Magic

TORONTO — Beneath his feet, confetti decorated the turf. Behind him, the video boards congratulated his team on its latest championship.

The Dodgers owner who lives and breathes championships smiled broadly. Magic Johnson always does, of course. This time, he had an impish twinkle in his eye.

“They said we ruined baseball,” Johnson said. “Well, I guess we didn’t.”

If you are not in Los Angeles, you might be screaming in frustration. The team with all the gold makes the rules, and the new rule is that the Dodgers win every year, and now their most famous owner is mocking you?

He is not.

He is, however, issuing a subtle warning to all of baseball’s owners: Don’t let your desperation for a salary cap destroy a sport on the rise — in no small part thanks to the Dodgers.

The NBA was not much more than a minor league 45 years ago. This is crazy to imagine now, but the NBA Finals aired on tape delay, on late-night television, most often at 11:30 p.m. The NBA audience was so small that advertisers would not pay prime-time rates for those commercials, so the games were not broadcast in prime time.

Johnson helped change that. The rivalry between his Lakers and Larry Bird’s Celtics revived the NBA, and then Michael Jordan and the Chicago Bulls became global sporting icons.

From 1980-88, either the Lakers or the Celtics won the NBA title in every year but one. From 1991-98, the Bulls won six titles.

The Celtics and Lakers and Bulls did not ruin the NBA.

“What the Celtics and Lakers were able to do, and Michael Jordan’s Bulls, was to bring in new fans — fans that were, ‘Oh, I don’t know about the NBA,’” Johnson said, “but the play was so good, and the Celtics and Lakers and Bulls were so dominant, people said, ‘Oh man, I want to watch them.’

“It’s the same thing happening here.”

The NBA leadership could not believe its good fortune. Baseball’s leadership appears intent on lighting its good fortune on fire.

“My phone was blowing up with people who hadn’t watched baseball for a long time,” Johnson said. “They were watching this series.

“This was good for baseball around the world.”

The World Baseball Classic is four months away. The World Series most valuable player, the Dodgers’ Yoshinobu Yamamoto, is from Japan.

So is the Dodgers’ Shohei Ohtani, the closest baseball has ever had to its own Jordan. The Dodgers rescued him from purgatory in Anaheim and surrounded him with a star-studded roster, and now he makes more money from pitching products than pitching baseballs. To the Dodgers, he doubles as an All-Star and cash machine.

The league — and all the owners complaining about the Dodgers and their spending — happily profited from this traveling road show. The Dodgers get the same share of international merchandise and broadcast revenue every other team does.

The Dodgers led the major leagues in road attendance, again. The league sent the Dodgers to Seoul last spring and Tokyo this spring, meaning that, for two years running, they were one of the first two teams to report to spring training and one of the last two playing at season’s end. The league’s television partners rushed to book the Dodgers, even for games at times inconvenient to the team.

“MLB put us in every hard situation you can think about,” infielder Miguel Rojas said. “We never complained. We were trying to come through for the fans, for baseball, and everybody should be recognizing what we are doing.”

With the Blue Jays in the World Series, Canadian ratings for the World Series increased tenfold. The Dodgers did not destroy the Jays. They survived them, and barely at that.

The Dodgers have not ruined competition, despite the spotlight.

“They have a great team,” Toronto infielder Ernie Clement said. “There’s no denying it. They’re one of the best teams probably ever put together, and we’ve taken ‘em to seven games, so that’s got to say something about us.”

Toronto manager John Schneider said his team, which won more games than the Dodgers this season, had chances to sweep the World Series.

“People were calling it David versus Goliath,” Schneider said, shaking his head from side to side. “It’s not even… close.”

The Dodgers make a lot of money, pour the money back into the team, and win. They give the people what they want.

“People want the best,” co-owner Todd Boehly said.

Granted, not every team can spend like the Dodgers. Most cannot, and baseball should be able to find ways to share the wealth without risking its tenuous but growing popularity by locking out players in pursuit of a salary cap.

After all, isn’t a compelling product with stars from home and abroad good for baseball?

“You bet,” controlling owner Mark Walter said. “I think they think so, too.”

It was time to go. The parade was 36 hours away, and Johnson had to rest his throat.

“I’m hoarse,” he said. “I’ve never been hoarse.”

So we’ll leave you with one bit of sports trivia, in response to the mistaken notion that a salary cap assures competitive balance: In the Magic, Bird and Jordan years, the ones that lifted the NBA into popular culture, did the NBA have a salary cap?

It did then. It does now. Onto the quest for a three-peat.

Highlights from the Dodgers’ 5-4 win in 11 innings over the Blue Jays in Game 7 of the World Series.

Fifty years ago, I headed north for the first time. I’d dropped out of my university literature course – with the arrogance of youth, I thought I could read books anywhere. After a chance meeting in a Putney pub, I got a job as assistant cook in the Bird Observatory in Fair Isle. At that point, I didn’t even know where Fair Isle was. I came from Devon and hadn’t made it farther north than Durham. Scotland was unknown territory.

Of course, Fair Isle is part of the Shetland group and lies halfway between Shetland mainland and Orkney. That summer, I fell in love with the Northern Isles, with the romance of the isolation, the bleak beauty and the stories. Over the summer, I worked in the observatory with Alison, an Orcadian lass, who was there for her college holidays. “When you’ve finished your contract,” she said with the easy hospitality of islanders everywhere, “why don’t you come and stay? It’s kind of on your way home.”

It kind of was, and so I did. Alison lived with her parents in a solid house on the outskirts of Kirkwall. After my nine-month stay on Fair Isle – three miles long and a mile and a half wide, a scattering of crofts, 50 people and a lot of sheep and seabirds – Kirkwall felt like civilisation. There was a beautiful cathedral, a street of shops and bars, schools and a hospital. What struck me most, though, were the views. Much of Orkney mainland is low and green, and there are lochs so big that a stranger might think they were looking at the sea. So, there are long vistas from land to water and then land again. And more water. All under a huge sky.

At that time, Alison was more into partying than history, so I didn’t do a lot of sightseeing. We went to a dance at the Harray community hall, and I drank too much. There was little communication with the locals there. I’d become used to a Shetland voice, but an Orkney accent is quite different, lilting, musical, almost Welsh. I missed much of what was said to me.

Later, I got the plane to London, on my way home. If Kirkwall had seemed big, London with its towering buildings was overwhelming, and I scuttled west on the train to be on the coast again.

Over the years, I’ve come to know Orkney better. My husband and I went to Alison’s wedding in the cathedral. She was magnificent in a grand white dress, and she sailed up the aisle to Chariots of Fire. That evening there was another party, only a little more sedate than the Harray dance. Drink was passed round in the traditional Orkney way, in a wooden bowl, known as the cog, created for the purpose. I’m not sure what was in it, but it was warm, and it packed a punch.

At other times, we stayed with friends who lived in a converted chapel, looking down to the Stones of Stenness. Just as there’s always a view of water in Orkney, there’s always a reminder of its neolithic past, and I would come to explore the islands’ history more deeply when I was researching my latest novel, The Killing Stones.

Over time, we explored some of the smaller islands: Hoy with its dramatic cliffs, the tiny island of Papa Westray, home to the Knap of Howar, the oldest domestic stone dwelling in Northern Europe, and North Ronaldsay, where we stayed in the Bird Observatory’s accommodation, a reminder of the work that first took me north. North Ronaldsay is surrounded by a stone dyke, not to keep animals in, but to keep them out on the shore. The island sheep have adapted to living on seaweed, and perhaps because of that the meat is delicious.

For years though, Shetland was the focus of my trips north. One of my best friends lives there, and I was still writing the Jimmy Perez books, adapted for television as Shetland. In 2018, I decided to finish the series with the novel Wild Fire. I didn’t think I could find anything fresh to say about a community of only 23,000 people. I’d already killed too many of them.

The book ends with Perez and his partner moving south to Orkney. Perhaps I was influenced by a real police inspector, who covered both sets of islands and made the move. Certainly, I had no intention of writing about Perez again.

More recently, I felt a longing to go north again in my fiction, a kind of homesickness for the islands, for the dark winters and the bright, light summers. For the dramatic contrast between long, clear horizons and secrets hidden in small communities. I remembered that first image of Orkney, the stretches of land and water, and I realised it was time to go back. After all, to explore Perez’s new life, I’d have to stay there. It’s small details that bring a book to life, and Google research can’t help with that.

I stayed with my friend Stewart in his rather grand house on Orkney mainland. He became my driver, fixer and human research. I’d met him first when he worked for Orkney libraries. We’d had book-related adventures together – flying into North Ronaldsay in the eight-seater plane to celebrate the anniversary of a scheme that brought book boxes to islanders, and a crazy attempt to set a record by doing 24 events on 24 of the Northern Isles in 24 hours. We met the challenge, but only with the support of library staff in Orkney and Shetland, and the help of other writers.

My research visit took place in December 2023. It was clear, still and very cold. The frost didn’t melt all day. Stewart took me to the island of Westray, where he grew up and his family still farms. We stayed in the Pierowall Hotel, which features in the novel, and explored the site of the abandoned Noltland dig near Grobust Bay. I talked to his parents and to volunteers in the Heritage Centre. The book wouldn’t have been written without their help.

Back on Orkney mainland, we explored Kirkwall and Stromness and drove south across the Churchill Barriers, the causeways built between islands after a German U-boat entered Scapa Flow in 1939 and sank HMS Royal Oak. I was met everywhere with kindness and the most useful information. The pattern of the book was starting to take shape.

I ended my stay with an almost mystical experience. Maeshowe is a neolithic burial chamber. Entry is through a low, narrow tunnel positioned so that at the winter solstice, as the sun sets behind the hills of Hoy, the light floods in. There aren’t many entirely cloudless winter dusks in Orkney, but we were lucky enough to experience the magic. In the chamber, first a trickle of apparently liquid gold ran across the floor, then it grew wider and wider until it flooded the entire space with light. As the sun set, all was dark again.

I believe that setting is more than a pretty backdrop to the action. It informs character and moves the action of the plot. The Killing Stones couldn’t have been set anywhere other than Orkney, and I couldn’t have written it without spending time there with Orcadians.

The Killing Stones by Ann Cleeves is published by Pan Macmillan at £22. To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply

The conjurers have decided to stay put at Hollywood’s Magic Castle.

In a membership vote of the Academy of Magical Arts that concluded Monday, members say that about 92% of those voting endorsed a reorganization plan designed to give control over the castle’s operations and revenue to a company owned by Magic Castle landlord Randy Pitchford.

As part of the deal, AMA members can continue to use the castle as their clubhouse. The AMA, a nonprofit group, would continue to promote magic, running educational efforts and awards programs.

If the magicians had voted no, they would have needed to find a new venue at the expiration of their lease on Dec. 31, 2028.

Members said they received results by email from the academy Tuesday morning, with tallies showing a 1,038-89 vote to approve changes to AMA bylaws and a 1,043-84 vote to approve changes to AMA articles of incorporation. The vote “will provide a strong foundation for the future of the Academy of Magical Arts,” wrote Christopher Grant, president of the AMA board of directors, in an email to members. The Magic Castle remains open daily and leaders have vowed a swift transition to new management.

Leaders of the AMA and Magic Castle Enterprises — the Pitchford-owned company taking over operations — declined to comment on the results. An AMA spokesperson said “the AMA and MCE treat membership proceedings as private club matters and therefore refrain from public comment on internal processes.”

The AMA’s membership was recently put at 4,664, suggesting that most academy members didn’t vote.

In the run-up to voting, some members said they were not being told enough about what the AMA gets out of the deal. Several academy members said that moving from their historic home could deeply damage the AMA.

“We’ve given up a significant portion of self-governance for an undefined and indefinite occupancy,” said Ralph Shelton, a longtime AMA member and attorney who opposed the proposal.

Soon after reporting vote totals on Tuesday morning, AMA leadership sent another missive saying that veteran Magic Castle general manager Hervé Lévy was leaving his position, effective Tuesday. Lévy was not immediately available for comment.

The Magic Castle opened in 1963.

(Dania Maxwell / Los Angeles Times)

The Magic Castle, a 1909 Edwardian-style mansion, opened in 1963 as a clubhouse and performance venue for the Academy of Magical Arts, a nonprofit group founded by the Larsen family. The membership vote, conducted Sept. 8 through 29, follows several dramatic changes for Pitchford, the Magic Castle and the Academy of Magical Arts.

Despite trouble in 2020, when the pandemic shut it down and a Times investigation detailed allegations of sexual harassment and racism, the mansion reopened in 2021 amid a leadership overhaul.

Pitchford, 54, is a longtime academy member, having married his wife, Kristy Pitchford, in the castle in 1997. His Texas-based company, Gearbox Entertainment, created the popular Borderlands video game franchise. When he bought the Magic Castle building in 2022, he inherited a lease that allows the AMA to remain at the castle through December 2028. Rather than negotiating to extend that pact, Pitchford and his team MCE have been working on plans for a dramatic reorganization.

With the changes, Pitchford’s MCE is to gain control of castle operations, including its restaurant, bar, gift shop and valet parking. Also, MCE will get to nominate two members to the AMA board, which will shrink from nine members to five.

Some members expressed faith in Pitchford’s long history with the Magic Castle and noted that two members of academy’s pioneering Larsen family hold key positions with MCE. During the voting period, longtime AMA member Christopher Hart, who serves as chair of the academy’s board of trustees, said, “I think [Pitchford] has tried to do everything in his power to preserve the nature of this iconic place.”

If you reach 300 career coaching victories in high school football in California, it usually means you’re headed to any and all halls of fame.

Matt Logan of Corona Centennial became the 15th coach to reach the magic club with a win on Thursday night.

It’s a combination of longevity and success. Many of California’s most memorable coaches are on the list.

The next coach within reach is Robert Garrett of Crenshaw. He started the season with 290 victories but has yet to be on the sideline while being under administrative leave by the Los Angeles Unified School District.

Garrett has stayed home, checked in each day with full pay and continues to say he has done nothing wrong. LAUSD has 120 days to finish its ongoing investigation.

Crenshaw is 5-1 under interim coach Terrence Whitehead. Ronnie Flores of CalHiSports.com, which compiles the 300-club list, said Garrett will get credit for each Crenshaw victory or loss if he is eventually reinstated as coach.

Here’s a list of the 15 coaches in the 300 club, according to CalHiSports.com:

399 — Bob Ladouceur, De La Salle

360 — Marijon Ancich, St. Paul, Tustin

339 — Bruce Rollinson, Mater Dei

338 — Bob Johnson Los Amigos, El Toro, Mission Viejo

338 — Herb Meyer, Oceanside, El Camino

323 — John Barnes, Magnolia, Los Alamitos

319 — Lou Farrar, Royal Oak, Charter Oak

316 — Jim Benkert, Westlake, Oaks Christian, Simi Valley

316 — Kevin Rooney, Sherman Oaks Notre Dame

314 — Bill Foltner, Princeton, Middletown

313 — Randy Blankenship, Nevada Union, Clovis West, Fallbrook, Capistrano Valley, Madera, Aptos

306 — Mike Marrujo, Pius X, Placentia Valencia

300 — Matt Logan, Corona Centennial

300 — Steve Denman, Tehachapi

300 — Mike Herrington, Bellflower, Hart

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].

From Jack Harris: If the Dodgers are going to win 13 games in October, they will likely have to master the playbook they ran Wednesday night.

Starting pitchers came out of the bullpen. Another late-inning collapse didn’t cripple their psyche. The offense delivered timely hits when it needed to. And the team grinded out a 5-4 extra-innings win over the Arizona Diamondbacks.

The story of the night, in an unexpected but entirely warranted late-season plot twist, was Roki Sasaki and Clayton Kershaw throwing scoreless innings of relief for a beleaguered Dodgers bullpen.

The theme, however, was improvisation with the roster and resiliency in the dugout, moving the team within a win of another National League West division championship.

“I know the word resilience gets thrown out a lot, but it was a resilient win and a resilient group,” manager Dave Roberts said. “We fought our tails off until the end. It didn’t look good at different points of the game. But Arizona fought as well. So it was a heck of a ball game … Really good stuff.”

Continue reading here

Dodgers bullpen remains a mess. Can Roki Sasaki’s return provide trustworthy relief?

How Bill Russell stayed connected to baseball, and reconnected with the Dodgers

Dodgers box score

MLB standings

ANGELS

Taylor Ward homered, Kenley Jansen earned his 475th career save and the Angels beat the Kansas City Royals 3-2 on Wednesday night to avoid a series sweep.

Only four pitchers have at least 475 saves: Jansen, Mariano Rivera (652), Trevor Hoffman (601) and Lee Smith (478).

Yusei Kikuchi (7-11) gave up just one hit while striking out six over five innings. He was removed with a left forearm cramp before the sixth. Jansen struck out two in the ninth for his 28th save of the season.

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Despite rough season, Angels’ Mike Trout still believes he can recapture his MVP form

Angels box score

MLB standings

RAMS

From Gary Klein: No reset necessary. No reason to make more of some rare misfires.

After 16-plus seasons, Rams quarterback Matthew Stafford knows how to put less-than-efficient performances behind.

So the passes he missed in last Sunday’s defeat by the Philadelphia Eagles are not cause for concern as he prepares for Sunday’s game against the unbeaten Indianapolis Colts at SoFi Stadium.

“It happens,” Stafford said Wednesday before practice. “I’m not too worried about it.”

Stafford completed 19 of 33 passes (57.6%) for 198 yards and two touchdowns with an interception. Despite missing on some passes he usually completes, he finished the game by directing a two-minute drive that positioned the Rams to win the game. The Eagles blocked a last-second field-goal attempt and returned it for a touchdown.

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UCLA UNLOCKED

Sign up for UCLA Unlocked, our new weekly newsletter featuring all things Bruins athletics. Ben Bolch, in his 10th season covering UCLA football and men’s basketball for The Times, will be your host. To sign up to get this newsletter delivered every Monday to your inbox, click here.

UCLA POLL

Almost every week in UCLA Unlocked, there is a poll for readers to give their opinion on UCLA athletics. This week’s poll:

Who would you rather have as UCLA’s next football coach?

An exciting lower-level coach such as Tulane’s Jon Sumrall?

A rising star such as Oregon offensive coordinator Will Stein?

An existing Power Four coach such as Arizona’s Jedd Fisch?

A wild card such as Mississippi’s Lane Kiffin?

Click here to vote in our survey.

From Ryan Kartje: Walker Lyons took his place in the slot and looked right. Lake McRee crouched on the opposite wing and looked left. The two Trojan tight ends had spent all last Saturday night moving around USC’s formations — split out wide, in the backfield, on the line of scrimmage — paving rush lanes and creating mismatches wherever they went.

Now it was third and short, early in the third quarter of USC’s win over Michigan State, and the two of them were on the field together again, forcing the Spartan defense to decide in a hurry just how Lincoln Riley planned to deploy them.

That unpredictability was precisely the point of the position. It’s why the tight end has been a critical tenet of his Riley’s offense since he started as Oklahoma’s offensive coordinator in 2015. No other position, Riley has come to believe, adds more versatility to an offense.

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TIMES OF TROY

Times of Troy is our weekly newsletter featuring all things Trojans athletics. Ryan Kartje, who covers USC football and men’s basketball for The Times, is your host. To sign up to get this newsletter delivered every Monday to your inbox, click here.

SPARKS

The Sparks announced they are joining the WNBA’s facilities upgrade boom, building a $150-million, 55,000-square-foot training and practice facility in El Segundo that is set to open ahead of the 2027 season.

The venue will include two WNBA regulation basketball courts along with a locker room, weight room and athletic training space. The team states the facility will also feature an outdoor spa, indoor hydrotherapy suites, dedicated nap rooms, wellness spaces for yoga or mediation, and extensive use of natural light and retractable doors.

“We’re building a place where Sparks players can be at their best on and off the court,” said Eric Holoman, Sparks managing partner and governor. “From cutting-edge training and recovery spaces to family and community areas, every corner of this facility was designed with them at the center.”

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DODGERS DUGOUT

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PREP RALLY

Want one place to get all your high school sports news? Our Prep Rally newsletter is what you need. Twice a week, we’ll deliver all the scores, news and features you crave, straight from our award-winning high school sports columnist, Eric Sondheimer. You can sign up for Prep Rally here.

THIS DAY IN SPORTS HISTORY

1866 — Jerome Park, named for its founder Leonard Jerome, opens in the Bronx in New York. Jerome, seeking to emulate the British racing system, also establishes the American Jockey Club, precursor to the present Jockey Club, formed in 1894.

1920 — Molly Bjurstedt Mallory wins her fifth title in six years with a two-set victory over Marion Zinderstein in the U.S. Lawn Tennis Association championships.

1926 — Walter Hagen wins his third straight and fourth overall PGA Championship. Hagen beats Leo Diegel 4 and 3 in the championship match at Salisbury Golf Links in Westbury, N.Y.

1949 — Louise Suggs wins the U.S. Women’s Open by 14 strokes over Babe Didrikson Zaharias.

1962 — Sonny Liston knocks out Floyd Patterson at 2:06 of the first round at Comiskey Park in Chicago to win the world heavyweight title.

1966 — Gloria Ehret wins the LPGA Championship by three strokes over four-time champion Mickey Wright.

1982 — Ricky Edwards rushes for 177 yards and four touchdowns to help Northwestern end its 34-game losing streak in a 31-6 victory over Northern Illinois.

1988 — Americans sweep the medals in the long jump at the Seoul Olympics; Carl Lewis wins his second gold of the Games with leap of 8.72m ahead of teammates Mike Powell and Larry Myricks.

1988 — Swimmer Matt Biondi wins his 5th gold medal of the Seoul Olympics anchoring the victorious American 4 x 100m medley relay team.

1994 — Oliver McCall scores a major upset by stopping Lennox Lewis 31 seconds into the second round to capture the WBC heavyweight title in London.

1995 — Jerry Rice has 181 yards receiving in San Francisco’s 27-24 loss to Detroit. It’s his 51st 100-yard game, which breaks Don Maynard’s NFL record.

1997 — WNBA announces it will add Detroit & Washington, D.C. franchises.

2000 — American basketball player Vince Carter jumps over 7 foot 2 Frédéric Weis in 2000 Summer Olympics, known in France as “le dunk de la mort” (the dunk of death).

2004 — Bobby Seck of Hofstra throws eight touchdown passes to tie an Atlantic 10 mark and set a school record in the Pride’s 62-43 victory over Rhode Island.

2005 — Fernando Alonso becomes Formula One’s youngest champion by finishing third in the Brazilian Grand Prix. Alonso, 24, a six-time winner in his third full season in Formula One, ends Michael Schumacher’s five-year hold on the title.

2010 — Collingwood and St. Kilda plays to a 68-68 tie, the first in an Australian Rules football grand final since 1977, setting up a rematch to decide the league title.

2011 — The Detroit Lions snap a 13-game losing streak with a 26-23 victory over the Minnesota Vikings. The Lions, who won in the Metrodome for the first time since 1997, are 3-0 for the first time since 1980.

2013 — Skipper Jimmy Spithill and Oracle Team USA win the America’s Cup with one of the greatest comebacks in sports history to keep the oldest trophy in international sports in the United States. Spithill steers Oracle’s space-age, 72-foot catamaran to its eighth straight victory, speeding past Dean Barker and Emirates Team New Zealand in the winner-take-all Race 19 on San Francisco Bay. All but defeated a week ago, the 34-year-old Australian and his international crew twice rallies from seven-point deficits to win 9-8.

2016 — Rory McIlroy rallies to enter a three-man playoff and win the FedEx Cup. After trailing by three shots with three holes to play in the Tour Championship, McIlroy holes a 15-foot birdie putt on the fourth extra hole to win the playoff and claim the $10 million FedEx Cup bonus.

2022 — Laver Cup Men’s Tennis, London: Team World sweeps final day for 13-8 victory over Team Europe; tournament marks retirement of Roger Federer.

THIS DAY IN BASEBALL HISTORY

1941 — Pete Reiser’s homer and Whitlow Wyatt’s five-hitter helped Brooklyn beat the Boston Braves 6-0 and clinch the Dodgers’ first pennant in 21 years.

1955 — Detroit’s Al Kaline, at the age of 20, became the youngest player to win a batting title, finishing his second season with a .340 average. Ty Cobb was one day older when he won the crown, batting .350 in 1907, also playing for Detroit.

1956 — Sal Maglie of the Brooklyn Dodgers pitched a 5-0 no-hitter against the Philadelphia Phillies.

1960 — The New York Yankees clinched manager Casey Stengel’s 10th and last American League pennant with a 4-3 victory over Boston.

1965 — Satchel Paige, at 59, became the oldest player in the majors, taking the mound for Kansas City and pitching three scoreless innings over the Boston Red Sox. He gave up one hit, to Carl Yastrzemski.

1965 — Willie Mays, who hit 51 home runs in 1955, joined Ralph Kiner as only the National Leaguers to have more than one 50-home run season.

1974 — Dr. Frank Jobe transplanted a tendon from Tommy John’s right wrist to the Dodger pitcher’s left elbow. The revolutionary ulnar collateral ligament reconstruction allowed John to win an additional 164 games, more than half of his career total of 288 victories.

1980 — Oakland’s Brian Kingman lost his 20th game when the A’s were defeated by the Chicago White Sox 6-4. Kingman was the first pitcher to lose 20 games with a winning team since Dolf Luque went 13-23 for the 1922 Cincinnati Reds.

1984 — Rusty Staub of the Mets became the second player to hit homers as a teenager and past his 40th birthday. Staub’s game-winning home run off Larry Andersen to give the Mets a 6-4 victory over Philadelphia at Shea Stadium. Ty Cobb was the other major leaguer to accomplish the feat.

1987 — San Diego’s Benito Santiago set a modern major league record for rookies by hitting safely in his 27th consecutive game in a 5-3 loss to the Dodgers.

1998 — The New York Yankees set the AL record for wins with their 112th, beating Tampa Bay 6-1 to break the victory mark held by the 1954 Cleveland Indians.

2001 — Richie Sexson and Jeromy Burnitz became the first teammates to hit three home runs apiece in a game as Milwaukee defeated Arizona 9-4.

2003 — Toronto’s Carlos Delgado became the sixth player to homer in four straight at-bats in one game as the Blue Jays beat the Tampa Bay Devil Rays 10-8 at SkyDome. Delgado tied the score at 8-8 in the eighth with his fourth homer, a solo shot off Lance Carter.

2007 — Prince Fielder, at 23 years, 139 days old, became the youngest major league player to hit 50 home runs in a season, connecting twice in Milwaukee’s 9-1 rout of St. Louis.

2013 — The New York Yankees failed to make the playoffs for only the second time in 19 years, getting mathematically eliminated during their 8-3 loss to Tampa Bay.

2016 — Jose Fernandez, 24, ace right-hander for the Miami Marlins, was killed in a boating accident.

2017 — Aaron Judge broke Mark McGwire’s major league record for home runs by a rookie, hitting a pair for the second straight day to raise his total to 50 and lead the New York Yankees over the Kansas City Royals 11-3.

2018 — Max Scherzer became the 17th pitcher since 1900 to strike out 300 batters in a season, reaching that milestone by fanning 10 in seven innings during Washington’s 9-4 win over Miami.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at [email protected]. To get this newsletter in your inbox, click here.

PHOENIX — The Dodgers might’ve finally found an answer to their long-maddening bullpen problems.

Just use some starters.

In a 5-4 extra-innings win over the Arizona Diamondbacks that lowered their magic number to clinch the National League West to one, the Dodgers again squandered a late-game lead when their traditional relievers faltered. They still didn’t make winning look as simple as it should have.

But win, they did on this night — thanks in large part to two scoreless innings of relief from Roki Sasaki and Clayton Kershaw.

The game wasn’t decided until the 11th inning, when Tommy Edman gave the Dodgers a lead they finally wouldn’t relinquish.

It never would’ve gotten there, however, without the contributions of Sasaki and Kershaw out of the bullpen.

Activated from the injured list shortly before the game, and making his first appearance in the majors since suffering a shoulder injury in early May, Sasaki flashed promising signs with a scoreless frame in the bottom of the seventh, protecting a 3-1 lead the team had been staked to by Blake Snell’s six-inning, one-run start, and an early offensive outburst that included a two-run homer from Andy Pages.

Sasaki’s fastball averaged 98-99 mph, was located with precision on the corners of the strike zone, and even induced a couple of swing-and-misses, things he never did consistently while posting a 4.72 ERA in eight starts at the beginning of the season.

He paired it with a trademark splitter that was also commanded with more precision than at any point in his initial MLB stint.

Sasaki needed only 13 pitches to retire the side in order, punctuating his outing with a pair of strikeouts on 99-mph four-seamers. As he walked back to the dugout, he glanced toward his teammates with a stoic glare. Just about all of them, including Shohei Ohtani, applauded in approval.

Disaster did strike in the eighth, after the Dodgers extended their lead to 4-1 on Teoscar Hernández’s RBI double in the top half of the inning.

The bullpen’s one season-long stalwart, Alex Vesia, ran into trouble by giving up a single to Ketel Marte, a walk to Geraldo Perdomo, and an RBI double to Corbin Carroll — all with one out.

Hard-throwing rookie righty Edgardo Henriquez couldn’t put out the fire from there, giving up one run on a swinging bunt from Gabriel Moreno in front of the plate that spun away from catcher Ben Rortvedt, then another when pinch-hitter Adrian Del Castillo stayed alive on a generous two-strike call (which was no doubt impacted by Rortvedt dropping the pitch behind the plate) before lifting a sacrifice fly to center.

For the second straight night, a late-game three-run lead had evaporated into thin air.

This time, however, manager Dave Roberts had a new card to play. A night after Kershaw volunteered to pitch in relief, the future Hall of Fame left-hander was summoned for the ninth inning.

In what was his first relief appearance since the infamous fifth game of the 2019 NL Division Series, Kershaw was effective. He retired the side in order with the help of a diving catch from Tommy Edman in center. He looked comfortable in the kind of high-leverage relief role the Dodgers might need him to fill come October.

In extras, the rest of the bullpen finally held up. Blake Treinen inherited a bases-loaded jam with two out in the 10th, but got James McCann to fly out to shallow right field. Justin Wrobleski (another pitcher who began this season as a starter) was handed a save situation in the 11th, after Edman singled home a run with his third hit of the night, and retired all three batters he faced.

A Hollywood institution known for mystery, deception and drama, the Magic Castle is now gripped by a new variety of suspense.

Magic Castle mansion owner Randy Pitchford, who bought the establishment in 2022, has presented a reorganization plan to his tenant, the Academy of Magical Arts. The AMA is the nonprofit club that operates the castle and whose performer-members have helped build it into one of the world’s top venues for magic.

In a series of proposals, Pitchford has offered AMA members a choice between embracing his plan — which gives him control over castle operations and most revenue — or finding another clubhouse when the academy’s lease expires Dec. 31, 2028.

Members have until Sept. 29 to decide.

With backing from the AMA’s board of directors, Pitchford presents this moment as a chance for the academy to secure a vibrant future for the Magic Castle while preserving its legacy.

But the proposal is causing “division, fracturing and confusion” among many AMA members, as one magician, Ralph Shelton, put it. Some members, who asked not to publish their names, told The Times they believe that Pitchford is using an ultimatum to take control of the castle. Other members say they simply worry that Pitchford is giving AMA members too little information.

“The easiest people to fool are magicians and scientists,” said Shelton, a Huntington Beach attorney who put himself through law school by doing magic. “You know what they’re looking for and you work around that.”

Pitchford did not immediately respond Thursday to requests for comment on the allegation that he is using an ultimatum to take control of the castle. But Pitchford and his team had said that by taking over the risks and rewards that come with running the Castle, his company is freeing up the AMA to focus on its non-commercial mission — promoting magic — “for as long as it wishes to use the Magic Castle as its clubhouse.”

Since Sept. 8, the academy’s 4,664 members have been casting electronic votes on whether to change the organization’s bylaws and other documents to allow the proposed realignment. In previous polling, the members who voted have heavily favored a deal. A “yes” vote would mean the reorganization would begin as soon as Oct. 1.

At the Magic Castle, guests say a secret password to enter.

(Dania Maxwell / Los Angeles Times)

Pitchford learned magic at the castle before building a video game empire as the co-founder of Gearbox Entertainment. In a Sept. 9 statement to The Times, he noted that he and his wife were married in the Magic Castle’s Palace of Mystery in 1997, “so our investment into its preservation and quality is quite personal to us.”

As an AMA member for more than 30 years, he said he is “thrilled that the Academy of Magical Arts, with the overwhelming support of the membership, are our ally in forging a bold, mission-first partnership for at least the next 30 years of magic at the Magic Castle.”

The Magic Castle, a 1909 Edwardian-style mansion, opened in 1963 as a clubhouse and performance venue for the Academy of Magical Arts, which was founded and sustained for years by the Larsen family. From the start, the academy was a tenant in the building, leasing from private owners, the Glover family, on terms often described as “a handshake deal.”

For decades, visitors have been drawn by the idea of dressing to the nines and roaming room to room, sipping cocktails as conjurers and sleight-of-hand artists ply their trade. Performers and members have included Cary Grant, Johnny Carson, Orson Welles, Jason Alexander, Neil Patrick Harris and Larry Wilmore (who sits on the board of directors). Exclusivity is part of the appeal, too. To get in, most guests need an invite from a member.

The enterprise ran into trouble in 2020 when the pandemic shut it down and a Times investigation detailed allegations of sexual harassment, groping and racism. In 2021, the mansion reopened amid a leadership overhaul.

Erika Larsen, president of Magic Castle Enterprises, and mansion owner Randy Pitchford.

(Tara Ziemba / Getty Images)

The latest chapter in the castle’s story began in April 2022 when Pitchford bought the property from its longtime landlords, the Glover family.

Pitchford, 54, whose Texas-based company created the popular Borderlands video game franchise, is a controversial figure in the video game industry. His purchase of the castle, valued by the L.A. County Assessor at $50 million, also included an adjacent apartment building and the 33-unit Magic Hotel next door.

About the same time as the castle purchase, Pitchford also bought intellectual property rights to the Magic Castle name from Milt Larsen, who died in 2023.

When Pitchford was announced as buyer of the castle, many academy members voiced optimism. “We were absolutely thrilled beyond measure,” said Paul Kott, an Anaheim-based commercial and residential real estate broker who has been an AMA member for 50 years. “We know his heart wants to dedicate this place to the art of magic.”

To manage the new holdings, Pitchford and his wife, Kristy Pitchford, created companies called Magic Castle Enterprises (for intellectual property) and Magic Castle Entertainment (for real estate), together known as MCE. They also enlisted Erika Larsen, daughter of castle pioneers Bill and Irene Larsen, as president of Magic Castle Enterprises, and Jessica Hopkins, granddaughter of Bill and Irene Larsen, as chief operating officer.

In January 2024, the AMA’s leadership told members that the group’s lease on the building would not be renewed — causing a surge of anxiety among members — and that academy board was negotiating with MCE in hopes of keeping the group in place.

On July 30, 2024, AMA members said they received an email that included a warning from MCE saying that if it couldn’t make a deal with the academy, MCE might “create a new club with enticing features and pricing” that “might possibly lead to [the academy’s] demise.”

(In a later email exchange with The Times, Pitchford said he did not recall that specific sentence; he did not respond to a request to confirm or deny the passage.)

In December 2024, AMA leaders invited members to vote on a proposed “resolution implementation agreement” for MCE to take over the Magic Castle’s commercial operations while the academy remained on site indefinitely and focused on its nonprofit role, including awards programs and educational efforts.

MCE reported that more than 90% of ballots favored the deal. Opponents said that a minority of members cast votes. A second vote yielded similar results.

Further details emerged in a “white paper” document that MCE circulated in February 2025. It said MCE would operate and collect revenue from the castle gift shop, bar, restaurant, box office and valet parking. AMA members would pay dues through a new entity which would divide that revenue between MCE and the academy. The Magic Castle would serve “as the exclusive clubhouse of the AMA indefinitely.”

MCE also pledged to invest $10 million in capital improvements and maintenance and relieve the AMA of remaining lease and trademark-related financial obligations. Meanwhile, the AMA board of directors would gradually shrink from nine members to five, two of them nominated by MCE.

In March, the Magic Castle announced that the MCE and AMA board of directors had signed a resolution implementation agreement, the framework for a deal. An AMA spokesperson said that MCE and the AMA board of directors “have negotiated terms for long-term access. Details of the agreement will not be released.”

“I think [Pitchford] has tried to do everything in his power to preserve the nature of this iconic place,” said longtime member Christopher Hart, who serves as chair of the academy’s board of trustees, which oversees artistic choices at the castle. Hart played “Thing,” the disembodied hand, in the “Addams Family” movies.

“The rumors have been so rampant in so many directions,” said Gay Blackstone, a longtime member who has served in many roles on the academy board of directors and board of trustees. Blackstone said she still has research to do before casting her vote but “I know that [Pitchford’s] love and passion for the magic are tremendous.”

Still, for some, doubts persist. “I don’t think the membership is being given what they need to make a good decision…. How long can we stay? how much is it going to cost?” Kott asked.

Now comes another membership vote. On Sept. 8, members began a binding vote on proposed changes in academy bylaws and other documents that would make the new deal possible. Those changes include creation of a Magic Castle Club, separate from the Academy of Magical Arts.

That “is an important wrinkle,” Shelton said.

The concept of the Magic Castle Club “is not to compete with the A.M.A., but we needed a new entity to collect dues on behalf of the A.M.A. and MCE per the arrangement,” Randy Pitchford said in a statement to The Times Sept. 15. Once an agreement is in place, Pitchford said, “All club activities, events, initiatives, etc, are and will be led and directed by the Academy of Magical Arts.”

The goal, MCE leaders have said, is “a seamless transition with a focus on an uninterrupted member and guest experience.”

If the membership rejects the changes, Christopher Grant, president of the academy’s board of directors, said in a statement that “MCE will terminate its current lease with the AMA” and the academy would need to find a new clubhouse by January 2029.

Further effects of a “no” vote, especially for academy-member performers and audiences at the Magic Castle, are harder to predict.

In his Sept. 9 statement, Pitchford suggested that the new proposal puts in place “the same kind of relationship that founded and created” the Magic Castle in the first place.

“Change is always scary,” Hart said. “Members just want the same experience they’ve always had and loved about the castle.” The proposed changes, Hart added, “could make the castle greater than it’s ever been.”

The festivities begin even before the characters of “One Man, Two Guvnors” enter the stage. A skiffle band (complete with washboard player) performs a pre-show set to rev up the audience for this update of a classic farce relocated to Britain on the eve of the swinging ‘60s.

The inspiration for Richard Bean’s “One Man, Two Guvnors,” now at A Noise Within in Pasadena, is “The Servant of Two Masters,” Carlo Goldoni’s mid-18th-century comedy that formalized the commedia dell’arte antics and masked characters made famous by the improvisational Italian troupes of the day. Bean’s play, set in the eccentric seaside town of Brighton, is quintessentially English by contrast. But farce is a universal language, and the hilarity is not just translated but alchemized into something riotously contemporary.

Grant Olding has written the songs that set the play’s mood, a mischievous Joe Orton-esque ambiance, only less jaundiced and more childlike. Francis Henshall (Kasey Mahaffy), a down-on-his luck busker who moves through the world like an overgrown baby, is driven more by hunger than lust, at least in the play’s first half.

His raging appetite compels him to break the fourth wall and beg the audience for a spare sandwich. When James Corden played the role in London and then on Broadway (where he won a Tony Award for his work), Francis became a figure of unstoppable gluttony. Mahaffy, who starred in the exuberant revival of “A Man of No Importance” at A Noise Within last season, is more insistently peckish — hungry rather than hangry. Sustenance is offered — a hummus sandwich, not one of the character’s favorites — but the plot won’t allow him to dig in just yet. Poor Francis has no choice but to gamely proceed with the farcical business at hand.

“One Man, Two Guvnors” was so dominated by Corden’s star-making performance (this was before his late-night talk-show days) that I assumed the play was a vehicle for a no-holds-barred clown. The effectiveness of the new production, co-directed by Julia Rodriguez-Elliott and Geoff Elliott, is the ensemble approach to the comedy, with everyone expected to contribute their fair share of mirth.

Mahaffy may not be the most natural Zanni, the commedia term for the trickster servant who’s riddled with hunger and lust and always prepared to talk his way out of trouble. He works hard for his laughs, sometimes too hard, but he’s an endearing imp — an overwhelmed freelancer trying to survive the unforgiving gig economy of his age.

Cassandra Marie Murphy, left, and Christie Coran in “One Man, Two Guvnors” at A Noise Within.

(Craig Schwartz)

When the play begins, Francis is employed as the bodyguard of gangster Roscoe Crabbe, who has mysteriously returned from the dead. In fact, Francis is working for the gangster’s twin sister, Rachel Crabbe (Christie Coran), who has disguised herself as Roscoe to extract a debt from Charlie “The Duck” Clench (Henri Lubatti).

Charlie’s dim-bulb daughter, Pauline (Cassandra Marie Murphy), was betrothed to Roscoe, a known homosexual with a sadistic temper. It was to be a marriage of convenience — convenient business-wise for both Roscoe and Charlie. But after Roscoe’s reported death freed her from a frightening prospect, Pauline has become engaged to Alan Dangle (Paul David Story), a would-be actor whose every utterance of love is as hammy as it is sickly sweet.

Rachel is trying to obtain enough money to get married herself. Her intended, Stanley Stubbers (Ty Aldridge), an upper-class twit, murdered her thuggish brother, who was against their union. If she can collect the dowry from Charlie, she and Stanley can sail to Australia to escape the police and live happily ever after Down Under.

Lacking the money to buy even a single portion of fish and chips at a local pub, Francis agrees to be Stanley’s right-hand man. Francis is determined to keep his two bosses apart, a recipe for farcical mayhem, made all the more complicated by Rachel’s convincing drag act and Stanley’s ignorance of her master plan.

In true commedia style, character is destiny. The plot is prescribed by the constellation of types. Obstacles are set up only to be overcome in a stroke of mad luck or outlandish kindness. The longer the delay, the greater the satisfaction when everything is gaily resolved.

Christie Coran and Ty Aldridge in “One Man, Two Guvnors” at A Noise Within.

(Craig Schwartz)

But the route to the happy ending matters, and the actors make this journey a rollicking one. Aldridge’s Stanley is as obtuse as he is supercilious, a dangerous combination for Francis and a hilarious one for us. Coran’s Rachel plays a clever tough guy who puts on a vicious façade to avoid an actual fight. The performance — both in and within the play — works like a dream.

Murphy’s Pauline, a vacuous blonde too literal-minded for metaphor, and Story’s Alan, a scenery-chewer who hogs the spotlight, are a perfect match. Charlie, the transactional patriarch, is as proudly corrupt as his underhanded lawyer, Harry Dangle (Lynn Robert Beg), who sets an equally bad example for his kid, Alan.

Dolly (Trisha Miller), Charlie’s bookkeeper who capably sorts out whatever crooked business is put before her, becomes the romantic object of Francis’ exploits in the second act, when food becomes secondary to love — or its Majorca vacation equivalent, the holiday he dangles before her.

Toward the end of the first act, a serving scene involving a multicourse meal and an octogenarian waiter named Alfie (Josey Montana McCoy) with an adjustable pacemaker brings Francis’ mania for food to a feverish pitch. It’s an ingeniously choreographed slapstick routine, but the bit is even funnier after Francis conscripts a plant in the audience to assist him in hoarding food.

A production of “One Man, Two Guvnors” at South Coast Repertory in 2015 failed to summon the necessary vivacity. That’s where Rodriguez-Elliot and Elliot succeed, creating a party atmosphere through not just the hard-charging band (under the music direction of Rod Bagheri) but the mod scenic design of Frederica Nascimento and the jaunty vintage flair of Garry Lennon’s costumes.

Bean’s play is impressively worked out, mathematically and verbally. The wit is crisp and the comic routines are evergreen, all the more so for the sharpness of the playing.

Mahaffy’s Francis is unfailingly vivid as the self-serving valet of commedia tradition. But this production proves that “One Man, Two Guvnors” is more than a star vehicle for an insanely hungry clown.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. That beeping sound you hear is the Dodgers and Padres trying to back into the NL West title.

If you believe in foreshadowing, then the Dodgers’ loss on Saturday against the Orioles in not a good sign.

Here was my thought process as the game unfolded:

“Yoshinobu Yamamoto has a no-hitter in the ninth. He could be the true ace of the team. I hope he gets the no-no.”

“Oh, that’s too bad, losing the no-hitter and shutout on one pitch. Why didn’t Andy Pages make more of an attempt to catch that ball? It’s a no-hitter, you have to try harder than that.”

“With how bad the Dodgers’ bullpen has been, I’m not sure I’d take Yamamoto out. Give him one more batter.”

“At least they are bringing in Blake Treinen, not Tanner Scott. This game is well in hand.”

“Treinen doesn’t have it tonight. Maybe bring in Edgardo Henriquez or Jack Dreyer. Give Scott a mental rest from tough situations. Maybe Henriquez or Dreyer can give them a big boost psychologically by getting out of this.”

“Oh no, they are bringing in Scott.”

“Wow, one of the worst losses in recent memory. I’m afraid to look at my emails.”

By the way, to be fair to Pages, different angles showed there was no way he would have caught the ball unless he became Mr. Fantastic and could stretch his arms a few feet. Orioles staff working the area said it first landed about 18 inches higher that it appeared on TV. But at the time, you want to see the effort, don’t you? Dave Roberts had this to say to reporters: “I’d like to think that if there was any chance to make a play on a no-hitter play that you would just exhaust every effort. But again, I couldn’t tell, and I refuse to go back and look at it.” (I’m not so sure, “I refuse to go back and look at it,” is the best response from a manager.)

I remember a game where Shawn Green was in right field. I forget who the pitcher was, but he had a no-hitter going into the eighth inning, and the batter hit a liner to shallow right. Green came in and instead of diving, pulled up and played it on the bounce. Fans were irate with Green for not diving for the ball, even though he wouldn’t have caught it. But sometimes players and management forget that the fan at home lives vicariously through the players. Many fans watching had a dreams of playing pro baseball. And in the mind of the fan, we would dive for every ball. We would give 100% on every play! Whether that is realistic or not doesn’t matter. Players and management sometimes need to put themselves in the position of the fan.

You know, for the last few seasons, everything has seemingly gone right for the Dodgers. Most of the breaks went their way. They got a lot of key hits and great relief. This year, not so much. Is the magic gone?

But the most frustrating thing to me, is the lack of urgency, and a growing lack of hustle. Mookie Betts, who is the king of hustle, hit a ball off the wall in the ninth inning Sunday, and was held to a single when he didn’t run hard right out of the box. And this is the guy whose hustle put him on first base in the infamous fifth-inning Yankees meltdown, when pitcher Gerrit Cole failed to cover first. And I don’t mean to pick on just Betts. There is a lack of apparent hustle in the outfield going after balls. I get the sense, but don’t know, that Teoscar Hernández is still hurting from the bruised bone is his foot and strained groin he had earlier this season, because he built his career on hustle and it stopped happening soon after those injuries. But the lack of hustle is team wide. You don’t know what is in the heart or mind of a person, so to say they don’t care this year is unfair. You don’t reach the majors by not caring. But something is off.

Remember after the Dodgers won the World Series last season, and players said afterward that they knew they could beat the Yankees because of their weaknesses, lack of positioning and bad defense? Well, that’s how the Dodgers are playing right now. There are a lot of things to clean up.

So now what? Max Muncy should be back in the lineup today against Oakland. If he is still hitting like he did, then that is huge. He is the one Dodger to consistently work the count and make the pitcher put in a little extra effort. That has a cascading effect throughout the lineup. It should also remove one of the weaker hitters from the lineup.

Will Smith should be back in the lineup soon after bruising a bone in his hand when taking a foul tip off it. Hands are a key part of hitting, so a bone bruise (and it’s bad enough that the Dodgers said he will have to manage it the rest of the season) could hamper his swing. We’ll just have to wait and see.

Tyler Glasnow seems to have recovered from the tight back that caused him to miss his scheduled start Friday. Brock Stewart and Alex Vesia should be back to help, with Vesia perhaps coming back today. Tommy Edman should be back soon. All this should help.

People still tell me the Dodgers have no chance of winning the World Series this year. I tell those people they should be headed to Vegas and placing bets since they know what’s going to happen. If you asked me today, “Will the Dodgers win the World Series?” I’d say it looks unlikely the way they are playing. But, the St. Louis Cardinals won the 2006 World Series after finishing the season 83-78. The 1987 Minnesota Twins were 85-77. If we knew who was going to win, there’s be no reason the play the postseason at all.

Shohei Ohtani, closer?

Could Ohtani be moved to the bullpen?

Roberts: “There’s obviously thoughts about that. I can’t answer that question right now. But we’re going to do whatever we feel gives us the best chance to give us a chance to win. And I know Shohei would be open to whatever. We haven’t certainly made that decision.”

Wait, I figured it out

Last season, the Dodgers weren’t supposed to be champions because, while they had a great bullpen and a good offense, they had no starting pitching. They won anyway. This year, they want to prove that you can win with great starting pitcher, but no bullpen and an inconsistent offense.

The postseason

Here’s how the postseason race pans out after Monday’s games:

NL
1. Milwaukee, 89-55
2. Philadelphia, 83-60
3. Dodgers, 79-64

Wild-cards
4. Chicago, 81-62
5. San Diego, 78-65
6. New York, 76-67

7. San Francisco, 72-71
8. Cincinnati, 72-71

AL
1. Toronto, 82-61
2. Detroit, 82-62
3. Houston, 78-66

Wild-cards
4. New York, 80-63
5. Boston, 79-65
6. Seattle, 75-68

7. Texas, 74-70
8. Kansas City, 73-70
9. Cleveland, 72-70

The Dodgers have three games remaining with Philadelphia, which could be crucial in determining the No. 2 seed. Right now, the Phillies lead the season series, 2-1. Whoever wins the season series has the tiebreaker advantage. If they tie, 3-3, in games, then the second tiebreaker is record within their own division. Right now, the Dodgers are 26-13 against the West and the Phillies are 23-19 against the East.

The top two teams in each league get a first-round bye. The other four teams in each league play in the best-of-three wild-card round, with No. 3 hosting all three games against No. 6, and No. 4 hosting all three against No. 5.

The division winners are guaranteed to get the top three seeds, even if a wild-card team has a better record.

In the best-of-five second round, No. 1 hosts the No. 4-5 winner and No. 2 hosts the No. 3-6 winner. That way the No. 1 seed is guaranteed not to play a divisional winner until the LCS.

Up next

Monday: Colorado (Chase Dollander, 2-12, 6.77 ERA) at Dodgers (TBD), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Tuesday: Colorado (Germán Márquez, 3-12, 6.19 ERA) at Dodgers (*Blake Snell, 3-4, 3.19 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Wednesday: Colorado (*Kyle Freeland, 4-14, 5.10 ERA) at Dodgers (Shohei Ohtani, 1-1, 3.75 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

Davey Johnson, former Dodgers manager who also guided Mets to title, dies at 82

Does anyone want to win the NL West? | Dodgers Debate

And finally

Mike Scioscia hits a key two-run homer during Game 4 of the 1988 NLCS. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at [email protected]. To get this newsletter in your inbox, click here.

MINNEAPOLIS — Ken Martin is in the fight of his life.

The low-profile political operative from Minnesota, just six months on the job as chairman of the Democratic National Committee, is charged with leading his party’s formal resistance to President Trump and fixing the Democratic brand.

“I think the greatest divide right now in our party, frankly, is not ideological,” Martin told The Associated Press. “The greatest divide is those people who are standing up and fighting and those who are sitting on the sidelines.”

“We’re using every single lever of power we have to take the fight to Donald Trump,” he said of the DNC.

And yet, as hundreds of Democratic officials gather in Martin’s Minneapolis hometown on Monday for the first official DNC meeting since he became chair, there is evidence that Martin’s fight may extend well beyond the current occupant of the Oval Office.

Big Democratic donors are unhappy with the direction of their own party and not writing checks. Political factions are fragmented over issues such as the Israel-Hamas war. The party’s message is murky. Key segments of the Democratic base — working-class voters and young people, among them — have drifted away.

And there is deep frustration that the Democratic Party under Martin’s leadership is not doing enough to stop the Republican president — no matter how tough his rhetoric may be.

“There are no magic fixes,” said Jeanna Repass, the chair of the Kansas Democratic Party, who praised Martin’s performance so far. “He is trying to lead at a time where everyone wants it to be fixed right now. And it’s just not going to happen.”

At this week’s three-day summer meeting, DNC officials hope to make real progress in reversing the sense of pessimism and frustration that has consumed Democrats since Republicans seized the White House and control of Congress last fall.

It may not be so easy.

Confidence questions and money trouble

At least a couple of DNC members privately considered bringing a vote of no confidence against Martin this week in part because of the committee’s underwhelming fundraising, according to a person with direct knowledge of the situation who was granted anonymity to share internal discussions. Ultimately, the no confidence vote will not move forward because Martin’s critics couldn’t get sufficient support from the party’s broader membership, which includes more than 400 elected officials from every state and several territories.

Still, the committee’s financial situation is weak compared with the opposition’s.

The most recent federal filings reveal that the DNC has $14 million in the bank at the end of July compared with the Republican National Committee’s $84 million. The Democrats’ figure represents its lowest level of cash on hand in at least the last five years.

Martin and his allies, including his predecessor Jaime Harrison, insist it’s not fair to compare the party’s current financial health with recent years, when Democratic President Joe Biden was in the White House.

Harrison pointed to 2017 as a more accurate comparison. That year, the committee struggled to raise money in the months after losing to Trump the first time. And in the 2018 midterm elections that followed, Harrison noted, Democrats overcame their fundraising problems and won the House majority and several Senate seats.

“These are just the normal pains of being a Democrat when we don’t have the White House,” Harrison said. “Ken is finding his footing.”

Martin acknowledged that big donors are burnt out after the last election, which has forced the committee to turn to smaller-dollar donors, who have responded well.

“Money will not be the ultimate determinant in this (midterm) election,” Martin said. “We’ve been making investments, record investments, in our state parties. … We have the money to operate. We’re not in a bad position.”

Gaza debate could get ugly

While Martin is broadly popular among the DNC’s rank and file, internal divisions may flare publicly this week when the committee considers competing resolutions about the Israel-Hamas war.

One proposed resolution would have the DNC encourage Democratic members of Congress to suspend military aid to Israel, establish an arms embargo and recognize Palestine as a country, according to draft language reviewed by the AP. The measure also states that the crisis in Gaza has resulted in the loss of over 60,000 lives and the displacement of 1.7 million Palestinians “at the hands of the Israeli government.”

The DNC leadership, led by Martin, introduced a competing resolution that adds more context about Israel’s challenges.

One line, for example, refers to “the suffering of both Palestinians and Israelis” and notes the number of Israelis killed in Hamas’ Oct. 7 attack on Israel. Martin’s version calls for a two-state solution, but there is no reference to the number of Palestinians killed or displaced, nor is there a call for an end to military aid or an arms embargo.

Meanwhile, another proposed resolution would reaffirm the DNC’s commitment to “diversity, equity and inclusion.” Many Democrats, businesses and educational institutions have distanced themselves from DEI programs after Trump and other Republicans attacked them as Democrats’ “woke” policies.

Ultimately, Martin said the party needs to focus its message on the economy.

“There’s no doubt we have to get back to a message that resonates with voters,” he said. “And focusing on an economic agenda is the thing that brings all parts of our coalition and Americans into the conversation.”

“We have work to do for sure,” he added.

Presidential prospects on the agenda

The DNC is years away from deciding which states vote first on the 2028 presidential primary calendar, but that discussion will begin in earnest at the Minneapolis gathering, where at least three presidential prospects will be featured speakers: Connecticut Sen. Chris Murphy, Minnesota Gov. Tim Walz and Minnesota Sen. Amy Klobuchar.

Martin said the DNC is open to changes from the 2024 calendar, which kicked off in South Carolina, while pushing back traditional openers Iowa and New Hampshire. In recent days, Iowa Democrats have publicly threatened to go rogue and ignore the wishes of the DNC if they are skipped over again in 2028.

The DNC’s Rules and Bylaws committee this week is expected to outline what the next calendar selection process would look like, although the calendar itself likely won’t be completed until 2027.

“We’re going to make sure that the process is open, that any state that wants to make a bid to be in the early window can do so,” Martin said.

Peoples writes for the Associated Press.

Regulation of psilocybin — the “magic” substance in psychedelic mushrooms — has been a hot-button issue for Californians in recent years, but repeated attempts by state lawmakers to allow medical use of the substance have floundered.

Now it seems change may come at the federal level.

The U.S. Department of Health and Human Services is weighing a petition sent earlier this month by the Drug Enforcement Administration to review the scientific evidence and consider easing restrictions.

Psilocybin is currently classified as a Schedule I narcotic, the most restrictive category under federal law, reserved for drugs “with a high potential for abuse” and “no currently accepted medical use.” The DEA is considering moving psilocybin into the less restrictive Schedule II tier, which includes drugs that are considered addictive or dangerous — including fentanyl and cocaine — but also have medical value.

Past efforts to allow for therapeutic use of psilocybin have largely stalled in the face of official intransigence and lack of political will, including in California, where state lawmakers’ efforts to decriminalize psilocybin and other psychedelic substances have failed multiple times.

Despite strict prohibition under both state and federal law, psilocybin is widely available and growing in popularity for both recreational and therapeutic purposes.

Illegal cannabis dispensaries across Southern California openly sell actual psilocybin mushrooms, as well as dodgy chocolates and gummies that often purport to contain the substance but instead contain only synthetic versions. In recent decades, a growing body of research has found that psilocybin can be beneficial in treating mental health conditions including depression, anxiety and substance use disorder.

The issue of psychedelic access is high on the agenda of Robert F. Kennedy Jr., Trump’s controversial and conspiracy-minded secretary of Health and Human Services. Kennedy has signaled support in the past for expanding access to some hallucinogens in medical settings for treatment of mental health disorders.

Kennedy’s agency directed all inquiries to the DEA, which said in an email that it is “unable to comment on or confirm scheduling actions.”

The DEA sent the psilocybin petition after a drawn-out legal battle led by Dr. Sunil Aggarwal. For about five years, Aggarwal, co-director of the Advanced Integrative Medical Science Institute in Seattle, has been seeking a means to legally obtain and administer psilocybin to ailing and aging patients for care during the final phases of their lives.

Kathryn L. Tucker, a lawyer for Aggarwal, wrote a letter to the DEA this month that said he “continues to provide care to patients with advanced and terminal cancer who could benefit greatly from psilocybin assisted therapy, enabling them to experience a more peaceful dying process.”

“The science supports movement to schedule II; such placement will enable access under Right to Try laws, which contemplate early access to promising new drugs for those with life-threatening conditions,” Tucker wrote.

Aggarwal filed a lawsuit after his 2020 petition to reschedule psilocybin was denied. A federal panel dismissed the suit, but the move toward rescheduling continues now that the DEA has officially forwarded his petition to the Department of Health and Human Services.

But some researchers and other experts caution against moving too fast to expand access.

Dr. Steven Locke, a former Harvard Medical School psychiatry professor, wrote in an email that the question of whether psilocybin has any medical applications “remains controversial.” A past president of the American Psychosomatic Society, Locke has studied rare conditions such as Hallucinogen Persisting Perception Disorder, which cause symptoms akin to long-lasting “bad trips” in a small percentage of people who use psilocybin mushrooms and other psychedelics.

“There is little evidence from good-quality studies to support claims for the efficacy of the use of psilocybin for the treatment of any medical disorders,” said Locke. “The reclassification should be contingent on a careful review.”

Hibs went into Thursday’s second leg as strong favourites given their excellent showing in Belgrade, but their two-goal lead slipped away in alarming fashion as goalkeeper Jordan Smith pushed Milan Vukotic’s long-range effort into the top corner before allowing Jovan Milosevic’s tame effort to squirm under him.

He trudged off at half-time to howls of dismay from the home supporters, but Gray believes the break came at a good time for his side.

“For large spells of the first half the shape was really good, we had the better chances and then there’s obviously a couple of mistakes,” Gray said.

“The character was certainly tested. Half-time came at a good time – I was able to calm them down and then it’s all about character.”

And they showed their character through Bowie’s inspired strike and through a string of Smith saves, who put his first-half horror show behind him admirably.

“I’m delighted for Jordan for his second-half performance,” Gray said. “He made big saves at big times.”

Gray was keen to point out that his team’s character was then tested again.

The tie looked done. Hibs were through, 3-2 up on aggregate with 30 seconds left of time added on.

That was before Partizan’s Andrej Kostic swept home in the 96th minute to force extra time.

However, unlike in Europa League qualifying against Midtjylland, there would be no heartache this time.

“The game became stretched, we lost control at times,” Gray said. “You think you’re over the line and then you have to go again for another 30 minutes.

“Now it’s all done and dusted there will be improvements to come from it, but that’s for another night.”

ALDI is unveiling a window cleaning gadget that has been deemed “magic” along with a “game-changing” vacuum on its shelves in days.

The discount supermarket chain hopes to make revolutionise household cleaning with these products on sale for a good price.

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Aldi’s upcoming Easy Cleaning game changers are the Cyclonic Stick Vacuum and Electric Window Vacuum.

The two items will be landing in stores from Sunday, August 17.

The Cyclonic Stick Vacuum is a returning product that was popular from Aldi stores, going for £39.99.

It is designed with a powerful suction that operates on either an eco or maximum level to leave floors and carpets spotless.

This cyclonic vacuum comes with a 550ml dust container that is washable, as well as a crevice and brush attachments.

There is also a 180-degree swivel head on the end of the vacuum, that features easy attachment technology to make changing it easy.

A longer cylinder tube is included for cleaning areas that are harder to reach.

Additionally, Aldi is introducing the Electric Window Vacuum as a “game-changing buy” for speeding up household chores, priced at £19.99.

This window vacuum features a powerful 12w supply, with a 40-minute minimum run time.

The Electric Window Vacuum also includes a spray function, two cleaning pads, and an easily removable water tank.

It is therefore able to offer an effective and affordable option for homeowners to clean their windows with full coverage.

These two products are part of Aldi’s Specialbuys, which are likely to get sucked up fast.

So shoppers should get into stores quick, as once these gadgets are gone, they’re gone.

More Aldi middle aisle buys

IF it’s middle aisle buys that you’re looking here, some of the new items you won’t want to miss.

Young adult comedies are best when the misery of high school is paired with other extreme types of terror — a plane crash, a supernatural mystery, vampires. “Wednesday,” Netflix’s Addams Family series, did just that and more when it premiered in 2022, combining sardonic wit, smart casting and murder in a beautifully macabre setting influenced by producer and director Tim Burton. Jenna Ortega stars as the Addams’ dark-hearted daughter. Her deadpan delivery and zombie prom dance solidified “Wednesday” as one of the year’s best and liveliest funerary comedies.

The second season of “Wednesday,” Part 1 of which debuts Wednesday followed by Part 2 on Sept. 3, finds the show’s namesake back at Nevermore Academy, where she’s faced with challenges familiar to last season. She must navigate the idiocy of her high school peers while solving a metaphysical murder mystery.

But there’s a new twist that threatens to undermine the unflappable protagonist, and it’s a teenager’s worst nightmare — even for a girl who enjoys night terrors. Wednesday’s weird family is headed to school with her. Brother Pugsley (Isaac Ordonez) is a Nevermore freshman and her parents Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán) are helping with fundraising and such. Oh the horror.

Jenna Ortega’s Wednesday Addams “dance dance dances with her hands, hands, hands” in “Wednesday” Season 1.

(Netflix)

Season 2 follows many of the same formulas, replete with eviscerating comebacks from Daddy’s Little Viper. When her new high school principal, Barry Dort (Steve Buscemi), asks if she’d like a Nevermore Academy spirit sticker, she responds, “Only if you have one that says ‘Do Not Resuscitate.’” And when describing her underachieving brother’s shortcomings, she says, “He’s got the brains of a dung beetle and the ambitions of a French bureaucrat.”

But it’s impossible to recapture the magic of the first season, and “Wednesday” Season 2 isn’t quite as crisp or surprising. In the first four episodes made available for review, Wednesday’s zingers aren’t as wickedly sharp as they once were. And because we know she’s going to be annoyed by her classmates, such as perky werewolf roommate Enid (Emma Myers), the dynamic is not as morbidly charming.

The bond between Addams family members, however, is more deeply explored and their dysfunctional interactions add a new layer of contemptuous humor to the mix. The relationship between Wednesday and Morticia is strained, and not just due to the usual disgust teen daughters have toward their mothers. “When do I get to read your novel?” asks Morticia of her daughter’s work in progress, “Viper de la Muerte.” Wednesday’s inner voice answers, “When the sun explodes and the Earth is consumed in a molten apocalypse.” Her outside voice? “Soon, Mother. Soon.”

Morticia is worried about Wednesday’s increasing use of her psychic powers because similar abilities drove another family member mad. Her daughter is showing troubling signs such as black tears streaming from her eyes each time she has a psychic episode — though it’s a good look, especially for those contemplating their next Halloween costume.

We thankfully see a lot more of eccentric Uncle Fester (Fred Armisen owns this role) as he helps Wednesday solve her latest case, sometimes using the benefit of his telekinetic powers. Christina Ricci, who played Wednesday in the 1991 film, is also back. The deranged villain from Season 1 is now a deranged inmate.

Welcome new additions include Grandmama Hester Frump (played by Joanna Lumley of “Absolutely Fabulous”), Morticia’s immaculately coiffed mother and wealthy mogul who owns Frump Mortuaries. She’s cold, conniving and happy to cause a deeper rift between her granddaughter and daughter. And in a perfect casting move, Christopher Lloyd, who played Fester in the film, appears as a disembodied head in a jar who teaches at the academy.

Thing, the lone hand played by Romanian magician Victor Dorobantu, perhaps has the most screen time of anyone. Season 2 opens with the stitched-up appendage beating the hell out of a serial killer. It’s at once satisfying and stupidly hilarious.

As for the plot, it’s much the same as last season. There’s another mystery to solve, but this time it involves killer surveillance crows, a hooded stalker and at least a few visits to an insane asylum. There’s also a walking dead character added to the mix, so expect gore in the form of goo, brains and bugs.

But it’s really the performances, casting and artistic flourishes that make “Wednesday” a ghoulish delight. A short ghost story about a boy with a clockwork heart buried under the Skull Tree is told via Burton claymation, in black-and-white, in the spirit of “Frankenweenie.” It’s beautiful, sweet and sorrow-filled. “Wednesday” isn’t what it was and that’s OK. It still works as spooky comedy about a girl and her severed hand.

People have been left in stitches after American readers revealed what confused them in the Harry Potter books

Americans have revealed what confused them about the Harry Potter books, and it turns out lots of readers mistook British references for magical inventions. The “hilarious” mistakes were highlighted in a video shared by TikTok user @kelley_morgan.

Kelley Morgan told followers: “Here’s some things that I used to think were magic but it turns out they’re just British. It’s pretty common for like a ten or an eleven-year-old American, like, first time they’re learning about British culture, is through the Harry Potter books, so a lot of times they’ll think certain things that are normal for British people are like magical and like Harry Potter.”

She explained: “The first one is true for me, but also the one that people joke about the most, and it’s the one where they’re punting students. There’s a part in Harry Potter where there’s a swamp in the hallways, and then the janitor has to punt students across to get to their classes.

“In American English a punt is like a drop kick and because the world is like magical anyway we think oh he’s kicking students really hard across the swamp, but it turns out in British English punting is like a boat with a stick, like a marsh boat. So it turns out he was just boating them across, he was not kicking them.”

Kelley was also confused by British schools. “Another one is school houses. We don’t have those at all, and I know not everywhere in England has them but apparently a lot of schools do have different school houses and you actually get sorted into the houses and then you earn points for your house. It’s kind of weird to me. It sounds fun, but we don’t do that like at all.”

She added: “Along the same lines, prefects, which are like the authority figures within the houses is apparently a real thing. We don’t have that at all. I think the closest thing that we might have is a hall monitor, but nobody really likes the hall monitor kids. Also, hall monitor is not a common thing. I don’t think we ever had home monitors in my school, but it’s just something you see on TV. Next, the American content creator revealed she was confused to read about Christmas crackers.

“They always talk about having Christmas crackers and to us a cracker is a snack. I don’t even know what you call it like a cracker, like a chip, not your kind of chip. Then I just assumed fun presents and confetti and stuff fell out of the cracker because they have candy with toys in them in the book.

“So I’m like oh it must fall out of the cracker, but apparently it’s a really common thing like in a lot of European countries where you pull both ends of a thing and it pops.”

Finally, she turned her attention to pudding. “I thought they just really liked pudding cause they always say like oh I’m gonna go eat some pudding, like I can’t wait for pudding. They always have pudding after dinner cause over there pudding just means dessert and over here it’s a very specific dessert.”

The video received over 400,000 views and lots of comments from American readers who had a similar experience. Someone commented: “What’s most hilarious about the punting is not that it was a different word, but that we all collectively accepted that Filch drop kicked kids across a pond. No questions asked.”

A different response read: “I legitimately love pudding and was a little bit disappointed when I found out that it just means any dessert. I thought they were always having my favourite dessert!”

Another comment said: “I had the reverse issue — thinking things that were unique to Harry Potter were actually just normal British things. I thought for way too long that all British kids wrote with quills.”

BBC Sport pundit Tim Henman believes Carlos Alcaraz “looks comfortable on any surface, against any opponent” after the defending champion sees off Britain’s Cameron Norrie in straight sets to reach the semi-finals at Wimbledon 2025.

Watch live coverage from every court on BBC iPlayer.

Available to UK users only.

BEVERLY HILLS — Julian McMahon, an Australia-born actor who performed in two “Fantastic Four” films and appeared in TV shows such as “Charmed,” “Nip/Tuck” and “Profiler,” has died, his wife said in a statement.

McMahon died peacefully this week after a battle with cancer, Kelly McMahon said in a statement provided to the Associated Press by his Beverly Hills-based publicist. He was 56, according to the New York Times.

“Julian loved life,” the statement said. “He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible.”

McMahon played Dr. Doom in the films “Fantastic Four” in 2005 and “Fantastic Four: Rise of the Silver Surfer,” which came out two years later.

Additionally, he had roles in the TV shows “Home and Away,” “FBI: Most Wanted” and “Another World,” according to IMDB.

Actor Alyssa Milano, who appeared with McMahon on “Charmed,” mourned his death on social media, saying “Julian was more than my TV husband.”

“Julian McMahon was magic,” Milano said. “That smile. That laugh. That talent. That presence. He walked into a room and lit it up — not just with charisma, but with kindness. With mischief. With soulful understanding.”

Dodgers controlling owner Mark Walter, through his TWG Global company, agreed to purchase a majority ownership stake in the Lakers last week and released information about the sale on Wednesday in a statement announcing the deal would be completed later this year.

When news broke that Walter would take controlling interest of the Lakers from the Buss family at a valuation of $10 billion, we reached out to Magic Johnson about his thoughts on the matter. Speaking from a yacht off the coast of Croatia, here’s what the Lakers legend had to say about Walter, Jeanie Buss and the sale:

About Walter’s approach

“Mark is a man who cares and loves winning and will always care about investing the money in making not only the team better but the organization better. He’s somebody who is family-driven. He’s a great man.

“You saw what happened to the Dodgers once Mark and all of us took over.”

On the Buss family selling to Walter

“One thing that Jeanie [Buss] was going to do is put [the franchise] in the right hands. If she was going to sell, it had to be the right person, and Mark Walter is the right person to take over and lead us for the next 30, 40 years. So, this is the best news that could have happened for all Laker fans across the world. Mark has had his eye on the Lakers for a long time. That’s why he bought [Philip] Anschutz’s [minority ownership] piece first and then he was sitting there, and Jeanie knew this.

“If she ever wanted to sell, he wanted to be the one that bought the team. And they formed a friendship, because that had to happen first. Jeanie had to know that he was going to do just like her father [Dr. Jerry Buss] did and just like she did and that was to make sure that he would do great things in the community as well, like both her father and her have been able to do and also educate him on how much the Lakers mean to not only the Laker fans but to the NBA and to the world.”

On the sale of the team

“I think the [Buss] boys were ready before. I think they wanted to cash out. We’re seeing this happening all around sports. ‘Sometimes, let somebody else have it.’ We saw Mark Cuban do it. Boston did it. So, you are seeing it happen and maybe they [Buss family] said, ‘We just want the money and go on and live out our lives.’”

“Mark loves being a part of Los Angeles and now he’s got the premier baseball team and now the premier basketball team.”

On Walter’s success

“The one thing great about Mark is that he’ll hire the best people. He will always have really good people around him to help him bring back championships to Los Angeles and to Lakers fans. I’m excited. This couldn’t have gone any better for Laker fans and the Buss family and the NBA. The NBA knows Mark. It couldn’t have gone better for the Buss family because Mark is a caretaker. You got to be a caretaker, a great caretaker.

“What did Mark do for the Dodgers? He’s been a great caretaker of the brand and of the team. How much money he put into Dodger Stadium. He’s always willing to make the big and bold moves to win. But Mark is a visionary. So, he’s probably already got a vision for the Laker organization and for the team. So, that’s the great thing about him.

“The funny thing is, his personality is just like Jeanie. You won’t see him out front a lot, just like now he’s not out in front of the Dodgers. So, people need to understand that. That’s not his personality. Just like Jeanie’s personality. She hasn’t been out front.”

About Jeanie Buss and the sale

“You saw Mark let Jeanie stay on the Board of Governors. That was smart. One thing that is smart about Jeanie is she was never going to say, ‘Oh, the Lakers are up for sale! Anybody can own them.’ That’s not who she is. She wasn’t going to put it in anybody’s hands.

“And I think because of the success of the Dodgers and how he has run the organization, now it’s easy for the fans. We already know him. We’ve seen his work already. We’ve seen what he’s been able to do, led us to a couple of World Series [wins] and going to the World Series four times. That’s success right there. That’s what Laker fans are looking for.

“He’s got a track record. This is what Laker fans would want, somebody that they can trust, just like they trusted Dr. Buss. They trusted Jeanie because of her father saying, ‘This is who I want in charge.’ So, this is beautiful for all Laker fans.”

Upon hearing the news

“I’m going crazy too. I was screaming all over this yacht, because I know how great Mark is and how great of a man he is and how smart he is. He’s got a big heart.”

The Lucas Museum of Narrative Art, rising on what used to be a parking lot in Exposition Park in downtown L.A., is devoted to visual storytelling: the comics of Charles M. Schulz (“Peanuts”) and Alex Raymond (“Flash Gordon”), movie concept art by Neal Adams (“Batman”) and Ralph McQuarrie (“Star Wars”), paintings by Frida Kahlo and Jacob Lawrence, photography by Gordon Parks and Dorothea Lange, illustrations by Norman Rockwell and N.C. Wyeth.

So when George Lucas and wife Mellody Hobson chose Mia Lehrer and her L.A. firm, Studio-MLA, to design the 11 acres of landscape around — and on top of — MAD Architects’ swirling, otherworldly, billion-dollar building, the driving forces behind the Lucas Museum made it clear that the landscape had to tell a story too.

Lehrer and her team studied how directors, illustrators and painters use topography to help amplify, among other things, emotion, sequence and storyline.

A long stretch of park space extends from the Lucas Museum of Narrative Art, which sits next to the Los Angeles Memorial Coliseum.

(Myung J. Chun / Los Angeles Times)

“We looked at the landscapes of myths and movies,” said Kush Parekh, a principal at Studio-MLA. “How do you take someone on a journey through space? How does the terrain change the story — and how can it be the story?”

The result — which feels surprisingly grown-in even though the museum won’t open until next year — is a sinuous, eclectic landscape that unfolds in discrete vignettes, all promoting exploration and distinct experience. Each zone contains varied textures, colors, scales and often framed views. A shaded walkway curls along a meandering meadow and lifts you toward a hilly canyon. A footbridge carries you above a developing conifer thicket. A plant-covered trellis, known as “the hanging garden,” provides a more compressed moment of pause. The environment, like a good story, continually shifts tone and tempo.

“It’s episodic,” Parekh said. “Each biome reveals something new, each path hints at what’s ahead without giving it away.”

A key theme of the story is the diverse terrain of California — a place that, in Lehrer’s words, “contains more varied environments in a single day’s drive than most countries do in a week.” Foothills and valleys, groves and canyons, even the mesas, plateaus and plains of the Sierra and the Central Valley — Lehrer calls all of it a “choreography of place.”

Lucas Museum staff and design team stand under the trellis of “the hanging garden.”

Another, more subtle, layer of this narrative is time. Plantings were laid out to bloom in different seasons and in different places. Bright yellow “Safari Goldstrike” leucadendron, edging the meadow and canyon, come alive in late winter and early spring. Tall jacarandas, spied from a foothills overlook, emerge then quickly disappear. “Bee’s Bliss” sage, lying low in the oak woodland, turn lavender blue in the early summer. Something is always emerging, something else fading.

“Every month, every visit, feels different,” Parekh said.

Even the alpine-inspired plantings cladding the museum’s roof — colorful wildflowers, long sweeping grasses and coarse scrubs, all chosen for their hardiness, lightness and shallow roots — follow this rhythm.

“They’re alive. They change. They move with the climate,” Lehrer said.

The landscape creates the illusion that some plantings run right up to the museum. Here, the black void on the underside of the building is the opening for a giant waterfall that will cascade to a pool below.

(Jason Armond / Los Angeles Times)

The grounds include the terraced seating of an amphitheater.

(Jason Armond / Los Angeles Times)

The plant palette includes low-water selections.

(Jason Armond / Los Angeles Times)

Amazingly, the rest of the landscape is a kind of green roof as well, sitting atop a 2,400-spot underground parking structure — available to those visiting the Lucas or any of Expo Park’s other institutions. Wedged between the greenery and the parking are thousands of foam blocks, mixed with soil and sculpted to form the landscape while minimizing weight on the building below.

“I wish I had invested in foam before we started this,” joked Angelo Garcia, president of Lucas Real Estate Holdings. “It’s everywhere. These mountains were created with foam.”

“It’s full-scale ecology sitting on top of a structural system,” noted Michael Siegel, senior principal at Stantec, the museum’s architect of record, responsible for its technical oversight and implementation.

“That’s how the best storytelling works,” Lehrer added. “You don’t see the mechanics. You just feel the effect.”

Foam blocks buried in the soil shape the terrain while minimizing weight on the parking structure below.

(Jason Armond / Los Angeles Times)

As you make your way through the rolling landscape, it becomes clear that it’s also crafted to meld with MAD’s sculptural design — a hovering, eroded form, itself inspired by the clouds, hills and other natural forms of Los Angeles.

“There’s a dialogue,” Garcia said.

Paths bend instead of cut; curving benches — cast in smooth, gently tapering concrete — echo the museum’s fiber-reinforced cement roofline. Bridges arc gently over bioswales and berms. Ramps rise like extensions of the building’s base. Paving stones reflect the color and texture of the museum’s facade.

“It was never landscape next to building,” Lehrer said. “It was building as landscape, and landscape as structure. One continuous form.”

Closer to the building, where a perimeter mass damper system that the design team has nicknamed the “moat” protects the museum from seismic activity, landscape nestles against, and seemingly under, the structure’s edges, further blurring the barrier between the two. Rows of mature trees being planted now will help soften the flanks. Vines will hang from the Lucas’ floating oculus, right above its entry court.

The building’s oculus eventually will have vines hanging from it.

(Jason Armond / Los Angeles Times)

The Lucas Museum of Narrative Art rises in Exposition Park, its rooftop clad with solar panels and gardens, the skyline of downtown Los Angeles rising behind it.

(Myung J. Chun / Los Angeles Times)

A worker on the green rooftop of the museum.

(Jason Armond / Los Angeles Times)

The topography was designed to minimize environmental impact. Hundreds of plants, mostly native to the region, are drought-tolerant (or at least require little watering). A rain-harvesting system captures water for irrigation. And on the north edge of the museum will be “The Rain,” a waterfall that doubles as a passive cooling system, replacing traditional air-conditioning infrastructure. (Dozens of underground geothermal wells provide additional cooling.)

In this part of South L.A., park space is egregiously scarce, a remnant of redlining and disinvestment. This space — set to be open to the public without a ticket, from dawn to dusk — is a game changer, as is a massive green space on Expo Park’s south side that also replaces a surface parking lot and tops an underground garage. (That latter project has been delayed until after the 2028 Olympics.)

“It’s hotter, it’s denser and it’s long been overlooked. We wanted to change that,” Lehrer said of the area.

What was once a walled-off asphalt lot is a porous public space, linking Expo Park to the rest of the neighborhood via its four east-west pathways and opening connections on the north side to Jesse Brewer Jr. Park, which the Lucas Museum has paid to upgrade. The museum also funded the creation to the south of the new Soboroff Sports Field, which replaces a field that was adjacent to the site’s parking lot. The Lucas’ circular plaza and amphitheater with seating for hundreds, have the potential not only to host museum events but also to become popular community gathering spots.

Kush Parekh, left, and Mia Lehrer of Studio-MLA.

(Jason Armond / Los Angeles Times)

Treetops rising along the museum’s curvaceous silhouette.

(Jason Armond / Los Angeles Times)

For Lehrer, the landscape is a convergence of civic and ecological ideas that she’s developed throughout her career — really ever since a chance encounter with the intricate original drawings for Central Park while she was studying at the Harvard Graduate School of Design spurred her to pivot from planning to landscape architecture. At this point, she’s created arguably more major new public spaces in Los Angeles than any other designer, including two vibrantly didactic landscapes at the adjacent Natural History Museum of Los Angeles, downtown’s 10-acre Vista Hermosa Park and the artfully layered grounds and lake surrounding SoFi Stadium.

“This brings everything together,” she said. “Design, ecology, storytelling, infrastructure, community. It’s the fullest expression of what landscape can be.”

Lehrer credits Lucas with not just permitting her to explore these ideas but encouraging her to push them further. Lucas supported the rare — and costly — installation of mature plantings. Usually the landscape is the last part of a building to emerge.

The progress in the grounds is a bright spot for the museum, which has been grappling with construction delays, the surprise departure of its executive director and, most recently, the layoffs of 15 full-time and seven part-time employees, part of a restructuring that a museum official said was “to ensure we open on time next year.”

As the new building accelerates toward that opening, the vision outside is becoming more clear.

George Lucas, center, wife Mellody Hobson and then-Mayor Eric Garcetti as the Lucas Museum began construction in 2019.

(Robert Gauthier / Los Angeles Times)

“To have an open-minded client, who gets landscape and also appreciates creativity, it’s rare,” Lehrer said. Lucas, who grew up on a farm in Modesto, has been developing the vineyards, gardens and olive groves of his Skywalker Ranch in Northern California for decades.

“I have always wanted to be surrounded by trees and nature,” Lucas said. “The museum’s backyard is meant to provide a respite in a hectic world.”