los angeles times

“Can you just give me one of your leftover sharks?”

It was early in Jay Stein’s tenacious pursuit to turn a throwaway business into a sweet spot for Universal Studios, then owned by Lew Wasserman’s powerhouse entertainment firm MCA.

In 1975, Steven Spielberg’s “Jaws” was a cultural sensation and Stein wanted to capitalize on the movie’s success. He asked his colleagues in film production for props so his crews could re-create the fictional Amity Island coastline in the studio’s hilly back lot miles from downtown L.A.

“He convinced them: ‘Can you just give me one of the leftover sharks and I’ll put it on the studio tour, and we’ll get some promotion out of that,’ ” author Sam Gennawey told The Times, recalling Stein’s brilliance and his pioneering use of intellectual property.

Jay Stein with his wife, Connie, in Oregon.

(Connie Stein)

Stein died Nov. 5 at his home in Bend, Ore., according to his wife, Connie Stein. He was 88 and had been suffering from complications related to Parkinson’s disease and prostate cancer.

“He left a big hole — but he also left a wonderful legacy,” she said in an interview Sunday. “Not a lot of people have the opportunity to leave a legacy that touches generations. But he’s still making people smile every day.”

The tram tour’s shark attack, which terrified tourists when it debuted in 1976, has long been a staple. It was among Stein’s many theme park enhancements during his more than 30 years as a top MCA executive, which included Universal’s push into Florida to compete with Walt Disney Co.

The “Jaws” attraction helped cement Universal’s decades-long relationship with Spielberg, a span that would include such films as “E.T. the Extra-Terrestrial,” “Jurassic Park,” “Schindler’s List” and “The Fabelmans.” It also spawned other movie-themed attractions that included a “Waterworld” live show and a “King Kong” ride.

Stein insisted that the ape would spew “banana breath,” his wife said.

Within Universal, such jolts and flourishes became known as “JayBangs,” which Gennawey used as the title for his 2016 book about Stein’s contributions to the industry, “JayBangs: How Jay Stein, MCA, & Universal Invented the Modern Theme Park and Beat Disney at Its Own Game.”

“Jay wanted to put you in the movie,” Gennawey said. “He wanted to grab you by the collar and shake you a bit.”

The “Runaway Train” attraction on the Universal Studios backlot tour, one of its many exhilarating “JayBangs.”

(NBCUniversal Archives & Collections)

Stein was born in New York City on June 17, 1937, to Samuel and Sylvia “Sunny” (Goldstein) Stein.

His father was a watch salesman who moved the family to Los Angeles when Stein was young. As a teenager, he occasionally skipped school to go to Hollywood Park Racetrack to bet on horses. He had finagled some blank report cards and used them to bring home self-inserted high marks.

But the scam was revealed when the family briefly moved back to New York and Stein was nearing the end of high school. His parents were summoned for a conference, where they learned Stein lacked the credits to graduate. Summer school remedied that.

The family returned to L.A. Stein attended UC Berkeley, majoring in political science, but he left about a semester shy of graduating.

He served in the Army National Guard and, near the end of his service, in 1959, began working in MCA’s mailroom. Initially he wanted to get into film production, but by the mid-1960s, he was steered into the fledgling tour unit.

The company had launched the tram tour in 1964 to make a little money from its ample real estate. But some executives viewed the endeavor as tacky. Its prospects looked dim.

“It started out as two trams and a Quonset hut on Lankershim Boulevard,” Stein told The Times in a 2023 interview. “Quite frankly, the tram was considered something that interfered with television production.”

“I worked for the production office and was given the task of trying to coordinate how close we could come on the backlot without interfering. Everyone I worked for said it was an annoyance and disruptive and will not ever be welcomed.”

Stein was able “to convince others of the benefits of having the studio tour,” Gennawey said. “That’s what saved it.”

Early signage advertising Universal Studios as a tourist attraction.

(NBCUniversal Archives & Collections)

Gennawey considers Stein a key pioneer of U.S. theme parks.

“He was remarkably competitive. He recognized that Disney had its thing — but Universal could create something different and complimentary, particularly in the early days,” Gennawey said.

Disneyland was, of course, a top draw.

“But if you are a Los Angeles resident and had relatives coming in town, you knew they [also] wanted to see Hollywood,” Gennawey said. “But Hollywood was kind of scary, so you took them to Universal Studios.”

Stein’s contributions have only recently been appreciated, according to Gennawey. That’s largely because Stein subscribed to Wasserman’s edict that the “stars were the stars,” and executives should blend into the background. Stein also retired early, leaving Universal by the mid-1990s, after Japanese electronics giant Matsushita bought MCA.

Visitors line up for the studio tour of Universal Studios.

(Genaro Molina / Los Angeles Times)

Stein worried that Universal’s new owner (and a string of subsequent buyers) would fail to recognize the value of the theme parks, Gennawey said, an observation that proved correct.

That changed in 2011 when Comcast acquired NBCUniversal and began investing heavily.

The company opened its $7-billion theme park, Universal Epic Universe, near Orlando, Fla., to raves earlier this year.

The theme park unit — which includes destinations in Los Angeles, Florida, Japan and China — has become one of the most reliable profit engines for NBCUniversal. Last year, Universal theme parks produced $8.6 billion in revenue.

“Jay was the visionary behind Universal’s expansion from the Studio Tour in Hollywood to the creation of our world-class theme park destination at Universal Orlando and beyond,” Mark Woodbury, chairman and chief executive of Universal Destinations & Experiences, said in a statement.

“He had tremendous creative instincts and defined our style of immersive storytelling, making us the brand that brings great movies to life for generations to come,” Woodbury said.

Stein is survived by his wife, son Gary Stein, daughter Darolyn Bellemeur, and their spouses, children and grandchildren, his brother Ira Stein, a nephew, cousins as well as Connie Stein’s children and grandchildren.

The Huntington has acquired a rare Civil War-era painting by American master Winslow Homer. “The Sutler’s Tent” was made in 1863 when Homer was traveling with the Union Army as an illustrator for Harper’s Weekly. The title refers to a type of transitory store that sold goods to soldiers when they were out in the field, and the canvas shows a soldier eating bread and cheese while another soldier rests beside him.

The acquisition is the Huntington’s first oil painting by Homer. The museum’s other holdings include his watercolor, “Indians Making Canoes (Montagnais Indians)” (1895), and several prints, including “The Life Line” (1887). The pieces show the artist’s journey from commercial illustrator to celebrated painter.

“The Sutler’s Tent” will be unveiled to the public on Dec. 7 in the Huntington’s Virginia Steele Scott Galleries of American Art. It was acquired through a partnership with the Ahmanson Foundation — which seeks to help boost the notable holdings of the museum — and marks the fifth major acquisition made through the program.

The gift is intended to honor the country’s upcoming semiquincentennial, and will anchor an ongoing reinstallation of the galleries as the Huntington seeks to expand the multicultural narrative of American art. It will also be integral to the Huntington’s “This Land Is …” initiative, which works to examine the country’s history through its metaphorical and literal landscapes as it approaches the 250th anniversary of its founding.

“The Sutler’s Tent” will be placed in conversation with works about the Civil War and Reconstruction, including Eastman Johnson’s “Sugaring Off” (1865), Jean-Baptiste Carpeaux’s “Why Born Enslaved? “(1868, cast 1872), and a signed copy of the Emancipation Proclamation.

“The Ahmanson Foundation’s partnership with The Huntington has allowed us to bring works of profound artistic and historical resonance into our collections and into public view,” said Huntington President Karen R. Lawrence, in a statement. “Winslow Homer’s ‘The Sutler’s Tent’ — a meditation on the experience of war — embodies our mission to connect art, history, and literature in ways that deepen understanding of the American story.”

The Huntington Library is known for its vast scholarly trove of Civil War ephemera. Its United States Military Telegraph archive includes ciphered communications between Abraham Lincoln and the Army command, and soldiers’ letters and diaries. It also holds the James E. Taylor Collection of scrapbooks documenting the war through photographs and newspaper clippings, and two of the most significant known Lincoln archives.

The art museum’s director, Christina Nielsen, said in a statement that the acquisition of “The Sutler’s Tent,” “deepens our representation of the Civil War era and expands the dialogue between our art and library collections. As we look toward the 250th anniversary of the United States, the painting invites reflection on a pivotal chapter in our nation’s history — one that continues to shape the American experience.”

I’m arts and culture writer Jessica Gelt, looking forward to taking a deep dive into all that can be learned about our present from our past. Here’s your arts and culture news for the week.

Dispatch: Pulitzer Prize-winning Times art critic Christopher Knight to retire

Times art critic Christopher Knight.

(Ricardo DeAratanha / Los Angeles Times)

After 45 years, 36 of them at The Times, art critic Christopher Knight is retiring from daily journalism. His final day at The Times is Nov. 28. In 2020, Knight won the Pulitzer Prize for criticism, and was also honored with a Lifetime Achievement Award for Art Journalism from the Dorothea and Leo Rabkin Foundation.

It’s impossible to overstate the loss Knight’s departure represents for the paper and Los Angeles, or what a tireless, generous, inspiring colleague he is. He possesses a quiet, encyclopedic knowledge of art, and in column after column he connected the dots of culture, history, folklore, civics and psychology in razor-sharp assessments of what a piece of art really means, or how a particular exhibition is poised to change the narrative around a longstanding or misguided idea. In short, he is everything a truly excellent critic should be.

He is also endlessly supportive of arts writers like me who look up to him — will always look up to him.

Thank you, Christopher, for all your words.

On our radar

Janai Brugger as Mimi and Oreste Cosimo as Rodolfo in L.A. Opera’s 2025 production of “La Bohème.”

(Cory Weaver)

La Bohème
Giacomo Puccini’s 1896 opera remains one of the most popular works in the Italian canon. Its doomed romanticism among struggling artists in 1830s Paris has a particular appeal to young people and became the inspiration for Jonathan Larson’s musical “Rent.” Lina González-Granados conducts the L.A. Opera orchestra. Brenna Corner directs this revival of the late Herbert Ross’ enduring production.
Saturday through Dec. 14. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

Roberto González-Monjas conducts the L.A. Phil this weekend at Walt Disney Concert Hall.

(L.A. Phil)

Elgar’s Enigma
Roberto González-Monjas conducts the Los Angeles Philharmonic in a program featuring Erich Wolfgang Korngold’s “Themes and Variations, Op. 42,” Edwin Elgar’s “Enigma Variations, Op. 36,” and cellist Sheku Kanneh-Mason’s performance of the world premiere of an Edmund Finnis concerto. 
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Robert Therrien, “No title (plaster snowman),” 1982-98, plaster

(Douglas M. Parker Studio)

Robert Therrien: This Is a Story
A quintessential artist’s artist, internationally admired Los Angeles sculptor Robert Therrien (1947-2019) made eccentric objects in two and three dimensions that seem strangely familiar when they are wholly abstract, and strangely abstract when they are instantly recognizable as representations of known things — a tall pillar of giant dinner plates, for example, or a simple little snowman. Often the materials are unusual, like zinc over bronze, buffed plaster or tempera on silver, adding to the sense of mysterious specificity. With more than 120 works spanning five decades, this should be the most compelling museum solo show of the season.
— Christopher Knight
Saturday through April 5, 2026. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

The week ahead: A curated calendar

FRIDAY
Fall of Freedom
In a unified act of creative resistance, hundreds of galleries, museums, libraries, comedy clubs, theaters, concert halls and individuals across the nation will host exhibitions, performances and public events, asserting the power of free expression to mount a response to escalating authoritarian threats and censorship in the U.S.
Friday and Saturday. There are dozens of local events in Southern California, please check the website for details. falloffreedom.com

¡Cómo el Grinch robó la Navidad!
The Old Globe Theatre will present two performances of the world premiere of a new version of the Dr. Seuss classic with your favorite songs in Spanish. And for the 28th year, the Old Globe will also be doing its traditional holiday musical of “Dr. Seuss’s How the Grinch Stole Christmas!” Nov. 21-28.
7 p.m. Friday; 10 a.m. Saturday. Old Globe Theatre, 1363 Old Globe Way, San Diego. theoldglobe.org

From “The Dying World” by Lauren Tsai.

(Josh White)

The Dying World
Lauren Tsai’s solo exhibition, an installation utilizing drawing, painting, sculpture, puppets and projected stop motion imagery, explores the liminal space between worlds: subject and object, fiction and maker. Final two nights.
6-10 p.m. Friday and Saturday. Hollywood Forever, the Cathedral Mausoleum Courtyard, 6000 Santa Monica Blvd. hollywoodforever.com

Amy Engelhardt in “Impact,” a solo one-act at the Fountain.

(Peter Serocki/peterserockivisuals.com)

Impact
Composer/lyricist/performer Amy Engelhardt’s one-act solo show (with musical accompaniment) probes the 1988 terrorist attack on Pan Am Flight 103 over Lockerbie, Scotland.
8 p.m. Friday and Saturday; 2 p.m. Sunday. The Fountain Theatre, 5060 Fountain Ave., Los Angeles. fountaintheatre.com

SATURDAY
Animal Instinct
Chinese American artist Kristen Liu-Wong’s solo exhibition of vibrant paintings with slightly macabre narratives highlights her varied influences from American folk art, the cartoons she watched as a kid, Japanese erotic art and an appreciation for architecture.
Opening reception, 7-11 p.m. Saturday; noon-6 p.m. Tuesday-Saturday, through Jan. 3, 2026. Corey Helford Gallery, 571 S. Anderson St., Los Angeles. coreyhelfordgallery.com

A Brahmsian Affair
The Los Angeles Chamber Orchestra presents a program featuring two sextets by Brahms, plus the world premiere of Julia Moss’ “(Please Don’t) Look Away.”
7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Corita Day
Corita Art Center celebrates L.A.’s favorite artist/nun with an afternoon of art activities for all ages, live screen printing by Self Help Graphics, holiday shopping, food, music by KCRW, and a performance by Bob Baker Marionette Theater at 2 p.m. Visitors can also reserve spots from 11 a.m.-6 p.m. to see the exhibitions “Corita Kent: The Sorcery of Images” and “Irregularity: Corita and Immaculate Heart College’s Rule Breaking Designs.”
1-4 p.m. Marciano Art Foundation, 4357 Wilshire Blvd., L.A. marcianoartfoundation.org

Grief Bacon and Other Holiday Treats
Melanie Mayron and Sandra Tsing Loh deliver “old and new humor for trying times.” Part of the Odyssey’s “Thresholds of Invention” series.
8 p.m. Saturday. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Tom Wesselman, “Bedroom Face,” 1977, color aquatint

(Palm Springs Art Museum)

Mapping the Female Body: Tom Wesselmann and Mickalene Thomas
An unexpected juxtaposition of two very different painters from the end of one century and the beginning of the next is set to consider dissimilar representations of the contemporary female nude. In the 1960s, the famous “Great American Nude” series by Tom Wesselmann (1931-2004) applied commercial advertising techniques to painterly traditions in Western art familiar since the Renaissance. Fifty years later, Mickalene Thomas applies commercial craft techniques to vibrant paintings of queer Black women — a subject previously absent from Western art history. Questions of gender, sexuality and their depictions are the exhibition’s focus.
— Christopher Knight
Through April 6, 2026. Palm Springs Art Museum, 101 Museum Drive. psmuseum.org

Venice Winter Fest
Chill out SoCal-style with artisan markets, hot cocoa, live music, festive bites and interactive winter-themed activities for all ages.
10 a.m.-6 p.m. 12257 Venice Blvd. thevenicefest.com

SUNDAY
Habsburg Harmonies: Haydn, Ligeti, and Brahms
Violinist Martin Beaver, flutist Demarre McGill, cellist Clive Greensmith and pianist Fabio Bidini team up for an evening rooted in Austro-Hungarian musical tradition.
4 p.m. Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu

TUESDAY
Dungeons & Dragons: The Twenty-Sided Tavern
Three adventurers need your help on an epic quest to save the world in this interactive fantasy inspired by the immensely popular role-playing game.
Through Jan. 4, 2026. The Montálban, 1615 Vine St., Hollywood. broadwayinhollywood.com

Culture news and the SoCal scene

The Palm Springs Art Museum, founded in 1938, has a small board of 22 trustees.

(Lance Gerber / Palm Springs Art Museum)

Speaking of Christopher Knight’s tremendous skills as a critic, did I mention he’s also a phenomenal reporter? In one of his final columns, Knight chronicles the many financial travails of the Palm Springs Art Museum based on internal documents obtained by The Times. “Recent developments have opened a Pandora’s box,” Knight writes of an accounting firm’s annual audit of the museum’s 2024 books. The audit revealed that there is a “reasonable possibility that [the museum’s] internal financial statements are significantly out of whack,” Knight wrote before detailing the fallout leading to a trustees revolt.

Knight also delighted us with a list of “22 essential works of art at the Huntington and the surprising stories behind them.” No one can highlight what should be considered essential viewing at a museum quite like Knight, who takes readers on a virtual tour of the storied San Marino museum and its exquisite holdings, including Sir Joshua Reynolds’ “Portrait of Samuel Johnson (‘Blinking Sam’),” which Knight writes was not favored by its famous subject.

Times theater critic Charles McNulty once again checks in on Broadway, this time with a review of Robert Icke’s “Oedipus,” a modern retelling of Sophocles’ “Oedipus the King.” McNulty notes that the play “must be the buzziest, if not the chicest, Broadway offering of the fall season.”

Cher Alvarez, who reprises her role at the Ahmanson, in “Paranormal Activity” at Chicago Shakespeare Theater.

(Kyle Flubacker)

Closer to home, McNulty reserved high praise for the spooky “Paranormal Activity,” now playing at the Ahmanson Theatre. “I caught myself wondering during the first act, ‘Is this the best staged production of the year?’,” McNulty writes of the show, which is based on the horror film franchise of the same name and just completed a run at Chicago Shakespeare Theater. Director Felix Barrett, playwright Levi Holloway and Tony Award-winning illusion designer Chris Fisher are “masters of misdirection,” McNulty concludes.

McNulty also wrote a news dispatch that Jessica Stone, “a Tony-nominated director (‘Kimberly Akimbo,’ ‘Water for Elephants’), has been named the new artistic director of La Jolla Playhouse, succeeding Christopher Ashley at the helm of one of the nation’s preeminent regional theaters.”

I had a great Zoom call with Shaina Taub about the inspiration behind her musical, “Suffs.” Taub is only the second woman, after Micki Grant, to star in a Broadway musical for which she also wrote the book, music and lyrics. The show is about the women’s suffrage movement leading up to the ratification of the 19th Amendment. It opened earlier this week at the Hollywood Pantages Theatre as part of the show’s inaugural national tour.

Daniel T. Gaitor-Lomack in his studio.

(Daniel Tyree Gaitor-Lomack / Night Gallery, Los Angeles. Photo by Tomasa Calvo.)

Interdisciplinary Los Angeles–based artist Daniel T. Gaitor-Lomack is staging a solo exhibition, “You Can Hate Me Now,” at Night Gallery. This marks the artist’s second solo show at the space. Much of the new work was informed by Gaitor-Lomack’s life in his MacArthur Park neighborhood. A rep for the gallery wrote in an email that Gaitor-Lomack describes the exhibition “as a kind of ceremony, a gathering of ideas and emotions that have been unfolding across his work over the past three years. Guided by intuition and lived experience, he continues to use found and everyday materials to reflect on the innumerable systems of the world around. The exhibition’s title, long held in his mind, frames the presentation as a meditation on anticipation, transformation, and resilience.” The show will be at Night Gallery through Feb. 14.

The Museum of Fine Arts, Boston, has made what it is calling the first-ever restitution of artwork to the descendants of an enslaved artist. The artist, David Drake, was born around 1800 in Edgefield, S.C. He is known for signing his vessels and inscribing them with poetic verses, including one that read, “I wonder where is all my relations.” Fifteen of Drake’s descendants recently traveled to Boston from various states for a ceremony during which MFA returned one of Drake’s stoneware jars to them, and purchased a second back. An L.A.-based attorney named George Fatheree represents Drake’s family and help shepherd the transaction. “This is a day we hoped and prayed for,” said Pauline Baker, the third great-granddaughter of Drake, in a news release. “To see it realized is almost overwhelming. On behalf of our family, we express our deepest gratitude to the Museum of Fine Arts for its courage and integrity. Most importantly, this ceremony restores not just his work, but his humanity.”

A Gustav Klimt painting, “Portrait of Elisabeth Lederer,” recently sold for $236.4 million, including fees, making it the most expensive modern work to be sold at auction. The 71-by-51-inch painting, created between 1914 and 1916, portrays the 20-year-old daughter of the Viennese art collectors who commissioned the work. The portrait was sold during a Sotheby’s auction in New York and was part of the private collection of cosmetics heir Leonard Lauder, who died in June. According to the Washington Post, a 19-minute bidding battle catapulted the painting “far beyond its $150 million estimate, with two bidders competing over the phone via their auction representatives.”

— Jessica Gelt

And last but not least

The unfettered, stand-up kindness of Keanu Reeves has become the stuff of legend thanks to legions of fans who faithfully recount the actor’s good deeds on social media. Most recently, Reeves penned a handwritten letter of gratitude to the FBI after it recovered a stolen Rolex watch used in “John Wick.”

In a social media world where fights between players in the handshake line, fights among fans in the bleachers and fights in the locker room always seem to receive the most clicks and attention, let’s hope a simple act of sportsmanship and kindness from Saturday’s South Gate-Dorsey football playoff game goes viral.

After South Gate won the City Section Division I semifinal 28-20, several Dorsey players were distraught.

The winning quarterback, junior Michael Gonzalez, heard a strange sound while shaking hands.

“I heard someone crying,” he said. “I looked to my right and saw two players, one I knew and one I didn’t.”

He went over to console both. The player he didn’t know, William Smith of Dorsey, was resting on one knee, head down, helmet off.

Gonzalez said he told him, “There’s more to life than just football. You got college. Keep your head up. It was a good game.”

Losing a semifinal game is tough. But winning and acting with class and respect also can be tough.

Asked where he learned about sportsmanship, Gonzalez said, “It’s what I was taught by my mom and coaches. Be a good person no matter what.”

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].

HIGH SCHOOL BASKETBALL

SATURDAY’S RESULTS

BOYS

CITY SECTION

Angelou 73, Hawkins 19

Lincoln 52, Wilmington Banning 46

Maywood Academy 66, United Christian Academy 20

Orthopaedic 61, Annenberg 14

Wilmington Banning 76, Annenberg 29

SOUTHERN SECTION

ACE 59, Hesperia Christian 38

Arcadia 88, San Fernando Valley Academy 24

Arlington 59, Kaiser 48

Arrowhead Christian 52, Cajon 47

Ayala 75, Downey 66

Beckman 71, Sage Hill 50

Bell Gardens 44, Mountain View 19

Buckley 74, Paso Robles 40

California 77, Chino 64

Camarillo 62, Calabasas 61

Canyon Country Canyon 64, Firebaugh 42

Cathedral 71, Santa Clara 41

Cerritos 68, Bosco Tech 60

Cerritos Valley Christian 74, California Military Institute 29

Chaffey 61, Schurr 52

Chaminade 82, Chaparral 60

Chino Hills 69, Newport Harbor 46

Colton 88, Grand Terrace 60

Corona Centennial 102, Los Alamitos 74

Corona Santiago 102, Carter 68

Costa Mesa 42, Garden Grove Santiago 39

Crean Lutheran 71, Campbell Hall 57

Crespi 90, Mater Dei 59

Crenshaw 54, Lancaster 36

Damien 68, Anaheim Canyon 59

Don Lugo 64, Glendale 63

Eastvale Roosevelt 81, Rancho Cucamonga 52

El Dorado 52, Irvine 35

Elsinore 74, Norco 53

Etiwanda 61, Rancho Christian 48

Gahr 71, Mission Viejo 58

Garden Grove 55, Westminster La Quinta 49

Gardena Serra 62, Western Christian 53

Glendora 64, Quartz Hill 55

Great Oak 60, Norte Vista 58

Hillcrest 58, Rialto 47

Indian Springs 53, Sultana 27

Jurupa Hills 74, Riverside North 67

Keppel 61, El Toro 41

Laguna Hills 80, Murrieta Valley 69

La Habra 60, St. Bernard 50

Lakeside 66, Bolsa Grande 34

La Serna 64, Warren 62

Los Altos 76, Esperanza 67

Los Osos 54, Huntington Beach 47

Mira Costa 63, Bonita 47

Montclair 56, Edgewood 37

Murrieta Mesa 77, Palm Desert 60

Nipomo 52, SLOCA 24

North Torrance 58, Ridgecrest Burroughs 40

Oakwood 62, Claremont 56

Ocean View 63, Lakewood 52

Orange Lutheran 58, St. Francis 49

Orange Vista 66, Hemet 52

Oxnard 65, Righetti 42

Oxnard Pacifica 50, Moorpark 46

Pasadena Poly 53, Rowland 42

Pilibos 59, YULA 52

Pioneer 68, Sierra Vista 56

Portola 63, Garden Grove Pacifica 47

Redondo Union 68, Sunnyslope 64

Riverside King 49, Hacienda Heights Wilson 45

San Bernardino 69, Alhambra 50

San Clemente 62, Yorba Linda 46

San Gabriel 65, Glenn 18

Santa Ana Foothill 81, Calvary Baptist 57

Santa Fe 53, Duarte 37

Santa Margarita 77, Sherman Oaks Notre Dame 73

Santa Monica 75, Fillmore 32

Servite 61, Loyola 60

Shadow Hills 61, Troy 58

Sierra Canyon 69, JSerra 45

Silverado 74, Corona 42

St. Anthony 73, Laguna Beach 32

St. John Bosco 57, Harvard-Westlake 55

Summit 71, Citrus Hill 53

Summit Leadership Academy 75, Lucerne Valley 17

Sunny Hills 58, Northview 25

Temescal Canyon 54, Twentynine Palms 45

Torrance 57, Northwood 50

Tustin 53, San Dimas 41

Valencia 63, Agoura 53

Whittier Christian 55, West Covina 40

Woodbridge 54, Ontario Christian 41

INTERSECTIONAL

Bishop Amat 84, Brawley 48

California 72, Clovis East 68

Crenshaw 54, Lancaster 36

Eastside 84, Hollywood 35

Fairfax 77, Bakersfield 72

Fairmont Prep 35, Buchanan 21

Heritage Christian 43, El Camino Real 41

Holtville 47, Xavier Prep 38

Irvine University 70, South Gate 30

Maywood Academy 66, United Christian Academy 20

Newbury Park 65, LA Marshall 62

Oaks Christian 76, Clovis East 68

Orlando (FL) Oak Ridge 57, SoCal Academy 51

Oxford Academy 80, Waipahu 72

St. Genevieve 59, Verdugo Hills 48

St. Monica 49, Venice 42

Vanden 58, Hesperia 37

Village Christian 96, Palisades 68

GIRLS

SOUTHERN SECTION

Aliso Niguel 53, Tustin 24

Anaheim Canyon 63, Highland 39

Arrowhead Christian 45, Hesperia Christian 31

Bishop Amat 43, Beaumont 36

Bishop Diego 55, Santa Maria 36

Burbank 54, Fullerton 30

Calabasas 57, AGBU 29

California School for the Deaf Riverside 46, Woodcrest Christian 27

Campbell Hall 62, YULA 55

Carpinteria 50, Valley Christian Academy 43

Carter 38, La Quinta 34

Cerritos Valley Christian 50, Marymount 28

Chino Hills 57, Palm Desert 54

Crossroads 57, Mayfield 13

El Dorado 37, Corona Santiago 19

El Toro 63, La Habra 20

Estancia 34, Irvine University 20

Fairmont Prep 65, Marlborough 35

Flintridge Prep 47, Los Osos 45

Hemet 48, Lakeside 4

Holy Martyrs Armenian 59, Pasadena Poly 51

Keppel 52, Murrieta Valley 38

Knight 54, Rosamond 48

Laguna Hills 36, Saddleback 18

Lancaster 42, Tehachapi 40

Leuzinger 68, Temecula Valley 50

Loma Linda Academy 64, Rowland 63

Millikan 41, Ridgecrest Burroughs 28

Muir 42, Samueli Academy 27

Nipomo 52, SLOCA 24

Northwood 40, Katella 28

Palm Springs 38, Indian Springs 33

Rialto 55, Bonita 34

Rim of the World 40, Pacific 31

Riverside Notre Dame 39, Vista del Lago 18

Rolling Hills Prep 54, Rancho Cucamonga 51

Sacred Heart of Jesus 54, Notre Dame Academy 33

San Clemente 56, San Juan Hills 46

Santa Margarita 83, Hacienda Heights Wilson 33

Santa Maria 60, Santa Clara 9

Shalhevet 61, Ramona Convent 5

St. Bernard 53, Beverly Hills 34

Summit 55, San Dimas 28

Tesoro 59, La Serna 52

Twentynine Palms 57, Fontana 36

Valencia 68, Brentwood 58

Village Christian 42, St. Margaret’s 37

Villa Park 44, JSerra 40

Western Christian 35, Kaiser 21

West Ranch 67, Faith Baptist 16

West Torrance 68, Laguna Beach 29

Whittier Christian 54, Whittier 38

Wiseburn-Da Vinci 47, Vista Murrieta 33

Yorba Linda 55, Brea Olinda 38

Yucaipa 53, La Canada 36

Yucca Valley 47, Citrus Valley 35

INTERSECTIONAL

Chula Vista Mater Dei 50, Newport Beach Pacifica Christian 36

Ewa Beach Campbell (HI) 48, Burbank Burroughs 37

East Bakersfield 60, Bishop Diego 37

King/Drew 44, Eastside 39

Ontario Christian 92, Ontario (Canada) O’Connor 40

Shadow Hills 55, Olympian 17

Sherman Oaks Notre Dame 65, Palisades 50

Last year, I was fortunate enough to travel to Naples, Italy for the first time.

One of the many reasons to visit this historical and culinary diamond is to experience the famed Margherita pizza, invented there in the late 19th century.

My wife, a group of travelers and I caught a break when a table opened at 50 Kalò, a pizzeria lauded in Italy’s Michelin guide and known for its amazing doughs.

We ordered a variety of Neapolitan pizzas, including a pair of the tomato, mozzarella and basil-based Margheritas. How fortunate we were.

One person at our table, however, refused to try them. Her name is Jan and she’s from New Jersey.

“It’s not better than New York style,” she told a stunned table. “I’m sure it’s fine, but my guy is better.”

We all know a Jan in our lives — or sometimes, it’s us. We all have our favorites, whether it’s pizza, tacos, draft beers or wines. But that shouldn’t stop us from trying something different.

And you don’t have to travel to Italy for a great slice. My colleague, Food columnist Jenn Harris, compiled a list of seven new favorite pizzas to try in Los Angeles.

Harris takes readers from Hermosa Beach to Eagle Rock, and from Santa Monica to Los Feliz in search of a lovely pie.

Let’s jump into a few selections from Harris’ list — and remember, don’t be a Jan.

A pepperoni pizza from Sonny’s in Hollywood.

(Jenn Harris / Los Angeles Times)

Sonny’s (Hollywood)

I have seen all the social media influencers proclaiming Sonny’s to be the best new pizza in Los Angeles. It’s a giant pizza, with a diameter that seems like the size of a semi-truck tire. The crust is so crisp, the crackles are audible in every video of people munching on it.

A layer of bronze oil sits atop the pizza and settles in the many cups of pepperoni. It creates a sheen over the cheese. My fingers were shiny. The oil dripped down my chin. The cheese, sauce and crust coalesce into a slender slice that’s sturdy enough, but flops at the tip.

Some of the crust was cracker-like and golden. Some of it was burnt. It’s not a perfect pizza, but I appreciated the thin crust and the flavor of the grease-streaked mottled cheese. And if someone else is offering to go through the trouble of ordering the pizza, I’ll happily eat it.

The D-Fresh pizza from Redwood Pie in Hermosa Beach. The pizza is topped with pickled serrano chiles and spicy sausage.

(Jenn Harris / Los Angeles Times)

Redwood Pie (Hermosa Beach)

I first encountered Erik Vose’s pizza when he was operating Vivace Pizzeria, a food truck that housed a 5,500-pound Acunto Mario oven. He made some of the best bubble-flecked Neapolitan pies in the city. Now he’s creating his own category of pizza at Redwood Pie in Hermosa Beach.

He’s making a sourdough crust with a blend of five flours from Central Milling. It’s bready and wonderfully chewy, a sheath of amber orbs and tight, tiny bubbles that create the ideal crunch.

The slice of pepperoni is textbook perfect from Redwood Pie, with a well-balanced sauce, a blanket of cheese and pepperoni cups that transform into blistered meat candy in the oven. For the white pie fans, there’s the “D-Fresh.” A rugged landscape of hot Italian sausage crumbles, frizzled basil and pickled Serrano chiles tops the mozzarella base — and leaves your lips humming with heat.

Pork-and-beef bolognese pizza at Bub and Grandma’s Pizza in Highland Park.

(Stephanie Breijo / Los Angeles Times)

Bub and Grandma’s Pizza (Highland Park)

If you’ve been following Andy Kadin’s career, you know that his breads can be found at restaurants around the city. So it should come as no surprise that his sourdough pizzas possess a wonderful tang and a durable crust that cracks with each fold and bite.

Kadin developed his pizza dough alongside chef Jeff Whittaker, who previously cooked at Hippo and Bar Monette. For the Bolognese pizza at Bub and Grandma’s Pizza, they slather the crust in a robust, meaty pork and beef ragu, with big boulders of meat protruding from the melted mozzarella.

The porchetta pie is painted with a decadent garlic cream and cloaked in ribbons of porchetta, charred broccolini and plenty of pepperoncini. It’s finished with a drizzle of garlic oil and a sprinkle of fennel salt. Imagine all the makings of a stellar porchetta sandwich in pizza form.

For more pizza wonderment, check out this link for the entire list.

The week’s biggest stories

(Allen J. Schaben/Los Angeles Times)

Blazes and large-scale fires

Trump policies and reactions

Unpredictable, bizarre deaths

Rain, snow and wet weather

What else is going on

Must reads

Other meaty reads

For your downtime

(Andrew Rae / For The Times)

Going out

Staying in

L.A. Affairs

Get wrapped up in tantalizing stories about dating, relationships and marriage.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The immigrant experience holds special meaning to Rams defensive end Kobie Turner — his grandfather immigrated to the U.S. from Jamaica and his wife’s parents immigrated from Peru. When choosing an organization to highlight in the NFL’s “My Cause My Cleats” campaign, he wanted to show support not only for his family but all immigrants as well.

“There’s been a lot of hard times as of late, a lot of families that are not sure what comes next and I just want to uplift them,” Turner said. “Immigrants are so important to America; they are the backbone to this country.”

The NFL’s “My Cause My Cleats” initiative started after Chicago Bears wide receiver Brandon Marshall was fined for violating the league’s uniform policy when he wore cleats promoting Mental Health Awareness Week in October 2013.

After criticizing the NFL for failing to support players and their charitable causes, he met with league officials and two sides created a campaign that allowed players to wear custom-designed cleats that highlighted an organization they support. Since 2016 the “My Cause My Cleats” campaign has been a mainstay on the NFL calendar.

With the immigrant community in Los Angeles and across the country dealing with raids by Immigration and Customs Enforcement, Turner wanted to meet the moment by partnering with the Coalition for Humane Immigrant Rights of Los Angeles, an organization that advocates for the civil rights of immigrants and refugees.

Rams defensive end Kobie Turner’s cleats for the NFL’s 2025 “My Cause My Cleats” campaign. The cleats support CHIRLA, an organization dedicated to the advance the human and civil rights of immigrants and refugees.

(Los Angeles Rams)

He is the only player in the NFL supporting an immigrant rights charity via the “My Cause My Cleats” campaign.

“I really wanted to do something to lend a voice to the immigrant community,” Turner said, “and I know that CHIRLA does a really good job of providing opportunities and pathways for citizenship.”

Luis Tadeo, director of marketing and public relations of CHIRLA, understands the critical role sports and culture play in shaping the way that the community engages and heals in unprecedented times. He knows having the support of a star player on one of L.A.’s biggest sports teams is a powerful statement.

“We hope that other players and other teams in Los Angeles, who have been silent during these moments, see Turner and the Rams as an example of what they could do for immigrant families,” Tadeo said.

Turner, 26, will wear the bright pink cleats when the Rams go for their sixth consecutive win Sunday night against the Tampa Bay Buccaneers at SoFi Stadium. One of the stars of a Rams pass-rushing contingent that includes Byron Young, Jared Verse and Braden Fiske, Turner has 22 tackles and 1½ sacks for an 8-2 Rams team that is among the favorites to win the Super Bowl.

Bursting onto the NFL scene two years ago with an impressive nine-sack rookie campaign, Turner gained fame for an appearance on “The Masked Singer” last year, belting out notes befitting of “The Conductor” nickname he earned while singing in college. Music and football played big roles in Turner’s life while growing up in the Washington, D.C., suburb of Clifton, Va.

Rams defensive end Kobie Turner tries to break through the Baltimore Ravens’ offensive line during a game on Oct. 12.

(Terrance Williams / Associated Press)

Now he wants to give a voice to something that goes beyond football and singing — he wants to remind everyone that immigrants are an integral part of American culture.

“You look around and you see ‘Vamos Rams,’ the communities that we serve are immigrant communities,” Turner said. “It’s important to be able to lend a voice to those people and let them know that they are being heard.”

For Turner, his charitable efforts go beyond this weekend. On Tuesday, Turner, Rams staff members and cheerleaders, in conjunction with South L.A. nonprofit A Place Called Home, will serve meals and distribute 400 turkeys and Thanksgiving supplies to families in need. Turner also will perform with 29Live, the youth band of A Place Called Home, during the event.

CHIRLA members will attend Sunday’s game with a group of immigrant youth. In a time when federal agents are detaining and arresting immigrants across the U.S., Tadeo hopes Turner and his cleats will help promote change.

“Our mission is to achieve a just society fully inclusive of immigrants, and whether that’s on the football pitch, if it’s in the halls of Congress, if it’s at the White House making decisions on laws that will impact the lives of immigrants, we need all of the support,” Tadeo said.

SOUTHERN CALIFORNIA REGIONALS

At the Claremont Club

FRIDAY’S RESULTS

Quarterfinals

Corona Del Mar 7, Stockdale 0

Santa Ana Mater Dei 5, Del Norte 2

Portola 6. Palisades 1

Mira Costa 5, Canyon Crest 2

Semifinals

Corona del Mar 7, Santa Ana Mater Dei 0

Portola 4, Mira Costa 3

SATURDAY’S RESULTS

Finals

Corona Del Mar 5, Portola 2

Former Clipper Rodney Rogers died Friday of natural causes linked to a spinal cord injury he sustained in a 2008 dirt bike accident. He was 54.

Wake Forest, which retired his No. 54, announced his death Saturday along with the National Basketball Players Assn., which released a statement on behalf of Rogers’ family.

Rogers was the Atlantic Coast Conference rookie of the year in 1991 and player of the year in 1993. The burly 6-foot-7 forward with powerful athleticism earned the “Durham Bull” nickname during his prep career, then was drafted ninth overall in 1993. He played 12 years in the NBA, scoring nearly 9,500 points and being named league sixth man of the year in 2000.

Rogers had been paralyzed from the shoulders down since his accident in November 2008.

“The last 17 years have been both challenging and profoundly blessed,” the NBPA statement said. “Through every moment, Rodney remained a light — positive, motivated, and full of the quiet strength that inspired everyone around him.”

Rogers’ injury led to the establishment of a foundation bearing his name, with Rogers encouraging people with spinal cord injuries while promoting resilience and personal growth in the face of those challenges. Wake Forest honored him with its Distinguished Alumni Award in 2022 along with an honorary degree.

Clippers forward Rodney Rogers has a few words for referee Leon Wood after getting called for a foul during a game in 1997.

(Al Seib / Los Angeles Times)

“Rodney is the strongest person I have ever met — physically and mentally — and his resilience was evident in the fight he showed every single day,” program great and former teammate Randolph Childress said in a statement. “I’ve said this before and I still mean it today: He was the best athlete ever to walk onto Wake Forest’s campus. He meant so much to so many people, and I feel profoundly blessed to have been with him yesterday.”

Rogers played three years at Wake Forest, averaging 21.2 points in 1992-93 as the Demon Deacons reached the NCAA tournament’s Sweet 16, before entering the draft as a junior. He started his NBA career with the Denver Nuggets before being traded to the Clippers in 1995 along with the draft rights to Brent Barry for the draft rights to Antonio McDyess and Randy Woods. Rogers averaged 12.3 points, 4.8 rebounds and 2.5 assists in four seasons in L.A. before becoming a valuable reserve with the Phoenix Suns. He also played for the Boston Celtics, New Jersey Nets, New Orleans Hornets and Philadelphia 76ers.

“It’s easy to focus on his extraordinary talent, but what stood out to everyone who knew him was that he was every bit as remarkable as a human being,” said Dave Odom, Rogers’ coach at Wake Forest. “He loved his teammates, he loved his family, he loved Wake Forest and he loved the game of basketball. He loved playing for Wake Forest.

“Every time we visited him, I walked away reminding myself never to complain — because he never did. He faced life exactly as it came and made the very best of every moment. He was a joy to watch as a basketball player, but he was an even greater man. He shared his strength, his spirit and his life with everyone around him.”

According to the NBPA statement, Rogers is survived by wife, Faye; daughters Roddreka and Rydiah; sons Rodney II and Devonte; his mother, Estelle Spencer; and Eric Hipilito, embraced as a son by Rogers.

I have to give it to Bill Plaschke when he’s right. UCLA moving to SoFi Stadium is about as smart as a typical UCLA coaching hire.

This month I was able to attend the Steelers-Chargers game at SoFi on a Sunday, followed the next Saturday by the USC-Iowa game at the Coliseum. Everything about those two places is different and only one of them feels like the college experience.

SoFi crams tailgaters in like sardines. There is no room to enjoy the experience.

The fresh air and scenery at the Rose Bowl are the best maybe in the country. People don’t show up at the Rose Bowl for a very simple reason: The program stinks. Not the venue. This proves the old adage, “the fish stinks from the head down.” Thousands of fans sat in the rain last weekend for a Trojans game because the product on the field was worth it. Simple.

Jeff Heister
Chatsworth

Who can blame UCLA for wanting to play at SoFi Stadium, the ultra-modern sports palace, not to mention great recruiting tool, a mere 15 minutes from campus? As Bill Plaschke waxes nostalgic, the rest of us slog down the 10 Freeway from Westwood, through downtown, up into the far northeast corner of L.A., to the antiquated monument that is the Rose Bowl.

Afterward, those of us sitting on the east side of the stadium, staring into the setting sun until the fourth quarter, stumble with burned-out retinas to the muddy golf course that they call a parking lot, to wait in our stack-parked cars, until everyone else is out, so we can leave, an hours-long ordeal just to get home. My only question is, what genius at UCLA signed a long-term contract to play at a place that was obsolete long before the ink dried?

Art Peck
View Park

UCLA will pay attorneys millions of dollars endeavoring to extricate the university from the ironclad Rose Bowl lease it pledged to honor. Beyond those fees, they’ll pay tens of millions more to Pasadena in order to get out of the deal.

If UCLA takes those same many millions, invests in a top-tier coach, enhances its football programs and facilities, and fills their NIL coffer, that should lead to a winning, sustainable program that brings more fans to the games. Rose Bowl revenue goes up.

Pasadena may get a one-time windfall, but over time without an anchor tenant, revenue will shrink and the stadium’s luster will fade.

Where are the sensible, honorable folks who possess the smarts and the backbone to craft a fair deal?

David Griffin
Westwood

UCLA likely leaving the historic Rose Bowl, home of a million team memories and successes, for the sterile confines of SoFi Stadium is abhorrent to any longtime Bruin fan. Terry Donahue, you have our sincerest apologies.

Jack Wolf
Westwood

L.A. County voters are fuming.

Two out of three think the county is headed in the wrong direction. Four out of five feel its leaders are closely connected to “big money interests, lobbyists, and developers,” and the same fraction felt county supervisors were effective “only some of the time” — or not at all.

How to turn things around? Seven out of ten agreed the county government needed “major reform.”

Those are the top-line findings from a new survey on local governance published this week by the Center for the Study of Los Angeles at Loyola Marymount University.

The survey, paid for by the John Randolph Haynes and Dora Haynes Foundation, took the pulse of just over 1,000 registered voters and found most were feeling quite glum about the local state of affairs.

“Voters and residents are in a state of distrust and think that the government is not working,” said Fernando Guerra, the center’s director.

But the survey was meant to show more than just a dejected electorate, Guerra said. He argued it made another point: Now is not the time for opponents to try and undo Measure G, a controversial measure that overhauled the county’s form of government.

“There are some people that are trying to relitigate Measure G, and I’m talking at the level of political elite,” said Guerra, who supported the overhaul. “What these numbers are suggesting, and what I’m suggesting, is if it were to be put up for an election again, it would pass again.”

It’s been almost exactly a year since voters approved Measure G, bringing something akin to a wrecking ball to the county’s governance structure and promising to replace it with something unprecedented in California: namely, nine supervisors instead of five and an elected county executive rather than an appointed one.

The measure was always controversial, with criticism lobbed at the position of chief executive, who opponents said would now hold far too much power over a $45-billion budget and the well-being of the county’s 10 million residents.

The measure barely passed, with a little more than half of voters agreeing to give it a shot. But the ultimate bureaucratic flub is giving some opponents of the overhaul new ammo to bring it back to voters.

Due to an error with how the county handles charter updates, voters inadvertently gave a 2028 expiration date to a different ballot measure that allocates funding for anti-incarceration efforts — known as Measure J — when they approved Measure G. (The head-scratching error is a wonky one — readers curious as to how it came about can find out here.)

Months after the error came to light, the county has still not said how it plans to fix the mistake. There are a few options, including putting either of the measures back on the ballot.

The survey of voters was not an election poll, and respondents were not given opposing arguments. Most voters did not seem to know much about the impending county government overhaul and the survey did not ask about the bureaucratic screw-up, which could be seized upon in a campaign. About half didn’t remember how they voted.

It’s not clear who exactly is pushing so hard for G’s demise currently. While the overhaul had its vocal opponents — including two supervisors — the effort would be extremely expensive and some may not relish the idea of a campaign that may come with an acute sense of déjà vu.

Some on the government reform task force who opposed Measure G said they didn’t think it was in the cards — though those who opposed the measure said they didn’t think it was such a bad idea.

“I have not heard that,” said John Fasana, a task force member who first noticed the error and voted against both Measure G and J. “I think that’s what they should do: if they’re going to do one, I would say it should be G.”

Instead, the county appears to be leaning toward a ballot measure involving Measure J for 2026.

On Nov. 3, Dawyn Harrison, the county’s top lawyer, laid out the possible options for the board to “reverse the error and honor the will of the voters.” That memo included language for various ways to enshrine Measure J through a ballot measure and make sure it doesn’t go poof in a few years.

Brian Kaneda, who is part of the coalition that got Measure J passed, said the group believes the county has multiple options to fix the blunder. But putting Measure J back on the ballot, they warn, should be the last thing the county considers.

“If evidence surfaces that a new ballot measure is legally required, we’re ready,” said Kaneda. “But we believe the county should rectify this internally, honoring the will of 2.1 million voters.”

State of play

— RUFF WEEK: One of the opponents of L.A. City Controller Kenneth Mejia accused the controller of misusing city resources by using images of his corgis and other graphics for both his office and his campaign. A campaign spokesperson suggested the opponent was “jealous of our cute corgi graphics.”

— BIN BONANZA: Los Angeles has left dozens of green bins on city blocks, so residents can dump their food waste and comply with a state composting law. Some residents say it’s overkill.

— ‘SMEAR’ STANCE: Newly appointed Fire Chief Jaime Moore says the media is trying to “smear” firefighters. The accusations appear to be in reference to a Times report that a battalion chief ordered firefighters to leave the burn area of the Jan. 1 Lachman fire, which would reignite into the deadly Palisades fire.

— FIRE FUND: The city’s firefighter union plans to propose a ballot measure that would increase the sales tax for Angelenos by half a cent in perpetuity, raising hundreds of millions of dollars in revenue annually for the department to build dozens of new stations, add rigs and increase the size of the department by more than 1,000 by 2050. “This is the most important thing for the LAFD really ever,” said Doug Coates, the acting president of UFLAC.

— FRAUD PROBE: Dist. Atty. Nathan Hochman said his office will investigate claims that plaintiffs made up stories of sexual abuse in order to sue L.A. County. The announcement follows Times investigations that found nine people who said they were paid by recruiters to join the litigation.

— RESERVOIR QUESTIONS: State officials determined that even if the Santa Ynez Reservoir had been full during the Palisades fire, the water system still would have been overwhelmed and quickly lost pressure. Officials concluded the water supply in Southern California was “robust” at the time of the fire and that the water system isn’t designed to handle such large, intense wildfires.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to Beverly Boulevard and Mountain View Avenue in Historic Filipinotown, an area represented by Councilmember Hugo Soto-Martínez. Outreach teams also returned to previous Inside Safe locations in Echo Park, Van Nuys, Mar Vista, Little Armenia, Sun Valley, Woodland Hills and the Figueroa Corridor, according to Bass’ team.
• On the docket next week: The county supes will consider deferring permit fees for some homeowners who are rebuilding single-family homes in areas of Malibu after the Palisades Fire.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

I was a bit skeptical when an emailer suggested touring Torrance as a way to appreciate this South Bay hidden gem. As a San Gabriel Valley product, I’ve enjoyed excursions to the iconic Rose Bowl or the historic San Gabriel Mission.

But Torrance? Really?

I’m a fan of the divine paradise cakes baked at two King’s Hawaiian locations in Torrance and am aware that Compton-based hip hop group N.W.A recorded “F— tha Police” in a city music studio.

Yes, that’s all fine and notable, but is this city of 140,000 actually tour worthy?

Debbie Hays, a resident and Torrance Historical Society docent, was up to the challenge of proving it certainly was when we met for a tour this week.

History meets Hollywood

We started at the Torrance Historical Society. Inside, visitors receive a quick lesson about the city’s creation, from a Spanish land grant to its founding by financial broker Jared Sidney Torrance in 1912.

A good portion of the talk centers on one of the city’s heroes, Louis Zamperini, known as the “Torrance Tornado.”

The Olympic and USC star, who competed in the famed 1936 Games, was a larger-than-life pillar captured in book and film, the latter the 2014 movie “Unbroken.”

“Louis was a bit of a misfit in his early days and his story is one of redemption and finding his purpose,” Hays said. “It started with track and of course he’s most known about his role in the war.”

“No other place in the world has more information and pieces of history tied to Louis than we do,” Hays says.

(Allen J. Schaben / Los Angeles Times)

Zamperini was a U.S. Army Air Force bombardier in 1943 when his B-24 Liberator went down in the Pacific on May 27 with 10 additional crew members.

Zamperini floated on a life raft for 47 days, battling sharks and hunger before being picked up by a Japanese patrol boat.

He was tortured for two years before he was finally freed.

Hays showed off heirlooms, trophies and files donated by the Zamperini family, including more than 60 pounds of notes and awards, used in production of the movie.

“No other place in the world has more information and pieces of history tied to Louis than we do,” Hays said.

The ‘Ramen Capital of Southern California’

One of the more surprising details about Hays’ tour was the number of excursions the city offers.

You can take one of several self-guided tours of the city’s dozen or so microbreweries and craft beer tasting sites that highlight a burgeoning craft industry.

The most delectable tour, however, may be shown on the city’s Ramen Trail map, which declares Torrance the “Ramen Capital of Southern California.”

The town boasts a population of roughly 15,000 people of Japanese descent, so I’m sure they know something about good ramen.

As for locales, the film and television map tour denotes more than 200 locations where movies like “Scarface,” “Boogie Nights” and “Horrible Bosses” and television sitcoms like “Beverly Hills 90210” and “Barry” were filmed.

“We aren’t Hollywood, but we have many spots worth visiting,” Hays said. “All they’re all relatively close together.”

The Buffy home

One of her most popular excursions is the Fall Tour of Old Torrance, held annually in October.

Hays offers architectural and historic showings of Tudor, Mission and Spanish Colonial revival homes often butting up against each other. Most homes are over 100 years old.

“It’s a very eclectic tour that you don’t see every day in every town,” Hays said. “We’re not a cookie-cutter neighborhood.”

Yet, it’s the No. 4 spot on that tour, a 1914 Craftsman-style home at 1313 Cota Ave., that draws a pilgrimage year round.

The 2,296-square-foot home is forever known as “the Buffy home,” where the popular television show “Buffy the Vampire Slayer” was filmed.

The four bedroom, two bathroom home served as the home of main character Buffy Summers, played by actress Sarah Michelle Gellar.

“I’ve led private tours to the home, with sometimes as many as 80 people,” Hays said. “Fans come to the house, they cry, they take pictures, they hug the tree. They love it.”

Paradise cakes, ramen noodles, craft beer and Zamperini memorabilia. You don’t have to love Buffy to appreciate Torrance.

The week’s biggest stories

A pedestrian braves the rain in Venice Beach.

(Allen J. Schaben / Los Angeles Times)

SoCal’s stormy weather

Olympic updates

Crime in L.A. County

UCLA vs. the Rose Bowl

Homeless services in L.A.

What else is going on

Must reads

Other meaty reads

For your downtime

Cynthia Erivo, left, and Ariana Grande in the movie “Wicked: For Good.”

(Giles Keyte / Universal Pictures)

Going out

Staying in

L.A. Timeless

A selection of the very best reads from The Times’ 143-year archive.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor
Kevinisha Walker, multiplatform editor
June Hsu, editorial fellow
Andrew Campa, weekend reporter
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

WASHINGTON — No one seems to know what happened to Vicente Ventura Aguilar.

A witness told his brother and attorneys that the 44-year-old Mexican immigrant, who doesn’t have lawful immigration status, was taken into custody by immigration authorities on Oct. 7 in SouthLos Angeles and suffered a medical emergency.

But it’s been more than six weeks since then, and Ventura Aguilar’s family still hasn’t heard from him.

The Department of Homeland Security said 73 people from Mexico were arrested in the Los Angeles area between Oct. 7 and 8.

“None of them were Ventura Aguilar,” said Tricia McLaughlin, the assistant Homeland Security public affairs secretary.

“For the record, illegal aliens in detention have access to phones to contact family members and attorneys,” she added.

McLaughlin did not answer questions about what the agency did to determine whether Ventura Aguilar had ever been in its custody, such as checking for anyone with the same date of birth, variations of his name, or identifying detainees who received medical attention near the California border around Oct. 8.

Lindsay Toczylowski, co-founder of the Immigrant Defenders Law Center who is representing Ventura Aguilar’s family, said DHS never responded to her inquiries about him.

The family of Vicente Ventura Aguilar, 44, says he has been missing since Oct. 7 when a friend saw him arrested by federal immigration agents in Los Angeles. Homeland Security officials say he was never in their custody.

(Family of Vicente Ventura Aguilar)

“There’s only one agency that has answers,” she said. “Their refusal to provide this family with answers, their refusal to provide his attorneys with answers, says something about the lack of care and the cruelty of the moment right now for DHS.”

His family and lawyers checked with local hospitals and the Mexican consulate without success. They enlisted help from the office of Rep. Sydney Kamlager-Dove (D-Los Angeles), whose staff called the Los Angeles and San Diego county medical examiner’s offices. Neither had someone matching his name or description.

The Los Angeles Police Department also told Kamlager-Dove’s office that he isn’t in their system. His brother, Felipe Aguilar, said the family filed a missing person’s report with LAPD on Nov. 7.

“We’re sad and worried,” Felipe Aguilar said. “He’s my brother and we miss him here at home. He’s a very good person. We only hope to God that he’s alive.”

Felipe Aguilar said his brother, who has lived in the U.S. for around 17 years, left home around 8:15 a.m. on Oct. 7 to catch the bus for an interview for a sanitation job when he ran into friends on the corner near a local liquor store. He had his phone but had left his wallet at home.

One of those friends told Felipe Aguilar and his lawyers that he and Ventura Aguilar were detained by immigration agents and then held at B-18, a temporary holding facility at the federal building in downtown Los Angeles.

The friend was deported the next day to Tijuana. He spoke to the family in a phone call from Mexico.

Detainees at B-18 have limited access to phones and lawyers. Immigrants don’t usually turn up in the Immigration and Customs Enforcement online locator system until they’ve arrived at a long-term detention facility.

According to Felipe Aguilar and Toczylowski, the friend said Ventura Aguilar began to shake, went unconscious and fell to the ground while shackled on Oct. 8 at a facility near the border. The impact caused his face to bleed.

The friend said that facility staff called for an ambulance and moved the other detainees to a different room. Toczylowski said that was the last time anyone saw Ventura Aguilar.

She said the rapid timeline between when Ventura Aguilar was arrested to when he disappeared is emblematic of what she views as a broad lack of due process for people in government custody under the Trump administration and shows that “we don’t know who’s being deported from the United States.”

Felipe Aguilar said he called his brother’s cell phone after hearing about the arrests but it went straight to voicemail.

Felipe Aguilar said that while his brother is generally healthy, he saw a cardiologist a couple years ago about chest pain. He was on prescribed medication and his condition had improved.

His family and lawyers said Ventura Aguilar might have given immigration agents a fake name when he was arrested. Some detained people offer up a wrong name or alias, and that would explain why he never showed up in Homeland Security records. Toczylowski said federal agents sometimes misspell the name of the person they are booking into custody.

Vicente Ventura Aguilar, who has been missing since Oct. 7, had lived in the United States for 17 years, his family said.

(Family of Vicente Ventura Aguilar)

But she said the agency should make a significant attempt to search for him, such as by using biometric data or his photo.

“To me, that’s another symptom of the chaos of the immigration enforcement system as it’s happening right now,” she said of the issues with accurately identifying detainees. “And it’s what happens when you are indiscriminately, racially profiling people and picking them up off the street and holding them in conditions that are substandard, and then deporting people without due process. Mistakes get made. Right now, what we want to know is what mistakes were made here, and where is Vicente now?”

Surveillance footage from a nearby business reviewed by MS NOW shows Ventura Aguilar on the sidewalk five minutes before masked agents begin making arrests in South Los Angeles. The footage doesn’t show him being arrested, but two witnesses told the outlet that they saw agents handcuff Ventura Aguilar and place him in a van.

In a letter sent to DHS leaders Friday, Kamlager-Dove asked what steps DHS has taken to determine whether anyone matching Ventura Aguilar’s identifiers was detained last month and whether the agency has documented any medical events or hospital transports involving people taken into custody around Oct. 7-8.

“Given the length of time since Mr. Ventura Aguilar’s disappearance and the credible concern that he may have been misidentified, injured, or otherwise unaccounted for during the enforcement action, I urgently request that DHS and ICE conduct an immediate and comprehensive review” by Nov. 29, Kamlager-Dove wrote in her letter.

Kamlager-Dove said her most common immigration requests from constituents are for help with visas and passports.

“Never in all the years did I expect to get a call about someone who has completely disappeared off the face of the earth, and also never did I think that I would find myself not just calling ICE and Border Patrol but checking hospitals, checking with LAPD and checking morgues to find a constituent,” she said. “It’s horrifying and it’s completely dystopian.”

She said families across Los Angeles deserve answers and need to know whether something similar could happen to them.

“Who else is missing?” she said.

The Haim family is on the verge of celebrating another City Section championship while playing for El Camino Real.

Last season, All-City infielder Juju Haim helped the baseball team win the City Section Open Division title at Dodger Stadium.

On Saturday, his sister, Talya, will try to quarterback El Camino Real’s flag football team to a City Division I title. The Royals face Carson at 5 p.m. at Garfield.

There are four games at Garfield. Here’s the link to the finals schedule.

Talya is a junior who has been the starting shortstop for the softball team since her freshman year. She picked up flag football quickly, becoming an accurate passer and mobile quarterback. She has 40 touchdown passes this season.

Carson will present a severe challenge with a pair of talented sophomore quarterbacks in Sa’niya King and Soriyah Maulupe.

Talya is hoping to earn some bragging rights from big brother and add her own ring.

This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].