love

Early in “Queen at Sea,” there’s a sex scene. It’s brief and shows little, but the fleeting moment will inform everything that happens in writer-director Lance Hammer’s crushing second feature. This movie about consent and dementia — and ultimately, far much more — hinges on a questionable act that provokes a hasty emotional reaction. In the process, a family tries to come to the aid of its ailing matriarch, presented with only a series of unappealing options, each more unbearable than the next.

Juliette Binoche is beautifully fragile as Amanda, the dutiful daughter of Leslie (Anna Calder-Marshall), who herself has been married to second husband Martin (Tom Courtenay) for 18 years. Amanda and her teenage daughter Sarah (Florence Hunt) visit the older couple’s London home one morning, shocked to open their bedroom door to find Martin on top of Leslie, thrusting away. But embarrassment quickly gives way to anger for Amanda: Leslie has advanced dementia and her doctor has told Martin that he can no longer have sex with Leslie because she doesn’t possess the mental acuteness to give consent. Furious at her stepfather, Amanda phones the police, hoping the authorities can put a scare into him.

But Amanda’s call has unintended consequences. When the police arrive, they arrest Martin, advising Amanda that she take her mother for a “forensic medical examination” — or, as Amanda puts it bluntly, a rape exam — to ensure she has not been injured. Amanda’s rage quickly morphs into panic because she knows how dependent the childlike Leslie is on her husband, who functions as her primary caregiver. She just wanted to teach Martin a lesson, but soon, social services intervene to determine whether the elderly couple has to be separated for Leslie’s safety.

Even before the police becomes involved, Hammer hints at his film’s tense tenor. You can feel it in how he shoots the house’s severely winding stairs — dangerous for Leslie and Martin to navigate — from occasionally vertiginous angles. The camera rarely moves as we spy charged conversations from a distance, sometimes from another room or from a floor above the characters. We’re intruders, stealing glimpses of a private domestic drama not meant for our prying eyes.

Unlike previous terrific pictures about dementia (such as “The Father”), “Queen at Sea” is less about the crippling condition than it is the fulcrum for a troubling exploration of several topics: mortality, love, parenting and the grim futility of everything. Similarly, although Hammer takes seriously the question of consent, he widens his narrative’s lens to provide a thoughtful, complex view of the issue. Martin adores his wife, insisting that their doctor is wrong and that Leslie, in fact, does understand her sexual urges. To back up his argument, he informs Amanda that, frequently, it is her mother who initiates sex. But is that because dementia has robbed Leslie of the ability to modulate her urges? “Queen at Sea” offers no answers, leaving the viewer as uncertain as Amanda, who wants to protect her mother but cannot deny how drawn Leslie is to her kindly husband.

At the film’s heart is a terribly relatable family conflict in which each character assumes that they know best. Binoche plays Amanda with a surfeit of tenderness for her mother, who goes from being lucid to infantile without warning. (Calder-Marshall poignantly channels the silent helplessness that consumes those with dementia, making her an unstable chemical compound always on the verge of explosion.)

Just as fiercely loyal as Amanda, Martin vainly advocates for his beloved, knowing that Amanda has power of attorney and, therefore, the upper hand. Courtenay gives a marvelous performance suffused with simmering rage: To Martin’s way of thinking, it was Amanda’s foolish overreaction to seeing them have sex that led to all these problems. That feeling of betrayal resides on his face for the rest of “Queen at Sea,” even as he and his stepdaughter negotiate a wobbly truce concerning Leslie’s future, which includes an unexpectedly fraught trip to a care home.

Hammer has not made a film since 2008’s “Ballast,” another spare drama about brittle lives. Eighteen years later, his formal command remains formidable. Eventually, Hammer starts cutting away from the central narrative to focus on Sarah as she hangs out with friends and spends time with a cute boy, James (Cody Molko). At first, these carefree interludes seem to be a welcome respite from “Queen at Sea’s” choking anxiety. But as Leslie’s situation grows increasingly complicated, Sarah’s emerging love story proves to be a bittersweet, ironic counterpoint. Maybe Sarah will find love and great sex — like her parents and grandparents before her — but the shadow of despair that has descended on her family will someday come for her. She’s still too young to know how impossible aging can be.

Bronx-born musician and producer Judy Torres remembers the first time she heard Nayobe’s 1985 song “Please Don’t Go”: the upbeat dance track with an infectious bass line and love-struck lyrics that pleaded with a lover to stay close.

“ I was floored at how beautiful of a vocalist she was,” said Torres of the Afro-Cuban artist, who hailed from Brooklyn but found a musical home in the genre known as freestyle. Though sometimes dubbed as “Latin freestyle” or “Latin hip-hop,” thanks to the many Latino vocalists who came to shape its sound, some fanatics trace the origins of the electro-funk genre to “Let the Music Play,” the 1983 smash hit by D.C. singer Shannon.

As Torres puts it, this distinctly 1980s sound — crafted with synthetic instrumentation and syncopated percussions sourced from Roland TR-808 drum machines, as popularized by Afrika Bambaataa’s 1982 single “Planet Rock” — didn’t have a label then. “It was just music,” she says.

But by 1993, as prominent radio stations transitioned from dance-pop to hip-hop and R&B, the freestyle movement fizzled out.

“Like a record scratch, there were no shows,” added Torres.

The genre’s vibrant, knotty history of set the scene for the musical-dance production of “Freestyle: A Love Story,” of which Torres is a co-producer. Created and directed by George Valencia — alongside his wife, “Scrubs” actor Judy Reyes as executive producer, plus “Ugly Betty” actor Ana Ortiz as co-producer — “Freestyle: A Love Story” will make its Los Angeles debut on Nov. 6 at the Wilshire Ebell Theatre.

The musical tells the fictional story of two middle-aged Caribbean Latinos, who reunite during a nostalgic night at a Freestyle Extravaganza at New York’s Radio City Music Hall. As 808 kicks echo through the atmosphere, the pair is transported back to 1987: the night they fell in love at a bass-thumping freestyle show.

Proceeds from the night will benefit the Sound of GOL Foundation, an organization founded by George Valencia and Judy Reyes that supports Latina soccer players.

(From George Valencia)

“The idea of telling a love story and having that love story run parallel with the actual musical movement of freestyle, which lasted nine years, is basically the whole framework of the play,” said Valencia to De Los.

Proceeds from the night will benefit the Sound of GOL Foundation: an organization founded by Valencia and Reyes, which supports Latina soccer players.

“Right now, in a time that is looking very dark for Latinos in the United States, I want people to take away that our history has proven time and time again that no matter what they do to us, they can’t take away our revolutionary joy,” added Valencia, making mention of the Trump administration’s mass immigration sweeps.

The production will star “One Day at a Time” actors Justina Machado and James Martinez as the former lovers — as well as Torres and K7, a.k.a. Louis Sharpe, frontman of the Latin freestyle group TKA, who will further bring the artists’ perspectives into the narrative.

“It’s the music that was a part of our everyday life,” Machado told De Los. “Wherever there was a huge Latino population, I think it was kind of a rite of passage.”

Machado was particularly obsessed with Lisa Velez, the lead vocalist of Lisa Lisa & Cult Jam, who took freestyle to new heights. The group’s breakout 1985 single “I Wonder if I Take You Home” echoed in the dance clubs before crossing over into mainstream radio and landing the No. 34 spot on the Billboard Hot 100.

Their flamboyant track “Head to Toe,” hit No. 1 on the Billboard Hot 100 in 1987, making it the first time a Latina vocalist (as part of a group) topped the chart.

“When I was on ‘One Day at a Time,’ they knew I loved Lisa Lisa so much they hired her to perform at the wrap party for Season 1,” recalled Machado. “I have a video from 10 years ago, where I am just freaking out — ‘Is that Lisa Lisa?’ I swear I saw nobody else. It was just me and Lisa Lisa … She was my hero.”

Torres said she lost her mind when someone told her Lisa Lisa was Puerto Rican, just like herself. She recalled thinking: “If she can do it, maybe I can do it,”

By 1996, Torres would release her first single, “No Reason to Cry,” a punchy, melodramatic dance track ghostly vocals that reassure someone of her love.

That song reached No. 30 on the Billboard Hot Dance chart the following year. The track was the lead single from her 1989 debut album, “Love Story,” an electrifying project that sonically transports listeners into dramatic telenovela scenarios.

“Freestyle was the original Latin explosion, because it was created in New York, by the people of New York,” said Torres. “It was street kids, Hispanic kids. All of a sudden, the fans were realizing, ‘Wait a minute — this music represents us, the artists look like us.’ It took off so quickly that many of us were signed by major record labels. We were performing all over the country. We had several shows a weekend.”

Still, prominent Latino artists with Spanish surnames, including Torres, were often told they had to change their last name in order to appeal to pop radio stations. She included these experiences into monologues during “Freestyle: A Love Story.”

“Freestyle music was never given flowers,” said Judy Torres.

(From George Valencia)

The artist known as Soavé, who sang the hypnotic 1989 hit “Crying Over You,” revealed to music magazine Wax Poetics in 2010 that his birth name, which is Jeffrey Martinez, “wouldn’t have sold a record.”

Meanwhile, Puerto Rican singer George Lamond, whose 1990 single “Bad of the Heart” peaked at No. 25 on the Billboard Hot 100, professed that he dropped his surname, Garcia, at the behest of his label, Colombia Records. In an interview with Youtuber Honey German, the artist said the label argued that he needed to be more marketable to audiences — but in reality, they didn’t know how to market an artist who was neither Black nor white.

“Now, did I get airplay on the pop stations? No. Is it because I decided to keep [the name] Torres? I’ll never know that,” said Torres. “In a way, we opened the doors [for future Latin stars], because now it’s common for us to hear the last names. Jennifer Lopez, Selena Gomez, Christina Aguilera.”

Torres acknowledged that “freestyle music was never given [its] flowers.” But with “Freestyle: A Love Story,” fans and artists alike can take “a  trip back into time” and revel in its glory for an evening.

“I can’t change it,” said Torres of freestyle’s eventual sunset. “So I have to choose how I’m gonna move forward.”

LOVE Island star Charleen Murphy has revealed that a man who was jailed for violently attacking her has targeted her again in a terrifying ordeal.

The Irish influencer, 28, told fans she had been forced to return to court last week after the man who assaulted her in 2023 began contacting her again following his release from prison.

Sharing a heartbreaking statement on TikTok, Charleen revealed the man had made violent threats against her, including threats to her life, resulting in an entirely new criminal case.

She explained: “Last week I was back in court dealing with something that has been an incredibly difficult part of my life.”

Recalling the original attack, Charleen said she had been sitting in a restaurant with a friend when the man, who had previously messaged her online despite never meeting her, tracked her down using a location she had shared on social media.

She revealed: “He punched me in the back of head which forced my head into a glass that was on my table, the glass smashed and then left me with a laceration to my head that required stitches.”

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The man was subsequently handed a prison sentence, but Charleen said her nightmare began all over again when he was released and started contacting and threatening her.

She explained: “After being released from prison, that same person began contacting and violently threatening me again, including threats to my life. This resulted in the start of an entirely new criminal case and another court process.”

Opening up about the emotional toll, she said: “It’s hard to put into words what it feels like to have something you’ve spent years trying to heal from brought back into your life.”

She added that she was now facing the same person who had attacked her in the first place.

Charleen revealed the man has now entered a guilty plea in the new case, although sentencing has yet to take place.

She added: “I’ve spent so much time trying to carry on as normal while dealing with this privately, and I think there’s something quite freeing about no longer keeping such a significant part of my life separate from everything else I share on here.”

The social media star previously opened up about the lasting trauma of the original attack, revealing she struggled to sit with her back to the door in restaurants and had sought therapy.

Speaking on Mark Moriarty’s Roasted podcast last year, she admitted: “I have a certain seat I like to sit in the restaurant. I like to see all corners of the room and the door. I don’t like having my back to anything.”

Charleen entered the Love Island villa as a Casa Amor bombshell this summer, but her stint was cut short after just nine days when Kavan Murphy chose to reunite with Jasmine Muller, leaving her dumped from the villa.

Selma Blair is apologizing following an alleged violent medical episode that unfolded on a Delta airlines flight earlier this month.

The “Cruel Intentions” star posted a video on Instagram on Friday acknowledging that she has “been quiet for a couple of weeks since October 11th.”

“You deserve to hear from me directly, and I’m sorry that it’s taken this long,” Blair said. “There is a legal matter going on, and my lawyers have asked me to not say anything about that day, and I’m listening to them, and I take this very seriously.”

Blair was arrested and taken to a hospital for evaluation late on Oct. 11 after allegedly becoming violent with a Delta flight staff, according to the New York Port Authority. The Port Authority Police Department responded to a call from Blair’s flight, traveling from Los Angeles International Airport to John F. Kennedy International Airport. Two flight attendants needed medical assistance after an alleged altercation that unfolded mid-flight and one was transported to a hospital for further evaluation.

According to dispatch audio, obtained by TMZ, a flight attendant suffered a bloody nose, and Blair is alleged to have “bashed her head” against an overhead compartment. Representatives for Blair told The Times that “Selma experienced a medical emergency that led to the alleged conduct.”

The star has been candid about her battle with multiple sclerosis (MS), a chronic neurological disorder and autoimmune disease, since 2018.

In Blair’s social media mea culpa, she said her intention wasn’t to harm anyone. “What I can tell you, though, is very simple and the truest thing I know about myself, and that not one day ever have I intended to hurt or frighten anyone a day in my life, and so to the people that I disappointed, that I hurt, that I frightened, alarmed, I am so sorry,” she continued.

“And to the people that have written, or called, or sent wishes of love or caring, it has meant everything to me and my son, who is my world. . . So right now, I’m going to be taking care of my health and my son, and thinking of you all with gratitude and love.”

The FBI is investigating the incident, and the agency issued the “Legally Blonde” star a notice charging her with assault, per a federal law enforcement official who spoke to the Associated Press on condition of anonymity. Additionally, the Queens district attorney swiftly filed charges against Blair, which included two counts of second-degree assault. According to an affidavit obtained by The Times, Blair wiggled a leg free and repeatedly kicked a police officer who was attempting to secure her to a stretcher.

Hours later, Blair allegedly kicked a Jamaica Hospital Medical Center nurse in the chest, according to the affidavit.

Representatives for Blair emailed a statement to The Times, writing that “the public account of what happened to Selma aboard a flight to New York has been built almost entirely on a police statement and a decade-old headline.”

Blair’s rep decried reports that have circulated regarding the details of the mid-flight episode, writing to “correct the record.”

“There was no attempt to open the door of the aircraft,” the statement continued. “The suggestion by anyone, that Selma does not have multiple sclerosis is outrageous. Her diagnosis has been public since 2018. What Selma has been able to do physically in the years since is nothing short of a miracle. She still has bad days, and she lives with pain daily. Selma also has pseudobulbar affect, a neurological condition secondary to her MS, which bears directly on how a medical episode presents to people who do not know her. For the same reason, she travels with a service dog who doesn’t leave her side, and the authorities took her dog from her.”

Times staff writer Alexandra Del Rosario contributed to this report.

FORMER Coronation Street actress Georgia May Foote looked stunning as she playfully posed in a green bikini.

The star has been enjoying a getaway in Dubai and wowed her followers by opting for the colourful two-piece.

Georgia, 35, showed off her killer curves and had a white sarong to cover up whilst taking a stroll on her holiday.

She added to her post: “Swipe for a happy happy girl.”

Her brunette locks fell in front of her face as she left her followers wowing with the jaw-dropping snaps.

Georgia’s trip away comes just weeks after she went public with her new boyfriend following her sudden marriage split last year.

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Georgia May Foote’s new boyfriend revealed as she shares loved-up pic with him

The star split from her husband Kris Evans last year but she has now moved on for good.

Georgia has been romancing a top record producer who has worked with the likes of Aitch and Central Cee.

Taras Slusarenko, who goes by LiTek online, was unveiled by The Sun after he swept Georgia off her feet.

Taras, who is originally from Russia, lives just outside of Manchester and around 30 minutes from where Georgia resides.

Talking of the new romance, a source revealed to The Sun: “Georgia met Taras earlier this year at a running club and they’ve been smitten ever since.

“He has brought the smile back on her face and they’re in a bubble together.”

HELEN Flanagan revealed a telling mark on her neck while celebrating Halloween with friends on Thursday evening.

The former Coronation Street star was in attendance as lingerie brand Ann Summers hosted an elaborate party in honour of the spooky season at raunchy London nightspot The Box.

Drawing inspiration from lovelorn Wuthering Heights character Catherine Earnshaw, Helen, 36, commanded attention in a cleave-enhancing corset and red skirt as she let her hair down at the Soho venue.

But it was a decorative vampire bite that caught the eye, with social media followers speculating that Helen – who is believed to be single – may well be brandishing a love bite.

Commenting on the costume detail, one follower wrote: “What u done to your neck?” [sic]

While a second added: “Who bit your neck?” Elsewhere, a third posted: “Ooft, the neck lol.” [sic]

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Helen’s night out comes after former fiancé Scott Sinclair revealed son Charlie, five – the youngest of their three children – has needed hospital treatment.

The ex-footballer, who also shares daughters Matilda, 11, and Delilah, eight with the actress, posted a photo of their son in his hospital bed on Wednesday.

“My little soldier,” captioned Scott over the snap, which saw Charlie giving a thumbs up as he used an oxygen mask.

The father-of-three did not share what had happened to his son or if they were to remain in hospital.

Helen and Scott were together for 13-years and engaged for four before ending their relationship in October 2022.

They have since had a strained relationship whilst co-parenting their family – often taking swipes at one another online.

Helen was forced to move out of their family home earlier this year, which was solely owned by Scott, as the footballer decided to sell it.

She spoke openly about not wanting to move and about the ‘stress’ downsizing had caused.

It’s Halloween weekend and that means it’s time to curl up on the couch to watch a blood-curdling scream erupt — from your television.

In the L.A. area, the forecast is looking pretty grim with showers expected this weekend (I am going to remain cautiously optimistic, however, because I do not want these bags of candy to remain in my house). If it does end up being a rainout, at least there are several very good new series and films to watch. Here are a few suggestions:

• One is Peacock’s “Crystal Lake,” the new “Friday the 13th” prequel series starring Linda Cardellini, who spoke to senior writer Greg Braxton earlier this month about taking on the role of Pamela Voorhees (you’ll see Voorhees in a new light). On the occasion of the show’s release, Greg also wrote this handy guide to all the “Friday the 13th” movies, grading each one on a hockey-mask scale to help you choose which to watch.
• If you prefer your horror to involve teen angst, I highly recommend Prime Video’s “Carrie,” a new adaption of Stephen King’s iconic novel by Mike Flanagan. We spoke to the horror auteur and stars of the series, Samantha Sloyan and Summer H. Howell, about how it modernizes the story’s terror.
• As far as films go, you can’t go wrong with this year’s top two horror hits: Kane Parsons’ ultra-creepy, internet inspired “Backrooms,” which is streaming on HBO Max, and “Obsession,” streaming on Peacock. Fittingly, Inde Navarrette, the star of “Obsession,” will host “Saturday Night Live” on Halloween. And if you want to keep the theme going, Curry Barker, the film’s director, made a surprise release on Thursday of a short called “Mama Bear” on YouTube (be advised, it’s NSFW; watch it in a dark room at night like I did).

Also in this week’s Screen Gab, Susan House, the showrunner of Hulu’s new reality competition series “The Mob,” stopped by Guest Spot to discuss the show, and our writers recommend a documentary about one of the finest comedy sketch series to emerge from Canada and a workplace comedy series that graduated from the web to streaming.

Before I go, I want to take a moment to remember the legendary actor Patrick Stewart, who died on Wednesday. From his stage work with the Royal Shakespeare Company to his iconic roles as Jean-Luc Picard in “Star Trek” and Charles Xavier in “X-Men,” few actors had Stewart’s range and depth, as television critic Robert Lloyd so adeptly writes in his appreciation of him. To use the words of another “Trek” great, may he live long and prosper in the afterlife. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

“SCTV: The Greatest Show You’ve Never Heard Of” takes a closer look at the Canadian sketch series. Andrea Martin, left, Catherine O’Hara, Joe Flaherty, John Candy, Dave Thomas, Eugene Levy and Harold Ramis.

(Netflix)

“SCTV: The Greatest Show You’ve Never Hard Of” (Netflix)

Speak for yourself, title. Some of us were there from the beginning. But the show is definitely having a moment, with Netflix streaming the entire series, and the documentary “You Had To Be There: How the Toronto Godspell Ignited the Comedy Revolution, Spread Love & Overalls, and Created a Community That Changed the World (In a Canadian Kind of Way),” currently in select theaters, featuring future “SCTV” cast members Eugene Levy, Andrea Martin, Dave Thomas and Martin Short (along with Gilda Radner). Jason Hehir’s “Greatest Show” film does a fine job of outlining the birth and death of what many consider the hipper cousin to “Saturday Night Live,” with lots of great photos and films of sketch comedians in their long-haired youth. The good times, the less than good times, the confusing times are all here, burnished with a warm glow of friendship. Gathered to reminisce are all surviving cast members (including the now-late Catherine O’Hara). Even the rarely seen Rick Moranis participates. (RIP John Candy and Joe Flaherty.) Creating comedy under less than glamorous circumstances, with no live audience or sense of whether anyone in the world was watching, they made the show for themselves and one another. Their instincts proved correct. — Robert Lloyd

Ryan Micho, left, Tommy Armstrong, Grace Reiter, Hyde Healy and Julia Dicesare play co-workers in “Minimum Wage.”

(Netflix)

“Minimum Wage” (Netflix)

The slip-slide from web series to streaming continues with American High’s workplace comedy that began on YouTube and is now appearing, in a slightly longer and moderately gussied-up adaptation, on Netflix. Shot in the now-standard mockumentary style, “Minimum Wage” chronicles life in a dumpy pizza place known as “The Slice Club,” where Grace (Grace Reiter, who recently joined the cast of “Saturday Night Live”) serves as the nominal manager of a wacky team of teenagers who occasionally make and serve pizza. More often, however, they engage in low-stakes antics: dealing with the local high school drama club, planning an ill-conceived birthday party, taking bets on a restaurant breakup or finding themselves stuck on the roof. Most of the cast, including Reiter, appeared in the original web series; this version adds Randall Park as CEO of the “The Slice Club” franchise, who is in mid-divorce and forced to sleep in the restaurant’s basement, and there is a more obvious attempt to underline various “chosen family” themes. They are an engaging, and occasionally hilarious group, and with episodes ranging from 15 to 22 minutes, “Minimum Wage” is an easy binge, or the perfect show to watch while waiting for that friend who’s always late, even when he’s the one who promised to bring the pizza. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

The cast of “The Mob” in Episode 2, from left: Harry Jowsey, Aida Turturro, Shane Parton, Bruno Tonioli, Romeo Miller, Debi Mazar, Demi Engemann, Maria Georgas, Willam Belli and Chelsea Lazkani.

(Andrea Miconi / Disney)

Being in the mob is serious business, and for us normies, the idea of racketeering and plotting whackings is a no-go. But that doesn’t mean it isn’t entertaining to watch it unfold onscreen in iconic films like “The Godfather” or shows like “The Sopranos.” It’s that fandom that led to “The Mob,” the latest reality competition series from Hulu, co-produced by Primal Media and Studio Lambert, the production company behind “The Traitors.” It premiered earlier this week and drops new episodes on Mondays.

The series features 12 players who come from the reality TV world, including Demi Engemann from “The Secret Lives of Mormon Wives,” Joe Gorga from “The Real Housewives of New Jersey,” Bruno Tonioli from “Dancing With the Stars;” and the acting world like Debi Mazar (“Younger,” “Goodfellas”) and Aida Turturro (“The Sopranos”). Each week, they have to compete in games inspired by mob movies and avoid getting “whacked” or eliminated from the competition by the don, the head of the family who doles out cash in exchange for allegiance. It’s hosted by Parker Posey, who is living a very comfortable life in an Italian villa.

Showrunner Susan House, who has led reailty shows like Netflix’s “The Circle,” says “The Mob” is special because it isn’t just about money — though the participants are competing for thousands in cash. “It’s about the power, it’s about family, and it’s about all these human relationships and human dynamics,” she says over video call this week. “Plus, you’re in this beautiful Italian backdrop. You’ve got Parker Posey, there’s some comedy and there’s fun. This sounds cliche, but I do feel like there’s something for everyone.”

She shares what it was like to work with Posey and the rest of the cast and the drama she’s been watching lately. — M.G.

Tell me how the concept for this series came about, and why the mob theme.

The concept was developed by a U.K. company called Primal, and they developed [it] along with Hulu. And I think the mob theme came about because it’s such a lush kind of environment to do a show from, like it’s so cinematic. It has such an amazing place in pop culture. Everyone knows it. It’s about power. It’s about family. It’s about dynamics. All the fun subject matter that makes for a great TV show.

How was it working with Parker Posey as host of the show?

I grew up in the Midwest in Kansas City, and I was a huge fan of independent film. My best friend and I would go to the one art house [theater] that we had growing up, and we loved Parker Posey. I’ve been a huge fan of her since “Dazed and Confused.” And so when she signed on for the show, I called my best friend when I was allowed to talk, and I said to her, “Oh, my God, you’re not going to believe who is hosting the show,” and we both did a little scream. It was just an … incredible moment in my career that I’m doing a show where Parker Posey, she’s iconic to me, was the host. I think that she’s perfect choice, right? She’s unique. She’s artsy. She’s comedy. She’s done drama. She can embrace a character, a setting. It was for me … just like a dream come true.

I’m so excited you said “Dazed and Confused,” because that’s what I associate her with.

When she signed on, I went back and rewatched that movie. I hadn’t seen it in a while. I was just like, oh, my God, she is so good in that.

And “The Mob” is so different. But it seems like she’s trying so many different things in this later stage of her career.

I know, it’s so cool. “The White Lotus,” she was amazing in, and I feel like people sort of rediscovered her in some ways. Maybe younger generations did, and it’s great, it’s amazing. She’s trying all these new things. I just watched “Wild Horse Nine.” She was incredible in that.

The cast of “The Mob” features a mix of actors and reality TV personalities, which I thought was really interesting. How did you land on that combination?

I think the subject matter of the mob is universal, right? It’s about loyalty. It’s about power, it’s about respect, it’s about family, and I think combining all of these personalities, … from acting and reality, is a unique opportunity to get [them] … on one TV show and see how they react. It’s a super-fun dynamic, and it just adds another layer to the show that’s I think unexpected and really fun.

Debi Mazar, who was in “Goodfellas,” and Aida Turturro, who was in “The Sopranos,” add some authenticity to the mob theme. I imagine their casting was purposeful — how did they incorporate that into the show?

I love Debi Mazar so much. I’m also a huge fan of her, not just from “Goodfellas,” but I love the show “Younger.” She’s also just iconic … We joke it’s the summer of Debi Mazar, with all the Madonna and Coachella things [the pair made an appearance during Sabrina Carpenter’s set]. I agree, she does bring some authenticity to the show, and she’s definitely of that world. I can’t speak to whether she was playing a character or not. You’re supposed to be yourself. So she wasn’t necessarily [anything] other than Debi, unless she was doing something that I don’t know about. I think Aida is also incredible. She says in the show, I think … in one of the first episodes, “I’m not in the mob.” It’s kind of fun to see her play against type. Like, she is Janice Soprano. But then now we’re seeing the real Aida Turturro and how she plays the game as herself.

Joe Gorga is the family’s first don on “The Mob.”

(Andrea Miconi / Disney)

And you have Joe Gorga, who was picked as the first don of the house, and it felt really perfect because he is from Jersey and he has that voice that you associate with those characters.

That did work out perfectly. It was good because he has a lot of these kind of qualities and stereotypes, but he also is fun and funny. And the show is a comedy in some ways … it’s an homage to the genre. Having Joe as that first don and playing that up a little bit is was fun. We were we were thrilled.

Something people will identify are the allusions to mobster TV shows and movies, like the horse head from “The Godfather.” They’re also incorporated when someone gets whacked.

We’re all huge fans of of that genre, and so many people just wanted to drop these little breadcrumbs for the audience who also love it. Our set decorator, John Sparano, is a huge movie buff. He did things that were like, I don’t think anyone would ever understand this. There was a picture of some pool table balls that were about “The Godfather.” I have to ask him, or it’s like, “No one is going to know these three numbers, John. But OK, I’m glad you’re doing it.” In terms of the whackings, we just thought … this genre gave us the opportunity to have fun with those, make those cinematic and honor those films and and how they did things.

Is there anything you are watching lately that you are recommending to other people right now?

I like the show “War” on HBO Max, and I guess that’s apropos for being a reality TV producer. There’s so much drama, and it’s about a relationship. I’m really enjoying watching that, and I feel very nervous sometimes before the end of the show. I’m like, “Oh, my God, what’s going to happen?”

ICYMI

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Despite calling time on his playing career two decades ago, it is still rare for Shearer to find himself with a weekend off.

Now a regular pundit on Match of the Day, as well as co-commentating on England games and sitting alongside Gary Lineker and Micah Richards on The Rest Is Football podcast, he has become one of the most respected pundits in the game.

But that was not always going to be the case.

Unsure of whether he would enter the world of management or media post-retirement, Shearer served as interim Newcastle manager in 2009 for the remaining eight games of the season.

It ended badly, with the Magpies relegated and Shearer never returning to the dugout.

“Newcastle were were in desperate trouble and I could never say no – we were bottom of the league, fighting for our lives,” he said.

“I should have known that when I signed the contract on April Fool’s Day that it wasn’t going to work out!

“I always felt that I was going to go into it again and I wanted to. I had a couple of interviews and got offered the job at Cardiff. And then things changed … and I thought, ‘what am I doing here?'”

That ended Shearer’s brief brush with management and he returned to punditry, spending his weekends travelling between Newcastle and Salford for Match of the Day.

“It is such a long day. For me travelling from Newcastle, it’s a probably 19-20 hour day,” he said.

“What people don’t realise is that you’re meant to be at your brightest and your liveliest when you go on live at 10:30, whereas if you’re watching football all day on the settee, you’re ready to nod off at that time.”

Watching so much Premier League football, at least Shearer is able to monitor that goal-scoring record of his.

How would the late Anthony Bourdain have responded to our political climate in the United States with less than a week before the midterm elections of Donald Trump’s second term?

This speculative thought bubble emerged for me as I watched the last of two Los Angeles episodes Bourdain did through 12 seasons of his CNN food and travel series “Parts Unknown.” It aired just over a year before his death by suicide in France on June 8, 2018.

Set in our Pacific immigrant metropolis, the program predicts Season 2 of Trumpism, if you will. In another way, Bourdain’s ode to L.A. suggests a framework on how to think about the state of our nation as we head to the polls on Tuesday.

The universal glee of getting tacos

Customers line up at Ave 26 Tacos stand in a parking lot next to the Little Tokyo Galleria in 2024.

(Silvia Razgova)

Picture the moment when a taquero hands you a warm paper plate heaping with warm tortillas and meats on a street in Los Angeles. Do you also get that giddy, kid-like feeling for half a second? There’s nothing like it, right?

Halfway through the Season 9 opener of “Parts Unknown,” Bourdain experiences just that. In a moment you might miss without looking closely, that familiar look flashes on his face, an unbridled glee, as a taquero in downtown L.A. hands him tacos. In that moment he’s not some mythical man known to his best friends as “Tony.” He’s just a guy getting tacos. It’s super cute.

I came upon this episode recently, and it struck me as potently relevant for today, just before the midterm elections. Bourdain’s taco happiness reminded me that even when some sectors of U.S. society are calling for an effective de-browning of this country, everyone everywhere still really loves Mexican food.

Trump does. ICE agents likely do. Even the white ethnonationlists in the government and those cheering on the ICE surge happening right now across L.A. and California, all love to eat tacos, the unofficial culinary emblem of Los Angeles.

It’s worth pointing out that I’m not a Bourdain superfan. I’ve not seen every episode of TV he made. I didn’t read “Kitchen Confidential” until this year. But lately I’ve been studying him. In the past month I finally watched the biopic “Tony” about his coming of age, and I’ve started reading the entertaining memoir “Care and Feeding” by Laurie Woolever, Bourdain’s former long-term assistant and co-author.

I’m catching up on Bourdain because I’ve noticed that as we pass eight years since his death, the author’s cultural influence upon chefs, cooks and food lovers in general does not seem to be waning. It might even be growing.

“He taught me that being a rebel lets you enjoy life,” said Evil Cooks chef and co-owner Alex Garcia, who has an image of Anthony Bourdain tattooed on his leg.

(Daniel Hernandez / Los Angeles Times)

A multitude of chefs or cooks in L.A. have a depiction of Bourdain hanging somewhere in their restaurants, kitchens or homes. Some even on their skin. At least six portraits of Bourdain are on display along the black-clad walls of restaurant Evil Cooks in El Sereno, for example. Chef Alex Garcia has a Bourdain tattoo on his lower leg.

“I love Anthony Bourdain for his rebellious way of being, but also for his love for Mexicanos because he worked for many years with people from Puebla,” Garcia told me after I had dinner there Tuesday night. “He taught me that being a rebel lets you enjoy life, because the end of the day, being yourself, being happy, is the purpose of this journey that we call life.”

This enduring passion for Bourdain also springs from what so much of his television and writing do: Demonstrate an unflagging empathy for almost anyone he met anywhere in the world. Well, almost anyone — he said pretty clearly he’d never share a meal with Donald Trump.

His 2017 episode “Los Angeles” (currently streaming on HBO Max) proves it more than most. It was filmed in 2016, just before the election that took Trump to the White House. It is worth a rewatch before you cast your ballot anywhere.

The program delves into cultural identity, racism, police abuse and corruption and gentrification. Its whole thesis points to the fallacy of being anti-immigrant or anti-Mexican in 21st century America. “Los Angeles, like much of California, used to be part of Mexico,” Bourdain says in the intro. “Now, Mexico, or a whole lot of Mexicans, are a vital part of … us.”

The episode follows Bourdain dining at Indigenous mole specialists Gish Bac with UCLA professor Raul Hinojosa-Ojeda; going for mulitas with photographer Estevan Oriol and tattoo artist Mister Cartoon at the former diner La Reyna (which later became Guerrilla Tacos) on 7th Street downtown; tasting the taquitos at Cielito Lindo on Olvera Street with comedian Al Madrigal and Times columnist Gustavo Arellano; visiting Danny Trejo at Trejo’s Tacos; going to Mariscos El Chente in Inglewood with the Stockton-raised Diaz brothers, and sharing in street tacos with runners from the Boyle Heights Run Club.

“This show will air long after the election,” Bourdain tells Hinojosa-Ojeda at Gish Bac. “There is actually a national conversation now, unthinkable in my lifetime, where the notion of rounding up however many millions of undocumented workers in this country all at once … and then kicking them out. I mean, it seems unthinkable. But, you know, they said that in Europe in the ‘30s.”

In his characteristic tone, grumpy yet hopeful, Bourdain showed he believed in a shared human dignity that superceded all ethnic, national, religious or ideological boundaries.

Listening to him, the prospect of total MAGA Republican rule in all branches of government becomes something like a nightmare that we’ve seen play out in real life. It is a long list of gross constitutional violations targeting immigrants and brown-skinned people, and their supporters like slain U.S. citizens Renée Good and Alex Pretti of Minneapolis, on a daily basis in this country.

People gather at a memorial for Alex Pretti and Renée Good, both shot and killed by ICE agents in Minneapolis.

(Stephen Maturen / Getty Images)

Loving immigrants

On Tuesday, voters nationwide are expected to be thinking first of their pocketbooks and of corruption in Washington when they vote. On another level, this election along with the 2016 and 2024 results are also about litigating by the ballot box what it means to “be” an American.

Sandra Zweig, one of the executive producers on the show, told me Bourdain set out to highlight Latino Los Angeles from the very beginning in 2016. In March of that year, she recalled in an interview, he sent producers the initial list of the cities he was thinking of for Season 9, to start the production conversation.

From that first brainstorming session, Zweig found these notes about a second episode in L.A.: “All-Mexico edition.”

“This time we pretend nobody lives in L.A. who isn’t Latino,” the notes continued. “We live, play in that world without leaving it, we will explore Mexican and Central American immigration, how vital this population is to the SoCal economy.”

Those notes show Bourdain wanted to avoid a recycling of the pastoral mainstream modern narrative on L.A., which isn’t inaccurate but can sometimes feel stale: hyping its multicultural, polycentric, polyethnic etcetera identity. No. This time would be all brown.

“He worked in kitchens and restaurants for so long, he knew as well as anyone that a huge portion of that work staff were immigrants from Mexico and Central America,” Zweig told me. “He also knew that being an immigrant wasn’t a bad thing, to use the word pejoratively was just anathema to him.”

Pop figures like Bourdain and Trejo, despite his recent stumble (he was cast in a film by alt-right extremist Ben Shapiro’s film company), have arguably done a lot more to shape Americans’ perceptions of immigrants and Mexicans than any political leader.

“He would always say, ‘Travel allows you to see people, where they live, and understand where they’re coming from, and reducing that fear for the other.’ For the audience, you’re opening up a world that they may not be able to travel to yourself,” Zweig said. “In 2016, there were things being said about immigrants and immigration that he felt strongly about, and this was one way to discuss that.”

Zweig added: “I can’t predict exactly what he’d say, but it’s clear to me that’d be appalled by the whole sort of immigration enforcement and ICE tactics that’s happening now. That’s not a leap to assume that.”

When I look at the audacity and cruelty of the MAGA right’s stance on immigration, the killings of citizens and immigrants at the hands of ICE agents, I always turn back and remind myself how out-of-step with the nation it is to be anti-immigrant.

Alfonso Lira, 61, a dishwasher and busser from Michoacan, Mexico, sweeps the entrance at Chapter One restaurant in downtown Santa Ana during a double shift in 2024.

(Allen J. Schaben/Los Angeles Times)

Gallup polling is a reliable benchmark on weighing Americans’ views on immigration. At its highest point just last year, the trend line showed 79% of Americans believe immigration is a good thing overall to the country by far. Currently that figure is 73%. Only 21% of Americans believe immigration is a bad thing, its second lowest point since 2002.

Polls and sentiments vary widely from there on how to reform and manage the immigration system — although certainly most people in the U.S. are against current ICE raids, roughly by 2-to-1 — but the basic truth is sitting there before us: The country loves and appreciates immigrants. For most of us, it’s always been about welcoming the stranger, honoring hard work, and contributing to the pursuit of social harmony.

Most of us believe anyone can join the party. There just has to be a better process for it. Political leaders therefore must offer a clear plan not for “mass deportations” but for normalizing people who are here and contributing to society, the economy and the tax base. And more than anything, offer as many people as possible a pathway to citizenship.

If anyone ever tells you they are opposed to any version of this notion, remind them that they are in the minority. Americans favor immigrants by 7-out-of-10, Gallup says. And remind them that as his last love letter to L.A. shows, Anthony Bourdain would have tried to snap them out of it if he’d ever gotten the chance.

Netflix has shared the first glimpse of their adaptation of Pride and Prejudice, which stars Jack Lowden in the role of Mr Darcy and The Crown star Emma Corrin as Elizabeth

Netflix has shared the first glimpse of their adaptation of Pride and Prejudice. The streaming giant is behind a $60 million adaptation of the Jane Austen classic, and it is due for release in December.

The original novel was published in 1813 and has been adapted for the screen around 15 times, perhaps most notably in as a six-episode series in 1995, in which Colin Firth starred as Mr Darcy and Jenifer Ehle as his love interest Elizabeth Bennet.

Now, over 30 years later, Jack Lowden is to star as Mr Darcy whilst The Crown’s Emma Corrin will take on the role of Elizabeth. In the first look of the Netflix series, Lizzy (Emma Corrin) and Jane (Freya Mavor) open the trailer on the roof of Longbourn.

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Corrin is heard saying: “One day, Jane, I shall be either a governess and a spinster, or a wife and a mother.. And then, finally, we may talk about something else.”

Jane simply replies: “Such as what?” Mrs Bennet, played by Olivia Colman, utters the famed line “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.”

The series has been adapted by Dolly Alderton, who enjoyed success with her bestselling memoir Everything I Know About Love before it was turned into a BBC series.

She said “Pride and Prejudice is such a timeless story because of the emotions in the book; they are as pertinent now as they were in 1812.

“Embarrassment of your family, fear that you’re going to get left behind, fear that the world is not going to be a safe place for your children as it was for you, mortification that you judged someone incorrectly or that you had been misjudged. We go to that book to see our hearts reflected in it.”

“I always knew that I wanted it to be the opening line of the trailer, not only because I think it’s so relatable to women now who are looking to find the right partner and looking to find love, who are resentful of how much time it takes over their schedule and their brain, but also because it captures how much Lizzy is a character who’s working things out as she goes along.”

The official Netflix synopsis reads: “When wealthy bachelors arrive in their neighbourhood, the five Bennet sisters must navigate love, family, and society’s expectations to secure their futures.

“Jane falls for the charming Mr Bingley, while Elizabeth clashes with his proud friend Mr Darcy – but unexpected encounters and family scandals force Elizabeth to reconsider her feelings and discover the true nature of love.”

Pride and Prejudice arrives on Netflix on 3 December.

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Mike Flanagan’s supernatural horror series Midnight Mass on Netflix is perfect for fans of The Haunting of Hill House, with its dark, disturbing atmosphere, powerful performances and expertly crafted horror

A new Netflix series that’s keeping audiences glued to their screens into the early hours is ideal viewing for fans of Haunting of Hill House. Netflix’s The Haunting of Hill House captivated television audiences worldwide as a grounded supernatural horror exploring the devastating, deeply relatable burden of family trauma and grief.

According to Netflix, the series ranked as the seventh most binge-watched global release during its premiere window and secured a 93% critic score alongside a 91% audience score on Rotten Tomatoes, plus impressive rankings on IMDb. Those who loved the show are now being urged to watch a new Netflix series that will unsettle them just as profoundly as The Haunting of Hill House.

Craig, a TikTok creator from Surrey who discusses television and film across his social media platforms, said the show, Midnight Mass, would have TV enthusiasts watching for hours on end.

Craig said: “If you’re looking for your next series to binge-watch this Halloween, this series on Netflix is a must-watch. It comes from Mike Flanagan, who you may know from The Haunting of Hill House, and if you want a horror that’s going to really get under your skin, you need to check this one out.

“The must-watch series I’m talking about is called Midnight Mass. And if you loved The Haunting of Hill House, you’re going to absolutely love this one. And it follows a man called Riley Flynn, who returns to his isolated hometown after spending time in prison.

“But things start to change when a mysterious new priest, Father Paul, arrives in the community. And suddenly, people start experiencing what they believe to be miracles. The town’s faith has been reignited, and there’s a growing sense that something extraordinary is happening.

“But as these events become increasingly more disturbing, the town residents start to believe: are these miracles, or is there something much more sinister under the surface? What makes Midnight Mass so great to watch is it doesn’t rely on cheap jump scares to frighten you.

“Instead, it builds this incredibly unsettling atmosphere, slowly revealing its secrets until you’re so invested into what’s happening on that island. And like most Mike Flanagan projects, the performances in this are incredible, especially Hamish Linklater as Father Paul – he is brilliant

.

“And the expert writing explores some genuinely fascinating themes like faith, guilt, addiction, and redemption. And when the horror kicks in, it gets absolutely terrifying. It’s dark, disturbing, emotional, and there are some things in this that will stay with you for a very long time.

“And the best part is, it’s a self-contained story of seven episodes, so it’s the perfect series to binge-watch this Halloween. So, if you loved The Haunting of Hill House and you haven’t seen Midnight Mass, get yourself on this series because it is a must-watch.”

What do critics and viewers think about Midnight Mass?

Having first landed on screens back in 2021, Midnight Mass boasts an impressive 87% critic rating and a 79% audience score on Rotten Tomatoes.

Further viewers flocked to Craig’s video to share their opinions on the show and urge others to give it a go.

One person said: “Really good show. Very unusual.”

A second added: “Really good series with a superb ending.”

A third said: “Best series ever.”

The brilliant Korean filmmaker Lee Chang-dong is a suffering protagonist’s best friend, exploring the buried pain in people like no other filmmaker. But he’s never been so delicately novelistic, and so accessibly human, as with his latest movie, “Possible Love,” even when Lee is spinning the enigmatic vibes he’s known for.

A marriage story weighty enough to bear two fascinatingly complex couples, it explores a web of isolation and desire knotted with the divisions and woes of society today: class, labor, media. The film fairly vibrates with ominous tension even in scenes in which seemingly nothing happens. (Which, admittedly, is a Lee staple if you remember his last film, 2018’s eerie psychological thriller “Burning.”) Astonishingly acted, intricately written, with nary a shot out of place and never insulting to its audience, “Possible Love” is a masterpiece of everyday struggle — essentially, who bears it and who doesn’t — and easily among the year’s best films.

At the funeral for a colleague who committed suicide in the wake of a disastrous labor strike, out-of-work Ho-seok (Sul Kyung-gu, of Lee’s “Peppermint Candy”) would rather brood in the car alone and let his patient, grasping-for-connection wife Mi-ok (Jeon Do-yeon, a Cannes prize-winner for her turn in Lee’s “Secret Sunshine”) be around others. With these blue collar parents’ grade-school-age son a tangibly quiet presence, a seemingly impassable unhappiness oozes from the opening scenes. The appearance inside the funeral home, however, of a documentary crew interviewing laid-off workers spurs Mi-ok to engage with the outgoing director, Ye-ji (Cho Yeo-jeong), whose reserved, well-to-do husband Sang-woo (Zo In-sung) is in tow. When Mi-ok agrees to participate in Ye-ji’s film, a friendship forms.

Is it friendship, though, or a mutually useful rapport? The women couldn’t be more unalike in terms of background and status. Mi-ok has to tell Ye-ji that her expensive clothes don’t jibe with someone championing labor issues. But they have a breezy, even jokey openness, fed by the stories Mi-ok tells on camera as well as soju-fueled double dates with their spouses. They also have in common husbands who are remote, albeit for vastly different reasons. Hedge-fund-rich Sang-woo has an air of cool privilege, while the gloomy, taciturn Ho-seok harbors unprocessed trauma about what happened during the strike, the details of which are judiciously doled out to us in flashbacks. (Lee drew the background for his scenario from a real-life labor protest met by a government crackdown that shocked the country.)

But underneath what seems promising, the beginnings of empathy and maybe healing, there’s something performative and calculated in this fast bond. There are Ye-ji’s filmic needs — “I’m trying to love these people,” she says privately to Sang-woo after he calls her behavior with them “Method acting” — and Mi-ok’s swirl of intentions, hoping to save her husband with not ignoring the allure of her new pal’s quietly confident and wealthy man. Right at the moment when more cracks materialize, Ye-ji invites this broken family for a shared weekend at Sang-woo’s vacation mansion.

You may be forgiven for anticipating a potboiler climax when a lush hideaway with a private beach is concerned, and what occurs there is indeed juicy. But that’s only because Lee, in his finest screenplay to date, has laid out precisely where his vectors of hardship, exploitation, pent-up anguish and hidden desire are going to converge. Just add more alcohol and more reminders of these couples’ experiential chasm, and Lee’s command of irony in a simmering atmosphere is in a league all its own.

The documentary angle, of course, is this great director probing the ethics in his own vocation as an intrusive force, one that shapes lives, emotions and, in this case, the weight of a genuine tragedy. In much the way he finessed a truth about art facing evil in “Poetry,” the camera here is both predatory and a tool for catharsis. In one scene, the confluence is literally breathtaking.

Best-of lists were made for performances like Jeon’s. With tear-swollen eyes and an anxious intelligence that imbues Mi-ok’s mission of repair with heartbreaking energy, she is this movie’s restless soul of want: a wife, lover, worker and mother trapped between the balm of recollecting better times and worry for the future. Alongside Sul’s deftly handled, physical characterization of a proud man swallowed by hurt he could never imagine, “Possible Love” stands as one of the more sensitively wrought depictions of a wounded marriage you’ll ever see.

And when it’s over, it somehow doesn’t feel over. Maybe no scene better embodies Lee’s exquisite communion with his characters than his last one, which supplies them with a hint of grace. “Possible Love” hovers over the moment’s sublimity like the moonlight and I haven’t stopped thinking about its elemental beauty since.

LEE Andrews has continued to hint that he’s back with Katie Price with a cryptic love poem – as she’s seen wearing her wedding ring again.

The latest piece of the puzzle comes just days after the conman was spotted liking Katie’s post about her son Harvey.

The couple have been estranged since the summer, with Katie telling The Sun that she had dumped conman Lee after becoming fed up with his lies.

But recently, there have been clues they have secretly got back together, and today it was Lee‘s turn again.

It comes after Katie was spotted with her ring back on, hinting at a reconciliation with her jailbird hubby.

Now, Lee has posted a poem which reads: “There’s something about her eyes which f**** with my head.

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“And don’t give me that mascara or makeup bulls***.

“Makeup’s got nothing to do with it. You can’t buy a look like that at a f***ing beauty counter.

“Those eyes are a drug. Devastating. Beautiful. And I can’t get clean.”

Katie had previously spoken about how she had started wearing her engagement ring on her right hand instead of the left after the split.

But she has now swapped it back to her left wedding ring finger – as she continues to fuel speculation that she is back with Lee.

The TV personality was seen emerging from a nail salon after a pampering session with the ring firmly back on her finger.

The Sun previously revealed that Katie ended their marriage via WhatsApp last month after finding out he had just £2.22 in his bank account.

We then told how the former glamour model is bracing herself for a “messy” divorce battle with her ex as the conman vowed to return to the UK.

But just days after scrubbing all his images from her Instagram page in a subtle swipe, she appeared to have given him grace on social media.

Eagle-eyed followers spotted how the mum of five is re-following his account and Lee, who previously erased her from his page, is doing likewise.

Lee was recently released from the notorious Al Awir prison after a four-month stint, but is now eyeing up flying back to his home country.

The conman launched a Go Get Funding page this month in a bid to collect bail cash so he can return to Britain.

And as Lee vows to fly back to England, Katie is understood to be “naturally worried” that Lee will come after her money, in what could be one of showbiz’s messiest divorces.

TV PRESENTER Eamonn Holmes’s lover received death threats and felt ­suicidal after enduring two-and-a-half years of hell for “simply falling in love”, she has revealed.

Katie Alexander sobbed to a friend about her misery — ­saying she feels that the stress in her life, including Eamonn’s illness, has led to her suffering a breakdown.

Police are investigating malicious emails and letters delivered to her, including a threat sent to her home saying she would be decapitated.

Katie, 45, who has been in a ­relationship with the breakfast TV presenter, 66, since his split from Ruth Langsford in 2024, spoke to pals about her ongoing ordeal.

She told a friend: “I fell in love with a man who made me feel safe, who encouraged me to be myself, and who loved and accepted me for me.

“I was thrust into the limelight and suddenly blamed for everything that went wrong with Eamonn.

“I became the accused — and a talking point for the nation.

“I was advised to say nothing, even though I wanted to defend myself, to tell my truth. I decided to protect others before putting myself first. I was being judged simply for falling in love.

“I had death threats sent to my work email, and letters to my home address threatening to decapitate me. Not only was I trying to protect myself, I had to protect my children from online abuse, and from being picked on at school.

“It has been two-and-a-half years of pure hell. It became too much to endure. I reached the point where I thought the quickest way out of it all was to kill myself.

“I had a breakdown. It’s my ­children who have kept me alive.”

Katie, a trained counsellor from West Yorkshire, added to her pal: “I hold people’s emotions for a living.

“Knowing what was the truth in my own life — so different to what was being ­portrayed publicly — was torture. The attacks were very personal.

“People can’t fathom I like older men. I have a history of relationships with men older than me.

“People thought, ‘she must be with Eamonn for his money’. That’s such an untrue, one-dimensional reaction.

“I had a happy life before Eamonn, but suddenly being with him made me happy and content. I never asked for a penny, but he wanted to make sure that I was comfortable financially. He made sure I didn’t have to worry about money. It was his choice, his doing.

“I refused his generosity so many times. It even got to the point where I’d stop him paying £15.99 for a film on TV, making him wait until it became free to watch.

“Despite being so far apart geographically, we lived together half of the week. We made it work. He was — and still is — my partner. And when we were together we did everything together.

“I gave him a sense of worth. He became softer after years of antagonism. He spoke of his feelings in more depth. I told him that if he can’t communicate with me we can’t be together. It seemed alien to him to be able to have a conversation and not an argument, or shouting match, even if we disagreed.”

The Sun on Sunday previously told how Katie had to move her belongings out of Eamonn’s flat in Surrey. He has been in hospital since suffering a stroke in April.

Financial help has dried up, including repayments on a Mercedes car bought by Eamonn so Katie could travel to visit him.

A close friend of Katie added: “She’s had a breakdown with all the stress that has come with trying to keep a family together and juggling work, while trying to care for Eamonn in hospital 230 miles away. There is so much that has gone on which will come out one day, and everyone will learn the truth.

“It suits a lot of people that Katie be painted as the ‘Wicked Witch’. But the reality is so different.”

The pair started dating in May 2024 and within a few months Katie moved into Eamonn’s home.

Eamonn wed fellow former ITV This Morning host Ruth in 2010 but the pair have been going through a divorce since they split in 2024.

West Yorkshire Police confirmed a probe into “offensive” letters, but said “no suspect has been identified”. Katie was asked for comment.

LOVE Island fans have spotted ANOTHER clue Lorenzo Alessi and Yasmin Hadlow’s romance is back on.

The pair have kept fans of the ITV2 show guessing on if they are an item after returning to the UK after the villa.

Lorenzo, 28, and Yasmin, 23, enjoyed a brief romance during their Love Island stint earlier this year, but ended up coupling up Julia Majchrzak, 26, and Tommy Stagg, 23, after Casa Amor.

But in recent weeks the pair have set tongues wagging with a number of hints that they are back together.

And now they’ve spotted another clue after Lorenzo shared a recent video on TikTok.

In the clip, the hunk is holding a phone in his hand, which has a pink cover on it.

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“Only ChatGPT and my bank account know what’s really going on,” he captioned the post.

The caption could hint at the fact fans are really not sure what is going on between him and his former flame.

And some rushed to the comments section to point out that the mobile looked like Yasmin’s.

One said: “All I know is that that phone case is sum1s phone case and hes showing it purposely to make the owner special.”

Not only that, he played Not Over Yet by Grace and Paul Oakenfold over the post – hinting that his romance with Yasmin is also not over.

One wrote in the comments section: “the song choice. one thing about Lorenzo the music is intentional.”

Another chimed in: “Song choice. Oh Lorenzo.”

Just last week Lorenzo was spotted in the background of Yasmin’s video after the hunk fuelled romance rumours with Yasmin, as fans spotted them exchanging flirty messages online.

Days before he continues to fuel romance rumours as he dropped a major hint the exes were back on.

In a recent TikTok video, Lorenzo shared a video of him posing next to a Bentley car.

He captioned the post: “I want a Bentley. She wants a Chanely. Life nowadays. Getting kinda spenny.”

And fans are convinced that he’s made reference to Yasmin – who was recently gifted a £7k Chanel bag from Central Cee.

Lorenzo won this year’s Love Island alongside his ex Julia – but the pair went their separate ways in September.

Yasmin and ex Tommy, who missed out on a place in the final, also split the same month.

Prince William revealed he met with Ross Kemp recently and confirmed “he was really jumpy” as he opened up on his family’s love for The Celebroity Traitors on The Graham Norton Show

The Prince of Wales has revealed his family’s love of The Celebrity Traitors, adding that he even touched paranoid faithful Ross Kemp “to see what reaction I got from him”.

The EastEnders star had been on alert about being murdered in plain sight through touch since the first episode of the BBC One series. The paranoia proved justified in Thursday’s episode, when he was indeed murdered in plain sight by traitors James Acaster and Maya Jama.

But instead of touch, he was murdered by yawning and inhaling a poisoned perfume. Discussing the star-studded programme during a surprise appearance on an Earthshot Prize edition of The Graham Norton Show, William said: “I love it, the family love it. Charlotte and Louis are obsessed with it. It’s really good telly.

“I saw Ross Kemp the day after the first episode and I couldn’t help but try – in the most appropriate way – to touch him to see what reaction I got from him. Turns out he was really jumpy!”

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Asked how he switches off, he said: “It is music and film. I love getting immersed in deep-thinking films. I like action films too, but I like something a bit different. I’m a big fan of everything Christopher Nolan does. His films are fantastic – The Dark Knight series is psychologically dark and deep and I absolutely love that.

“He takes concepts that are completely out there and makes them incredibly entertaining.”

William joined Cate Blanchett, Robert Irwin and Hannah Waddingham on the chat show to gasps from the audience to speak about the environmental award, which connects all four guests.

Blanchett is an Earthshot Prize council member, Irwin is a global ambassador for the prize and Waddingham hosted the 2023 Earthshot awards in Singapore.

Mumbai will stage the Earthshot Prize next month where the future king will meet Bollywood stars as he learns about India’s hugely popular film industry, play with cricketing royalty and preside over the ceremony awarding £5 million in prize money.

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Saira Hayati and her daughter wanted a ‘better lifestyle’

A British mum moved abroad to afford a better lifestyle and said she saves £2,141 a month as well as enjoying weekly £20 massages, polo lessons, a cleaner and a pool.

Saira Hayati, 50, from Gravesend, Kent, relocated in 2024 after years of navigating financial uncertainty and learning to prepare for economic downturns. The mum-of-five said her monthly household budget in the UK was around £3,612 to £3,929 and stretched to the rare massage, a gym membership and access to a lake in the summer.

She now estimates she spends £1,788 to £1,874 a month in Melaka, Malaysia, and gets more luxuries – including a weekly massage and a cleaner. Her plan was originally to retire, but she has found work doing social media and doesn’t stress about inconsistent earnings as she doesn’t “need” it.

Saira, a content creator and entrepreneur, said: “The problem is in England no matter how much you earn it’s not enough. I’m swimming, juicing, enjoying the sunshine. I feel healthier, happier, and more relaxed. My kids have said they noticed a difference.”

About more than money

The move has been more than just money saving for Saira, who is now embracing a new chapter with her youngest child while working to rebuild connections with her older children after spending most of her time focused on her career. Her other children are still living and working in England.

After a 22-year marriage ended, she found love again in Malaysia and remarried four months ago. The former director of a national mortgage brokerage says the lower cost of living has given her more freedom to enjoy everyday luxuries without the same financial pressure she experienced in England.

She said: “Over here for me to have a two-hour massage is £20. So I go for massages every week.”

Her Malaysian monthly budget includes £150 for a cleaner, £300 for her daughter’s online tuition and £87 for weekly massages. She pays £20 a month in local charges, compared with £280 in UK council tax, while her electricity costs around £100 a month – three times less than her gas and electricity in England.

Her water bill is just £5 a month, compared with £150 in the UK, while her mobile phone costs £10, rather than £50. Saira spends around £639 a month on eating out and takeaways in Malaysia, covering breakfast and dinner for three every day rather than food shops.

In England takeaways and eating out was a treat, at £100 to £200 per month. Buying her 3,700sqft five-bedroom, six-bathroom, home outright in Malaysia cost her £165,000 and Saira benefited from a better exchange rate in December 2023. In Kent, her monthly mortgage was £1,400 a month for a four-bedroom detached house.

How Saira’s outlook was shaped

Saira’s financial outlook was shaped by experiencing four major recessions and the impact of the 2008 crash on her property management business. At the time, she was working as a director of a property management agency and had a professional portfolio of 350 properties, alongside around ten properties in her personal portfolio. She spoke about the fear of falling into negative equity and having to “tighten the purse strings” on her family’s finances during the credit crunch, including pulling her children out of private school.

She said: “The cost of living is making people squeezed from every angle. The burden is heavier now than it was and people just aren’t in a position to do what they strive to.”

She said the pressure facing households in England had become increasingly difficult, regardless of how much people earned. Saira began selling properties from her personal portfolio before leaving the UK, eventually putting more than £100,000 into a Singapore vault with gold to give her family a financial safety net.

The fund means she no longer feels compelled to keep earning more money simply to feel secure. She said the £100,000 was enough to protect her family for years in an emergency living in Malaysia.

She said: “I’m comfortable in the sense that I don’t need any more emergency fund and I don’t need to earn any more than I need.”

For Saira, moving abroad was not just about cutting bills, but about finding somewhere she could enjoy a better quality of life and spend more time with her family without constantly worrying about money.

She said: “I’ve positioned myself somewhere that I know I can have a decent lifestyle that isn’t going to cost me a lot of money. That’s the kind of guidance I’m giving people having done it myself.”

Saira’s costs

Mortgage/rent

UK: £1,400

Malaysia: £0 – home owned outright

Council tax/local collection charge

UK: £280

Malaysia: £20

Service charge: grounds, pool and gym

UK: Not included

Malaysia: £30

Gas and electricity

UK: £300

Malaysia: £100 – electricity only

Water

UK: £150

Malaysia: £5

Internet

UK: £50

Malaysia: £50

Mobile phone

UK: £50

Malaysia: £10

Groceries

UK: £650 to £867

Malaysia: £80 – fruit, juicing supplies, and toiletries

Eating out/takeaways

UK: £100 to £200

Malaysia: £639 – breakfast and dinner for three daily

Fuel

UK: £217

Malaysia: £87 to £173

Car costs: insurance, tax, service, repairs

UK: £200

Malaysia: £110

Home insurance

UK: £75 – buildings and contents

Malaysia: £20 – buildings

Cleaner

UK: Not included

Malaysia: £150

Child tuition

UK: £0

Malaysia: £300

Gym

UK: £40

Malaysia: Included in service charge

Clothes, toiletries, haircuts and dental

UK: £100

Malaysia: Toiletries above; other costs not totalled

Weekly massages

UK: Not included

Malaysia: £87

Monthly totals

UK: £3,612 to £3,929

Malaysia: £1,788 to £1,874

Annual totals

UK: £43,344 to £47,148

Malaysia: £21,456 to £22,488

Actor Julie Hesmondhalgh was a Celebrity Traitors superfan and made some surprising friendships before being the third person out of the show this year

Actor Julie Hesmondhalgh has described her time on Celebrity Traitors as “extraordinary” and revealed a quirk of the show means people become friends faster than usual.

The former star of Coronation Street, 56, admitted she was “obsessed” with the show before signing up to star in the 2026 version.

She says she has made some friends for life and explained to Good Housekeeping UK: “The extraordinary thing is that you’re all on the same footing. There’s no status at all. You have these accelerated friendships because there’s a lot of time off-camera when you’re travelling in cars together and aren’t allowed to discuss the game. People tell you about their lives; I found out so much about people and I was really touched that they trusted me.”

Asked who she became closest to, she added: “Romesh [Ranganathan] is one of the greatest human beings. We were in there right at the start, alongside Ross Kemp. The three of us were a very unlikely little threesome. I adored Ross, too.”

Julie was banished as a Faithful from BBC show early on after being voted out in a round table. She was the third celebrity to leave.

The acclaimed actress is best known for starring as Hayley Cropper in Corrie between 1998 and 2014.

She said: “The short storyline was supposed to be Roy Cropper [David Neilson] falling for Hayley, then running for the hills when she comes out as trans. But everybody loved the relationship. It became a key storyline almost by accident, which was the best way, because it wasn’t an issue that was shoehorned in.”

On her exit, she added: “There’s a photo of me on the floor, foetal. I was like, ‘What have I done?’ I have no regrets about leaving, but when I watch the credits and see that so many of the cast and crew names are the same, it feels a bit strange.

“Had I stayed, it would have become embarrassing. Anachronistic. But I maintain that Hayley and Roy’s love story was important. It got people talking. It’s so upsetting that trans rights have now gone backwards.”

In real life she is married to writer Ian Kershaw and they have two grown up daughters Martha and Lyss.

Julie reflected: “I found a lot of motherhood a struggle. Balancing my own life and work with motherhood was tricky at times. I have a lot of regrets about losing my rag with my kids. I took things too personally; I felt like they were almost trying to make my life difficult, which obviously they weren’t. They were just children.”

Asked by the magazine who she’d invite to a fantasy Christmas lunch, she said: “Patti Smith, because I adore her. Rebecca Lucy Taylor [who performs as Self Esteem]. James Baldwin. Naomi Klein – I loved Doppelgänger and realised she’s funny as well as formidable. Tony Benn. Oh, and AOC [American politician Alexandria Ocasio-Cortez]. Who else? Emma Thompson – I’ve never met her, but I think she’s a good person.”

* The full interview can be read now in the December issue of Good Housekeeping UK.

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It stopped me mid-scroll. In an Instagram reel, one DJ was mixing an upbeat track in a dark, packed room while another danced on a stage behind her, twerking perfectly on beat. Above them, a message flashed on a massive screen: “Love. Dance. And F— Ice.”

The crowd went wild, matching the energy of the two Los Angeles-based DJs who go by Mango and Ginger. The night looked so electric that I could feel the FOMO traveling through my body.

When I tapped the location tag, I assumed I was looking at an underground warehouse party in downtown L.A. or a venue in Hollywood. Instead, the party — known as If You See Me You See Me — was happening 120 miles south in San Diego. As a DJ and music lover, I knew I needed to get down there ASAP.

For many Angelenos, San Diego is the place to go for a peaceful weekend getaway — think scenic cliffs, serene beaches, fresh fish tacos and visits to Balboa Park and the San Diego Zoo. But it’s easy to sleep on its vibrant nightlife scene — and I don’t just mean the bars crowding the Gaslamp Quarter. The city is home to some of the most exciting late-night spaces, from hi-fi listening lounges to a cinematic Middle Eastern restaurant that feels straight out of Disneyland.

“People just aren’t aware,” says San Diego native Mo Perez, who as DJ Dopemo regularly packs out parties at North Park’s Bluefoot Bar and Lounge. “Then they come here and they’re like, ‘Wow, San Diego is really fun.’”

This is part of the reason why Sasha Marie, a longtime DJ and former member of the Soulection music collective, decided to continue hosting her event If You See Me You See Me, in partnership with Future Is Color, in her hometown of San Diego, even amid invitations to bring it to other cities. She invites DJs from around the globe, many of whom wouldn’t typically play in San Diego, to spin at the party.

“I feel like it’s important to show that something can be successful here,” she says.

Consider this your wake-up call to tap into San Diego’s nightlife scene, whether you want to go dancing or vibe to diverse sounds or have a cocktail in a one-of-a-kind atmosphere. These nine great spots are a sampling of how the city comes alive after dark.

CELEBRITIES attending last night’s Pride Of Britain Awards looked like they were ready for bed as they poured themselves out of the boozy after party.

Stars from big shows like Strictly Come Dancing, Love Island and EastEnders appeared to be all partied out, as they jumped into waiting cabs.

Just hours earlier they had all looked perfectly groomed as they glistened and shimmered on the red carpet at the Pride of Britain Awards.

But fast forward to the end of the night, and the stars leaving the after party at JW Marriott Grosvenor House looked like they had been enjoying the free bar.

Love Island icon Ekin-Su Culculogiu was in great spirits as she left the after party in her stunning gown.

The former Islander giggled, as she strutted out of the star-studded bash in London.

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Carol Vorderman sparkles in figure-hugging black dress to host Pride of Britain

However, Strictly Come Dancing contestant Lacey Turner looked like she couldn’t wait to get into her PJs.

The EastEnders actress was seen heading to a waiting cab with sleepy eyes.

Fellow Strictly star Dani Dyer appeared to have been enjoying herself at the boozy bash.

The former Love Island champ left the party with a huge beam on her face as she waved out of her cab.

Katie Price‘s eldest kids Princess and Junior Andre were seen looking happy as they waved to fans in their cab.

The siblings are often spotted partying together, and it appeared they had enjoyed themselves last night.

Christine McGuinness was seen resting against a wall in her striking pink floral ball gown after enjoying the party.

But she later was seen beaming as she got into her taxi to head home to bed.

Despite looking a little sleepy, actress Helen Flanagan still looked glam in her shoulderless gown and long black gloves.

Strictly head judge Shirley Ballas was also spotted leaving the boozy bash and waved to onlookers as she headed home.

Hosted by Carol Vorderman and Ashley Banjo, Pride of Britain brings together royalty, world leaders, and hundreds of famous faces including music legends, sporting icons, Hollywood stars and TV favourites to celebrate the winners.

The Pride of Britain Awards 2026 will air on TV on Thursday at 8pm on ITV

LOVE Island star Ciaran Davies has met with show bosses about a THIRD stint in the villa.

He won January’s All Stars’ series with Samie Elishi but they split three weeks later – and today the loved-up beauty announced she was pregnant with Aftersun panellist boyfriend Tyrique Hyde.

Ciaran has held talks about returning for 2027’s legends run in Cape Town, South Africa.

A source said: “It’s early days but bosses have met with Ciaran who is considering a third try at finding love.

“Execs have met with a variety of Islanders but the line-up won’t firm up until December.

“Obviously Samie has very much moved on and so has Ciaran and he hopes to find the same happiness too.”

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Ciaran – a 23-year-old former surveyor from Pencoed, South Wales – was a runner-up on Love Island‘s 11th season, going on to win All Stars this year with Samie, following his second stint in the villa.

Tyrique appeared on Love Island during the summer of 2023, with Samie’s first appearance coming on the winter version the same year.

While they may not have been on the show together, he’d always admired her from afar and consistently named her as his top Islander.

Despite Samie being crowned All Stars champion with Ciaran earlier this year – they split three weeks after February 23rd’s glittering final, prompting Tyrique to make his move.

Six months on, and the couple are expecting a child.

Posting online, Samie shared a sweet video of her getting an ultrasound.

Tyrique and Samie could be seen sharing a kiss as they held the sonogram pictures of their little one.

They both beamed with joy as the song Forever My Lady played in the background.1

Reposting the announcement on his Instagram story, Tyrique wrote: “Don’t make a scene. Can’t wait for this next chapter.

“Love you @samieelishi.”

In late March, Samie was seen out on a date with Tyrique at the Baller League then in May they told fans how they were officially boyfriend and girlfriend – and now they’re happier than ever.

Samie is thought to be due to give birth in spring 2027.

AN explosive sexting scandal almost wrecked Christian Horner’s marriage to pop royalty – and a year later, his F1 career was in tatters.

The multi-millionaire racing tycoon, married to ex-Spice Girl Geri Halliwell, was sacked by Red Bull with a £76million payoff after sending hundreds of texts to an attractive aide, pestering her for pics and sexy chat.

Geri was left heartbroken and humiliated by the WhatsApp messages, leaked in 2024 — a day after Horner was cleared of inappropriate, and controlling behaviour towards the woman in an independent probe.

Loyal Geri stood by her man, but Red Bull’s track performance took a hit amid the damning claims.

Now Horner, 52, has written an extraordinary new memoir, Drive, out on Thursday, which is essentially a grovelling, 320-page love letter to his wife of 11 years.

In it, he swerves the awkward reason his marriage nearly hit the skids.

Instead, he praises Geri for steering him through the darkest days of his life — while glossing over the aide who complained about his conduct.

The former Red Bull chief executive was eventually cleared of any wrongdoing, and his book does not link the embarrassing scandal to his sacking after 20 years in the top Formula One job.

Instead, he blames a series of poor results on the race track, and does not attempt to explain or justify why he sent the flirty messages.

Yet Horner DOES recall his wife heroically mustering every ounce of Girl Power as the crisis erupted.

Initially baffled by the allegations levelled against him, Horner writes: “What was going on?

“The lawyer, presumably aware that a wrecking ball was being aimed at my life, explained the situation as my sense of bewilderment rose.

“Geri knew by my face that something was very wrong.

“She fell silent as she listened. We both understood the implications immediately. She looked at me. ‘Just tell your truth’, she said.

“‘That’s all I can do’, I replied.

“She reassured me that everything would be all right.

“Her resilience was remarkable.

“Our lives had been turned upside down, yet she found the strength and conviction to support me through an immensely difficult period, one that was undoubtedly challenging for her as well.

“Her belief in me gave me the determination to move forward. At a time when my confidence was being tested, Geri provided the perspective and stability that I needed most.

“Without her support, I’m not sure I could have navigated those months in the same way.”

Days after Horner was cleared of behaving inappropriately in 2024, Red Bull suspended his accuser on full pay. The woman, who was not named, then agreed to leave Red Bull for a £3million settlement and dropped her claims.

She signed a non-disclosure agreement that prevents her from talking about the scandal.

Her appeal over the outcome of the probe into Horner was thrown out.

Despite landing another job in motor racing, she was dismissed less than a year later amid “trust issues”.

The other glaring omission in Horner’s carefully-curated life story is the bitter feud with his parents.

Garry and Sara Horner were so horrified when their son hooked up with Geri that they refused to attend the wedding.

Christian and his previous partner, pub landlady Beverley Allen, had a baby daughter, Olivia, who was 19 months at the time of the nuptials.

In Drive, his relationship with Beverley, who died from cancer aged 58, is dispatched in a couple of swift sentences, and he describes falling for Geri like something out of a cheesy romcom.

He says marrying the singer at Woburn Abbey, Beds, in 2015 was the happiest day of his life.

“It was obvious that Beverley and I were drifting apart,” writes Horner.

“Our relationship was now more of a loving friendship than anything else, and it was clear that what had once brought us together was no longer there. We had never married, though we had a daughter, Olivia, and although our relationship had faded, we remained amicable.

“The following year, my relationship with Geri began. She had a natural warmth and confidence, and she treated everyone the same, whether they were royalty or a road sweeper.

“It was clear there was something between us.” Their controversial courtship and Beverley’s heartbreak are skipped entirely, along with him being such a workaholic that he once missed Olivia’s birth.

Months after he began dating Geri, he proposed while hiking up Mount Fuji in Japan, and became a second father to Bluebell, her daughter from a previous relationship with screenwriter Sacha Gervasi.

He says: “Geri was the woman I wanted to marry. I knew it almost from the moment we started going out. Our connection was undeniable; I had never experienced anything like it before. I had totally fallen for her.

“Within twelve months, we were engaged. I wasn’t planning to propose at the ­time — the thought of buying a ring hadn’t even occurred to me — but the occasion seemed too perfect.

“The sun was dipping behind the mountain, the shadows were lengthening, so I grabbed the moment, and Geri, to my relief, said yes.

“With the emotion of the proposal beginning to sink in, we hitched a ride on a passing dustcart and rode to the bottom, laughing.

“Geri and I later married at a beautiful service. Daniel Ricciardo drove us in a vintage Rolls-Royce to the reception; Daniil Kvyat chauffeured the bridesmaids. Geri’s father had sadly passed away when she was in her twenties, so her daughter, Bluebell, walked her down the aisle.

“I knew that when I married Geri, I’d be taking on responsibility for Bluebell, and I couldn’t have been more pleased with the arrangement.

“It was one of the happiest days of my life.” Geri slotted into Horner’s life in the Cotswolds and took to wearing prim, all-white outfits as she embarked on her luxurious role as lady of the manor.

She said in 2019 that her plain wardrobe freed up time and brain space: “I was at a moment in my life when I just needed simplicity.

“Also, if you only wear white, everything matches.”

Within a year of marrying, she was pregnant with their son Monty.

And now, following Horner’s astonishing Red Bull payoff, which was revealed this month, they are considering upgrading their £9.2million Oxfordshire mansion.

They recently viewed Edgcote House, Notts, a sprawling, £45million estate with a private racecourse which featured in the BBC’s Pride And Prejudice. Love-struck Horner might still be unemployed, but he insists the marriage has been all smooth sailing, raving: “I couldn’t have imagined anyone better to spend my life with.

“Geri was unswervingly supportive of what our family wanted to do. In a relationship where both parties were exposed to public scrutiny, she was able to deal with the pressure like it was irrelevant.

“Clearly, years spent at the centre of global fame had given her an extraordinary sense of composure.

“In moments of stress, she had the capacity to compartmentalise the negative emotions and focus on the positives.

“I learned so much from her about how to handle the never-ending stress and cutthroat politics of Formula One.” Horner also bats off the backlash that came his way following his appearances on Netflix’s Drive To Survive.

Last year, he was booed by an angry crowd at the O2 Arena. He was previously dubbed a “Karen” for incessantly complaining about Lewis Hamilton and other teams.

He recalls: “Overnight, Formula One’s audience had grown beyond the traditional fanbase, and with it came a level of scrutiny I’d never experienced before.

“Every comment, every expression and every disagreement became part of the story. In creating a bingeable show, Netflix filmed hundreds of hours of footage and naturally presented the juiciest material, which I ­understood.

“But the fact that Red Bull were going up against Lewis, a national treasure in the UK, meant we were sometimes cast as the villains.

“Before long, I had become Drive To Survive  ’s equivalent of Darth Vader.

“Fortunately, Geri understood the fickle nature of public perception better than I ever could. Really, I should have expected it. It wasn’t pleasant, but I accepted it.

“’It doesn’t matter if they boo’, she said. ‘Booing means they care. It’s only a problem when they ignore you’. Fair enough, I thought. To enjoy the rewards of success, I also had to accept the scrutiny that sometimes came with it.”

Horner admits Beverley’s death last summer was tough on their daughter. “As it became obvious that the end was drawing closer, I talked through the situation with Olivia. It was probably the hardest thing I’ve ever done in my life.

“For the past few years, her mum had been in and out of hospital, and she was growing weaker.

“There was no getting away from what was coming. It all seemed so unfair. I had only recently turned fifty and was lucky enough to still have both my mother and father. I felt upset Olivia wouldn’t have the same experience.

“No little girl should have to go through this, I thought. I wanted to do everything that I could to help.

“But I couldn’t do the one thing she needed most of all. I couldn’t save her mum.”

• Drive by Christian Horner is published on Thursday by Penguin Random House.