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The UCLA women’s basketball team is closing in on an undefeated Big Ten season, clinched the outright regular season league title for the first time in school history, is riding a 21-win streak and is ranked No. 2 nationally.
Perhaps most remarkable, the Bruins firmly believe they can be better and have yet to peak as they push to win a national title.
How did UCLA go from being a team that got pushed around by UConn, LSU and South Carolina in the NCAA tournament the last three seasons to a loaded squad no one wants to face in March?
Bruins coach Cori Close solved the riddle by recruiting six senior leaders who accepted they had to continuously sacrifice and push to improve to achieve their goals. They echo their coach’s values, putting each other first in order to succeed.
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“Me and Kiki [Rice] came here in our freshman year and it’s just been amazing to see the program grow since then,” UCLA senior Gabriela Jaquez said. “And I think that’s also a big credit to our coaches and to all the staff at UCLA to really get the fans out there and support us because we really couldn’t do it without them.”
UCLA honored Lauren Betts, Angela Dugalić, Jaquez, Gianna Kneepkens, Charlisse Leger-Walker and Rice during their final regular-season home game Sunday. The group will be back soon to host first- and second-round NCAA tournament games at Pauley Pavilion, but Close wanted them to take the time to celebrate all they had accomplished together.
Betts is in the national player of the year conversation, but the big award is likely to go to another player who carries a heavier workload for their team. Close said the seniors are all projected to be WNBA draft picks, but they have sacrificed better individual statistics and potentially some awards in exchange for a better shot at winning a national championship. She said the selfless approach is rare and should be cherished.
“One of them said the other day, like, ‘I might not ever play on a team like this again,’” Close said of her senior class. “I think the combination of the depth of the relationship, excellence on the court, their love of the work — they love to work and get better together — and their connection off the court.
”… I think these seniors actually do really understand that this is really special. They’ve set a bar for the culture of our program that we will be forever measuring it against.”
Baseball makes a statement
No. 1 UCLA baseball team turned heads with a weekend sweep of No. 7 TCU. The Bruins beat the Horned Frogs 10-2 on Friday, 5-1 on Saturday and 15-5 on Sunday. Roch Cholowsky and Will Gasparino have racked up six home runs apiece during UCLA’s first seven games this season.
Softball keeps rolling
The No. 9 UCLA softball team beat No. 11 Texas A&M 15-7 in five innings on Sunday to cap a 6-0 weekend at the Mary Nutter Collegiate Classic. The Bruins also beat No. 20 Duke and No. 13 South Carolina. Senior Megan Grant delivered a .545 batting average during the weekend with two home runs and nine walks.
Gymnastics knocks out Illini
No. 5 UCLA gymnastics defeated Illinois 197.675-195.475 Sunday in Champaign, Ill.
Jordan Chiles won the all-around (39.650), vault (9.950) and floor exercise (9.975), while Ciena Alipio won balance beam (9.950).
The Bruins host three top 25 programs — Iowa, Ohio State and Maryland — during the Big Fours meet Friday at Pauley Pavilion.
Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
Hi, and welcome to another edition of Prep Rally. I’m Eric Sondheimer. It’s championship week in high school basketball with some big-time semifinal matchups Tuesday in the Southern Section playoffs.
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Prep Rally is devoted to the SoCal high school sports experience, bringing you scores, stories and a behind-the-scenes look at what makes prep sports so popular.
Brandon McCoy of Sierra Canyon soars for a tomahawk dunk.
(Steve Galluzzo / For The Times)
The toughest divisions in high school basketball in the state have their semifinals Tuesday for boys and girls. Get ready for intense, crowd-pleasing matchups.
For boys in the Southern Section Open Division, it’s Sierra Canyon hosting Sherman Oaks Notre Dame and Harvard-Westlake hosting La Mirada.
Both games are rematches, so there will be no surprises for the coaches. Sierra Canyon and Harvard-Westlake won the first meetings, so they deserve the favorite’s role to reach Saturday’s championship game at Ontario Arena. But that doesn’t mean the favorites will win.
Notre Dame has athleticism to play with Sierra Canyon, especially if Zach White is rebounding and NaVorro Bowman is hitting threes. Sierra Canyon, though, is 25-1 and surging with its depth. Harvard-Westlake looked done after losing three of its last four regular season games, but has come on to beat Damien, Santa Margarita and Crespi in the Open Division playoffs.
La Mirada is the surprise team, seeded No. 12 and winning every game on the road. The Matadores eliminated Redondo Union in the quarterfinals behind Gene Roebuck. You have to admire La Mirada. Last season they desperately wanted to be in the Open Division, giving up a chance to be in the state playoffs. Now the Matadores are one win away from playing for a section title.
The girls’ competition should draw even bigger crowds than the boys Tuesday, with the featured matchup Etiwanda hosting Sierra Canyon. The two powerhouses have been preparing for this game all season. Jerzy Robinson of Sierra Canyon will try to make sure Etiwanda doesn’t serve as a roadblock to winning the Open Division or state championship. The other semifinal has top-seeded Ontario Christian hosting Sage Hill. If Etiwanda and Ontario Christian win, they’ll get to play in front of lots of fans Saturday night in Ontario.
Boys basketball
Freshman Phillip Reed was in dominant form for Palisades in the City Section Open Division semifinals.
(Steve Galluzzo)
It comes as no surprise that No. 1-seeded Palisades will play No. 2 Cleveland in Friday’s 8 p.m. City Section Open Division final at L.A. Southwest College. They’ve been the top two teams all season. Palisades is the heavy favorite. Here’s a report from the semifinals.
Jack Levey celebrates a big win in the Dolphins’ return to their home court against Western League rival Fairfax.
Sylmar coach Bort Escoto has his team in the City Division II finals. Two of his ex-players at Sylmar, Jeff Bryant and Sam Harris, have their teams in finals. Bryant for Palisades and Harris for Chatsworth in the Division I final.
The Southern Section Division 1 championship game has two surging Orange County schools meeting: JSerra vs. Crean Lutheran.
Division 2 has two surprise finalists in Hesperia taking on Bishop Amat. Hesperia eliminated Mater Dei and Bishop Amat took out defending Open Division and state champion Eastvale Roosevelt.
Etiwanda is ready to take on Sierra Canyon at home on Tuesday night in an Open Division semifinal.
(Nick Koza)
Etiwanda continues to rely on a balanced attack, which should help the Eagles in their showdown semifinal game against Sierra Canyon. Here’s a report from the quarterfinals.
Valencia’s girls basketball team has reached the Southern Section Division 1 semifinals under coach Jared Honig.
(John Duncan)
Valencia has reached the Division 1 final behind coach Jared Honig, who had previous success at Granada Hills. Here’s the report.
In the City Section, top-seeded Westchester and No. 2 Birmingham will play Saturday night at Pasadena City College in the Open Division final. Westchester has the top player in the City in Savannah Myles. Birmingham has used a young team to get better and better.
Baseball
The approaching storm from last week caused South Hills to come up with the novel idea of playing its season opener against Covina early Monday morning before rain came. So the teams began at 12:40 a.m. and finished at 3:34 a.m. in a new way to pull off Midnight Madness. Here’s the report.
Harvard-Westlake unveiled freshman Louis Lappe of El Segundo Little League fame. Here’s the report.
With darkness coming, Huntington Beach took a 7-5 lead over Loyola in the top of the ninth inning. Coach Benji Medure confirmed that he tried to have his players on base get into a triple play to end the inning immediately to try to win the game before the umpires called the game. Two players were tagged out at home plate, but the home-plate umpire stopped everything before a third runner one could be tagged out. It ended up as a 5-5 tie because of darkness.
The first runner tagged out at home was Jared Grindlinger, who responded to Medure’s instructions to get tagged out by saying, “What?” The creativity wasn’t approved by the umpires.
No. 1 St. John Bosco and No. 2 Orange Lutheran begin their seasons this week.
Mike Boehle is entering his 28th season as volleyball coach at Loyola.
(Eric Sondheimer / Los Angeles Times)
The boys volleyball season has begun, and Loyola figures to be one of the title contenders in Division 1 after a rough season last year in which players lost homes to the Palisades fire, their coach had prostate cancer and a classmate was tragically killed.
Huge congratulations to @CDMBoysVball on winning the Redondo Union/Mira Costa Tournament. The Sea Kings swept Mira Costa in the final 25-21, 25-23, handing the Mustangs their first home loss since March 25, 2024.
It’s championship week in high school soccer. Once again, the top two boys teams in the City Section all season face off. El Camino Real will take on South East. Both teams won their semifinal games by scores of 1-0.
In girls, No. 1 Cleveland will face No. 7 Granada Hills in a rematch from their West Valley League battles.
Trinity League rivals Orange Lutheran and Mater Dei have advanced to Saturday’s Southern Section Open Division boys final after beating Placentia Valencia and JSerra, respectively.
The girls final will have Santa Margarita taking on Mater Dei in another Trinity League rematch.
TWICE AS NICE The Oaks Christian Girls’ Water Polo team is the back-to-back CIF-SS Open Division champions. The Lions defeated Mater Dei 11-8 to retain the title. pic.twitter.com/HMmuCOLBi5
Oaks Christian won its second consecutive Southern Section Open Division girls’ water polo championship with an 11-8 victory over Mater Dei. . . .
Senior Jaslene Massey of Aliso Niguel, one of the top girls discus and shotputters in the nation, began her outdoor season with a discus mark of 179-6 to set an Orange County record. . . .
Aaron Riekenberg has resigned after nine years as boys basketball coach at La Habra. . . .
Junior defensive lineman Isaia Vandermade from Division 1 champion Santa Margarita has committed to USC, where his father, Lenny, was a lineman. . . .
Pat Harlow, a former head football coach at JSerra, is returning to serve as an assistant coach under new coach Hardy Nickerson. Harlow is well known for his ability to coach the offensive line. This is the second time he’s come out of retirement. “I really believe in the school,” he said. Also added to the staff is former Servite, Notre Dame and NFL quarterback Steve Beuerlein. . .
Former Gardena Serra and USC star Robert Woods has retired from football. . . .
Former Garfield football coach Lorenzo Hernandez has come out of retirement to become football coach at Whittier. Here’s the report. . . .
Former St. Margaret’s and Long Beach Poly coach Stephen Barbee is the new football coach at Irvine Northwood. . . .
Standout pitcher Jared Grindlinger of Huntington Beach has reclassified from junior to class of 2026, making him eligible for this year’s amateur draft. Here’s the report . . .
Chad Rolison from Oaks Christian baseball has committed to Loyola Marymount. . . .
Twins James and Miles Clark from St. John Bosco baseball have committed to Duke. . . .
For the fifth straight year, NFL receiver Trenton Irwin is holding a camp on March 8 at his alma mater, Hart, for grades four through eight. . . . .
Quentin Hale, a junior receiver who transferred from Cathedral to Corona Centennial, has committed to USC. . . .
Patrick Goodpaster is the new football coach at Narbonne. He’s a Narbonne grad, member of the Gardena Police Department and former football player at Colorado State. He’s been a youth football coach in the area. . . .
From the archives: Russell White
Former Crespi, Cal and Rams running back Russell White, who led Crespi to the 1986 Division 1 football championship.
(Eric Sondheimer / Los Angeles Times)
Russell White was one of the greatest running backs in Southern California history, leading Crespi to the 1986 Big Five Conference championship as a sophomore when the Celts routed St. John Bosco in the final.
He’d go on to star at Cal and get drafted by the Rams. He has been at Flintridge Prep the last 10 years coaching eight-man football but is stepping down to perhaps coach 11-man football. His son, Zach, is a standout basketball player at Sherman Oaks Notre Dame.
From USA Today, a story on South Carolina legislators moving to replace its high school athletic association over transfers and other disagreements.
From CBS, a story on a Florida proposal to allow high school coaches to spend up to $15,000 on player needs known as the Teddy Bridgewater Act.
From KTLA, a story on how AI cameras are helping youth sports parents capture videos.
From the Los Angeles Times, a story on the controversy surrounding trans high school athletes in California.
Tweets you might have missed
Robert Woods has retired from football. This is one of my favorite stories from his high school days at Gardena Serra explaining his inspiration.https://t.co/lihVQqP60f
Former Loyola, Cal and NFL safety Chris Conte has joined JSerra as assistant. There are so many ex-NFL players coaching now in the Trinity League there needs to be an all-star game for coaches only.
A great opening day for the Notre Dame throwers going 1-5 in the shot put at the Eagle Invite in Santa Margarita. 4 boys throwing over 51. Jadin Beckford 53’ 6, Jordan Peck 51’ 9. Alex Parker 51’ 6, Palmer Connery 51’ 4 and Sacha Galatzan 48’ 5. pic.twitter.com/px6aypjzvT
Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.
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Nicolás Fernández scored on a penalty kick in the second half and New York City FC tied the Galaxy 1-1 in a season opener on Sunday before a sellout crowd of 30,510 at Dignity Health Sports Park.
Newcomer João Klauss needed 90 seconds to win the hearts of Galaxy fans, scoring with assists from Marco Reus and Joseph Paintsil for a 1-0 lead. L.A. worked a cash-for-player trade with St. Louis City to acquire Klauss on a one-year deal, hoping he’ll ease the loss of superstar Riqui Puig for a second straight season after complications from a torn ACL.
Los Angeles maintained the lead until Emiro Garces was sent off the field for a second yellow card, setting up a successful PK for Fernández that tied it in the 66th minute and left the Galaxy a man short. Fernández scored five goals in 19 appearances with L.A. last season.
Novak Micovic did not have a save in his 25th career start for the Galaxy — 20 of them coming last season when the 24-year-old allowed 37 goals.
Matt Freese, the reigning goalkeeper of the year, saved six shots for NYCFC — four in the first half. Freese had eight clean sheets in 31 starts last season on his way to the award.
NYCFC is coming off a loss to eventual MLS Cup champion Inter Miami in the Eastern Conference Final last season.
The Galaxy are hoping to rebound from a disastrous season that saw them endure a league-record 16-match winless streak — one year after beating the New York Red Bulls to win the MLS Cup.
Despite the string of storms that have hit the Los Angeles region in recent days, the skies cleared up long enough on Wednesday for thousands of aspiring actors to swarm a beachfront in Marina del Rey and take their shot at landing a role in the upcoming “Baywatch” reboot.
The open casting call brought old Hollywood magic to Los Angeles, as the show intensified its search for raw and local talent, reminiscent of how original “Baywatch” stars were discovered, said Brittainy Roberts, the vice president of casting at Fox.
The soapy drama series, which premiered in 1989 and ran for 11 seasons, followed the lives and relationships of lifeguards who patrolled L.A. County beaches (and later Hawaii). It was not only a hit stateside — internationally it was a success, becoming the most-watched show in the world at the time. A film adaptation starring Dwayne Johnson and Zac Efron was released in 2017, and despite negative reviews, it was considered a commercial success, signaling an appetite for more.
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The casting team has “big bathing suits to fill,” Roberts said. The show famously created a slew of stars, including Pamela Anderson and Carmen Electra, who got their start on the show, and catapulted David Hasselhoff to new heights of fame.
Uncommon in a post-pandemic era of self-tape auditions, the open and in-person auditions attracted actors hungry for their big break and locals hoping to leave with a fun story to tell. Many donned “Baywatch” visors and sweaters while others sported bright red bathing suits, popularized by the original show. It was “an opportunity to really get people in the room in a large-scale way,” and allow “people an opportunity that maybe they aren’t getting in this new landscape of auditioning,” Roberts said.
The casting team saw live auditions from about 2,000 “Baywatch” hopefuls, and about 14,000 applications were submitted, said Joseph McGinty Nichol, known as McG, the reboot’s executive producer who will direct the first episode. His past projects include the “Charlie’s Angels” movie and “The O.C.”
Pat “The Jaguar” Uland, 31, of San Francisco, on the red carpet at the “Baywatch” open casting call.
(Allen J. Schaben / Los Angeles Times)
Beach-ready candidates filed in and out of a Marriott hotel in Marina del Rey for the in-person auditions. The casting call, which ran late into the night, embodied the joy of Hollywood, McG said.
Bri Ana Wagner, a 29-year-old living in Los Angeles, has been pursuing acting for around a decade. The open casting call was a reminder that the Hollywood “dream is alive,” she said.
“It’s like the way it used to be and the way it should be,” McG said. “You can come to a Marriott in Marina del Rey and change your life and blow it wide open.”
Hopefuls try to catch a break
David Chokachi hadn’t acted much before auditioning for “Baywatch” in the 1990s. Douglas Schwartz, one of the show’s original creators, and his wife, Deborah, had seen just about a thousand auditions for the role of Cody Madison. None of the actors matched the couple’s vision for the character, until Chokachi strolled in.
“It’s one of the most surreal things that’s ever happened in my life,” said Chokachi, the only actor from the original series confirmed for the reboot.
David Chokachi, who was on the original “Baywatch,” is reprising his role as Cody Madison.
(Allen J. Schaben / Los Angeles Times)
The aspiring actors who auditioned Wednesday hoped to get their chance at a big break similar to the one Chokachi got decades ago. Casting for the reboot began late last year, Roberts said, and people “have come out of the woodwork” since, with some messaging her directly on social media.
“The fact that we’re shooting in L.A., it’s certainly ignited a flame for a lot of agents and managers in town hoping to get their clients working here,” Roberts said.
The casting executive was hopeful that Wednesday’s auditions would bring together a talented pool of actors that the show can continue to pull from.
Massiel Taveras was among the many in attendance at the casting call: “I belong to this group. I belong to the show. I just feel it.”
(Allen J. Schaben / Los Angeles Times)
Massiel Taveras was crowned Miss Dominican Republic in 2007 and has pursued acting since, finding success in the Latino market. She arrived to the Marriott hotel sporting a bright red sports bra and leggings, paired with a large fur coat to shield her from the beach chill.
“I just love the show so much … It’s iconic. It’s something that everybody loves,” Taveras said. “I belong to this group. I belong to the show. I just feel it.”
Meanwhile, Dominique Lopez, a broadcast student from Monrovia, had never been to an audition before her boyfriend Colin Bolick, an actor, convinced her to attend the casting call together. The experience was “super easygoing” and intimate, she said as she walked out of the audition room.
“It’s making the industry exciting again. It’s putting people in the mind space of … ‘Let me put myself out there,’” said Lopez, 25. “Just for that, I feel like a better person, that I went and did something new.”
Could ‘Baywatch’ could help revive Hollywood?
Marko Dobrasinovic, 24, who made the trek from Chicago to audition, bumped into an old high school classmate, Alyssa Frey, while in line to check in. The pair attended the same high school as Hasselhoff, who played Mitch Buchannon on “Baywatch,” one of the actor’s best-known roles.
The impromptu reunion felt like a full-circle moment, said Frey, who moved to Los Angeles to pursue acting about two years ago. She landed in the city just as the actors’ and writers’ strikes froze Hollywood. Wednesday’s casting call was “one of the few opportunities to get in front of someone,” she said.
It was one that almost slipped away from the city. Showrunners were eyeing Australia as an alternative to filming in L.A., until Gov. Gavin Newsom and state legislators granted the production, along with 16 others, California’s film and TV tax incentive in November. Hollywood has struggled to return to its former status as a production mecca after the COVID-19 pandemic and 2023’s dual strikes. The wildfires early last year, coupled with studio spending cuts, added another blow to L.A.‘s waning film and TV industry.
The open casting call was a rare event in Los Angeles, as the TV and film industry struggles to recover.
(Allen J. Schaben / Los Angeles Times)
Chantal Groves left a stable job in international relations around two years ago, setting her sights set on Los Angeles. The 25-year-old, originally from the Dominican Republic, said acting was always her true passion. The career change has been fulfilling, but navigating such a fraught industry is difficult, she said.
“It’s basic laws of supply and demand,” Groves said. “There’s not a lot out there. There’s not a lot casting, and so just in general, it’s a really hard time to start in the industry.”
The “Baywatch” reboot received a $21-million credit, aimed at revamping the state’s entertainment industry.
“This was about keeping an iconic, world-famous brand right here in L.A.,” said Traci Park, a councilmember for District 11 who helped lead efforts to secure the tax incentive and attended the event. “We have the talent, we have the resources, we have the sets … it is exactly why we are fighting so hard to keep these productions in Los Angeles.”
A love letter to Los Angeles
“Baywatch” showrunner Matt Nix was in the middle of fighting off the wildfire that ravaged his Altadena neighborhood and got dangerously close to his home when he first got the call to lead the reboot. His house survived the fires, and he says a show like “Baywatch” felt like exactly what the city needed after such tragedy.
“This is a show about paradise and the people who keep it that way,” Nix said. “There’s something fundamentally earnest and positive about ‘Baywatch,’ the idea of heroes on the beach taking care of each other and the people that they protect.”
Others can relate to that sentiment. “Baywatch” was “right up my alley,” said Ava Cherlyn, a 19-year-old from Newport Beach. The aspiring actor, who moved to Hollywood six months ago, was a lifeguard growing up and played water polo competitively.
“I’m surprised that I haven’t been nervous,” Cherlyn said as she posed for photos in a red bathing suit.
Aspiring actor Ava Cherlyn, 19, in a red swimsuit made iconic in “Baywatch.”
(Allen J. Schaben / Los Angeles Times)
The original show attracted a worldwide audience because of its focus on “heroic people with complicated and interesting lives” while still feeling like an easygoing “hour-long vacation,” Nix said.
That nostalgic magic won’t be lost in the upcoming season, which Nix said is more of a continuation rather than a reboot. It will follow Hobie Buchannon, Mitch’s son, a character featured in the original series, played by “Arrow” protagonist Stephen Amell.
Hobie’s life will be derailed when he meets Charlie, a 21-year-old daughter he never knew he had who’s eager to continue the family’s legacy by becoming a Baywatch lifeguard. Hobie, now a Baywatch captain, will navigate the familial troubles throughout the season, Nix said.
“I don’t want to imply that ‘Baywatch’ is going to save the world or save America,” Nix said. “But, at the same time, I think it’s a good time for an unapologetically heroic show about people who care about each other and the people that they’re trying to save.”
An armed man drove into the secure perimeter of Mar-a-Lago, President Trump’s resort in Florida, as another vehicle was exiting before being shot and killed early Sunday morning, according to a spokesman for the U.S. Secret Service.
The man, who was in his early 20s and from North Carolina, had a gas can and a shotgun, according to Anthony Guglielmi, the Secret Service spokesman. The man had been reported missing by his family a few days ago, and investigators believe he headed south and picked up the shotgun along the way.
Guglielmi said a box for the weapon was discovered in the man’s vehicle after the incident, which took place around 1:30 a.m.
The man killed was identified by investigators as 21-year-old Austin Tucker Martin, according to a person familiar with the matter. The person spoke on condition of anonymity because they were not authorized to publicly discuss details of the investigation.
Trump has faced threats to his life before, including two assassination attempts during the 2024 campaign. Although the president often spends weekends at his resort, he and First Lady Melania Trump were at the White House when the breach at Mar-a-Lago occurred.
After entering near the north gate of the property, the man was confronted by two Secret Service agents and a Palm Beach County sheriff’s deputy, according to Palm Beach County Sheriff Ric Bradshaw.
“He was ordered to drop those two pieces of equipment that he had with them. At which time he put down the gas can, raised the shotgun to a shooting position,” Bradshaw said at a news conference. The two agents and the deputy “fired their weapons to neutralize the threat.”
The FBI asked residents who live near Mar-a-Lago to check any security cameras they may have for video that could help investigators.
Investigators are working to compile a psychological profile, and a motive is still under investigation. Asked whether the individual was known to law enforcement, Bradshaw said, “Not right now.”
The incident comes as the country has been rocked by spasms political violence.
Trump survived an assassination attempt during a 2024 campaign rally in Butler, Pa. The gunman fired eight shots, one grazing Trump’s ear, before being killed by a Secret Service counter-sniper.
A few months later, a man tried to assassinate Trump while he played golf at his West Palm Beach club, a few miles from Mar-a-Lago. A Secret Service agent spotted that man, Ryan Routh, aiming a rifle through the shrubbery before Trump came into view. Officials said Routh aimed his rifle at the agent, who opened fire and caused Routh to drop his weapon.
Routh was found guilty last year and sentenced this month to life in prison.
The White House referred all questions to the Secret Service and FBI.
There have been other recent incidents of political violence as well.
In the last year, there was the assassination of conservative activist Charlie Kirk; the assassination of the Democratic leader in the Minnesota state House and her husband and the shooting of another lawmaker and his wife; and an arson attack at the official residence of Pennsylvania Gov. Josh Shapiro.
Five days ago, a Georgia man armed with a shotgun was arrested as he sprinted towards the west side of the U.S. Capitol.
And on Jan. 6, 2021, a violent pro-Trump mob attacked the Capitol and tried to stop Congress’ certification of Joe Biden’s presidential election victory.
Price writes for the Associated Press. AP writer Alanna Durkin Richer contributed to this report.
JSerra High has an athlete, Godschoice Eboigbodin, whose size and athleticism are earning rave reviews in two sports. People are calling him a “beast.”
The 6-foot-5, 260-pound junior played football for the first time last fall and was so impressive that college recruiters immediately became enamored with his potential.
Now in basketball, which he has much more experience playing, he continues to rise. He had 19 points and 15 rebounds Friday night when JSerra defeated Inglewood 103-91 to advance to the Southern Section Division 1 championship game.
There’s also his outgoing personality.
Early in the season, he was so aggressive he got into foul trouble. Now he’s in “basketball shape,” coach Keith Wilkinson said, and the Lions are surging with him and 6-9 Ryan Doane combining their talents inside.
Eboigbodin also can make free throws, so when opponents foul him, he can take advantage.
Football still looks like his future sport in college, but he’s sure having fun playing basketball.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
Welcome to the Olympic Edition of the Sports Report, an L.A. Times newsletter published every morning during the Winter Olympics. To sign up to receive it via email (it’s free), go here and select the Sports Report. If you’ve already signed up for the Sports Report, you will receive the Olympics edition as well.
Welcome to your daily review and preview of this year’s Milan-Cortina Olympics. My name is John Cherwa and I’m your tour director for the Games as we enter the final day with the U.S. setting a record for golds and closing in on total medals.
Guessing we can call these Games a success for the U.S. after it won its 11th gold medal Saturday — the most ever for the U.S. in a single Winter Olympics. Now the U.S. is hoping to beat or tie its best mark of 34 medals set at Salt Lake City in 2002. With five events yet to be completed, the U.S. is at 33 counting a guaranteed medal in men’s hockey. (A few days ago, we predicted the U.S. would finish with 33.)
There is no chance the U.S. will catch Norway, which has 40 total medals, including 18 golds.
So, with five events remaining does the U.S. have a chance to tie or set a record?
Cross-country skiing. The final event is the women’s 50-kilometer mass start. The podium is likely to be populated by Sweden and Norway, but Jesse Diggins of the U.S. has an outside chance of making the podium.
The U.S. is ninth and 12th heading into the final two runs of the four-man bobsled. Could be another Germany sweep.
The U.S. is out of the women’s curling tournament. Switzerland and Sweden play for the gold.
The U.S. has a guaranteed silver in ice hockey when it plays Canada.
The U.S. will not likely medal in the women’s freestyle skiing halfpipe but it could have. One of the favorites is Eileen Gu, who is from the Bay Area but competes for China. Vice president JD Vance criticized her, among other athletes.
Getting them onto the cusp of tying or breaking the total medal record and breaking the gold medal total on Saturday was the U.S. mixed team freestyle aerials group of Kalia Kuhn, Connor Curran and Christopher Lillis, who gave the U.S. back-to-back golds in this event. It was the 11th gold medal.
The U.S. also picked up a bronze when Mia Manganello came in behind the Netherlands and Canada in the speedskating women’s mass start. The men’s mass start was also won by the Netherlands. Three-time medalist Jordan Stolz of the U.S. was fourth.
The U.S. finished the day with a bronze in the two-woman bobsled. Kaillie Humphries and Jasmine Jones were in the sled where, as usual, Germany took gold and silver. Kaysha Love and Azaria Hill finished fifth.
So the U.S needs one more to tie the record. That means either Jesse Diggins or the four-man bobsled have to have career-defining performances.
The big event today is the men’s hockey gold medal game between the U.S. and Canada. The tournament is so much better with the return of NHL players after 12 years.
Here’s a look at NHL players on each team:
United States: Matt Boldy (Minnesota), Kyle Connor (Winnipeg), Jack Eichel (Vegas), Jack Hughes (New Jersey), Jake Guentzel (Tampa Bay), Clayton Keller (Utah), Dylan Larkin (Detroit), Auston Matthews (Toronto), J.T. Miller (NY Rangers), Brock Nelson (Colorado), Brady Tkachuk (Ottawa), Matthew Tkachuk (Florida), Tage Thompson (Buffalo), Vincent Trocheck (NY Rangers), Brock Faber (Minnesota), Noah Hanifin (Vegas), Quinn Hughes (Minnesota), Jackson LaCombe (Ducks), Charlie McAvoy (Boston), Jake Sanderson (Ottawa), Jaccob Slavin (Carolina), Zach Werenski (Columbus), Connor Hellebuyck (Winnipeg), Jake Oettinger (Dallas), Jeremy Swayman (Boston).
Canada: Sam Bennett (Florida), Macklin Celebrini (San Jose), Sidney Crosby (Pittsburgh), Brandon Hagel (Tampa Bay), Bo Horvat (NY Islanders), Seth Jarvis (Carolina), Nathan MacKinnon (Colorado), Brad Marchand (Florida), Mitch Marner (Vegas), Connor McDavid (Edmonton), Sam Reinhart (Florida), Mark Stone (Vegas), Nick Suzuki (Montreal), Tom Wilson (Washington), Drew Doughty (Kings), Thomas Harley (Dallas), Cale Makar (Colorado), Josh Morrissey (Winnipeg), Colton Parayko (St. Louis), Travis Sanheim (Philadelphia), Shea Theodore (Vegas), Devon Toews (Colorado), Jordan Binnington (St. Louis), Darcy Kuemper (Kings—injured), Logan Thompson (Washington).
Elsewhere on Saturday
Oceane Michelon of France approaches the finish line to win gold in the women’s 12.5-kilometer biathlon mass start on Saturday.
(Harry How / Getty Images)
France picked up gold and silver in the biathlon women’s 12.5-kilometer mass start. There were no U.S. competitors.
The U.S. closed its curling competition by losing the women’s bronze medal match 10-7 to Canada. Canada won the men’s gold, beating Britain, 9-6.
Finland beat Slovakia, 6-1, for the men’s bronze in ice hockey.
The men’s 50-kilometer mass start in cross-country skiing was an all Norway medal stand as they swept the medals and lengthened its lead in total medals. Gus Schumacher of the U.S. was 13th.
The new must-watch sport of ski mountaineering (skimo) finished with the mixed relay, which was won by France. The U.S. pair of Anna Gibson and Cameron Smith was fourth.
Best thing to watch on TV today
The centerpiece of Sunday’s final day is the closing ceremony, which is less of a ceremony than a party. Athletes just flood the zone and the party begins. The event is not in Milan or Cortina d’Ampezzo but Verona, the city of Romeo and Juliet fame. (Speaking of Shakespeare, the movie Hamnet is a must watch.) It starts at 11:30 a.m. PST and should last about 2½ hours. But, before all that is the gold medal hockey game between the U.S. and Canada. It starts at 5:10 a.m. PST. The final heat of the four-man bobsled is at 3:15 a.m. PST.
Favorite photo
U.S. speedskater Mia Manganello celebrates after earning a bronze medal in the women’s mass start final in Milan on Saturday.
(Robert Gauthier / Los Angeles Times)
Times photographer Robert Gauthier is at the Winter Olympics. Each day, Times newsletter editor Houston Mitchell will select a favorite photo from the many Gauthier has taken.
Sunday’s Olympic TV and streaming schedule
CLOSING CEREMONY 11:30 a.m. — NBC
MULTIPLE SPORTS 2 p.m. — Best of the 2026 Milan-Cortina Olympic Games | NBC 9 p.m. — “Primetime in Milan” (delay): Closing ceremony, bobsled, cross-country skiing, curling, hockey. | NBC
BOBSLED 1 a.m. — Four-man bobsled, Run 3 | Peacock 3:15 a.m. — 🏅Four-man bobsled, final run | Peacock 3:35 a.m. — 🏅Four-man bobsled, final run (in progress) | USA 4:15 a.m. — Four-man bobsled, final run (delay) | NBC 8 a.m. — Four-man bobsled, runs 3-4 (re-air) | NBC
CROSS-COUNTRY SKIING 1 a.m. — 🏅Women’s 50-kilometer mass start classic | USA 4 a.m. — Women’s 50-kilometer mass start classic (re-air) | USA 8:45 a.m. — Women’s 50-kilometer mass start classic (re-air) | NBC
CURLING 🏅Women’s gold-medal match 2:05 a.m. — Switzerland vs. Sweden | Peacock 4 a.m. — Switzerland vs. Sweden (delay) | USA, NBC 10:30 a.m. — Switzerland vs. Sweden (re-air) | USA
HOCKEY 🏅Men’s gold-medal match 5:10 a.m. — United States vs. Canada | NBC 1:30 p.m. — United States vs. Canada (re-air) | USA
In case you missed it …
Check out the following Milan-Cortina Olympics dispatches from the L.A. Times team on the ground in Italy:
That concludes today’s Sports Report Olympic Edition newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email newsletter editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here and select the Sports Report.
Is there anyone out there who doesn’t love Timothée Chalamet? I mean, besides the old-timer Oscar voter who recently told me he doesn’t like the young man’s “shenanigans.”
I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Calico Mine Ride or Timber Mountain Log Ride? That’s a 1A / 1B ranking decision. It all depends if I’ve just eaten a slice of boysenberry pie.
Now … back to Timothée …
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Did you catch any of the screenings during the American Cinematheque’s recent eight-film retrospective celebrating Chalamet’s career? Or perhaps you landed at the motion picture academy’s Samuel L. Goldwyn Theater on Monday when Chalamet was mobbed following a Q&A after a showing of “Marty Supreme” for guild voters.
If you witnessed a moment during this weeklong celebration — this Chalamania, if you will — you saw a young man whose talent as an actor is matched only by his genius at promotion.
And yet, there has been a lot of postulating that maybe one of the other nominated actors — Leonardo DiCaprio (“One Battle After Another”), Michael B. Jordan (“Sinners”), Ethan Hawke (“Blue Moon”) and Wagner Moura (“The Secret Agent”) — has a chance. You know … if things fall just the right way, there’s a path!
I get it. This year’s awards season has felt endless, and the Oscars are still more than three weeks away. Stories must be written, possibilities explored, no matter how remote.
But c’mon. Chalamet has this Oscar locked, just like “Hamnet” lead Jessie Buckley has owned the lead actress trophy since her movie premiered at Telluride in September. Admittedly, the lack of drama isn’t fun or exciting. Pine for an upset if you must, though it might be more fun to just surrender and celebrate Chalamet, a gifted actor and certified movie star who has stockpiled a remarkable body of work over the last decade.
This isn’t to say that you can’t make the case about who should win. DiCaprio continues to be one of our great comic actors and deserves attention just for the master class in phone acting he gives in “One Battle.” Moura carries “The Secret Agent” with an intense, brooding charisma that, one year shy of his 50th birthday, should push him to even greater recognition. Playing the desperate, despairing lyricist Lorenz Hart, Hawke empties his soul and his vocabulary, venting his way through the entirety of “Blue Moon.” And Jordan connects on the biggest swing of his career, playing twin brothers in “Sinners.”
So why is Chalamet winning in a walk? It’s a process of elimination. DiCaprio and Jordan are out as “Sinners” and “One Battle After Another” are ensemble films. (Even with the dual roles, Jordan is only in half the movie.) Moura’s work in “The Secret Agent” is sublime, but the Oscars rarely reward subtle acting. (This is a category that has gone to Rami Malek in “Bohemian Rhapsody,” Brendan Fraser in “The Whale” and Joaquin Phoenix in “Joker” in recent years.) And Hawke’s nomination is but one of two for “Blue Moon.” Not enough. Even the execrable “The Whale” managed three.
Chalamet already won the Golden Globe for performance by a male actor in a motion picture musical or comedy for “Marty Supreme.” Our columnist predicts an Oscar is next.
(Allen J. Schaben / Los Angeles Times)
Meanwhile, Chalamet is Marty Supreme, the undeniably talented, relentless self-promoter careening toward his goals of fame and fortune with little regard to the damage he is inflicting on others. (That’s Marty, not Timothée.) Marty’s despicable, but also, as played by Chalamet, winningly charming.
No, you’re not supposed to like the guy, which, for voters who, say, blanched at supporting DiCaprio in “The Wolf of Wall Street,” might be a problem. But the academy has changed a lot since Scorsese’s wildly entertaining movie screened for academy members at the Goldwyn and an unnamed screenwriter, seeing Scorsese, DiCaprio, Jonah Hill and writer Terence Winter emerging from an elevator afterward, ran over to them and started screaming, “Shame on you!”
It’s true that not everyone embraces the anxiety-inducing cinema that is the brand of “Marty Supreme” co-writer and director Josh Safdie. Not everyone embraces Safdie himself, after a noisy tabloid story resurfaced allegations of a toxic work environment on the set of the 2017 film “Good Time,” which Safdie directed with his brother, Benny.
But that has nothing to do with Chalamet, who did not work on the movie, or his ferocious, frenetic work in “Marty Supreme.” The biggest knocks against Chalamet seem to be the unorthodox ways he goes about promoting his movie (and himself) and his age (he just turned 30). Historically, the lead actor Oscar goes to men with a few more miles on the odometer. Adrien Brody is the youngest winner, taking the trophy in 2003 for “The Pianist” when he was 29.
But, as noted earlier, things have changed since the film academy began greatly expanding its membership over the past decade. This new academy gave its best picture and three acting prizes to “Everything Everywhere All at Once,” a bonkers movie that embraced chaos, fingers made of hot dogs and sex toys used as weapons. The new academy just crowned indie auteur Sean Baker king of the world for “Anora,” a Cinderella story about a stripper and a Prince Charming who knows where to score the best ketamine in Vegas.
You think these voters are going to care that Chalamet hasn’t “paid his dues,” an idea that’s patently silly on its surface anyway as this is his third Oscar nomination? He’s the youngest actor to earn three Oscar nominations since Marlon Brando did it, at age 30, in 1954.
By the way, Brando won the Oscar that year for “On the Waterfront.”
Embattled Hollywood mogul Casey Wasserman, who is facing mounting pressure to resign from his position at the helm of the 2028 L.A. Olympics, also holds another important cultural appointment on the Los Angeles County Museum of Art’s board of trustees.
Wasserman, 51, joined LACMA’s board in 2004 when he was 30, two years after he founded his eponymous talent and marketing agency. Just last week, Wasserman announced he would sell his agency after racy emails between himself and convicted sex trafficker and Jeffrey Epstein associate, Ghislaine Maxwell, emerged at part of the Justice Department’s latest release of millions of documents related to the Epstein files.
Wasserman, the grandson of legendary studio exec Lew Wasserman, arrived at LACMA as part of a wave of relatively young additions to a notoriously older board. His addition also heralded the dawning of an era in which LACMA actively sought to strengthen its connections with the entertainment world. In 2011, LACMA launched its glitzy Art + Film Gala, an annual party co-chaired by Leonardo DiCaprio that serves as a melting pot for A-list celebrities and art world stars.
“There was an understanding — the message was there needed to be a change in the board,” museum director Michael Govan told The Times in a 2015 interview. “The board was in extreme need of refreshment.”
Now that Wasserman’s leadership in other roles is being questioned , will his relationship with LACMA follow? LACMA did not respond to a request for comment. Although the board generally meets a few times a year, it may not be an issue that has come to the fore as of yet.
Thus far, LA28 has stood by Wasserman, noting in a recent statement that his emails with Maxwell were sent years “before Mr. Wasserman or the public knew of Epstein and Maxwell’s deplorable crimes … This was his single interaction with Epstein.”
“The Executive Committee of the Board has determined that based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” LA28 wrote.
L.A. Mayor Karen Bass said in a recent CNN interview that she believed Wasserman should step down, and that it is “unfortunate” that Olympic organizers remained in support of him.
In a memo to staff at his talent agency, Wasserman wrote that he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”
I’m arts editor Jessica Gelt with this week’s arts and culture news.
You’re reading Essential Arts
The week ahead: A curated calendar
FRIDAY
The cast of “Cinderella: A Salsa Fairy Tale.”
(South Coast Repertory)
Cinderella: A Salsa Fairy Tale The classic fairy tale moves to the basketball court in this hip-hop fueled musical adaptation for young audiences with a book and lyrics by Karen Zacarías and music by Deborah Wicks La Puma. Directed by Sara Guerrero. Through March 8. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Dr., Costa Mesa. scr.org
Dear Little Friend: Impressions of Galka Scheyer The exhibition from the German-born art dealer’s collection includes portraits and ephemera, featuring such artists as Maynard Dixon, Peter Krasnow, Beatrice Wood and Edward Weston, as well as gifts from the Blue Four artsist, whose work Scheyer championed: Alexei Jawlensky, Lyonel Feininger, Paul Klee and Vassily Kandinsky. Thursday-Monday, through July 20. Norton Simon Museum, 411 West Colorado Blvd., Pasadena. nortonsimon.org
The Industry LAB 2026 The innovative opera company partners with REDCAT for this series featuring new works: a shared program of Guillermo E. Brown’s “The Instrument, Romance, Bee Boy” and Carmina Escobar’s “Our Voice Is Not at the End of Anything” (8 p.m. Tuesday-Wednesday; 8 p.m. Friday and Saturday; 3 p.m. Saturday-Sunday); and Matana Roberts’ “spiral resonance: a study in the abstract,” an immersive sound and moving image installation exhibition (noon-6 p.m., daily through March 1) with solo activation performances in the space by Patrick Shiroishi (8 p.m. Tuesday); Ryan Sawyer (8 p.m. Wednesday); Roberts (8 p.m. Feb. 27); Kyp Malone (8 p.m. Feb. 28); and Judith Berkson (3 p.m. March 1). Through March 1, 2026 REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Wallace Berman/Bruce Conner A pair of solo exhibitions highlighting extraordinary mark-making: “It Don’t Mean a Thing (If It Ain’t Got That Swing)” salutes the centennial of post-war counter-culture artist Berman with a rare showing of his large-scale photographic collages; “Inkblots and Felt Tip Drawings” focuses on an often overlooked aspect of multimedia artist Conner’s work. A selection of Conner’s experimental films are being exhibited at Marciano Art Foundation (see below). Tuesday-Saturday, through April 25. Michael Kohn Gallery, 1227 North Highland Ave. kohngallery.com
Missa Solemnis Gustavo Dudamel and the Los Angeles Philharmonic are joined by more than 100 voices from the Cor de Cambra of the Palau de la Música Catalana and Orfeó Català of Barcelona for this Beethoven mass that is rarely performed due to its ambitious scale. 8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Jon Serl: As One, As Many Starting in vaudeville before moving to California and working as a Hollywood voice actor and gardener, Serl became a painter following World War II with a long, expressive career illustrated in this retrospective. Fittingly, the artist had his first museum exhibition in 1981 at the Newport Harbor Art Museum (now UC Irvine Langson Orange County Museum of Art). Through June 7. UC Irvine Langson/Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art
Marco Perego “The Being” is a solo exhibition featuring video, installations and drawings by Italian-born artist. Through April. Jeffrey Deitch, 7000 Santa Monica Blvd., Los Angeles. deitch.com
Christina Kirk and Norbert Leo Butz, seated, with the cast of “The Recipe.”
(Rich Soublet II/La Jolla Playhouse)
The Recipe Christina Kirk and Norbert Leo Butz star as Julia and Paul Child in the world premiere of Claudia Shear’s play about the world-famous chef. Directed by Lisa Petersen. Through March 22. La Jolla Playhouse, 2910 La Jolla Village Dr. lajollaplayhouse.org
Puppet Up! – Uncensored Created by Brian Henson and directed by Patrick Bristow, this irreverent, ever-changing show features the Miskreant puppets plus classic Jim Henson sketches unseen by live audiences for decades. 7 p.m. Friday and Saturday; 5 p.m. Sunday; 7 p.m. Feb. 27-28; 5 p.m. March 1. The Montalbán, 1615 Vine St., Hollywood. puppetup.com
SATURDAY Kyreeana Breelin Alexander The interdisciplinary artist performs “We Cool,” a solo autobiographical coming-of-age story fueled by rhythm and movement. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Judith F. Baca With “The Great Wall Of Los Angeles: The 1970’s — A Decade Of Defiance And Dreams,” the artist’s organization SPARC (Social and Public Art Resource Center) exhibits the latest complete segment in the monumental work’s expansion. Opening reception, 6-8 p.m.; through April 4. Jeffrey Deitch, 925 N. Orange Dr. deitch.com
Bruce Conner, “Crossroads,” 1976. 35mm, black/white, sound, 37 min. Digitally Restored, 2013.
(The Conner Family Trust/Michael Kohn Gallery)
Bruce Conner “Recording Angel” brings together seven of the artist’s experimental films, composed of found, scavenged and original footage, and re-cut using his influential rapid-fire editing techniques. Through July 18. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org
Patti LuPone The Broadway star marks the 25th anniversary of her concert “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe. 7:30 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org
John Snow The bassist and his band explore “The Poetry in Music” through works by John Coltrane, Joni Mitchell, Patti Smith, Langston Hughes, Hoagy Carmichael, Bob Dylan and others. 8 p.m. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com
Tap Fest: Listen to This! Dancers Derick Grant, Sam Weber and Josette Wiggan join the Colburn’s tap faculty and students for a program exploring the concept of the Tap Artist as both a dancer and musician. 7 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
SUNDAY Zhanna Kadyrova A collaboration with Kyiv to LA, an ongoing project supporting Ukrainian artists through a Los Angeles-based residency, and the Thomas Mann House, the solo exhibition “Sliced Realities” explores the artist’s anti-war practice and coincides with the four-year anniversary of Russia’s full-scale invasion of Ukraine. Sunday-Feb. 28. Thomas Mann House (1550 N San Remo Drive, Pacific Palisades. vatmh.org
Museums Free-For-All An Southland tradition in which Southern California arts and cultural institutions open their doors for free general admission. Participants include the Academy Museum of Motion Pictures, the Autry Museum of the American West, The Broad, California African American Museum, the Getty Center and the Getty Villa, UCLA Hammer Museum, LACMA, MOCA, Skirball Cultural Center and many, many more. At some locations, tickets are limited and reservations may be required. All-day Sunday. See complete list of participating institutions at socalmuseums.net/free
Queen Elisabeth Music Chapel Colburn Conservatory of Music welcomes the Belgian conservatory and its master-in-residence, cellist Gary Hoffman, for a joint performance of Fauré’s “Piano Quintet No. 1” and Messiaen’s “Quartet for the End of Time.” 3 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
Sueño Perro This film Installation by Alejandro G. Iñárritu both marks the 25th anniversary of his debut “Amores Perros” and serves as a “resurrection” using projections of never-before-seen fragments from that film’s production. Through July 26. Los Angeles County Museum of Art, BCAM, Level 1, 5905 Wilshire Blvd. lacma.org
We Hold These Truths: A Celebration of Black History Month Over 100 Years The contributions of Black Americans to the cause of democracy over the years are recognized in this collaboration of performers from across artistic mediums. Featured artists include actor Phil Morris, composer Tamar-kali, dancer Ishaun Jackson-Moaney, the West Angeles COGIC Victory Dance Company, opera baritone Derrick Lawrence and promising talent out of the USC Thornton School of Music, opera mezzo-soprano and producer Raehann Bryce-Davis, poet Alyesha Wise and arts scholar and activist Derrell Acon. 3 p.m. Nocturne Theatre, 324 N. Orange St., Glendale. eventbrite.com
TUESDAY Flashback Fun Six Disney classics return to the big screen: “Muppet Treasure Island” (Tuesday); “The Aristocats” (Wednesday); “Dumbo” (Thursday); “The Rescuers” (Feb. 27); “Bolt” (Feb. 28); and “Oliver and Company” (March 1). The El Capitan Theatre, 6838 Hollywood Blvd. elcapitantheatre.com
Filmmaker Jafar Panahi at the Toronto International Film Festival last September.
(Kate Dockeray/For The Times)
It Was Just an Accident: Live Read Film Independent presents writer-director Jafar Panahi’s “incisive drama,” winner of the Palme d’Or at Cannes in 2025 and nominated for international feature film and original screenplay at this year‘s Academy Awards, to the Wallis stage read by a new cast. 7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
Haegue Yang “Star-Crossed Rendezvous” pairs two of the Korean-born, Berlin-based artist’s large-scale installations employing utilitarian objects. The first, “Sol LeWitt Upside Down — K123456, Expanded 1078 Times, Doubled and Mirrored” (2015) is a monochromatic installation inspired by the cube structures of the American conceptual artist. Across the gallery, “Star-Crossed Rendezvous after Yun” (2024) is an homage to composer and political dissident Isang Yun (1917–95). Synchronized to Yun’s “Double Concerto” (1977), an array of moving lights animate vibrant geometric structures to create an ever-changing, multisensory experience. The L.A. Philharmonic will perform Yun’s piece on March 10 at Walt Disney Concert Hall, with a pre-concert viewing of the installation at MOCA Grand. Through Aug 2. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org
WEDNESDAY L.A. Art Week It happens every February. Thousands of artists, collectors, curators and gallerists descend on the city, swelling an already vibrant local scene with a global reach into a week of discovery, creative adventure and fashion flamboyance. The Big Kahuna, of course, is Frieze Los Angeles (Thursday-March 1. frieze.com), a fair with a primarily contemporary focus, approximately 100 galleries, installations and pop-ups restaurants from around L.A.; Butter Fine Art Fair (Thursday-March 1. Hollywood Park, 1237 District Drive, Inglewood. butterartfair.com) features artists representing the African diaspora; Enzo (Wednesday-Saturday. 1634 W. Temple St. enzolosangeles.com) presents nine New York City galleries in an Echo Park warehouse; Felix Art Fair (Wednesday-March 1. Hollywood Roosevelt, 7000 Hollywood Blvd. felixfair.com) showcases exhibitors from around the world in a classic Hollywood setting; the cheekily-named The Other Art Fair Los Angeles (Thursday-March 1. 3Labs, 8461 Warner Dr., Culver City. theotherartfair.com) promises “the bizarre, unexpected, and never normal” with work from 160 independent artists; Post-Fair (Thursday-Feb. 28. 1248 5th St., Santa Monica. post-fair.com) is a dealer-led event in a historic Santa Monica Post Office building; and Start Up Art Fair (Friday-March 1. The Kinney Venice Beach, 737 Washington Blvd. startup-art.com) brings together 150 independent artists, collectors, curators and art professionals. It’s mostly next weekend but we wanted to give you a heads-up. Be sure to watch for Times reporter Malia Mendez’s upcoming preview. Happy art hunting and people watching.
THURSDAY Beethoven and Ortiz with Dudamel Gustavo Dudamel and the L.A. Phil are joined by Grupo Corpa and the L.A. Master Chorale for this charged program pairing Beethoven’s “Seventh Symphony” with Gabriela Ortiz’s ballet “Revolución diamantina (Glitter Revolution).” 8 p.m. Thursday and Feb. 27; 2 p.m. Feb. 28-March 1. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Norbert Leo Butz The Broadway star and two-time Tony Award winner (currently performing in “The Recipe” at La Jolla Playhouse, above) will perform excerpts from his signature roles, original compositions from his four solo records and covers from Tom Waits, Elton John and Bruce Springsteen. 7 p.m. Thursday-Feb. 28. Segerstrom Center for the Arts, Samueli Theater, 300 Town Center Dr., Costa Mesa. scfta.org
Arts anywhere
Something to read, something to hear and something to watch wherever you are.
The Art Book: Mini Format
(Phaidon Press)
The Art Book What’s it like to hold art history in the palm of your hand? Find out with the new Mini edition of this beloved text celebrated for bringing art appreciation to the masses. First introduced in 1994, the updated edition of this A-Z survey features more than 600 artists from medieval times to the present. It’s far from stuffy, including overlooked and contemporary figures including Berenice Abbott, Romare Bearden, Guerrilla Girls and more; plus Takashi Murakami and Wolfgang Tillmans, who The Times happened to interview recently and have L.A. shows (see below). Phaidon Press: 592 pp., $20. phaidon.com
Yunchan Lim
(IMG Artists)
Goldberg Variations Live at Carnegie Hall, New York, 2025 Recorded fewer than 30 blocks form where Glenn Gould laid down his own landmark recording of Johann Sebastian Bach’s masterpiece, pianist Yunchan Lim’s new album has been topping the classical charts since its release earlier this month. If you missed his performance of the Variations at Disney Hall last October (or if even if you didn’t), this is a must listen. Decca Records: $8-38. Available on vinyl, CD and digital download. deccarecordsus.com
An image from Frederick Wiseman’s ‘Titicut Follies.’
(courtesy of Zipporah Films)
Frederick Wiseman The filmmaker, who died Monday at 96, was a master storyteller and craftsman who mainly inhabited the nonfiction realm of the documentary. His perceptive explorations of public and cultural institutions was unparalleled and he was honored with an honorary Academy Award in 2016. If you would like to revisit Wiseman’s work or want an exhaustive introduction, check out the Frederick Wiseman Essential Films Collection at kanopy.com. Virtually every film he ever made is available and all you need is a public library card (an apt requirement!). His final film, “Menus-Plaisirs Les Troisgros” from 2023, can be viewed via the PBS Passport membership portal.
— Kevin Crust
Culture news and the SoCal scene
A detail of miniature “sportraits” during a preview of award-winning animator and visual-effects artist Lyndon J. Barrois’ exhibit, “Futbol Is Life” at LACMA.
Jefferson Mays in “Amadeus” at Pasadena Playhouse.
(Jeff Lorch)
A new take on Peter Shaffer’s “Amadeus” premiered at Pasadena Playhouse last week, and it may be the Tony Award-winning regional theater’s most lavish production to date. I got a behind-the-scenes tour of the theater’s amazing on-site scene shop to write about what it took to put the set, lighting and costumes together; and Times theater critic Charles McNulty attended opening night. Director Darko Tresnjak, writes McNulty in his review, “treats the play as though it were a tragedy wearing the mask of comedy. He doesn’t resist the melodrama that’s inherent in the material, but he refuses to overindulge it. This production hasn’t convinced me that ‘Amadeus’ is a world classic… But I doubt I’ll have the opportunity to see a better revival in my lifetime.”
McNulty also caught a performance of “Sylvia Sylvia Sylvia,” Beth Hyland‘s new play that recently had its world premiere at the Geffen Playhouse, and explores the lives of married writers living in the Boston apartment once occupied by the poet Sylvia Plath and her husband Ted Hughes. “World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision,” McNulty writes.
Meanwhile, “Here Lies Love,” David Byrne’s disco musical about the Ferdinand Marcos regime arrived at the Mark Taper Forum in a show directed by Center Theatre Group’s artistic director Snehal Desai. The Times’ Malia Mendez sat down with members of the all-Filipino cast to discuss the ways the show’s exploration of the perils of authoritarianism dovetail with the modern political moment.
Japanese artist Takashi Murakami sits in front of his painting at Perrotin Gallery on Feb. 13, 2026 in Mid City in Los Angeles, Calif.
(Ariana Drehsler/For The Times)
I had the opportunity for a one-on-one chat with artist Takashi Murakami about his solo show at Perrotin, Los Angeles, which features 24 new canvases that explore the connection between the ancient Japanese art of ukiyo-e and Impressionism. A trip to Monet’s gardens in Giverny, France, cemented Murakami’s idea for the paintings.
Contributor Steve Appleford wrote a thoughtful profile on German photographer Wolfgang Tillmans, who is currently staging his ninth Los Angeles exhibition at Regen Projects. “In 2000 Tillmans became the first photographer and first non-British artist to win the prestigious Turner Award. Tate Britain staged his mid-career retrospective in 2003 and the Hammer Museum in Westwood mounted his first major U.S. retrospective that same year, which traveled to Chicago’s Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.,” Appleford writes.
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A sketch from architect Paul R. Williams’ archive at The Getty Center.
(Juliana Yamada/Los Angeles Times)
Paul Williams, the first Black architect licensed west of the Mississippi, is the focus of a series of upcoming shows to be staged from August through July 2027 at the Getty, LACMA and USC Fisher Museum of Art. Throughout the course of his six-decade career Williams designed more than 3,000 projects, including for clients such as Frank Sinatra, Lucille Ball and the Beverly Hills Hotel. The exhibitions will feature architectural drawings, photographs, plans and memorabilia, some of which have never been on view to the public before.
Los Angeles Master Chorale announced Artistic Director Grant Gershon’s 25th anniversary season featuring work by Brahms, Bruckner, Arvo Pärt, Bach, Morten Lauridsen and Orlando di Lasso. Guest artists will include the National Chorus of Korea, composer Eric Whitacre, violinist Anne Akiko Meyers, Baroque ensemble Le Concert d’Astrée and theater director Peter Sellars. Subscriptions are available now, and single tickets will go on sale June 1.
The nonprofit arts organization, Los Angeles Nomadic Division (LAND), announced the four artists chosen to receive its 2026 Mohn LAND Grants. They are Shana Hoehn, Angela Anh Nguyen, Harrison Kinnane Smith and Adam Thompson. Winners receive a $5,000 award as well as $5,000 in production funds to use towards a new work commission.
MILAN — He’s as smooth as a bobsled track and sharp as a skate blade.
Snoop Dogg, the rap rapscallion who puts the OG in Olympic Games, plopped down on a couch in the NBC green room and muted the TV. It’s exhausting being everywhere at all times at the most spread-out Winter Games in history.
Whether he was carrying the Olympic torch, skiing with Picabo Street, sliding a curling stone or driving a Zamboni, Snoop was everywhere. He finished each day with a highlight show from the Milan studios.
So ubiquitous was the so-called Ambassador of Happiness, you’d swear NBC duped a Snoop — or maybe two.
Snoop Dogg, right, and five-time Olympic gold medalist former speedskater Eric Heiden watch speedskating at the Milan-Cortina Olympics on Feb. 11.
(Ben Curtis / Associated Press)
“The Winter Olympics are underrated,” he said in an interview Friday at the network’s Olympic complex. “It’s not highly touted like it should be. This is an event that is just as good as the Super Bowl, as the Summer Olympics. There’s so much action and there’s so much happening, and it’s not just one day. It’s not just four quarters. It’s weeks of great competition — on ice, for the most part.”
It’s almost as if the angular, 6-foot-4 Snoop is on ice as he glides through the back halls of NBC’s temporary headquarters, wearing a white turtleneck under a red, white and blue leather jacket with “COACH SNOOP” across the front. He’s wearing a gold-rope chain with the Universal logo as a pendant, and gold-rimmed sunglasses that are square and lightly tinted.
He greets everyone he sees and a friendly assistant follows him, handing out Olympic pins of a tiny, cartoonish Snoop with his arms raised at his side, standing in front of an American flag.
Is it any wonder this guy creates a buzz in every venue he enters? He is the No. 1 celebrity sighting at the Games.
“Snoop has a joy about him, a childlike curiosity, and he’s also a people person,” said Molly Solomon, executive producer and president of programming for NBC’s Olympics coverage. “He wants to lift people up in all aspects of his persona.”
NBC began using the rapper as part of its Olympic coverage during the Tokyo Games in 2021 with the streaming Peacock show “Olympic Highlights with Kevin Hart & Snoop Dogg.” Many of their playful clips and humorous commentaries went viral and were especially appealing to younger viewers. Snoop genuinely enjoyed the competition, even though a lot of it was new to him.
Three years later, as the network was preparing for the Paris Olympics, executives were looking for ways to enhance the prime-time coverage, much of which would air on tape because of time-zone differences. They decided to expand Snoop’s role to give the perspective of a “superfan.” With these Olympics, his role further evolved into an experiential one, and to serve as an informal mentor and ambassador to the athletes.
“This is the biggest stage in the world,” he said. “Nobody gets to perform in front of the world like they do, with the whole world paying attention. To have all of that pressure of [something] you’ve been working for four years … Some of these girls and guys get that one shot, their event is only one time.”
As a roving correspondent, he did … well, some serious roving.
That included making the drive from Milan to Cortina for curling, sliding and women’s ski racing. That’s a four-hour van ride each way, some of it winding into the Dolomites.
“Trying to sleep with my head up against the window, with turning curves and every mountaintop,” he said. “Sliding by trains and traffic, and oh my God, I couldn’t drive out here. One-way streets. Little-bitty trains coming this way, that way. Bicycles, mopeds. It’s a lot.”
He also made a 3½-hour trip to Livigno to watch snowboarding — and said that if he had to pick a sport to compete in, that would be his choice.
“I could get good in snowboard, because I just like the creativity of when you’re in the air you have full control but you in the air,” he said. “I just feel like that’s something I could really be good at.”
So he must have skateboarded as a kid growing up in Long Beach, right?
“Never,” he said. “That’s what I’m saying. None of these sports are near and dear to me. That’s why it’s gonna be a first-time trial. But I know who I am. I don’t like to fail. I don’t like to lose. So I’m just such a perfectionist that I will get good enough to be good enough.”
He’s 54 and concedes his body can’t always accomplish what his mind thinks it can. He tried running the 200 meters at the Olympic trials in Oregon before the Paris Games and did so in 33 seconds, but he limped away with an injury. So he has a goal for when the Summer Games come to Los Angeles in two years.
“When we get to L.A., my mission is for me to run the 200 in under 30 seconds,” he said. “In 2028, I should be 56 years old. So if I can run it in under 30 seconds at 56, that’s a gold medal for me.”
Solomon said NBC is still brainstorming about how Snoop’s role will evolve for the 2028 Games.
Honorary Team USA coach Snoop Dogg throws a curling stone as Americans Daniel Casper and Tabitha Peterson Lovick watch on Feb. 6 in Cortina d’Ampezzo, Italy.
(Richard Heathcote / Getty Images)
“Of course, L.A. is Snoop’s hometown,” she said. “So he will be a hometown hero.”
Snoop said his love for the Olympics dates to the 1984 Los Angeles Games. He didn’t attend any events at the time, though, noting that for a 13-year-old kid growing up in Long Beach, the city felt “like a whole state away.”
“We were watching on television,” he said. “We never thought we could physically be there. … It just felt good to be an American, to watch us compete against the whole world and to see how great we were.”
He’s particularly interested in flag football — which will make its debut in the Los Angeles Olympics — and created a youth football league that counts among its alumni NFL standouts C.J. Stroud and JuJu Smith-Schuster.
“Flag football is a sport the whole world can grab ahold of,” Snoop said. “There are so many athletes that are in the NFL that are from different parts of the world that they’ve grown the sport from them just making it to the NFL and being an inspiration for the next generation.”
How does Mick Cronin survive this, sending his own player off the court after hustling hard on defense to get a piece of the ball but unfortunately too much contact and drew a foul. Does he not constantly rip his team for weak defense?
Steven Jamerson, you deserved better from your coach and I won’t be surprised if your teammates and UCLA’s decision-makers agree going forward. Except …. he just recently got an extension. Way to go, Martin Jarmond.
Ron Mortvedt San Bernardino
How can UCLA’s combustible coach possibly demand discipline, hold his players responsible, or blame them for failing to take accountability when, night after night, he’s the most unhinged person in the building? Hey Mick, as my grandma used to say, “When you point a finger at someone, three point back at you.”
Steve Ross Carmel
Bill Plaschke nailed it in his column today. Mick Cronin just seems to be angry all the time prowling the sidelines. What does that look like to a kid still playing in high school? How AD Martin Jarmond gave him an extended contract with a $22.5-million buyout is beyond me. It’s going to cost UCLA to move on from him. It would be a lot easier if he only starts throwing chairs.
Paul Atkinson Ventura
The sky has fallen! For the first time I can remember I agree with something Bill Plaschke has written!
Julian Pollok
Palm Desert
As a lifelong fan and proud alumnus, I believe it’s time for UCLA to seriously evaluate the direction of its men’s basketball program. Why would we want a head coach who appears angry every time he’s in the spotlight? Leadership sets the tone, and right now that tone feels tense and joyless. Players want to compete for someone who inspires them and makes them better — not someone whose public demeanor seems rooted in frustration.
Watching from the outside, it often looks like the team is playing tight rather than confident, and that reflects leadership. Mick Cronin has had success and deserves credit for that, but UCLA basketball is bigger than any one résumé; if the standard is sustained excellence and a culture players are proud to represent, then it’s fair to question whether this is the right long-term fit for the program.
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser and Sandra McDonald, giving you the latest on city and county government.
There was a brief discussion on the L.A. City Council floor, with hardly any disagreement, before a motion brought by Councilmember Monica Rodriguez passed on Tuesday.
Rodriguez wants to allow city officials to enter hillside properties in “Very High Fire Hazard Severity Zones,” even without an owner’s permission, to clear hazardous materials and homeless encampments. The goal is to stop encampment fires that could grow into wildfires.
Councilmembers Hugo Soto-Martínez and Ysabel Jurado voted against the proposed change to the city’s municipal code, citing details they wanted addressed, but said they agreed with its spirit.
A third councilmember, Eunisses Hernandez, also voted against the measure, though she did not speak during the meeting.
The political implications of the seemingly routine vote could play out more bitterly over the next several months as Soto-Martínez and Hernandez, both members of the council’s four-person “progressive bloc,” run for reelection in their districts, which include fire-prone hillsides.
The proposal could become another wedge issue on homelessness for the two members, just as the city’s controversial anti-encampment law, Municipal Code section 41.18, was in the 2022 election.
That year, it was Soto-Martínez and Hernandez who were running against incumbents and took a progressive stance against 41.18, which allows council members to designate areas near schools, libraries, senior centers and other sensitive areas as no-camping zones. The two said they believed the law was ineffective at solving homelessness, merely shuffling people around without addressing the root issues.
Now, as the two council members defend their seats, Rodriguez’s proposal has already spurred similar attacks from would-be incumbent-busters.
MariaLou Calanche, a nonprofit leader seeking to unseat Hernandez in District 1, lives in a “Very High Fire Hazard Severity Zone” at the bottom of a hill by Debs Park. The area is full of dry brush, and Calanche said in an interview that parts of the park catch fire every summer.
“The council district has a lot of hillside property and open space. Debs Park has encampments in it that have not been cleared and that’s public property,” said Calanche, who formerly served on the city Police Commission. “I’m concerned that the current council member puts ideology over the safety of the citizens and residents.”
Calanche said she would consider highlighting Hernandez’s “no” vote on campaign mailers.
“This is such a simple way to make a difference,” Calanche said. “It just seems incredible they would not be supportive.”
Hernandez said she is open to supporting Rodriguez’s proposal but that it fails to define the type of hazard that would allow city officials to enter private property without permission.
“When you expand government authority without tight definitions and guardrails, you end up with inconsistent enforcement and expensive lawsuits,” she said in a statement.
She said she hopes to work with the city attorney’s office, Fire Department and others to make sure the policy is “precise, intentional, legally sound and actually focused on reducing fire risk.”
In District 13, Dylan Kendall, a nonprofit founder and entrepreneur who is running against Soto-Martínez, said she supports the “common-sense” proposal and that her opponent’s vote was “irresponsible.”
The district, which stretches from Hollywood to Atwater Village, includes high fire-risk areas like Elysian Heights and parts of Silver Lake.
“We know what [firefighters are] seeing on the ground: encampments on or adjacent to private property with exposed wiring, pressurized fuel canisters and dense vegetation, and a maze of legal questions about who controls the site when they respond to a call,” she said in a statement. “If a private owner cannot or will not remove combustible materials and encampments that clearly increase wildfire risk, the city should be able to step in, clear the danger.”
Before Tuesday’s vote, Soto-Martínez said he would have supported the proposal had it included a definition of what exactly a fire hazard is, making the same point that Hernandez later did.
Soto-Martínez had supported Rodriguez’s initial proposal at the council’s Public Safety Committee, which was to ask for a report on what municipal code changes would be needed.
But on Tuesday, Rodriguez amended her motion to go straight to the city attorney’s office to change the municipal code. She said she wanted to accelerate the change because of the importance of preventing encampment fires.
Soto-Martínez also expressed an underlying concern that echoed his earlier statements about 41.18, which he fiercely opposed.
“What I don’t want to see is this being used as a tool to push homeless folks from one side of the street to the other side of the street,” he said.
Notably, Councilmember Nithya Raman, who is running for mayor against incumbent Karen Bass, voted in favor of Rodriguez’s motion.
“The problem that this motion is identifying — gaining permission to access private property in Very High Fire Severity Zones — is one that needs to be resolved to ensure that we are mitigating the risk for a serious fire to our fullest capacity,” Raman, who opposed 41.18 and is a member of the council’s progressive bloc along with Jurado, said in a statement.
Former Councilmember Mike Bonin, who runs the Pat Brown Institute for Public Affairs at Cal State LA, said the hillside encampment issue is less clear-cut than 41.18 but could still prove to be divisive.
“This is the kind of thing political consultants salivate over,” he said. “It’s an example of taking an issue that even from the council debate seemed to appreciate the shades of gray and making it black and white.”
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State of play
— KARATE KAREN: Bass said at a rally in Leimert Park on Sunday that she is ready to fight off a challenge from Raman, invoking her training in karate to remind Angelenos that she is not too nice to battle. “I was trained to fight physically,” she said, stooping into a bow. “But if you know the martial arts, you know to bow before you kill somebody. You know to smile to throw them off.”
The mayor said she was joking, adding, “But seriously, we know how to fight and we know how to organize.”
— SCHOOL LAYOFFS: The Los Angeles Unified School District board — confronted with deficit spending and a forecast of insolvency in three years — narrowly voted to send out 3,200 notices of possible layoffs. The move, which is ultimately expected to result in 657 job cuts, is strongly opposed by labor unions as unnecessary and harmful to students.
— UCLA AX: UCLA fired its chief financial officer, Stephen Agostini, saying he inaccurately described the school’s budget deficit. The termination comes after Agostini told the school newspaper, the Daily Bruin, that “financial management flaws and failures” predating his arrival led to a $425-million deficit. The school claimed his comments were inaccurate.
— PRESSURE ON WASSERMAN:Casey Wasserman faced more calls to step down as chair of the 2028 Los Angeles Olympics over racy emails with convicted sex Ghislaine Maxwell from decades ago. Bass, along with some gubernatorial candidates, was among those joining the chorus.
“My opinion is that he should step down,” Bass said in a CNN interview.
— STRICTLY BUSINESS: A coalition of business and hotel industry leaders submitted more than 79,000 signatures in support of a measure to repeal the gross receipts tax on L.A. businesses. The measure, proposed for the November ballot, would punch an $800-million hole in the city budget if approved by voters.
— WRITE IT RIGHT: Angelenos hoping to write arguments for or against three city ballot measures — dealing with cannabis and hotel taxes — can apply by Friday with the office of Council President Marqueece Harris-Dawson. The arguments will be published in the Voter Information Pamphlet mailed out before the June 2 election.
— PUSHING FOR PARK: The union that represents rank-and-file police officers is putting $278,000 into efforts to reelect Councilmember Traci Park, according to a filing submitted to the city’s Ethics Commission. The money from the Los Angeles Police Protective League will go toward polling and canvassers in Park’s coastal district.
— SLAP ON THE WRIST: City Council candidate Jose Ugarte, who is running to replace his boss Curren Price in District 9, has agreed to pay $25,000 for committing a city ethics violation. Ugarte admitted that on his financial interest forms, he failed to disclose a consulting firm he owns and income he made. He has called it a “clerical reporting error.”
QUICK HITS
Where is Inside Safe? The mayor’s signature program was in Skid Row in Councilmember Ysabel Jurado’s district providing assistance to homeless people during the heavy rains this week.
On the docket next week: The Charter Reform Commission will meet Thursday to address City Council expansion, ranked choice voting, mayoral powers and more.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Welcome to the Olympic Edition of the Sports Report, an L.A. Times newsletter published every morning during the Winter Olympics. To sign up to receive it via email (it’s free), go here and select the Sports Report. If you’ve already signed up for the Sports Report, you will receive the Olympics edition as well.
Welcome to your daily review and preview of this year’s Milan-Cortina Olympics. My name is John Cherwa and I’m your tour director for the Games as the U.S. surpassed the gold total of its last five Winter Olympics early Saturday. The U.S. men’s hockey team could add to that mark.
It’s been two pretty good Olympic hockey tournaments. And the U.S. could win both of them. On Friday, the U.S. men beat Slovakia, 6-2, in the semifinals and will meet Canada for the gold on Sunday. The better game was Canada and Finland. Our once-friendly neighbor to the north fell behind 2-0, tied the game with 9½ minutes to go and then won with 35 seconds left. We’ll preview that game more tomorrow.
And, who can forget the U.S. women beating Canada, 2-1, in overtime in a gold-medal quality game.
The ninth gold for the U.S. was in the men’s freestyle halfpipe Friday when, as we predicted in yesterday’s newsletter, Alex Ferreira got the gold on his last run. It completed the lifetime gold, silver, bronze trifecta for the 31-year-old from Colorado. The U.S. also had the bronze until the last run when Nick Goepper was bumped to fourth.
The only other U.S. medal of the day was Corinne Stoddard’s bronze in the women’s 1,500 meters in short track speed skating. South Korea was first and second. The Netherlands won the men’s 5,000 relay. The U.S. did not make the finals.
It’s kind of a light day, so let’s do some random thoughts on the TV coverage.
Snoop Dogg attends mixed doubles curling in Cortina d’Ampezzo, Italy, on Feb. 6.
(Fatima Shbair / Associated Press)
Snoop Dogg was fresh and exciting in Paris. The act isn’t as fresh or exciting in Italy. Snoop and buddy Martha Stewart remind me of CBS’ Gayle King’s unofficial “I’m Privileged and You’re Not Tour” where she goes to awards shows, Broadway plays, Jeff Bezos’ wedding, Bad Bunny in Puerto Rico and into “space.” Well, Snoop and Martha seem almost as privileged, getting into all the best places that you or I couldn’t. Just saying, for a reported $500,000 a day for Snoop, it wasn’t as good as Paris. No idea how much Martha is making, but she’s not likely being paid in garden vegetables.
I’ve heard the Captain and Tennille’s “Love Will Keep Us Together” more times the last two weeks than in all of 1975, when it was No. 1 for four consecutive weeks.
Do you think an NBC executive made the wrong decision to put the women’s figure skating on NBC and the U.S.-Canada women’s hockey game on USA? I do. You could have shown the game, use the time between periods to cut to the figure skating and it would seem as if you had the pulse of the Games. And the hockey game was over before the medal skaters took the ice.
Tara Lipinski and Johnny Weir on figure skating get our vote for best analysts.
Kenny Albert (hockey) and Dan Hicks (skiing) have been the best play-by-play announcers.
Did you know that most of the Games are being called from Connecticut and not Italy? Sports called from stateside are curling, biathlon, cross-country skiing, ski jumping, Nordic combined, speedskating and most freestyle skiing. And a lot of the studio shows were also from Stamford. (In fairness, this newsletter is being done from Florida. But Thuc Nhi, Sam, Kevin and Robert are in Italy.)
The Games have been a ratings success for NBC with numbers almost double what they were in 2022 in Beijing. The time difference between the U.S. and Italy was six hours and it worked to the benefit of U.S. viewers.
Mike Tirico is very good at whatever he does. Glad to see they gave him some afternoon time.
When Hoda Kotb interviewed the “Blade Angels” on Friday, I told those around me she would tell them that she loved them. I was right.
Best Thing to Watch on TV today
The gold medal chances of the U.S. women’s curling team died on the last shot in the last frame when Switzerland, holding the hammer, knocked the U.S. rock out of the house and got two points to win, 7-4. Switzerland will now play Sweden, a 6-3 winner over Canada, for the gold while the U.S. will play Canada for the bronze. On the men’s side, Switzerland won the bronze by beating Norway, 9-1. Britain plays Canada for the gold.
No surprise that Norway picked up a gold and silver in the biathlon men’s 15-kilometer mass start. Campbell Wright of the U.S. was 29th.
Besides the U.S. gold in freestyle skiing halfpipe, Germany won the women’s ski cross. The U.S. did not make the final. And, China got gold and bronze in the men’s aerials. Christopher Lillis was the top U.S. athlete in eighth.
Favorite photo
U.S. forward Jack Eichel celebrates after scoring in the second period of a 6-2 win over Slovakia in the men’s hockey semifinals Friday at the Milan-Cortina Winter Olympic Games.
(Robert Gauthier / Los Angeles Times)
Times photographer Robert Gauthier is at the Winter Olympics. Each day, Times newsletter editor Houston Mitchell will select a favorite photo from the many Gauthier has taken.
Saturday’s Olympic TV and streaming schedule
MULTIPLE SPORTS 8 p.m. — “Primetime in Milan” (delay): Cross-country skiing, bobsled, figure skating, freestyle skiing and more. | NBC
BIATHLON 10:30 a.m. — 🏅Women’s 12.5-kilometer mass start (re-air) | USA
BOBSLED 8 a.m. — Four-man bobsled, runs 1-2 | USA 10 a.m. — Two-woman bobsled, Run 3 | NBC 12:05 p.m. — 🏅Two-woman bobsled, final run | Peacock 12:15 p.m. — 🏅Two-woman bobsled, final run (in progress) | NBC 2:15 p.m. — Two-woman bobsled, runs 3-4 (delay) | NBC
CURLING 🏅Women’s bronze-medal match 5:05 a.m. — U.S. vs. Canada | Peacock 7:20 a.m. — U.S. vs. Canada (delay) | USA 🏅Men’s gold-medal match 10:05 a.m. — Britain vs. Canada | CNBC Women’s bronze-medal match 1 p.m. — U.S. vs. Canada (re-air) | CNBC
FIGURE SKATING 11 a.m. — Exhibition gala | Peacock 11:55 a.m. — Exhibition gala (in progress) | NBC 12:50 p.m. — Exhibition gala (in progress) | NBC
FREESTYLE SKIING 8:45 a.m. — 🏅Men’s skicross, finals (delay) | USA 9:15 a.m. — Mixed team aerials, final (re-air) | USA 10:30 a.m. — 🏅Women’s freeski halfpipe, final | NBC 1:30 p.m. — Mixed team aerials, final (re-air) | NBC
HOCKEY 🏅Men’s bronze-medal game 11:40 a.m. — Finland vs. Slovakia | USA
SPEEDSKATING 6 a.m. — 🏅Men’s and women’s mass start, semifinals and finals | Peacock 7 a.m. — 🏅Men’s and women’s mass start, semifinals and finals (in progress) | NBC
In case you missed it …
Check out the following Milan-Cortina Olympics dispatches from the L.A. Times team on the ground in Italy:
That concludes today’s Sports Report Olympic Edition newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email newsletter editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here and select the Sports Report.
SAN DIEGO — Light rain slicked the pavement in San Diego’s East Village neighborhood on a recent morning, forcing some homeless people to scatter while others huddled under tents or slept through the drizzle.
I was on foot with Dr. Aaron Meyer, a psychiatrist frustrated by California’s most visible crisis: The failure to provide help for many of the people who need it most, despite all the programs rolled out over the years, and all the billions of dollars spent.
We see them in parks, on sidewalks and in other public spaces in obvious distress, and we’ve heard the never-ending conversations and political promises of better days. The problem goes well beyond homelessness: Thousands of severely ill people live with exasperated family members who wear themselves out trying to get help for loved ones.
“We have a history of services that have ended up prioritizing less severe people rather than the most severe,” said Meyer, a UC San Diego associate clinical professor of psychiatry who was speaking on his own behalf, as a university rep.
In searching for answers, Meyer teamed with lawyer Ann Marie Council, a former San Diego deputy city attorney who once worked in drug court. She was struck by the number of clients spun through the system countless times without getting treatment for addiction or mental illness.
“I was really sick and tired of watching people go to jail when they weren’t getting the help they needed,” said Council, who retired from public service and started Quarter Turn Strategies, a nonprofit focused on practical solutions to fractured public services.
It turns out the doctor and the lawyer make a pretty good team. In their research, they came upon a tool that could address chronic severe mental illness and addiction, and it was hiding in plain sight: in a book of California statutes, namely Section 5200 of the California Welfare and Institutions Code.
The state law governing involuntary commitments and conservatorships for people with severe mental illness is known as the Lanterman-Petris-Short Act, and it includes the commonly used Section 5150 for those deemed “gravely disabled.” The process begins with a 72-hour hold that can lead to a longer commitment, but often does not.
Section 5200 outlines a far more thorough evaluation and care plan than 5150. The 5200 process can be initiated by anybody concerned about someone who is gravely disabled or a danger to themselves or others (with misdemeanor penalties for abuse of the reporting privilege).
Dr. Susan Partovi, who has practiced street medicine in Los Angeles for many years, has a term for the 72-hour hold under 5150:
“We call it the 72-second hold,” she said.
I’ve written previously about Partovi’s moral outrage over the number of severely ill people who either are not deemed “gravely disabled” or who spin repeatedly through three-day holds and return to the same self-destructive routines. I’ve also heard her talk about who among her clients is likely to die next.
Partovi is a member of Grave Disability Workgroup of California, which has endorsed a research paper on 5200, “The Lost Legal Pathway to Mental Health Care,” co-written by Meyer and Council and released a few weeks ago by Quarter Turn. It detailed the frustrations of families, outreach workers and first responders and concluded that 5200 could help break down some of the bureaucratic barriers to life-changing mental health care.
In San Diego, as Meyer and I passed a woman trying to erect a tent in the rain and a person asleep on a littered patch of weeds, I asked him to explain the difference between 5150 and 5200.
Under a 5150 commitment, he said, a person is often brought to an emergency room for an assessment by someone who is not necessarily a behavioral health specialist. A decision is then made about whether the person meets the legal criteria for an involuntary hold.
“If they don’t, then they’re released, and there’s no requirement for any care coordination,” Meyer said. Under 5200, a full medical evaluation is required with a multidisciplinary team, “and it also requires a coordinated care plan on discharge,” raising “the hope of leading to something substantive.”
In their research, Meyer and Council found that 5200 is not known to be in use in any of the state’s 58 counties, with public officials either unaware of it or under the impression that it’s an unnecessary tool given other initiatives over the decades, and cost of implementation could be a problem.
Meyer argues that the state spends billions without addressing glaring needs, and 5200 could cost less than roller-coastering people through hospitals, courts, jails and prisons without putting them on a healthier track.
Meyer said he’s gotten pushback from civil libertarians and disability rights groups, both of which have long opposed coerced treatment and argued instead for a host of greater resources in housing and preventive healthcare, and for more outreach that can lead to voluntary treatment.
I understand the pitfalls of forced treatment, having been on a 20-year journey with someone who initially resisted help and objected to medication. It’s true that forced treatment doesn’t always get the desired outcome, and can backfire if it makes the person more resistant to treatment.
But some people can become too sick to make a decision in their own best interest, which is why we’ve seen so many of them at death’s door, living in squalor and desperation, tortured by psychosis or chewed up by killer drugs.
Care Courts, which were meant to help address this, have not yet had the anticipated impact, and some families have felt let down. Meyer and Council say that although those courts can implement 5200, that isn’t happening yet.
The fact that 5200 is little known and never used “is another example of systems failure,” said former state senator and Sacramento Mayor Darrell Steinberg.
Steinberg said although 5200 isn’t a one-step answer to homelessness or untreated severe mental and addiction illness, it’s worth implementing given the existing “set of systems that are not responsive to people who are the sickest of the sick.”
Jon Sherin, former head of L.A. County’s mental health department, called 5200 “one of the most powerful tools” available and said he tried to implement it several years ago but faced some of the same resistance described by Meyer.
“If you used it thoughtfully and had capacity, you could actually have a massive impact,” said Sherin, who urged those running for governor to “bring 5200 into the limelight and guarantee resources to counties.”
The same can be said about the race for Los Angeles mayor. Despite some progress, homelessness is still a public catastrophe, and gravely ill people are a haunting representation of policy failures.
Supporters of 5200 include Bay Area resident Teresa Pasquini, a mental health reform advocate whose brother and son have both dealt with severe mental illness. Pasquini, whose causes include “Moms on a Mission” and “Housing that Heals,” told me her son, now in his 40s, has been through the 5150 turnstile 40 times.
Pasquini said people in her circumstances have been accused of wanting to shed their troubles by having their kids locked away. All she really wants, she said, is for him to be housed and safe and given proper care.
“We need all the tools we can get … and we need 5200,” Pasquini said. “I’ve watched my son walk out the front door in handcuffs over 40 times. Treatment is not a bad word.”
Now, two months after the tragedy, the comedian has broken his silence about the death of his good friends.
“To have that experience of saying good night to somebody and having them leave and then find out the next day that they’re gone … I think I was in shock for quite a while afterward,” O’Brien said in an interview for “The New Yorker Radio Hour” podcast. “I mean, there’s no other word for it. It’s just very — it’s so awful. It’s just so awful.”
As host of the Dec. 13 party, O’Brien was among the last people to see the Reiners alive. Their 32-year-old son, Nick, was arrested the following night and charged with murdering his parents. Two sources who attended the party described witnessing a loud verbal exchange between Nick Reiner and his parents.
In an interview published Friday, O’Brien said he and his wife were very close with the couple, describing them as “just such lovely people.”
O’Brien praised Rob Reiner’s talent as a director and his tireless advocacy efforts. The “When Harry Met Sally …” director was a prominent Democratic donor, noted critic of President Trump and a champion for causes such as early childhood education and gay marriage.
“I think about how Rob felt about things that are happening in the country, how involved he was, how much he put himself out there — and to have that voice go quiet in an instant is still hard for me to comprehend,” O’Brien told The New Yorker.
O’Brien said he considers Reiner “one of the greats” given his impressive track record of directing a series of blockbuster movies.
“To make seven — in, like, a nine-year, 10-year, 11-year period — is insanity,” O’Brien said. “With ‘Spinal Tap’ alone, if that’d been the only thing he ever did, he influenced my generation enormously.”
O’Brien fondly recalled first watching the rock mockumentary “This is Spinal Tap” in college, calling it a “splitting-the-atom moment.”
The pair were not only friends, but also collaborators. Reiner was a guest on a 1999 episode of “Late Night with Conan O’Brien,” and also appeared on episodes of O’Brien’s podcast, “Conan O’Brien Needs a Friend,” in 2023 and 2025.
Authorities allege Nick Reiner fatally stabbed his 78-year-old father and 70-year-old mother at their Brentwood home sometime in the early morning hours of Dec. 14. The couple’s bodies were discovered in the master bedroom by their daughter around 12 hours later, and Nick Reiner was arrested that night in South L.A. by Los Angeles police.
Nick Reiner was charged with two counts of first-degree murder on Dec. 16 and has yet to enter a plea. In January, his arraignment was postponed to Monday after his lawyer, famed defense attorney Alan Jackson, stepped down and was replaced by a public defender.
Nick Reiner has a history of struggles with mental health and substance use. It is unclear how prominently those struggles will feature in criminal proceedings.
Times staff writers James Queally and Richard Winton contributed to this report.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
This week we lost two towering figures with the deaths of Robert Duvall and Frederick Wiseman.
Duvall, who died at 95 at his home in Virginia, was known as an actor for roles in films such as “The Godfather,” “Apocalypse Now,” “To Kill a Mockingbird” and countless more. As a director, his work included “The Apostle” and a handful of other projects.
Robert Duvall in the movie “Apocalypse Now.”
(CBS Photo Archive / Getty Images)
The movies team published a list of 10 of our favorite performances, including “Tender Mercies,” for which he won an Academy Award, as well as “Network,” “The Great Santini” and “Widows.”
Wiseman, who died at 96 in Cambridge, Mass., directed more than 45 documentary features beginning with 1967’s “Titicut Follies” on through 2023’s “Menus-Plaisirs — Les Troigros.” His work was known for its rigorous examinations of systems and institutions, giving viewers insights into why things functioned the way they did.
Frederick Wiseman, photographed at the Venice Film Festival in 2014.
(David Azia / Associated Press)
“The institution is also just an excuse to observe human behavior in somewhat defined conditions,” Wiseman told the Associated Press in 2020. “The films are as much about that as they are about institutions.”
Tribute screenings have already started to pop up in tribute to Duvall, with presumably more for both men on the way.
‘Sunshine’ in 35mm
Rose Byrne in the 2007 movie “Sunshine.”
(Alex Bailey / Twentieth Century Fox)
The collaboration between director Danny Boyle and screenwriter Alex Garland has yielded an ongoing examination of societies in varying stages of collapse, lately in their recent revival of the “28 Years Later” series. Among their other works is 2007’s “Sunshine,” which, while seen as something of a disappointment on initial release, has only grown in esteem in the years since. The Academy Museum will screen the movie on 35mm Friday in the Ted Mann Theater.
In 2057, Earth is freezing as the sun has begun to die. An international crew of astronauts — including Cillian Murphy, Michelle Yeoh, Rose Byrne, Hiroyuki Sanada, Benedict Wong and Chris Evans — are dispatched with the improbable mission of reigniting the sun. When they encounter another ship along the way, things begin to go very wrong.
In his review, Kenneth Turan wrote, “Not reflected in a synopsis is the way screenwriter Garland has made ‘Sunshine’ a thoughtful genre film, one with philosophical concerns about God, man and morality. It’s not for nothing that Icarus’ talking computer echoes Hal of Stanley Kubrick’s ‘2001: A Space Odyssey.’ Garland and Boyle also have devoted time and effort to character psychology, to making the members of the Icarus’ crew into recognizable people and not Hollywood stick figures. … All these good things enable us to buy into ‘Sunshine’s’ story for a considerable span, creating a palpable tension that underlines that no one should feel safe in the far reaches of space.”
John Horn also wrote an extensive production story on the film. Referring to delays in the editing process, which caused a delay in the film’s release, Boyle said, “No director, unless they are contractually obligated, will ever go back and do a sequel set in space. When I finished it in January, I would have said no, it wasn’t worth it. Because I fell out with everybody. To make these movies, you have to be so uncompromising and scorch all of the ground in front of you.”
Slamdance Film Festival
Vondie Curtis-Hall in the movie “The Projectionist,” the opening night film of the 2026 Slamdance Film Festival.
(Slamdance Film Festival)
The Slamdance Film Festival has launched its second year in Los Angeles, running through Feb. 25 with screenings at the DGA, Landmark Sunset and 2220 Arts + Archives. The virtual edition of the festival will run from Feb. 24–March 6 on the Slamdance Channel.
The festival opened with the world premiere of Alexandre Rockwell’s “The Projectionist.” Starring Vondie Curtis-Hall along with Kasi Lemmons and Kevin Corrigan, the film tells the story of a lonely film projectionist confronting his past.
Rockwell, who, in 1992 won the Grand Jury prize at Sundance with “In the Soup,” lauded Slamdance as “a festival that embodies the vital spirit of independent film better than anywhere.”
Among other notable titles in this year’s program is “The Untitled Ruby Slippers Documentary” directed by Seth Gordon and Nikki Calabrese, the story of the theft and recovery of one of the most famous pieces of Hollywood movie memorabilia. Gordon’s “The King of Kong” premiered at Slamdance in 2007.
Points of interest
‘A Thousand and One’
Teyana Taylor in the movie “A Thousand and One.”
(Aaron Ricketts / Focus Features)
Teyana Taylor is an Oscar nominee for her performance in “One Battle After Another.” (She’s also a recent guest on “The Envelope” podcast.) She got that role after “One Battle” director Paul Thomas Anderson saw Taylor’s performance in “A Thousand and One,” written and directed by A.V. Rockwell. Vidiots will show the movie Saturday.
In the film Taylor plays Inez, recently released from jail in New York City and attempting to reconnect with her son who has been in the foster system. When an opportunity presents itself, she impulsively abducts him and tries to get them set up in a new life together.
In her review of the film, Katie Walsh noted that Taylor “brings to her astonishing performance the coiled physicality of a panther ready to pounce.” Walsh added, “The film is utterly absorbing, anchored by the unpredictable performance of Taylor, playing a hopelessly complicated, but deeply caring woman. When faced with dire circumstances, she survives, then dares to imagine a life for Terry beyond the cycle she’s experienced, forging a family unit she never had.”
Sonaiya Kelley spoke to both Rockwell and Taylor about the film. Taylor said of the part, “I was drawn to the role before I even read the whole script. … A lot of the emotions I put onto Inez were real emotions from real triggers.”
‘Dont Look Back’
Bob Dylan in the documentary “Dont Look Back.”
(Criterion Collection)
As part of an ongoing series, the Academy Museum will show D.A. Pennebaker’s 1967 “Dont Look Back” in the David Geffen Theater with doc director Joan Churchill in person to introduce the film.
A pioneering work of cinema verité, the film tags along on Bob Dylan’s 1965 tour of England, capturing a period of heady creative evolution. As Dylan plays a series of shows, he is also seen in various hotel rooms, cutting down journalists and others with a self-regarding wit.
As Charles Champlin said in his 1967 review, “The technical shortcomings deliberately enhance the atmosphere of claustrophobic chaos surrounding a pop idol on tour. And this, after all, is what the film is about. … [Dylan’s] milieu and its hangers-on are by no means uniformaly attractive. But after this skillful and exhaustive piece of film reportage, no one need ask what it and they and he are really like. The camera has become an X-ray.”
U.S. Atty. Gen. Pam Bondi declared a triumph against California on Friday, touting an appellate court ruling that she said blocked a state ban on immigration agents and other law enforcement officers wearing masks.
“The 9th Circuit has now issued a FULL stay blocking California’s ban on masks for federal law enforcement agents,” Bondi posted on the social media site X, calling the Feb. 19 decision a “key victory.”
Bondi, however, appeared confused about which case the court was ruling on this week.
A federal judge in Los Angeles blocked California’s first-in-the-nation mask ban 10 days earlier, on Feb. 9.
At the time, U.S. District Judge Christina A. Snyder said she was “constrained” to block the law because it included only local and federal officers, while exempting state law enforcement.
The state did not appeal that decision.
Instead, on Wednesday, the law’s author Sen. Scott Wiener (D-San Francisco) introduced a new mask bill without the problematic carve-out for state officers.
With the initial legal challenge already decided and the new bill still pending in the legislature, the 9th Circuit Court of Appeals has no reason to revisit the mask ban.
The ruling that Bondi appeared to reference involves a separate California law requiring law enforcement officers to display identification while on duty.
Snyder had previously ruled the “No Vigilantes Act” could take effect because it did not exempt state police, a decision the Justice Department appealed to the 9th Circuit.
The appellate court is set to review the matter early next month. Until then, the court issued an injunction that pauses the state law from taking effect.
Issuing a temporary administrative injunction is a common procedural move, allowing judges to freeze things in the status quo until the court has a chance to weigh the law and come to a decision.
Thursday’s order set a hearing in the Richard H. Chambers U.S. Court of Appeals in Pasadena for March 3, indicating the case is far from over.
Bill Essayli, who leads the U.S. attorney’s office in Los Angeles, also celebrated with a post on X, calling Thursday’s order “another key win for the Justice Department.” He too suggested the injunction somehow involved the mask case.
A spokesperson for the U.S. Justice Department did not immediately respond to a request for comment.
The law requiring officers to show ID is less controversial than the mask ban. But it may still face an uphill battle in the appellate court. A three-judge panel is set to hear the case, comprising two judges nominated to the bench by President Trump and one by President Obama. One of the Trump appointees, Judge Mark Bennett of Hawaii, has previously signaled skepticism over the administration’s immigration enforcement policies.
At issue in the ID case is whether California’s law interferes with or controls the operations of the federal government, actions prohibited by the supremacy clause of the U.S. Constitution. Snyder ruled that the identification law was more akin to speed limits on the highway, which apply equally to everyone, a decision the appellate court could reject.
A ruling is not expected before mid-March, and would not directly affect the push by state lawmakers to pass a revised mask ban.
Recent polls show more than 60% of Americans want U.S. Immigration and Customs Enforcement officers and other federal agents unmasked. More than a dozen states are pursuing laws similar to California’s.
We grew up with that line from “ABC’s Wide World of Sports” show.
But really, it’s the spaces in between, that can resonate and bring a sense of mortality to these world-class athletes.
As I witnessed these memorable events in this year’s Winter Olympics, I tried to keep in mind the frail dynamics of our collective psyche while performing against a spectacular backdrop of the Dolemites, or walking the historic, ancient streets of Milan.
There are dozens of photographers working at each event. They, like the athletes on the field of play, are in a competition.
Competing with each other to make the best image. Competing with the elements at outdoor venues, like bitter cold, rain, wind and snow. And most of all, competing with themselves to rise above their personal standard of what constitutes an outstanding photograph.
Witnessing what is probably an athletes greatest moment is both a thrill and an honor.
Here are some of the visual surprises.
Mikhail Shaidorov shows his metal as he takes a bite of the gold medal he won in the Men’s Single Skating Final.
French skier Laura Gauche sails against the backdrop of the Dolomites on her way to the finish line in the Women’s Team Combined Slalom.
Figure skater Ilia Malinin feels the pain of a bad performance during the finals for Men’s Single Skating at Milano Ice Skating Arena.
Megan Keller is mobbed by teammates after scoring the winning goal to beat Canada 2-1 in overtime in the Women’s ice hockey final.
Team USA are reflected in the ice during the Women’s Team Pursuit at Milano Speed Skate Stadium.
Swiss skier Melanie Meillard weeps in the arms of her teammate Janine Schmitt after missing a turn on her slalom run Women’s Team Combined Slalom.
Lindsay Vonn is airlifted off the mountain after crashing during the Women’s downhill Alpine skiing event.
USA skier AJ Hurt wags her tongue after a successful slalom run at the Women’s Team Combined Slalom.
Gloves were flying when Tom Wilson, left, of Team Canada engaged with Pierre Crinon, of Team France, at Milano Santa Giulia Ice Hockey Arena.
Americans Madison Chock and Evan Bates practice before competing in the ice dancing free skate competition.
USA skater Amber Glenn weeps after completing an imperfect routine in the single skating short program.
USA skaters Eunice Lee and Corinne Stonnard crash in the Women’s 3,000m short track speed skating.
French skater Adam Siao Him Fa performs a flip during the finals for Men’s Single Skating.
Medals and a selfie for Italy, Korea and Canada at the Women’s Team Short Track Speed Skating finals.
The Swiss Women’s ice hockey team leaves their equipment on the ice while celebrating an overtime win over Sweden in the bronze medal match.
From Felicia Keller: The No. 2 UCLA women’s basketball team beat Washington 82-67, extending its win streak to 20 games, clinching the No. 1 seed in the Big Ten tournament and earning at least a share of the league regular season title on Thursday night.
“It shows how hard we are working throughout the season, and we’re just going to have to continue to try to get better,” Bruins center Lauren Betts said. “Obviously it’s great, but we have bigger things that we’re looking forward to, so we’re just going to continue to keep our heads down.”
It is the Bruins’ first regular season conference championship since the 1998-99 season, when they tied for first in the Pac-10.
“To have a couple of alumni that were on that team here today, that’s really special, and I really want to compliment these guys for always having a sense of humility,” UCLA coach Cori Close said. “We walk on the shoulders of the people that came before us, and we’re just really thankful to be in the position we’re in, and in the number one net conference in the country for women’s basketball.”
Betts scored a game-high 23 points and was one of five UCLA players to finish with double-figure scoring, while Washington freshman Brynn McGaughy recorded the second-highest point total of her college career with 19. Avery Howell scored 17 points and led the Huskies with seven rebounds.
From Ryan Kartje: Through a stellar debut season, freshman Jazzy Davidson has done everything for USC that was asked of her. She’s led the Trojans in scoring, in rebounds, in blocks, in assists, in steals. She’s been their best defender, their most clutch performer. Six times, she’s won Big Ten freshman of the week.
Her star turn had helped turn the Trojans around in recent weeks, powering a season-long win streak that was extended to six with a 66-59 victory over Wisconsin on Thursday. She’d already turned in another in a season’s worth of extraordinary performances, when Davidson landed awkwardly in the final minutes and a searing pain shot through her calf.
The pained look on the freshman’s face and the hush of the Galen Center in those first few seconds was enough to transport at least some of the USC faithful in the crowd back to last March, when Trojan superstar JuJu Watkins injured her knee not far from the same spot. The feeling of dread only worsened as teammates carried her first to the sideline, where coaches and trainers eventually carried her to the locker room.
Considering all the unfortunate twists of fate for USC over the last year, it was impossible not to, for a moment at least, assume the worst. But not long after, Davidson strode into the postgame news conference room no worse for the wear.
“Based on the 30 texts I’ve gotten,” coach Lindsay Gottlieb said, “Jazzy is OK.”
Doncic had played only five minutes Sunday for Team World in the All-Star Game because of a lingering left hamstring strain. He missed the previous four Lakers games.
With the Lakers’ season scheduled to restart against the Clippers on Friday night at Crypto.com Arena, Doncic was asked if he would be playing.
“Probably,” he said. “We’ll see. I got to talk to people.”
Since Doncic practiced, he was asked how he was doing and how his hamstring felt.
Bennedict Mathurin helps Clippers edge the Nuggets
Bennedict Mathurin scored 38 points in his home debut for Los Angeles and the Clippers held off the Denver Nuggets 115-114 on Thursday night.
Denver’s Jamal Murray had a chance to tie it on three free throws with 0.9 seconds remaining after a foul from Derrick Jones Jr. Murray made the first two before missing the third, with time expiring on the rebound.
Kawhi Leonard added 23 points, and Jones had 22 to help the Clippers (27-28) improve to 21-7 since Dec. 20. Both teams were coming off the All-Star break.
“He will be in the MVP conversation this year,” Roberts said this week. “But again, I think, speaking for Mookie, his main goal is to help us win a championship. So, I think whatever falls out from there, I think that will happen. I just want him to focus on just being healthy, helping us win, and then whatever happens outside of that, will happen.”
Coming off a season that got off on the wrong foot with a stomach virus that caused him to lose 20 pounds and then saw him set career lows for batting average (.258), on-base percentage (.326) and OPS (.732), Betts is eager to move forward. And with a more typical spring training timeline this year — unlike the previous two years when season-opening games in South Korea and Japan sped up preparations — Betts can ease into his seventh season with the Dodgers.
“I haven’t had a regular spring maybe since I’ve been a Dodger,” said Betts, who also won’t be participating in the World Baseball Classic as he did in 2023. “I just know that, being 33 now, I don’t have to hurry up and get here, and be ready to play from day one. So, I can just kind of embrace that. Not everybody’s blessed to have that, so being that I am one of the ones that’s blessed with that, I’ll see what I can make of it.”
From Steve Galluzzo: The roars were back at The Riv on Thursday… and so was the rain.
After a four-birdie spree on the back nine, Englishman Aaron Raivaulted into the lead at six-under-par through 16 holes before the horn sounded to suspend play at 5:41 p.m. He and 29 others will finish their first rounds when play resumes Friday morning at the Genesis Invitational.
Unfazed by a nearly three-hour weather delay, Jacob Bridgeman fired a five-under-par 66 and shares the clubhouse lead with the No. 2-ranked player in the world Rory McIlroy.
“Awesome course,” Bridgeman said as he left the press tent. “Played it yesterday for the first time and I love it!”
Making his tournament debut, Bridgeman carded four birdies on the back nine, the last at No. 17, to pull even with McIlroy at five-under, and parred the 18th to take the clubhouse lead. The 26-year-old South Carolinian is ranked 52nd — the highest he has been since turning pro four years ago — but has never won on the Tour.
1887 — The International Assn., the first minor league baseball association, is organized in Pittsburgh.
1951 — The college point-shaving scandal prompts Long Island University to drop basketball and all other intercollegiate sports. LIU revives basketball in 1957.
1971 — En route to a record 76-goal season, Boston’s Phil Esposito becomes the first player to score his 50th goal in February, but the Bruins lose to the Kings 5-4.
1972 — Larry Brown of the Denver Rockets sets ABA records for assists in a game (23), half (18) and quarter (10) during a 146-123 home win over the Pittsburgh Condors.
1974 — Gordie Howe, the NHL’s career scoring leader, comes out of retirement and signs a $1-million, four-year contract to play with the Houston Aeros of the WHA and sons Mark and Marty.
1976 — Muhammad Ali beats Jean-Pierre Coopman with a fifth-round knockout at the Roberto Clemente Coliseum in Puerto Rico to defend his world heavyweight title.
1988 — In Calgary, Brian Boitano of the U.S. wins the Olympic figure skating gold medal on a technical merit tiebreaker and nearly flawless free skate.
1993 — Julio Cesar Chavez records a fifth-round TKO over Greg Haugen in a WBC super lightweight title bout before a record crowd of 130,000 at Mexico City’s Aztec Stadium.
1998 — Tara Lipinski, 15, becomes the youngest Olympic figure skating champion, beating fellow teen and U.S. teammate Michelle Kwan to take the gold. Lipinski is two months younger than Sonja Henie was in her 1928 victory.
2006 — Tanith Belbin and partner Ben Agosto end the U.S. medals drought in Olympic ice dance competition with a silver. The last to do so were Colleen O’Connor and James Millns, who won bronze in 1976.
2009 — Lindsey Van of the U.S. becomes the first female ski jumping world champion. Women’s ski jumping makes its debut at this year’s Nordic world championships in the Czech Republic. Todd Lodwick wins the opening Nordic combined event to give the U.S. two golds in one day. Before Van’s victory, the U.S. had not won a gold at a Nordic worlds since 2003 when Johnny Spillane took a Nordic combined sprint.
2010 — Switzerland’s Simon Ammann wins the large hill at the Vancouver Games to become the first ski jumper with four individual Olympic titles.
2011 — Trevor Bayne, 20, wins the Daytona 500, NASCAR’s biggest race, in only his second Sprint Cup start.
2011 — Kobe Bryant wins his record-tying fourth All-Star game MVP award, scoring 37 points before his hometown fans and leading the West past the East 148-143.
2016 — Lindsey Vonn clinches a record 20th World Cup crystal globe title and surpasses Swedish great Ingemar Stenmark. It’s Vonn’s record eighth downhill title. Stenmark won 19 globes between 1975 and 1984.
2021 — Australian Open Women’s Tennis: Naomi Osaka of Japan wins her fourth major and second Australian title; beats American Jennifer Brady 6-4, 6-3.
2022 — Hannah Green of Australia becomes first woman to win a mix-gender golf tournament over 72 holes; closes with five-under 66 for a 4-stroke win in TPS Murray River on the PGA Tour of Australasia.
Compiled by the Associated Press
Until next time…
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
Bright yellow T-shirts reading, in raspberry type, “¡Bienvenido Gustavo!” marked Gustavo Dudamel’s first concert as music director of the Los Angeles Philharmonic the first Saturday afternoon of October 2009 at the Hollywood Bowl. Eighteen thousand tickets were distributed free for a performance of Beethoven’s Ninth Symphony, an Angeleno “Ode to Joy” broadcast worldwide. The exultant young Venezuelan conductor’s message was: There is no North, South or Central America. We are one.
We are now in “Gracias Gustavo” season, and times, we are daily reminded, they are a-changin’. But what remains consistent is that Dudamel begins again, in the first month of his six-month homestretch as L.A. Phil music director, by dwelling on the composer he says has meant the most to him since his earliest days as a kid conductor in Caracas. His first major recording boasted startlingly propulsive performances of Beethoven’s Fifth and Seventh Symphonies, with the uproarious Simón Bolívar Youth Orchestra of Venezuela, recorded 20 years ago this month. In August, Dudamel will end his L.A. Phil tenure as he began it, with Beethoven’s Ninth at the Bowl.
Through these two decades, thick and COVID-lockdown thin, Beethoven has been Dudamel’s composer of uplift. This weekend he confronts, for the first time, Beethoven’s daunting mystical and mystifying “Missa Solemnis.” In following weeks, he will pair Beethoven symphonies with two of the most arresting and original of the dozens of new works he has premiered in Los Angeles — Gabriela Ortiz’ Glitter Revolution ballet score, “Revolución Diamantina,” and the first part of Thomas Adès “Dante” ballet.
To begin the Beethoven month at Walt Disney Concert Hall, however, Dudamel turned to another Beethoven work that has long obsessed him, the rarely heard complete incidental to Goethe’s tragedy, “Egmont,” which has the ever-relevant theme that matters most to Dudamel — the profound joy that arises from victory over injustice. For this, he had the assistance of actress Cate Blanchett and playwright Jeremy O. Harris.
Here, too, Beethoven serves as a musical, spiritual and political touchstone. “Egmont” comes in the middle of Beethoven’s career, his heroic period. The historic Egmont was a Flemish general, a hero to his people in the Netherlands who attempts to serve the 16th century Spanish emperor, Philip II, and rife for Goethe’s romanticizing. A remarkable polymath, Goethe himself served as an advisor to Weimar’s Grand Duke, brilliantly balancing political compromises with literature’s highest spiritual callings. He admired the spirit of liberty, for instance, yet opposed the French Revolution and supported Napoleon, believing that ensuing populist disorder would then, as it turned out, require autocracy.
Goethe’s Egmont must learn to love before he can act to defend his people against Philip. The hero goes to his death at the point of self-realization that only in sacrifice may he ascend to and become a symbol for glory.
In the play, which begins as historic epic and becomes, for Goethe, increasing personal and interior, Egmont gains perspective on the complexities of his place in politics by contemplating nature and being. Among Goethe’s many passions were scientific study. He immersed himself in the natural world and befriended the pioneering German environmentalist, Alexander von Humboldt.
It could, thus, have been hardly coincidence that Dudamel opened the program with the premiere of “Humboldt’s Nature” by Venezuelan composer Ricardo Lorenz. The five-part, 25-minute symphonic poem for a large orchestra rife with percussion follows Humboldt’s account of his journey to Venezuela in 1799.
Symphonic glitter sets the stage of New Andalusia. Guacharo birds shriek. Latin rhythms take us to coastal regions. Sandy percussion accompanies a journey up the Orinoco River. Throughout, Lorenz’s orchestra, imaginatively colored, reflects vast nature. But the score ends with the shock of humanity, as Humboldt encounters enslaved Cubans.
The one thing Goethe lacked was a sophisticated ear for music (and possibly sound). But Humbolt’s account could practically be the starting place for Beethoven’s “Egmont,” begun a decade after the Venezuelan encounter. In the popular overture, elicitation of tumult concludes, with startling exhilaration, in the kind of grand Beethovenian triumph that never fails to excite. The incidental music, though, offers needed theatrical context. That includes two songs for Egmont’s love, Klärchen, four entr’actes, a melodrama for Egmont as he approaches his execution and, powerfully as only Beethoven can, a battle cry.
Goethe has never lost relevance. Matthew Bell’s new biography, “Goethe’: A Life in Ideas,” has given Germany’s Shakespeare new attention. One of the greatest plays of our time, Tom Stoppard’s “Arcadia,” confronts Goethe’s “Elective Affinities” with our own elective affinities. One of the greatest operas of our time, John Adams’ “Doctor Atomic,” contemplates the creation of nuclear weapons as the functioning of a latter-day Faust, Goethe’s most lasting creation.
“Egmont,” too, readily speaks to us and it has been on Dudamel’s agenda for years. While performances of the complete play with the incidental music are rare, a half-hour concert version, also rare but less so, proves effective. Dudamel did it with the Berlin Philharmonic in June, a performance of which can be viewed on the orchestra’s Digital Concert Hall. The narrator is a young Austrian actor, Felix Kammerer, who is riveting (as he is in Guillermo del Toro’s “Frankenstein”). He adds a slight introduction revealing Egmont’s indecisiveness, but otherwise sticks to Goethe.
Cate Blanchett narrates Beethoven’s incidental music to “Egmont” with Gustavo Dudamel conducting the Los Angeles Philharmonic at Walt Disney Concert Hall.
(Elizabeth Asher / Los Angeles Philharmonic)
Harris, who is the author of “Slave Play,” has other elective affinities. He has created a new, effusively angry text for Blanchett. It begins as a dirge. Battalions are gathered on the banks of Portland, Ore.; Bethlehem; Charlotte, N.C.; Tehran; Minneapolis; Brussels. The Egmont Harris references is the historical one, not Goethe’s. The text become a bald call for action.
Much of it was lost to the audience, since reverberant amplification gave heroic heft to Blanchett’s voice at the cost of intelligibility. But her intensity, whether seated on the lip of the stage, where she begins, or standing in the organ loft where she winds up at the end, spoke for itself.
Beethoven’s music improves Goethe, extracting its humanity and frailty, and Dudamel’s performance probed its profound inevitability of good triumphing over evil. Soprano Elena Villalón added lithe touch to Klärchen’s songs, sung in their original German.
But Beethoven can do little for Harris’ and Blanchett‘s agitprop. Theirs is the necessity of the moment to act rather than indulge an Egmont who has to feel before he can respond. Although Blanchett was the joyless conductor in the film “Tár,” her curious little dance in the organ loft at the moment of musical triumph may have meant recovered joy or simply that the world, in which we are no longer one, has gone crazy.
Equally peculiar was a performance of Schumann’s Piano Concerto that served as transition from “Humboldt” to “Egmont.” One of the concerto highlights of Dudamel’s music directorship in L.A. is a performance, eight years ago, of the concerto’s mood-shifting eloquence, for which he and Mitsuko Uchida were in wondrous accord.
This time, the soloist was the stellar emerging pianist Yunchan Lim, who keeps to himself, either lost in dreamy reverie or, like a jumpy teenager, in ferocious attack mode. Having little choice, Dudamel let Lim be. Like Egmont, Lim’s glory may one day arrive when he can express purpose for his actions.
