in the heart of the Old Town, and hop on the Christmas train, which meanders through Vilnius’ most festively adorned streets.

Out of 15 cities, Vilnius clinched the top spot on the list of Europe’s best-value festive getaways in the annual Post Office Christmas Markets Barometer, thanks to its impressively low cost of £509 for a two-night weekend escape, reports the Express.

This price includes return flights, two nights in three or four-star digs, airport transfers, two evening meals with wine, coffee, festive tipples and Christmas Market nibbles.

Costs have stayed largely the same since last year and have actually dropped by 0.4% compared to 2024, making it an unusual bargain at a time when numerous European destinations have become pricier.

The destination is 8% more affordable than Riga, which came second, where costs have risen by 1.8% despite meals, beverages and airport transfers being cheaper in Riga than in Vilnius.

The research also revealed that costs have declined in half of the destinations examined, despite sterling having weakened against several European currencies.

Laura Plunkett, head of travel money at Post Office, said: “A short break to one of Europe’s colourful Christmas markets is an attractive holiday option at this time of year.

“However, sterling’s drop in value is an important factor for travellers to consider before booking a trip because this varies between currencies. The pound’s fall against the euro is smaller than against other European currencies – five per cent compared with 10.6 per cent against the Hungarian forint and 10.9 per cent against the Swedish kronor.”

She added: “Budget-conscious travellers stand to save hundreds of pounds if they choose carefully.”

Travel photographer, Jacqueline, journeyby_jacq, wrote on Instagram that Vilnius is “pure magic without the crazy crowds” during the festive season.

“This city is decked out from head to toe, almost every storefront has a stunning display, and the city is just oozing with charm.”

Another TikTok user shared: “November In Vilnius is a big Christmas vibe, lights in every corner, ice-skate rings being prepared and everyone looking forward to the Christmas markets. Christmas in Vilnius, Lithuania is worth the trip!”.

A different user named Karolis added: “Vilnius is a hidden gem if you want to really feel Christmas. Amazing Christmas markets, Christmas decorations and honestly just Christmas in Vilnius. With nominations of the best Christmas tree, it’s a place not to skip.”

I can’t name a single song by the Jonas Brothers, but I can tell you their names — Joe, Kevin and Nick — and that they made a sitcom, “Jonas” (second season titled “Jonas L.A.”), back in 2009 that I liked a lot. The memory of that show was enough to get me kind of excited for “A Very Jonas Christmas Movie,” premiering Friday on Disney+ — which, as it happens, I also like. The humor is self-deprecating, the setting international, the weather wintry, the company good.

The plot, which is basically “Planes, Trains and Automobiles,” minus Steve Martin, John Candy and Thanksgiving, plus the Jonas Brothers, Christmas and magic, finds the boys — are they boys or are they men, it’s a point of discussion — in London, a few days before Christmas on the last night of a six-month tour. While they are good at being the capital-B Jonas Brothers onstage facing screaming thousands, they are less adept at being the small-b brothers after the curtain comes down. Their relationship seems pretty normal to me, but to each his own necessity.

Here they delineate their characters.

Joe (to Nick): You’re the uptight responsible one.

Kevin (to Joe): You’re the relatable tramp. I’m the relatable —

Nick: — human cardboard.

Joe: — forgettable Curly.

Nick: — the world’s most unlikely rock star.

Joe: Not Nick or Joe.

Kevin: I was going to say “handsome, relatable everyman,” but fine.

Anyway! The tour is over and the relatable tramp wants to go out and party, suggesting it could be epic. “We are three extremely exhausted dads in our 30s,” replies the uptight one, “how epic could it be?” And so, while his siblings FaceTime with their IRL families, Joe finds himself on a British barstool — a pubstool — beside a bearded stranger in a red leather jacket. You will recognize the actor as Jesse Tyler Ferguson and the character as St. Nick, barely disguised. Touched by Joe’s story of sibling alienation — “Our Christmas plans are to get the hell away from each other” — Santa works his wonders to keep them together until they get their brotherly magic back. For a start, he sends lightning to blow up the plane they’re scheduled to fly home on. (No one was aboard, we assume.)

“We should be able to function in the real world,” says Nick to Joe, who is about to phone their manager (Randall Park) to fix things.

“That would be ideal,” replies Joe, “but we’ve been famous since we were little kids, so it is what it is.”

Further supernatural complications ensue, allowing Joe to have a “Before Sunrise” episode with childhood friend Lucy (Chloe Bennet), cute-met on a train that should be going to Paris but is headed to Amsterdam, and Nick to hate-duet with frenemy Ethan (Andrew Barth Feldman), whose father he played in a fictional version of “Home Alone: The Musical” (“Being home alone / It’s like being with no / With no people”). Other talents swelling the ranks: Laverne Cox as their agent; Billie Lourd as travel agent Cassidy; Will Ferrell as Will Ferrell, No.1 Jonas fan; and Andrea Martin as a rideshare driver.

The songs feel mechanical — easy on the auto-tune, fellas, I’ve seen your Tiny Desk concert and you don’t need it — though the accompanying production numbers are fun. (You knew there would be production numbers.) But like the Beatles and Monkees before them, the brothers are natural, genuine actors; it’s my own Christmas wish that they find more to do in this line. A little breeze would blow the plot away, but keep the windows shut and you’ll be fine.

You know millennial nostalgia has reached a dangerous peak when there’s a new “Now You See Me” in theaters. The last time we encountered the merry band of Robin Hood prankster magicians known as the Horsemen, it was the Obama era, when “Now You See Me 2,” the sequel to the hit 2013 film, opened in the summer of 2016. Were we ever so young?

Back then, the Horsemen, played by Jesse Eisenberg, Woody Harrelson, Dave Franco and either Isla Fisher or Lizzy Caplan as the token girl magician, used the principles of magic for altruistic purposes, redistributing wealth and saving the world from various evil tech overlords.

We’re in even worse shape now, so why not do magic about it? It couldn’t hurt and it seems there’s literally nothing else we can do to exert any modicum of control over billionaires who are exacerbating environmental degradation and dangerous technology.

With “Now You See Me: Now You Don’t,” director Ruben Fleischer takes over the franchise reins from Jon M. Chu (now preoccupied with “Wicked”), who himself took over from Louis Leterrier (the screenplay is by Seth Grahame-Smith, Michael Lesslie and Rhett Reese). Some nine years down the line, fresh blood is needed, so “Now You Don’t” plays like “Now You See Me: The New Class,” introducing a trio of budding magicians who take inspiration from the Horsemen.

A reunion show at a Bushwick warehouse turns out to be — you guessed it — an illusion, with a group of young aspiring magicians, June (Ariana Greenblatt), Charlie (Justice Smith) and Bosco (Dominic Sessa), aping the Horsemen’s faces and using clever presentation in order to rob from the rich (corrupt crypto bros) to give to the poor (their fellow broke Gen-Zers). They’re happy to continue their scrappy operation, living in a converted loft in a bagel factory, until an actual Horseman, J. Daniel Atlas (Eisenberg) shows up at their place with an invite in the form of a tarot card, from an entity known as the Eye.

Turns out they’ve got bigger fish to fry: The whale is Veronika Vanderberg (a hilarious Rosamund Pike), a South African diamond heiress with a prize jewel known as the Heart Diamond and a very shady family history. The quest to steal the Heart will take the Horsemen from Antwerp to rural France and then to Abu Dhabi, where they will use their magical abilities to get out of jams, mess with Veronika and ultimately bring justice to the South African communities that have been exploited by diamond mining (naturally). This globe-trotting adventure will also bring together all generations of Horsemen, including former friends and foes, reminding us that even in comparison to big shiny diamonds, the most important natural resource in the world is friendship.

The funny thing about the “Now You See Me” movies, which are delightfully silly, frothy and ultimately quite stupid (in the best way), is that they’re not really about magic. They’re about puzzles and rubber masks and whipping playing cards through the air and escape rooms. But it’s unclear if anything that they do is actually magic. Sure, there are fantastical illusions (some clearly CGI-enhanced) and Henley (Fisher) is a master of escapology, but half the time, the Horsemen are merely setting up elaborate ruses and then their “show” consists of explaining how they tricked one person, which leads to that person’s arrest. Is that magic? It’s misdirection and lying and showmanship on an internationally grand scale, but it’s more “Mission: Impossible” than David Copperfield. It’s like if Ethan Hunt got on stage and explained everything he did to an adoring crowd before giving them all a monetary gift, Oprah-style.

If the Horsemen say it’s magic, fine. Even though the script is laden with expository dialogue — the amount of times they stand in a circle and babble lore at each other is unconscionable — there’s a fleetness to the pacing and the new additions are charming, particularly insouciant scamp Sessa, whose Bosco matches energy with Eisenberg’s smartest-guy-in-the-room arrogance.

Fleischer’s signature style is slick but chintzy, which works here. (There’s something appropriate for the style of a film about magicians being being shiny but cheap.) The first action sequence is incomprehensible, but they get better throughout. Most importantly, Fleischer knows there’s a winking element when it comes to performing or enjoying magic. It’s campy, it’s cheesy, it’s way more fun than you expect it to be, but there’s a knowingness to the whole endeavor. “Now You See Me: Now You Don’t” is the kind of lightweight, harmless and ephemeral entertainment that allows us to be escape artists from reality for a minute, so go ahead and indulge.

Katie Walsh is a Tribune News Service film critic.

TORONTO — Beneath his feet, confetti decorated the turf. Behind him, the video boards congratulated his team on its latest championship.

The Dodgers owner who lives and breathes championships smiled broadly. Magic Johnson always does, of course. This time, he had an impish twinkle in his eye.

“They said we ruined baseball,” Johnson said. “Well, I guess we didn’t.”

If you are not in Los Angeles, you might be screaming in frustration. The team with all the gold makes the rules, and the new rule is that the Dodgers win every year, and now their most famous owner is mocking you?

He is not.

He is, however, issuing a subtle warning to all of baseball’s owners: Don’t let your desperation for a salary cap destroy a sport on the rise — in no small part thanks to the Dodgers.

The NBA was not much more than a minor league 45 years ago. This is crazy to imagine now, but the NBA Finals aired on tape delay, on late-night television, most often at 11:30 p.m. The NBA audience was so small that advertisers would not pay prime-time rates for those commercials, so the games were not broadcast in prime time.

Johnson helped change that. The rivalry between his Lakers and Larry Bird’s Celtics revived the NBA, and then Michael Jordan and the Chicago Bulls became global sporting icons.

From 1980-88, either the Lakers or the Celtics won the NBA title in every year but one. From 1991-98, the Bulls won six titles.

The Celtics and Lakers and Bulls did not ruin the NBA.

“What the Celtics and Lakers were able to do, and Michael Jordan’s Bulls, was to bring in new fans — fans that were, ‘Oh, I don’t know about the NBA,’” Johnson said, “but the play was so good, and the Celtics and Lakers and Bulls were so dominant, people said, ‘Oh man, I want to watch them.’

“It’s the same thing happening here.”

The NBA leadership could not believe its good fortune. Baseball’s leadership appears intent on lighting its good fortune on fire.

“My phone was blowing up with people who hadn’t watched baseball for a long time,” Johnson said. “They were watching this series.

“This was good for baseball around the world.”

The World Baseball Classic is four months away. The World Series most valuable player, the Dodgers’ Yoshinobu Yamamoto, is from Japan.

So is the Dodgers’ Shohei Ohtani, the closest baseball has ever had to its own Jordan. The Dodgers rescued him from purgatory in Anaheim and surrounded him with a star-studded roster, and now he makes more money from pitching products than pitching baseballs. To the Dodgers, he doubles as an All-Star and cash machine.

The league — and all the owners complaining about the Dodgers and their spending — happily profited from this traveling road show. The Dodgers get the same share of international merchandise and broadcast revenue every other team does.

The Dodgers led the major leagues in road attendance, again. The league sent the Dodgers to Seoul last spring and Tokyo this spring, meaning that, for two years running, they were one of the first two teams to report to spring training and one of the last two playing at season’s end. The league’s television partners rushed to book the Dodgers, even for games at times inconvenient to the team.

“MLB put us in every hard situation you can think about,” infielder Miguel Rojas said. “We never complained. We were trying to come through for the fans, for baseball, and everybody should be recognizing what we are doing.”

With the Blue Jays in the World Series, Canadian ratings for the World Series increased tenfold. The Dodgers did not destroy the Jays. They survived them, and barely at that.

The Dodgers have not ruined competition, despite the spotlight.

“They have a great team,” Toronto infielder Ernie Clement said. “There’s no denying it. They’re one of the best teams probably ever put together, and we’ve taken ‘em to seven games, so that’s got to say something about us.”

Toronto manager John Schneider said his team, which won more games than the Dodgers this season, had chances to sweep the World Series.

“People were calling it David versus Goliath,” Schneider said, shaking his head from side to side. “It’s not even… close.”

The Dodgers make a lot of money, pour the money back into the team, and win. They give the people what they want.

“People want the best,” co-owner Todd Boehly said.

Granted, not every team can spend like the Dodgers. Most cannot, and baseball should be able to find ways to share the wealth without risking its tenuous but growing popularity by locking out players in pursuit of a salary cap.

After all, isn’t a compelling product with stars from home and abroad good for baseball?

“You bet,” controlling owner Mark Walter said. “I think they think so, too.”

It was time to go. The parade was 36 hours away, and Johnson had to rest his throat.

“I’m hoarse,” he said. “I’ve never been hoarse.”

So we’ll leave you with one bit of sports trivia, in response to the mistaken notion that a salary cap assures competitive balance: In the Magic, Bird and Jordan years, the ones that lifted the NBA into popular culture, did the NBA have a salary cap?

It did then. It does now. Onto the quest for a three-peat.

Highlights from the Dodgers’ 5-4 win in 11 innings over the Blue Jays in Game 7 of the World Series.