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From mountain hikes and whale watching to wine tasting and gourmet dining – there’s no shortage of things to do in Madeira

It didn’t take us long to discover that Madeira is an island of striking contrasts. Towering mountains and plunging valleys, a vibrant city and unspoilt natural parks. Even the weather keeps you on your toes, shifting from overcast skies to dazzling sunshine in moments, thanks to the island’s many microclimates.

The capital, Funchal, is defined by its charming mosaic cobblestones in the cathedral quarter, winding restaurant-lined lanes in the old town, and a sweeping seafront promenade with steps leading down to the sea for those fancying a spontaneous swim.

During our walking tour of the city, we took in the elaborate gothic cathedral, indulged in sweet treats at the celebrated chocolatier Uaucacau, and stumbled upon exotic fruits we’d never encountered before at the central market – from banana passion fruit to monstera deliciosa, which apparently tastes remarkably similar to pineapple when fully ripened, reports OK!.

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There’s no shortage of things to discover beyond the city either, as we found out when we ventured further afield around the island.

Madeira: an island built for adventure

Feeling energetic, we tackled the Vereda da Ponta de Sao Lourenço, a 7km round-trip hike leading to the most easterly tip of Madeira. The rocky trail demands a fair amount of stair-climbing, but the payoff is absolutely worth it – jaw-dropping panoramic views of the stunning coastline await. We’d strongly advise heading out early, as the path becomes considerably crowded from mid-morning onwards.

A jeep tour offers the finest way to explore the island’s north coast. Our itinerary took in beaches, waterfalls and a rum distillery where we sampled the local beverage Poncha Regional – a blend of rum, honey, lemon and orange juice. But the true standout moment came when venturing off-road into the verdant laurel forest, jolting along the muddy paths surrounded by tropical vegetation.

For our subsequent excursion, we headed to the harbour to embark on a whale-watching trip. We ended up considerably more drenched than anticipated as we raced across the ocean in our rib. While the rear seat might be the safest option for those prone to seasickness, it’s also where the majority of the spray appears to hit. We were, however, treated to the sight of a pod of bottlenose dolphins frolicking in the waves – and the tour guide graciously offered us a towel!

For a more tranquil afternoon we travelled to the spa at The Vine Hotel to experience its Red Wine Divine Bath. The 90-minute treatment features a gentle exfoliation using crushed grape seeds, a soak in a bubbling tub of red wine-infused water – with a glass of wine to savour for that additional touch of indulgence – and a full body massage to round off the blissful experience.

Discover the Madeira Wine Festival

The Madeira Wine Festival takes place from late August through to mid-September and offers a fantastic opportunity to experience the island at its liveliest. It’s a tribute to local wine-making heritage, featuring concerts and theatrical shows across multiple locations. We made our way to the Wine Lounge along Funchal’s waterfront, where live entertainment accompanied pop-up stands from 11 Madeiran wine makers, giving us the chance to try numerous varieties. We also dropped by Quinta do Furão for its yearly celebrations, which included a buffet lunch, wine sampling and the chance to tread grapes barefoot.

Naturally, you don’t have to wait for the festival to enjoy Madeira’s wines. During a guided experience and tasting at Blandy’s Wine Lodge in Funchal, we discovered the wine-making techniques and were amazed by the enormous 9,000-litre oak casks. We also took part in a vineyard visit at Quinta Das Malvas, where we discovered how they combine vines through grafting to shield them from illness and why roses play a crucial role in assessing vine wellbeing.

Where to eat: restaurant recommendations and regional specialities

There’s certainly no lack of upmarket dining establishments in Madeira. We began our culinary adventure at Akua, a seafood spot nestled down a quiet side street in Funchal, where the tuna tartare cones and jumbo tiger prawn proved to be the highlights. At Three House, we savoured the chef’s table experience, where every dish is crafted right before your eyes. We’d highly recommend the red snapper ceviche and tacos packed with the local delicacy, black scabbardfish. Make sure you head up to the rooftop bar afterwards for a cocktail (open Wednesday to Saturday).

For an upmarket dining experience with breathtaking views, Avista is an absolute must. The outdoor terrace gazing out over the ocean is truly stunning, and our scallops with lime risotto and crème brûlée dessert were simply divine.

At Audax, we treated ourselves to the tasting menu – five courses crafted by the chef to capture the traditional flavours of Madeira, reimagined with a contemporary flair. Every dish was strikingly presented and packed with flavour. Over at Design Centre Nini Andrade Silva, we were won over by the sophisticated monochrome interior, gourmet dishes made from locally sourced produce and spectacular sunset views.

Where to stay in Madeira

Pestana Quinta Perestrello is a charming 37-room hotel on the outskirts of Funchal, lovingly converted from a traditional manor house. Its modest size lends it a wonderfully homely atmosphere, complete with a snug reading room and a quaint garden pool. Guests can also take advantage of the two neighbouring Pestana properties, which boast larger pools, restaurants and a health club. Central Funchal is just a 15-minute stroll away.

For a more indulgent experience, Casa Velha is a five-star boutique hotel situated alongside the breathtaking Palheiro Gardens. Here, the décor is opulent, the grounds are magnificent and the ambience is one of pure serenity. The restaurant Oxalis specialises in regional dishes with a contemporary twist and merits a visit even if you’re not staying there, as do the Palheiro Gardens themselves, where hundreds of plant species from across the globe flourish and trees soar to heights of 46 metres.

Arrange your own island getaway

For further details on accommodation, dining options and activities, head to VisitMadeira. EasyJet and British Airways provide direct flights to Funchal from the UK.

A new route to the Italian city means Brits can indulge their love of cheese and even book a factory tour and tasting, as well as enjoying the historic sights in this sun-soaked destination

A new Ryanair route has launched from London-Stansted and it’s the perfect city break for those who love cheese, or Italian food in general.

Booking is now open for London to Parma flights, with the first of the twice-weekly flights taking off on June 4. The service will run on Thursdays and Sundays, making it the perfect route for a long weekend, and the flight time is just under two hours. Fares start from £20.95 one way.

Parma is found in northern Italy’s Emilia-Romagna region and is a major foodie city thanks to two of its most famous products that are enjoyed around the world. Firstly, the pungent Parmesan cheese comes from this city, and there are a number of factories and tours you can take which end with cheese tastings. You can even visit the Museo del Parmigiano-Reggiano just outside the city and learn about the history of cheesemaking in the area.

Prosciutto di Parma, or Parma ham as Brits tend to call it, also hails from this region. There are a few Prosciuttificio around the city where you can see the giant legs dangling from the ceiling as they go through the curing process for months on end. Some Prosciuttificio have cafes attached where you can enjoy platters of prosciutto and cheese served alongside a glass of Italian wine.

Parma is a walkable city, and many tourists start of at the old town, known as Centro Storico. Down its narrow medieval streets you’ll find impressive Romanesque architecture, colourful terraced houses, and cobbled town squares full of cafés.

At the heart of the old town is Piazza del Duomo, and here you’ll find the 900-year old gothic cathedral and 12th-century Bishop’s Palace which was built with repurposed Roman stone blocks.

Other incredible architectural sites include Teatro Farnese, one of Europe’s largest Baroque theatres, built entirely in timber. This grand auditorium dates back to the 17th century and the elaborate wood carvings are a testament to the craftsmanship of the time. Parma was the birthplace of composer Verdi, so there’s usually a packed schedule of operas and classical concerts across its historic theatres.

Music lovers can also visit the fascinating House of Sound, a museum that is focused on how technology developed for music, from the creation of the gramophone and radio to modern music devices. The museum also features 228 speakers, grouped in 64 audio channels, which allow visitors to experience ‘sound rains’ as they move around.

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Parma has a huge number of restaurants, including two with Michelin stars, making it the perfect destination for foodies. There are endless Trattoria and Osteria found down narrow streets where you can experience authentic, inexpensive Italian cuisine. Osteria dei Servi comes highly recommended, and you can dine in this cosy restaurant among the hanging prosciutto legs while choosing specials from the chalkboard.

Trattoria Corrieri has a similarly rustic Italian feel. One page of the menu is devoted to prosciutto and other cured meats, and local ingredients are the cornerstone of this cosy Italian restaurant, which has been open since the 1800s.

Have a story you want to share? Email us at webtravel@reachplc.com

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This is another strong week for new releases. By now you have likely heard something about “The Drama,” which has become inescapable thanks to the tireless promotion of its two stars, Zendaya and Robert Pattinson.

In a movie written and directed by Norwegian provocateur Kristoffer Borgli (“Dream Scenario”), the pair play Emma and Charlie, an engaged couple who find their wedding week thrown into disarray by the revelation of a deep secret from the bride-to-be.

Robert Pattinson and Zendaya in the movie “The Drama.”

(A24)

As Amy Nicholson put it in her review, “To another screenwriter, ‘The Drama’ would be an intimate study and a more emotionally wrenching film. But Borgli forces us to parse the mushy stuff from the mess and analyze the pending nuptials as an impersonal problem: What comes after a public shaming for the guilty and the inquisitors? That’s one of the most important (and unresolved) questions of the modern era, so I’ll forgive the filmmaker for being no more interested in writing Emma and Charlie as complex human beings than if they were character names in a math quiz about two people on two trains speeding toward a crash.”

Meanwhile, Tim Grierson spoke to Shira Small, the folk artist whose sole 1974 album features a song heard in an early scene of “The Drama.” Small, a delightful interview, goes into the music career she left behind a long time ago — one which may be reigniting now thanks to the movie.

Also opening in Los Angeles this week is Israeli filmmaker Nadav Lapid’s “Yes,” a guaranteed conversation-starter. Ariel Bronz stars as a musician who, in the aftermath of the Oct. 7 attacks, decides to say yes to composing a vicious new political anthem..

Reviewing the film, Joshua Rothkopf said, “It’s a movie about a citizenry at war with itself, hoping to keep the plates spinning for one more night. You watch it and think how easy it would be to envision an American remake — and wonder, too, if a filmmaker like Lapid even exists here.”

One of my favorite films from SXSW 2025, “Fantasy Life,” is finally coming to theaters. Written and directed Matthew Shear, the movie is an affectionate nod to the chatty dramedies of Noah Baumbach (some of which Shear has acted in). Here he plays Sam, a troubled law school dropout who takes a job looking after the children of a Brooklyn couple (Amanda Peet and Alessandro Nivola) and finds himself in an emotional affair with the wife.

“Fantasy Life” actor-writer-director Matthew Shear and star Amanda Peet bond in New York.

(Justin Jun Lee / For The Times)

I recently spoke to Shear and Peet about their collaboration on the film. Peet’s character in the film is also an actor and, though much of the film’s anxieties felt familiar to her, one scene in particular is drawn from Peet’s own experience: She is often mistaken in public for Lake Bell, including once on a red carpet.

“It’s a weird thing because you’re like, what do I do here?” said Peet with a laugh. “What’s the least douchey way to get out of this?”

The Black Pack’s resistance humor

Robert Townsend in the 1987 movie “Hollywood Shuffle.”

(Samuel Goldwyn Company / Photofest)

Curated around a new book by Artel Great, the UCLA Film and Television Archive is launching the series “The Black Pack: Rewriting American Comedy,” to spotlight a moment in the 1980s and ’90s when a small group of Black creators reached the very heights of Hollywood.

Eddie Murphy, Paul Mooney, Robert Townsend, Keenan Ivory Wayans and Arsenio Hall were friends and collaborators who, from 1987 to 1994, created the work showcased in the series. The Black Pack is a name they gave to themselves, partly in response to the John Hughes-affiliated Brat Pack.

Things begin tonight with a 35mm screening of Townsend’s essential 1987 satire “Hollywood Shuffle.” Great will be there for an introduction and a Q&A with cast member Anne-Marie Johnson and Spring Mooney, daughter of late actor Paul Mooney, who also appeared in the movie.

The cast of “In Living Color,” to be celebrated as part of the UCLA screening series “The Black Pack.”

(Fox / Photofest)

Other events include an evening of episodes of Wayans’ sketch comedy series “In Living Color,” 1988’s “Coming to America,” starring Murphy and Hall, a 35mm screening of Townsend’s 1991 “The Five Heartbeats” and a 35mm screening of 1989’s “Harlem Nights,” the only movie starring, directed, written and produced by Murphy, then at the height of his cultural capital.

This series is a terrific example of why smart programming matters. Here is a group of films (and a TV show) that might seem only related in a vague way, but when put together under a specific theme or idea, they are suddenly transformed into something revelatory.

Each evening of the series is designed to make the case for a different aspect of the Black Pack’s work and influence. The series as a whole puts forward a larger concept Great has coined a term for.

“I’m arguing through the series that the Black Pack’s cultural material is connected to a longstanding tradition that I call Black resistance humor,” says Great, now an associate professor at San Francisco State University, in an interview this week. “This idea of Black resistance humor is really a cultural practice where Black cultural workers are using political wit, irony, satire, parody, absurdity to challenge corrupt authority, to give voice to racial trauma and also attach themselves to re-imagining what freedom can really look like.”

From left, Arsenio Hall, Eddie Murphy, James Earl Jones and Madge Sinclair in the movie “Coming to America.”

(Paramount / Photofest)

There are plans for Black Pack programs in other cities, including Atlanta, San Francisco and Chicago, bringing this fresh look at their specific moment to venues around the country.

“I’m hopeful that the series will allow communities and audiences to see the Black Pack as cultural strategists who are using this idea of Black resistance humor to address very serious issues of power, identity and race,” says Great. “But also as a way of thinking, as a way of seeing and as a way of building alternative systems. Because that’s what they were able to do.”

Points of interest

‘The Birthday Party’ in 35mm

Actor Robert Shaw, left, with director William Friedkin on the set of “The Birthday Party” in 1968.

(Larry Ellis / Getty Images)

As part of its series celebrating the legacy of actor Robert Shaw, the Academy Museum will screen 1968’s “The Birthday Party” in 35mm on Sunday. One of the earliest features directed by William Friedkin (who would go on to such classics as “The Exorcist” and “To Live and Die in L.A.”), the film’s screenplay was written by Harold Pinter, adapting his own play. Shaw, Friedkin and Pinter make for a combustible intensity.

Shaw plays Stanley, the lone boarder at a seaside inn. When two mysterious men (Dandy Nichols and Sydney Tafler) arrive, they engineer a party for Stanley that becomes increasingly ominous.

In his original review, Charles Champlin lauded Shaw, saying he gives “one of the total and totally engrossing movie performances,” adding that Friedkin “as a director is everything a dramatist, and an audience, could want. The sense of loving care and artistic sureness which characterizes every aspect of the movie is extremely tonic. Pinter may be an acquired taste, but it is easy to acquire.”

‘He Got Game’ in 35mm

Denzel Washington in 1998’s “He Got Game.”

(David Lee / Touchstone Pictures)

Spike Lee’s prolific career is now studded with movies that maybe didn’t quite get their due in their day but deserve renewed attention. Screening in 35mm on Sunday at Brain Dead Studios is Lee’s 1998 “He Got Game,” which is just that kind of movie: stuffed with ideas and ambitions even if it doesn’t totally all come together for everyone. I particularly like his use of composer Aaron Copland’s music, which gives many of the images an epic quality they might not otherwise fully achieve, challenging preconceived notions of what can be thought of as Americana.

The movie stars a particularly electric Denzel Washington as Jake Shuttlesworth, a once-promising basketball player whose life took a turn. Now he’s in prison. His son, Jesus (played by NBA star Ray Allen), is a promising prospect and Jake is given an offer of a reduced sentence if he can convince his son to attend a certain college. The mixture of two of Lee’s own personal preoccupations, basketball and family, makes for a potent combination.

Reviewing the movie when it was released, Kenneth Turan wrote, “Given that writer-director Lee is one of the most visible of the New York Knicks’ celebrity fans, what’s surprising is not that he made a film about the sport he cares so much about but that he waited so long. … Though ‘He Got Game’ is periodically awkward and unruly, it benefits, as many of Lee’s films do, from the director’s determination to connect with the troublesome issues of the real world. Too few American directors work with Lee’s kind of social immediacy, and that makes his films, flawed and didactic though they sometimes are, essential viewing.”

Harmony Korine’s ‘Gummo’

Jacob Reynold, left, and Nick Sutton in Harmony Korine’s ‘Gummo’

(Criterion Collection)

Harmony Korine’s first feature as director, 1997’s “Gummo,” will screen at Vidiots on Monday. The event is co-presented by the Cinegogue, a group perhaps best known for their limited-edition movie-themed clothing drops, but who describe their mission thusly: “Our goal: make movies cool again through concert-like experiences and fanfare. … Because even though a movie might end, cinema is forever.” (And that’s a sentiment we here can get behind.)

The film finds Korine attempting to bring elements of experimental film and video to a nominally more mainstream context. It’s both confrontational and playful. Using a collage-like structure, the film follows a few kids as they make their way around their small town in Ohio after a tornado. Mostly featuring non-actors, the cast also includes Linda Manz and Chloë Sevigny, who is also credited as the film’s costume designer.

Writing about “Gummo” and Korine’s subsequent “julien donkey-boy,” Kevin Thomas made special note of “the intensity of Korine’s compassion for individuals who have so little going for them and so much going against them, yet at times are capable of experiencing an exhilarating freedom of spirit.”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

In another busy week for new releases, the horror-comedy “Forbidden Fruits” is among the standouts. Having just premiered at SXSW, it is the feature debut for director Meredith Alloway, who co-wrote the screenplay with Lily Houghton, adapting Houghton’s play. Diablo Cody is a producer on the film, and the movie shares a sensibility with her beloved “Jennifer’s Body.”

Set at a Texas shopping mall, the plot follows a group of female employees at a boutique who are secretly a coven of witches after hours. They bring a new employee into their fold. Lili Reinhart, Lola Tung, Victoria Pedretti and Alexandra Shipp star.

Alexandra Shipp, from left, Victoria Pedretti, Lili Reinhart and Lola Tung in the movie “Forbidden Fruits.”

(Sabrina Lantos / Independent Film Co. / Shudder)

Though Katie Walsh gave the film a mixed review, declaring it “essentially the fast fashion of girly pop horror,” the film casts a spell when it is working.

Pedretti in particular is a standout, and Malia Mendez spoke to her about the role. “It asks a lot of people to try to step into a world like this one,” Pedretti said of the film’s knowing, campy style. “And as nerve-racking as it may be to take that big swing, you gotta take the big swing.”

Also opening in L.A. this week is Sofia Coppola’s “Marc by Sofia.” The director’s first documentary, it’s more a snapshot than a definitive portrait of the life and career of her longtime friend, fashion designer Marc Jacobs, as he prepares for his spring 2024 collection. While not as in-depth or revealing as one would hope, the film has a warmth and charm all its own. And anyone feeling nostalgic for ’90s New York after watching the recent TV series “Love Story” will get a buzz from this too.

Larry Karaszewski on ‘Last Summer’

Richard Thomas, left, Barbara Hershey and Bruce Davison in the movie “Last Summer.”

(Warner Archive)

The American Cinematheque at the Aero Theatre on Sunday will host the world premiere of a new restoration of the theatrical version of 1969’s “Last Summer,” directed by Frank Perry from a screenplay by Eleanor Perry. Actors Barbara Hershey and Bruce Davison will be there for a Q&A moderated by screenwriter Larry Karaszewski.

“This is one of the holy grails for movie nerds,” says Karaszewski in a recent phone interview. The restoration happened in no small part thanks to his persistent and vocal fandom of the film. Best known for his work with writing partner Scott Alexander (including “Dolemite Is My Name” and “Ed Wood”) and currently a governor in the academy’s writer’s branch, Karaszewski is also a pillar of the repertory scene around Los Angeles, frequently moderating Q&As and an avid moviegoer.

Richard Thomas, left, Barbara Hershey and Bruce Davison in the movie “Last Summer.”

(Warner Archive)

“Last Summer” follows three teenagers (Hershey, Davison and Richard Thomas) whiling away the summer at the beach on New York’s Fire Island. As a certain psychosexual energy escalates among them, winding each other up, they turn their attention to a younger girl (Catherine Burns) and torment her in increasingly sadistic ways.

For her performance, Burns was nominated for an Oscar for supporting actress, while Hershey briefly changed her last name to Seagull after a bird was accidentally injured on set.

In his original July 1969 review, The Times’ Charles Champlin called “Last Summer” “a compelling and disturbing movie, with moments of quite extraordinary power and poignance.”

“This was a movie that people who saw it were just fascinated by,” says Karaszewski. “Even though it came out in ’69, it feels like an important ’70s-style movie, a really rough youth film that used the new freedom that cinema had at that time. But you couldn’t see it.”

Director Frank Perry and screenwriter Eleanor Perry during production of “Last Summer.”

(Warner Archive)

Over time, the rights to the movie changed hands, elements went missing and it became a rarity. Due to an intense rape scene, the movie was also briefly released to some theaters with an X-rating, though Karaszewski says the differences to the R-rated version are minimal — a matter of a few frames and a single word. Released on VHS, “Last Summer” has never been on DVD or Blu-ray. (The Warner Archive label will release a disc of the new restoration later this year.) An edited TV version of the film has circulated, and the last few times “Last Summer” has shown in Los Angeles, it has been from a print discovered at an archive in Australia.

Karaszewski has long had a fascination with the film, one that was only fueled by its inaccessibility.

“It became famous as just, ‘Oh, that’s the movie Larry champions, that’s the movie that Larry won’t stop talking about,’ ” he says. Karaszewski jokes that he won’t know what to do with himself now that his longtime obsession with seeing the film revived has been fulfilled.

“I’ve been championing it so long,” he says. “It could have been just like, ‘Oh, Larry’s a little crazy. He loves this movie.’ And that would’ve been fine too. I’m a person that feels like every movie should have its day in the spotlight.”

The complete Akira Kurosawa in 35mm

An image from Akira Kurosawa’s “Ran.”

(Rialto Pictures)

On Saturday, the Academy Museum launches “Darkness and Humanity: The Complete Akira Kurosawa,” a comprehensive retrospective of the Japanese filmmaker’s 30 existing features, all of which will screen in 35mm. The series opens with two of Kurosawa’s best-known films, “Seven Samurai” and “Rashomon.” Other highlights include “Throne of Blood,” “Ikiru,” “Hidden Fortress,” “Stray Dog,” “High and Low,” “Dreams” and “Ran.” This is a rare opportunity to take in the true breadth of Kurosawa’s work.

Writing about the filmmaker in 2009 to commemorate the centennial of his birth, Dennis Lim said, “The wonder of Akira Kurosawa’s 50-year career is that it was at once remarkably varied and satisfyingly coherent …. But the constant in his films was the principle of heroism, not as a vaporous ideal but a way of life, an awareness of individual agency and personal responsibility in a world that does not always reward or even allow heroic behavior.”

Toshiro Mifune in Akira Kurosawa’s “Yojimbo.”

(Janus Films)

Kurosawa’s influence on other filmmakers around the world has been widely acknowledged. Upon the news of Kurosawa’s death, Steven Spielberg proclaimed him “the visual Shakespeare of our time” and added, “I am deeply saddened by Kurosawa’s death. But what encourages me is that he … is the only director who right until the end of his life continued to make films that were recognized as, or will be recognized as, classics.”

In 1985, while in Los Angeles for a screening of his film “Ran,” Kurosawa described his own work by saying, “I just make up stories and film them. When I am lucky, the stories have a lifelike quality that makes them appealing to people and the film is successful.”

Points of interest

‘To Sleep With Anger’ in 35mm

Actor Danny Glover and director Charles Burnett during production of “To Sleep With Anger.”

(Samuel Goldwyn Company / Photofest)

To celebrate the release of Ashley Clark’s new book “The World of Black Film: A Journey Through Cinematic Blackness in 100 Films,” the UCLA Film and Television Archive will screen Charles Burnett’s 1990 drama “To Sleep With Anger” in 35mm at the Billy Wilder Theater on Sunday. Clark will be there for a book signing, and Burnett will join him for a Q&A.

Recently included as part of The Times’ ranked list of the 101 best Los Angeles movies, “Anger” stars Danny Glover in a galvanizing performance as Harry, an old friend from the South who arrives for an unexpected visit to a family in South Central L.A., upending their lives.

In his book, Clark describes the film as “a singular work with a distinct yet tantalizingly hard-to-pin-down performance from Danny Glover, who, as the inscrutable Harry, flickers between menace and charm, using all of his six-foot-four-inch stature to dominate the frame.”

In a 1990 Times story by David Wallace, Burnett spoke about how the film was meant to evoke a sense of Black cultural history, saying, “I didn’t appreciate the [storytelling] tradition until it disappeared. I had a sense of who I was because of that experience. … This film was an attempt to go back and deal with the past. To tell a story about a story.”

Added Glover: “I think there is a little of Harry in all of us. We’re constantly in conflict between the good side and the other. Harry’s involvement with the dark side is not that uncommon.”

Clark will also appear at the Academy Museum on Monday for the world premiere of Ngozi Onwurah’s restored 1995 film “Welcome II the Terrordome.”

‘Thank You for Smoking’

Aaron Eckhart in the movie “Thank You for Smoking.”

(Dale Robinette / Fox Searchlight Pictures)

On Saturday, Vidiots will host a 20th anniversary screening of Jason Reitman’s debut feature “Thank You for Smoking” in 35mm, with the filmmaker in attendance for a Q&A. Adapted by Reitman from a novel by Christopher Buckley, the film is media satire that follows the misadventures of a lobbyist (Aaron Eckhart) for Big Tobacco. The cast also includes Katie Holmes, Robert Duvall, William H. Macy and Sam Elliott.

In his original review, Kenneth Turan called the movie “that rare film that actually has a sense of humor,” before adding, “Reitman’s script and direction retain the novel’s rhythms and black comic sensibility while at the same time eliminating and/or rearranging large chunks of its plot. He’s also figured out a way to make the story more conventionally audience-friendly without losing the extraordinary bite that made the book so successful.”

I recall an afternoon spent on the Fox lot talking to Reitman and Buckley together for a piece I wrote in 2006. The political climate that the film examines, one of extreme partisanship, has only heightened in the years since.

“The compliment the book always got,” said Reitman at the time, “which I thought was wonderful, was Democrats always thought it was theirs and Republicans always thought it was theirs. Like all good satire, the book was a mirror. … It doesn’t feel like it’s coming from one way or the other. It’s ridiculing both, and hopefully the film does the same thing.”

Have fun with the family or unwind your mind with TUI deals for March and April

Getting away for a beach break in March or April is a great way to enjoy sunny skies and mild temperatures before the summer crowds arrive, as well as ditch the British rain. It’s the perfect time to relax on golden sands, explore charming coastal towns and soak up the early-season Mediterranean vibes.

As one of the UK’s best-known holiday companies, TUI uses Gatwick to offer direct flights to some of Europe’s best resorts, making it ideal for a spring break. Right now, TUI is offering couples the chance to save up to £250 on selected holidays, departing from Gatwick Airport in March and April.

This offer applies to 7-, 10-, 11- and 14-night stays in 2026, making it the perfect time for an early-season getaway. Even before the first flourish of summer, beach breaks in Lanzarote, Turkey and Portugal offer the perfect mix of sun, sand, and family-friendly fun.

READ MORE:

From stunning coastal locations with pools and entertainment to panoramic Portuguese views and spa treatments, we’ve picked just three of our favourites from TUI that can be booked today.

TUI BLUE Flamingo Beach, Lanzarote

Perched on the sun-drenched coastline of Playa Blanca, Lanzarote, TUI BLUE Flamingo Beach sits just steps from soft sands and calm, turquoise waters, ideal for safe swimming. Designed to look like a charming whitewashed Canarian village, a scenic seafront promenade connects the resort to Rubicon Marina and the town centre with stunning Atlantic views.

The resort is perfect for families, offering multiple pools, a splash park and professional childcare and teen hangouts. Dining is varied, from international buffets to local specialities, while fitness classes and evening entertainment ensure a lively mix of relaxation and fun under the Lanzarote sun.

For the best value break at Flamingo Beach, sunseekers looking to getaway after Easter can enjoy a 7-night break for £642.42* per person. Departing on April 13, this price is based on two people sharing on an all-inclusive basis and includes a whopping £1082.16* discount. Alternatively, a 14-night stay departing on April 14 is also available for the higher price of £1619*.

One visitor left a five-star review on TripAdvisor that said: “This hotel is excellent for families with children 0-10. The location is perfect, right next to Flamingo Beach. The children enjoyed the main pool, where activities took place, and the quiet pool, which was heated. The a^{partments were clean and spacious with a bedroom and lounge/kitchen”}

Another added: “Great Location. Our room was very quiet. Our rate included an excellent breakfast so good value for money.”

A different guest, however, agreed that the location is “brilliant”, but they also felt “let down by amenities not being open. Pool snack bar, pool bar in another area closed. And only one evening bar with no other areas to sit.”

A returning guest highly recommends the Flamingo Beach resort, saying: “Best Place. The location is fantastic, near lovely beach, rooms are fine and clean and the staff are so friendly, the area is very clean and not too much noise. We been coming here nearly every year, the last 25 years. This is where we feel like home.”

Lanzarote is always popular with holidaymakers and there are plenty of deals to choose from. One the Beach is offering a 7-night stay at the five-star Iberostar Selection Lanzarote Park with prices from £1605*, a saving of £425. An upscale all-inclusive resort, guests love the location just a little further along the bay.

For sunseekers on a budget, a last-minute break at the Blue Sea Costa Bastian in Costa Teguise is available for £519* per person through Love Holidays. With flights from Gatwick, accommodation and breakfast included, the hotel is surrounded by beautiful Canary gardens and offers magnificent views over the Atlantic Ocean.

Blue Bay Platinum, Marmaris, Turkey

Blue Bay Platinum in Marmaris blends modern style with central convenience, just 70 meters from the beach with its own private sandy stretch and clear waters. The lively local area, including shops, bars, the marina and old town, is all within easy walking distance.

The resort offers four outdoor pools, including waterslides and a dedicated adult “chill pool,” plus a full-service spa for ultimate indulgence. Guests can enjoy international and local dining, sunset cocktails and stylish ocean-themed rooms with live music and shows, creating the perfect vibrant Mediterranean getaway.

Offering excellent value for money, a seven-night stay at this contemporary hotel in a central location could cost as little as £418* per person. Departing on Wednesday, April 18, the deal includes flights and accommodation on an all-inclusive basis.

With hundreds of five-star reviews on TripAdvisor, one visitor called it a “Stunning, luxury stay”, adding: “Blue Bay Platinum Hotel in Marmaris was absolutely exceptional from start to finish. The hotel itself is beautiful – modern, stylish, and perfectly maintained with a luxurious atmosphere throughout. Room was very comfortable and always clean. Will definitely stay here again.”

Another added: “Booked again for April this year. This will be our 10th visit to Marmaris. We have stayed at the supposedly other top hotels nearby. None of them beat the Blue Bay for overall experience.”

While one visitor did note that they felt uncomfortable at the resort due to the “expectation that tips should be given,” another loved it, saying: “It’s a very nice place to stay. I like this hotel and especially the relaxing swimming pool. There is a great bar.”

Turkey appeals to Brits with its mix of sunny beaches, rich history, delicious cuisine and excellent value for money. Another favourite Marmaris resort for upscale holidaymakers is the five-star Green Nature Diamond Hotel that sits within easy striking distance of the beach.

With a wide range of facilities and comfortable accommodation, this luxurious hotel can be booked through Love Holidays for a seven-night stay in April from £429* per person. Elsewhere, the nearby Prime Beach Hotel has pools with waterslides and a private stretch of beach with prices starting from £490* per person on April 2.

Longevity Health & Wellness Hotel, Portugal

Perched on a hillside with panoramic views over Alvor Bay and the Atlantic, the Longevity Health & Wellness Hotel is a state-of-the-art retreat in the charming village of Alvor. Guests are perfectly placed to enjoy golden beaches, scenic boardwalks and nearby world-class golf courses, all while staying in a serene, high-tech sanctuary.

The hotel is a pioneer in wellness, featuring a rooftop infinity pool and a world-class spa and wellness centre. With sunrise yoga, detox treatments, and healthy Mediterranean cuisine at the rooftop Pure Cafe, every detail is designed for ultimate relaxation and rejuvenation.

While the thought of complete rest and relaxation may be priceless, a stay at the Longevity Resort is worth every penny. For a 10-night stay, departing on March 23, prices start from £891.12* per person, on a bed and breakfast basis. Shorter stays are also available with a seven-night break costing £663* departing on the same day.

Guests who have already found their zen with a stay at the Longevity Health & Wellness Hotel have shared their experiences online. One said: “Absolutely superb place for relaxing stay, very modern, clean, quiet location with 5 mins drive to local beaches and town of Alvor… Fantastic breakfast with great choice. Access to spa facilities included. Would definitely recommend.”

Another added: “A lovely, relaxing stay in a beautiful hotel. We came back feeling revitalised. The cleanliness and the staff at the hotel were everything.”

While one less impressed visitor said: “The restaurant is very expensive for portions,” another was far more impressed exclaiming: “This hotel is truly exceptional, I cannot say enough about this wonderful place only that we cannot wait to return.”

Alternatively, the Falesia Hotel is a sophisticated adults-only retreat in Albufeira, offering elegant rooms, a full-service spa, and both indoor and outdoor pools. Perfectly positioned for relaxation, it sits just a short walk from pristine beaches and the Pine Cliffs Golf Course, and prices for a seven-night stay start from £439 with Love Holidays.

For those who want a family holiday, Portugal is a perfect location for this too. Offering waterslides, a kids club, a water park and plenty of entertainment, the Jupiter Albufeira Hotel has something for everyone. Located in the popular resort of Albufeira, prices start from £630* per person, departing on April 21.

Find out more about deals on spring holidays with TUI as well as the full T&Cs here.