Love

Love Actually stars reunite for top secret new Christmas advert in London 22 years after festive film

THE Love Actually reunion no one saw coming just happened – and it’s still 49 days until Christmas.

My insiders tell me that stars of the seasonal rom-com Martine McCutcheon and Thomas Brodie-Sangster have signed up for Google Pixel’s new festive ad.

Love Actually star Thomas Brodie-Sangster has signed up for Google Pixel’s new festive adCredit: Alamy
Martine McCutcheon will star alongside Thomas 22 years after they appeared together in Love ActuallyCredit: Alamy

They filmed the top-secret project in London yesterday afternoon — 22 years after appearing opposite each other in the 2003 hit film.

A source said: “Nothing says Christmas like Love Actually, and so Google Pixel are bringing a sprinkling of it back to insert some nostalgia into the festive period.

“It’s still such a firm favourite with millions of people, so they tapped up Martine and Thomas for the sweet reunion.

“The ad is going to be packed full of throwbacks — especially because Thomas was only 13 when he was in Love Actually.

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“A whole street in London was transformed into a winter wonderland and Martine and Thomas were in great spirits.

“They’re really happy with how the ad worked out. It’s going to be one people are talking about for a while.”

If you’ve lived under a rock and have never seen Love Actually, it’s one of Richard Curtis’s best films.

Martine plays hapless PA Natalie, swept off her feet by the Prime Minister, played by Hugh Grant.

And Thomas took on the role of sweet, love-stricken Sam, who went all out to impress his teen crush.

Google Pixel isn’t the only brand getting in on the Love Actually nostalgia for their Christmas ad.

Aldi revealed their famous Kevin the Carrot will propose to his sweetheart Katie in their festive offering this year using cue cards — inspired by the scene in the film where Andrew Lincoln’s character Mark professed his love for Juliet, played by Keira Knightley.

Without wanting to be too sentimental, it proves love really is still all around us.

And I’m definitely going to be renting it on Prime Video tonight.


KYLIE MINOGUE used a stocking from the filming of her CBeebies bedtime story last Christmas in the music video for her new festive single Xmas.

The Aussie pop star is celebrating the tenth anniversary of her Christmas album with a new version of the record, Kylie Christmas (Fully Wrapped), which features four new songs.

Kylie is celebrating the tenth anniversary of her Christmas album with a new version of the recordCredit: Alamy

Speaking to Scott Mills on the BBC Radio 2 Breakfast Show about the video, Kylie said: “Because I was on the road we didn’t get to go so Christmassy.

“I think it was from a CBeebies Christmas story | did and they gave me a Christmas stocking.

“I thought, I have got to take something Christmassy and I think that’s it. That’s the one thing that you may see.

“We didn’t get to do fairy lights. We didn’t get to do paper chains. But in spirit we were very Christmassy.”


JOSH’S TOP DAY WITH SPINAL TAP

JOSH GROBAN was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final Finale.

I exclusively revealed the ­parody band had shot a concert alongside Eric Clapton and Shania Twain at the ­landmark in August, and now US star Josh has told me all about taking part.

Josh Groban was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final FinaleCredit: Getty

He said: “Singing with Spinal Tap at Stonehenge – I don’t care how much you’ve done, that’s an experience for anybody. Eric Clapton felt it, Shania Twain felt it.

“Everybody was going, ‘I can’t believe we’re doing this’. I can’t tell you the song but it was ­ridiculous and amazing.”

Josh is returning to the UK on April 1 next year for a date at London’s O2 Arena, with tickets on sale tomorrow.

And on November 14 he will drop his next record, Hidden Gems.

The album is a collection of fans’ favourite tracks not available on streaming platforms.

Speaking after an intimate show in ­London at Union Chapel, Josh says: “These are all songs from my past.

“They’re B-sides and special-editions. I’ve also been working on new music.”

MUMMY’S THE WORD, BRENDAN

BRENDAN FRASER and Rachel Weiz are teaming up again for The Mummy 4, 17 years after the last film in the franchise.

They both starred in 1999’s The Mummy and 2001’s The Mummy Returns, below, but Rachel skipped 2008’s The Mummy: Tomb Of The Dragon Emperor.

Brendan Fraser and Rachel Weiz are teaming up again for The Mummy 4,Credit: Getty

Plans for a fourth film were ditched in 2012 before Tom Cruise tried to reboot the series in 2017 with another movie called The Mummy, but it lost millions at the box office.

The original followed treasure hunter Rick (Brendan), who wakes up an ancient Egyptian priest with special powers.

The latest news comes three years after Brendan’s career comeback in The Whale, which landed him a much-deserved Oscar for Best Actor.

YUNG HIT IN TRANS PIC SHOW

YUNGBLUD has provided the soundtrack for a new photography exhibition that tells the stories of 13 trans people from across the UK.

His song Hello Heaven, Hello will be used on screens at Outernet, right outside Tottenham Court Road Tube Station in central London, for the free exhibition called Trans Is Human from November 17.

Yungblud has provided the soundtrack for a trans photography exhibitionCredit: Getty

Yungblud said: “I’m honoured that Hello Heaven, Hello will be a part of this exhibition.

“Trans Is Human is all about celebrating truth, identity and the beauty of being yourself.

“That’s something I’ve always tried to celebrate in everything I do.”


BABYSHAMBLES have returned with their first song in 12 years, Dandy Hooligan.

The band, fronted by Pete Doherty, dropped the track yesterday ahead of the launch of their comeback tour.

Pete Doherty’s Babyshambles have dropped their first song in 12 yearsCredit: Getty

Pete said: “It’s a well turned-out, ­elegantly crafted reggae-ska-pop song . . . with a sweet melody to bowl along to with your sharpened walking cane.”

They were back on stage in Hastings last night for a warm-up gig ahead of their tour later this month.

ED’S PERFECT PITCH MEANS ALL KIDS CAN LEARN MUSIC

ED SHEERAN has once again proved he is a voice for good after a successful ­campaign to give all kids access to ­creative subjects at school.

Back in March, the Shape Of You singer wrote to No10 urging the government to look at the critical state of music education – and, incredibly, they’ve listened.

Ed Sheeran wrote to Keir Starmer about the critical state of music educationCredit: Splash

Keir Starmer yesterday heralded Ed’s letter, which was backed by stars including Harry Styles, Stormzy and Annie Lennox, as “powerful”, and told him: “I wanted you to know that your voice has been heard.”

In a letter to Ed which has been shared with me, the PM said: “The review ­places creative ­subjects firmly at the centre.

“We are revitalising arts ­education, strengthening music and drama, and launching a new National ­Centre for Arts And Music Education to support teachers and raise standards.

“We will make sure every child has access to those experiences – from arts and ­culture to nature and civic engagement – so that creativity isn’t a privilege, but a right.”

It is a huge victory for Ed and the Ed Sheeran Foundation, which has ­campaigned for accessible, meaningful education for all young people.

In a statement, Ed said: “I set up the Ed Sheeran Foundation because every child deserves to have access to a meaningful music education, and the chance to experience the joy and confidence that musical expression can bring.

“Shortly after ­setting up my foundation, I wrote an open letter to the Prime Minister about the critical state of music education in the UK and the fact it was slipping through the cracks.

“With the help of the letter and everyone who signed it, I’m happy to say that some of the key points we raised have been recognised by the government, marking the first change to the music ­curriculum in over ten years.”

All power to you, Ed. This is ­brilliant news.

COAT AND TAYLS

TAYLOR SWIFT has gone quiet since dropping her album The Life Of A Showgirl last month, but she re-emerged in New York for a night out with Gigi Hadid on Monday.

The singer wrapped up in a coat and knee-high boots alongside the model who is a long-time friend.

Taylor Swift had a night out with Gigi Hadid in New York on MondayCredit: Getty
Gigi and Taylor Swift are long-time friendsCredit: Getty

I’m sure they had plenty to catch up on, with a wedding to plan for Taylor, while Gigi’s romance with Bradley Cooper seems to be going from strength to strength after two years together.

Perhaps wedding bells will be ringing for her, too, before long.


JENNIFER LAWRENCE has let slip that she’s co-producing a movie with Emma Stone based on Miss Piggy, being written by US comedian Cole Escola.

Asked on the Las Culturistas podcast whether the actresses will also star in the film, she said: “I think so, we have to.”

On working with Emma for the first time, she added: “It’s f***ed up. It’s dark that we haven’t done a movie together.”


CYNTHIA’S IN GOOD MOOD FOR PREMIERE

CYNTHIA ERIVO was grinning from ear to ear at the premiere of Wicked: For Good, despite the fact her co-star Ariana Grande missed the big launch.

The British actress, who returns as Elphaba in the second flick, wore this quirky, tummy-baring outfit and was joined at the event in Sao Paulo by co-star Jonathan Bailey ahead of the London premiere on Monday.

Cynthia Erivo was all smiles at the Wicked: For Good premiere in Sao Paulo, BrazilCredit: Getty
Cynthia posed with co-star Jonathan BaileyCredit: Getty

Hopefully, Ariana will make it over here after a fault with a plane meant she couldn’t get to Brazil in time for Tuesday’s event.

She apologised on Instagram, but was then subjected to vile abuse.

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Later on, she wrote online: “Please don’t wish danger on us.

“It’s a sad state of affairs when fans are so vicious over something so unimportant.”

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Bad Company’s Paul Rodgers will miss Hall of Fame induction

Sad news for Bad Company fans.

Paul Rodgers, one of the original members of the English rock supergroup, announced Tuesday that he will miss the Rock & Roll Hall of Fame induction ceremony Saturday where Bad Company will be honored as part of the 2025 class.

“My hope was to be at the Rock & Rock Hall of Fame Induction Ceremony and to perform for the fans, but at this time I have to prioritize my health,” Rodgers wrote in a statement posted to Bad Company’s Instagram page. The singer had planned to reunite with former bandmate and drummer Simon Kirke on stage to perform a couple songs at the ceremony.

While Rodgers did not elaborate on his health in the statement, in 2023 he told CBS News that he had suffered two major strokes in 2016 and 2019, as well as 11 minor strokes, which had temporarily stripped him of his ability to speak.

“I have no problem singing, it’s the stress of everything else,” Rodgers’ statement continued. “Simon along with some outstanding musicians will be stepping in for me — guaranteed to rock.”

Best known for hits such as “Can’t Get Enough,” “Feel Like Makin’ Love,” “Ready for Love” and, of course, “Bad Company,” the hard rock group formed in London in 1973. In addition to Rodgers and Kirke, who had played together in the rock band Free, Bad Company’s original members included guitarist Mick Ralphs and bassist Boz Burrell.

The band initially disbanded in 1982 but over the years reunited to record or tour, though not always with the same lineup. Rodgers and Kirke are Bad Company’s only surviving original members — Burrell died in 2006, followed by Ralphs this June.

In addition to Bad Company, the 2025 Rock & Roll Hall of Fame inductees include Chubby Checker, Joe Cocker, Cyndi Lauper, OutKast, Soundgarden and the White Stripes in the performer category. Additional inductees Salt-N-Pepa, Warren Zevon, Thom Bell, Nicky Hopkins and Carol Kaye will all be honored either for musical influence or excellence, while Lenny Waronker is the recipient of the Ahmet Ertegun Award for lifetime achievement.



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‘Die My Love’ review: Lawrence and Pattinson, together at last, wildly

The first shot of director Lynne Ramsay’s stubborn and exasperating postpartum nightmare “Die My Love” would be a great opener for a horror movie. The camera lurks in the kitchen of an isolated ranch house, as still and foreboding as a ghost, while a couple named Grace and Jackson (Jennifer Lawrence and Robert Pattinson) poke around the front porch of their newly inherited property. The two take several beats to go inside, long enough that we suspect these crazy kids are making a dangerous mistake. Just look at the wallpaper. Those florals would make anyone crack.

“It’s not New York but it’s ours,” Jackson says of the rural home, left to him by his uncle who died violently upstairs in a way that Grace finds hilarious. He grew up in the area and his parents, Pam and Harry (Sissy Spacek and Nick Nolte), still live nearby. Neither Jackson nor Grace say anything about their past lives back in the city, but he yearns to play drums and she once claimed to write. There’s a sense that their dreams have stalled out, either due to finances, passion or talent. So they move in, have a baby and pivot to domestic chaos.

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Lawrence and Pattinson are such a natural, overdue pairing that it’s a surprise to realize this is the first time they’ve teamed up to make the kind of polarizing, go-for-broke prestige film they both enjoy. The two stars launched into the public consciousness roughly around the same time, then followed the same trajectory from teen franchise idols to creatively ambitious A-listers and now, more recently, newish parents making a movie about miserable parents whose hopes have run aground. Lawrence has two tots under 3; Pattinson, a toddler. Their kids shouldn’t watch this movie until college.

In a dynamic montage, Ramsay sets up their boyfriend-girlfriend pair as lusty but strange. Jackson and Grace flirt by fighting like wild beasts. Nuzzling, sniffing, biting, wrestling — that’s foreplay (and she’s more into it than he is). But they can’t communicate with words. “If you’re not feeling good, maybe we should, like … talk?” Jackson says tentatively to his increasingly restless and unstable partner. Grace isn’t interested in talking, though occasionally she’s game to scream. When they fight for real, their bodies twist into spasms of outrage. And when the other one isn’t looking, each seems to power down — Lawrence’s Grace physically collapsing like an unplugged air dancer — a clue of how much energy they must privately expend to make it work.

“Die My Love,” adapted by Ramsay, Enda Walsh and Alice Birch from the 2012 novel by Argentine author Ariana Harwicz, makes parenthood feel like being handcuffed to an anchor that’s sinking into a swamp. Lawrence’s Grace needs help and the more she flails, the worse she makes things. The book is an inner monologue of poison: “How could a weak, perverse woman like me, someone who dreams of a knife in her hand, be the mother and wife of those two individuals?” the first paragraph seethes. But Ramsay rejects putting its angst into words. As with Joaquin Phoenix in “You Were Never Really Here,” she prefers characters who silently roil under their skin.

The tension in this home starts quiet — too quiet — with Grace cranking up kiddie albums by Alvin and the Chipmunks and Raffi to drown out whatever noise is happening in her head. After Jackson brings home a stray dog, the racket becomes unbearable, with sound designers Tim Burns and Paul Davies skillfully and cruelly making sure that no matter how far Grace roams, she can still hear the darned thing bark.

Lacking much perspective into Grace, we mostly see a mentally unwell woman incensed that her sexual playtime is over. She howls with the urge to mate, prowling the house in matching fancy bras and thong sets that clash with this disheveled house and its stockpile of cheap beer. Occasionally, a mysterious leather-clad biker (LaKeith Stanfield) speeds by, considering a quickie with this bored beauty.

Grace’s erotic agony is reductive and a bit ridiculous, although I think the script is also trying to imply that Grace herself is focused on the wrong problems. The film represents her depression by coating the night scenes in so much blue tint that even Picasso might suggest dialing it back. Despite cinematographer Seamus McGarvey’s efforts to put us in her headspace with lenses that make the world blur and swirl around her, you’re more afraid of Grace than for Grace, especially when the shock editing has her smashing through doors like Michael Myers.

Hurling herself into every scene, Lawrence puts her full faith in Ramsay. It’s not a trust fall so much as a trust cannonball. As good and committed as Lawrence is, there were times I wanted to rescue her from her own movie, to protect her from the fate of Faye Dunaway when “Mommie Dearest” turned another blond Oscar winner into a joke.

Yet, this is a character who hates pity and I can’t help but admire that Ramsay faces down today’s phonily upbeat and relatable motherhood discourse with this boogey-mom who keeps herself aloof. Grace treats the older women in her family like a wall of advice to be tuned out even when they’re right. “Everybody goes a little loopy the first year,” Spacek’s Pam says, offering empathy that falls on deaf ears. (Spacek delivers a lovely, endearingly layered turn.) And while Grace is so lonely she literally claws the walls, she rejects any overture of friendship, either from a perky fellow parent (Sarah Lind) or a peppy cashier (Saylor McPherson) whose attempts to start a conversation go so badly that when the poor dear asks Grace if she’s found everything she’s looking for, Grace huffs, “In life?”

Pattinson has the more recessive role but his performance is so subtle and clever that it’s worth watching closely. His Jackson is pathetic, passive and skittish around his baby’s mother, who he both longs to heal and tries to avoid. He has a few moments that play so close to comedy — say, whining to be let into the bathroom — that you wish the movie would do more to encourage our pained, guttural laughs. The punchlines are there, such as a beat after one meltdown where Jackson admits he’s getting really stressed out and Grace coolly replies, “About what?”

There’s one scene in which Grace reveals a snippet of backstory that might explain her psychology, and I think that specificity is a narrative misstep. What’s powerful about Grace is that she’s howling for all parents, even the mostly happy ones. Harwicz’s book deliberately never gave her character a name.

Even inside this movie, Grace’s anguish is universal. Yes, she wanders into the wilderness at night, but so do her in-laws Harry and Pam, for reasons of their own.There are dark vibrations emanating from almost every character, even the minor ones, although Grace is too caught up in herself to take any comfort from that. But Ramsay is comfortable suggesting that everyone feels crazy and miserable. I suspect she thinks it’s the most normal way to live.

‘Die My Love’

Rated: R, for sexual content, graphic nudity, language, and some violent content

Running time: 1 hour, 58 minutes

Playing: In wide release Friday, Nov. 7

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Emma Thompson reunites with Love Actually star in new show

EMMA Thompson has reunited with a Love Actually and Nanny McPhee co-star for a new show 22 years after the iconic Christmas film’s release.

The heavyweight actors play married private investigators in new Apple TV+ thriller Down Cemetery Road, which sees them drawn into the mysterious disappearance of five-year-old Dinah.

Emma Thompson has reunited with an old co-star in Apple TV+ series Down Cemetery RoadCredit: Alamy
The two play husband and wife in the all-new thriller

Joe, played by Adam Godley, is tasked with investigating the disappearance which follows a fatal explosion linked to the Ministry of Defence.

In an intriguing first episode, Joe is believed to have taken his own life shortly after accepting the case, and Zoe is seen in a morgue where she identifies her spouse’s lifeless body.

Adam, 61, spoke to UPI about his connection with Emma.

He said: “We have a bit of history.

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“I’ve known Emma slightly for a while, so that was something we could already invest in their relationship and it helped us.

“She’s a glorious human being and a mighty impressive actor and, so, any time I spend with Emma is a good time.”

While filming the aforementioned morgue scene, Adam revealed he laid almost naked underneath a sheet in a cold room with his feet poking out the end.

Highlighting his co-star’s kind nature, he said: “To give you a sense of who Emma is, Emma was standing at the foot of the slab and she noticed my feet were poking out from under the blanket and she assumed my feet would be quite cold, so she just tucked them underneath her jumper, pressed them against her belly to keep them warm.”

In Love Actually, Adam played Mr Trench – a small role in a memorable scene at the end of the film.

Mr Trench leads the Christmas choir which features smitten schoolboy Sam drumming in a bid to impress popular classmate Joanne.

Emma played stay-at-home mum Karen in the film whose heart is broken on Christmas Eve when she discovers her husband has bought his secretary expensive jewellery instead of her.

Three years later, they both starred in Nanny McPhee, with Emma in the lead role as the magical disciplinarian who transforms the lives of the kids in her charge.

Adam played the vicar who officiates a chaotic wedding at the film’s climax.

Adam Godley plays private investigator Joe in Down Cemetery RoadCredit: Alamy
Emma starred opposite Alan Rickman in Love ActuallyCredit: Alamy
Adam played choir leader Mr Trench in the Christmas classicCredit: Alamy

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Aldi Christmas advert 2025 brings back Kevin the Carrot in Love Actually moment

Kevin the Carrot is back in the latest Aldi Christmas advert teaser – and this time, he has a big question for his beloved Katie

Aldi has dropped its first Christmas advert teaser – and its beloved mascot Kevin the Carrot is back for his tenth year.

The first of three clips shows Kevin waiting in the snow outside the house of his partner Katie. He is joined by adorable new character, Caulidog, which is a cauliflower dog.

With a diamond ring attached to its collar, Kevin and his veggie companion hold up a sign that reads: “To me, you are 24 carat.” He then lifts the sign to reveal another card that says: “Marry Christmas?”

The heartwarming moment mimics the iconic cue-card scene from Love Actually.

The new Aldi advert will appear on TV screens for the first time tonight from 8:15pm, but viewers will have to keep their eye out for the following two episodes launching over the festive season to find out Katie’s answer.

Julie Ashfield, Chief Commercial Officer at Aldi UK, said: “We know how much our customers adore Kevin, and this year, to mark his 10th anniversary, we wanted to bring an extra sprinkle of magic and romance to his story.

”This teaser sets the stage for a truly heartwarming Christmas, reminding us all that love is at the heart of the festive season. We can’t wait for everyone to join Kevin and Katie on their journey and see what other surprises we have in store.”

Last year saw Kevin trying to save the Spirit of Christmas from a group of evil villains called the humbugs.

Previous years have seen Kevin pay homage to the 1998 World Cup, visit William Conker’s fantastical Christmas factory and travel on a midnight train inspired by the Orient Express.

Kevin the Carrot merchandise such as festive decorations, plushies and plastic toys from Aldi has sold out multiple times over the years due to high demand.

It comes after Aldi revealed a list of 23 towns and cities where it wants to open new stores over the next two years as part of its £1.6billion expansion plan.

As well as new stores, the investment will go towards upgrading existing ones. Aldi will also look to improve its distribution network.

Aldi has 1,060 stores but wants to increase this number to 1,500 across the UK. It said its expansion would create thousands of jobs and more opportunities for British suppliers.

Giles Hurley, Chief Executive Officer for Aldi UK and Ireland, said: “Shoppers are still finding things difficult and that’s why we’re staying laser-focused on doing what Aldi does best – offering customers great quality products at unbeatable prices.

“Nobody else is making the same commitment to everyday low prices – no clubs, no gimmicks, no tricks – just prices our customers can trust, and quality they can depend on.“

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