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Designers Jeanine Hattas Wilson and Julie Hattas Kennedy’s magical transformation of a 4-foot-by-4-foot storage closet at this year’s Pasadena Showcase House of Design almost feels like a metaphor for design showcases themselves: not quite real, but pure fantasy.

“It was inspired by our dad, who used to read to us in Woodstock, Ill.,” Wilson says of their immersive storybook escape, which features a delightful hand-painted mural on the walls and tiny lanterns that, when touched, offer a narrated fairy tale. “We wanted to create a special, intimate space for kids.”

Showhouses are always extravagant, and this year’s event takes place inside the 8,000-square-foot former home of Clara Baldwin Stocker, daughter of land investor and racehorse breeder Elias J. “Lucky” Baldwin. Like her father, Stocker was known for her colorful personality and love of lavish things, including parties that lasted for days. (Baldwin Stocker’s 1929 obituary noted that out of her $10-million estate, about $1.5 million was jewelry, “the collection and wearing of which was her hobby.”)

Many of the 30 revamped interior and exterior spaces in the 1907 shingle-style home include details Baldwin Stocker would have loved. The Midnight Garden Dining Room by the House of Pontovi, for example, has an Italian Murano glass chandelier, feminine Art Deco-style swivel chairs with flapper-style fringe and a gold-leaf ceiling that has replaced Calico Corners fabric. The Entertainment Room by Studio Joshua features statement lighting by Los Angeles designer Jason Koharik, an 11 Ravens custom billiards table and a Champagne cooler built into the marble bar.

And the Bloom Lounge by the Art of Room Design is so large that it can accommodate several different seating areas, a game table and a hidden liquor cabinet — another nod to Baldwin Stocker, who was also known as “the Diamond Princess.”

It’s hard to decide what stands out more at the Baldwin Oaks Estate in Arcadia: the layered interiors that look ready for a shelter magazine, or the smaller spaces, like the closets, mudroom and hidden powder rooms that have been transformed into something special.

Here are a few examples of what to expect at the event, which supports youth music programs throughout Los Angeles County.

The Enchanted Room by Hattas Studios

Identical twins Hattas Wilson and Hattas Kennedy of Hattas Studios transformed a small 4-by-4-foot storage closet into a magical forest with their hand-painted mural depicting characters from stories like “Cinderella,” “The Little Mermaid” and “The Frog Prince.” A young Clara Baldwin appears with her dog, Lucky. You can touch the tiny lanterns to hear a story in each scene or simply curl up in the soft green fuzzy chair, close the velvet curtains and let your imagination wander.

Laundry and Craft Room by Arterberry Cooke Architecture

Architect Barrett Cooke turned laundry into a pleasure in this beautiful room, which doubles as a craft room outfitted with new rose-colored cabinets, playful circular Fireclay Tile, quartzite countertops and stunning views of the San Gabriel Mountains. “I straddled making it utilitarian with how beautiful it can be,” Cooke said of the local artists represented, including ceramics by Jen King, stained glass by Molly Miller, oil paintings by Lareina Holsopple and a print by local artist and Jungalow designer Justina Blakeney. “The art ties it all together.”

The vault in the Family Parlor Room by Jamie Loren Home

The family room is the only space with a television, but with a mah-jongg table, the TV hardly seems necessary. “We wanted to create a room where the family can congregate,” said designer Jamie Loren, describing the cozy parlor painted in the color Viridian Odyssey by Dunn-Edwards Paints. She also turned what used to be a gun closet into a “vault” filled with family heirlooms, including a typewriter, perfume, photos, jewelry and a flask. “This is an ode to Clara,” she said.

Powder Room by Rebecca J. Hansen Design Studio

Details make all the difference in the small powder room by Rebecca J. Hansen, who explains that both the room and the nearby vestibule are focused on mixing patterns while keeping a consistent color palette. Hansen chose patterned terra-cotta tile from Foothill Tile & Stone Co. in Pasadena for the walls, and just outside, she used wallpaper from House of Hackney with mythical animals. Brass hardware from Corston Architectural Detail, chalk pastels and bold wood trim painted a marigold color brought everything together. “It feels like I’m in a castle in England,” she said.

The second floor landing by Blue Brick Design

Designer Lara Hovanessian has transformed the foyer walls of both the first and second floors into a striking display for local artists Blakeney, Susanna Speirs Ali and Lareina Holsopple. The spaces feature the newly released Huntington Collection wall covering by Morris & Co. in the iconic Strawberry Thief motif, pink ceilings and Alberto Giacometti-style lighting from Visual Comfort.

The Mudroom by Gex Designs

Inspired by the shingles of the 1907 home, Noelle Gex Djokovich, known for last year’s playful flower-cutting room, has reimagined this space with custom cabinets, patterned floors and charming details such as a dog bed, a Lewis & Wood fabric skirt and a rag rug from Nickey Kehoe. “Adding layers to a small room makes you feel good when you come home,” she said.

The Magnolia Room by Cordrey Collection

Designer Steven Cordrey says the Magnolia wallpaper reflects his Southern roots and the Phillip Jeffries grasscloth on the walls is practical (“It’s easy to clean,” Cordrey says). He also likes to bring the outdoors in, pointing to the views of the estate’s grand oaks and pool from the second-floor bedroom. There’s a hidden touch too: Rock Zehler’s stylish dressing room, inspired by Art Deco and the 1970s, has a secret closet tucked behind a pocket door.

England captain Ben Stokes was struck on the face by a cricket ball, which required surgery for a broken cheekbone.

England Test captain Ben Stokes has said he feels “quite lucky” to be alive as he recovers from surgery after being hit in the face by a cricket ball.

All-rounder Stokes required the procedure after suffering a broken cheekbone sustained by being hit by the ball during a net session while he was coaching academy players at his domestic county side Durham in February.

Stokes is set to play in two first-class County Championship games next month, but he revealed the incident could have been so much worse.

“I copped one straight in the face,” the 34-year-old told the England and Wales Cricket Board.

“Pretty nasty but, funnily, probably the best result of a bad situation, to be honest. Just a couple of inches one way or the other, I might not be here doing this interview, if I didn’t turn my head round.

“All things considered, although I had pretty major facial surgery to sort it out – it was a bit of a mess under here (cheekbone), I’ve got out quite lucky. So pretty thankful for that.”

He added: “Obviously it set everything back about a month, five weeks, with getting back to where I wanted to be to play at the start of the season for Durham, but just had to sort of quickly go back to the drawing board and put a plan together to get me ready to play a couple of games for Durham before the Test summer starts.

“At the back end of all that now, but it was a pretty scary situation. Thankfully still here and everything’s all right.”

Stokes is expected to be fit to lead England in the first Test of their home season against New Zealand at Lord’s starting on June 4, as they look to recover from their woeful 4-1 Ashes humiliation in Australia.

Stokes downplays rift with England coach McCullum

Stokes, meanwhile, has played down reports of disagreements with head ⁠coach Brendon McCullum but added that they do have different viewpoints at times.

British media reported that former New Zealand captain McCullum’s relationship with Test ⁠captain Stokes frayed during the Ashes series defeat in Australia, though the duo have publicly backed each other.

“I am very confident in mine and Brendon’s ability to be able to work together, because we’ve done it for ‌such a long period of time now,” Stokes said in an interview with the England and Wales Cricket Board (ECB).

“But we work together in a slightly different way. The main point of me and Brendon is our alignment towards winning things and making this team as good as they can be.”

Since taking charge in 2022, McCullum and Stokes implemented ⁠an ultra-aggressive style of play known as “Bazball”, which has ⁠come under much scrutiny since England’s Ashes defeat, prompting the ECB to launch a thorough review into the team’s preparations.

McCullum was retained as coach.

“Agreeing on every single thing, that’s ⁠just impossible,” Stokes said.

“We agree 95% of the time on things, but those 5% things that we might ⁠have different views on, we talk about it ⁠between each other and then we end up getting to the place where we want to get to.

“We put a lot of our heart and soul into this job. Brendon certainly ‌has for the four years he’s done it so far, and hopefully we’ll still be together at the end of 2027, winning what we want ‌to ‌win.”

England host New Zealand for a three-Test series in June before eight limited-overs matches at home to India.

Key was also a guest on the the TMS programme and he said England will make changes in the way they approach selection.

There had been a perception that the England Test team felt like a ‘closed shop’, particularly to players in county cricket who did not fit the aggressive Bazball style.

Key said the introduction of a “county insight group” to offer input into selection will attempt to formally rebuild relations with stakeholders, including directors of cricket, in the domestic game.

The 46-year-old former Kent captain also said England’s selection policy will become more cut-throat compared to the past when certain players have almost appeared undroppable.

“We’ve overvalued loyalty and overvalued having a settled team,” Key said.

“We thought what we wanted to do is make sure we have a team that is settled out there [in Australia], that we go out there and we’re not giving debuts to opening batters [during the Ashes] and stuff like that.

“But what that does is it creates an environment where there’s not enough consequence. We need to be more ruthless with our selection.”

McCullum is due to return to work towards the end of May as England gear up for a Test series against his native New Zealand which starts at Lord’s on 4 June.

However, Vaughan felt it would have been worthwhile McCullum spending time on the circuit during the early rounds of the County Championship – for good PR if nothing else.

“I’m a bit disappointed that he’s not coming a bit earlier,” Vaughan said.

“I think at this stage, when you’re trying to win back the fans, trying to win back a little bit of the game, if I was Brendon McCullum, I’d come a few weeks earlier, get seen around the counties.

“I’d go and talk to a few coaches, go and speak to a few umpires, get seen out and about just for the optics. Because at this stage he needs the fans, and he needs the game to kind of get behind his philosophy a little bit more.”

You can watch the full TMS debate over the post-Ashes review on BBC iPlayer or download it as a podcast.