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WASHINGTON — Stewart McLaurin knew it was coming.

An entire wing of the White House, a building he calls “the most special, important building on the planet,” was going to be replaced to make way for a ballroom that President Trump wants to add to the building.

But when McLaurin, president of the White House Historical Assn., saw the first images of backhoes tearing into the East Wing, it still came as a bit of a shock.

“When the reality of things happen, they strike us a little bit differently than the theory of things happening, so it was a bit of a jarring moment,” McLaurin told the Associated Press in an interview Tuesday.

McLaurin, who has led the nonprofit, nonpartisan organization for more than a decade, did not take a position on the changes. It’s not his job. “Ours is not to make happen, or to keep from happening — but to document what does happen, what happens in this great home that we call the White House,” he said.

But he said he sees a silver lining from the “jarring” images: They have piqued public interest in White House history.

“What has happened since then is so amazing in that in the past two weeks, more people have been talking about White House history, focused on White House history, learning what is an East Wing, what is the West Wing … what are these spaces in this building that we simply call the White House,” McLaurin said.

Trump demolishes the East Wing

The general public became aware of the demolition work on Oct. 20 after photos of construction equipment ripping into the building began to circulate online, prompting an outcry from Democrats, preservationists and others.

In a matter of days, the entire two-story East Wing — the traditional base of operations for first ladies and their staffs — was gone. The demolition included a covered walkway between the White House, the family movie theater and a garden dedicated to First Lady Jacqueline Kennedy.

Trump had talked about building a ballroom for years and pushed ahead with his vision when he returned to office in January. His proposal calls for a 90,000-square-foot structure, almost twice the size of the 55,000-square-foot White House itself and able to accommodate 1,000 people. The plan also includes building a more modern East Wing, officials said.

The president ordered the demolition despite not yet having sign-off for the ballroom construction from the National Capital Planning Commission, one of several entities with a role in approving additions to federal buildings and property. The White House has yet to submit the ballroom plans for the commission’s review because it is closed during the government shutdown.

Trump appointed loyalists to the planning commission in July. On Tuesday he also fired the six members of the Commission of Fine Arts, a group of architectural experts that advises the federal government on historic preservation and public buildings. A new slate of members who are more aligned with Trump’s policies will be named, a White House official said, speaking on condition of anonymity because they were not authorized to comment publicly on personnel decisions. The Washington Post was first to report the firings.

East Wing art and furnishings preserved

It was the job of the White House curator and their staff to carefully remove, catalog and store the art, the official portraits of former first ladies, and furnishings from the East Wing, McLaurin said.

The White House Historical Assn. does not have a decision-making role in the construction. But it has been working with the White House to prepare for the changes.

“We had known since late summer that the staff of the East Wing had moved out. I actually made my last visit on the last day of tours on August the 28th,” McLaurin said.

Working with the curator and chief usher, the association used 3D scanning technology “so that every room, space, nook and cranny of the East Wing, whether it was molding or hinges or door knobs or whatever it was, was captured to the nth degree” to be digitally recreated as an exhibit or to teach the history of that space, McLaurin said.

A photographer also documented the building as it was being taken apart. It will be a while before any images are available, but McLaurin said items were found when flooring was pulled up and when wall coverings were pulled back that “no living person remembered were there. So those will be lessons in history.”

White House has grown over the years

Trump’s aides have responded to criticism of the demolition by arguing that other presidents have made changes to the White House too. Trump said the White House needs a bigger entertaining space.

McLaurin said the building continues to evolve from what it looked like when it was built in 1792.

“There is a need to modernize and to grow,” he said, noting that White House social secretaries for generations chafed at the space limitations for entertaining. “But how it’s done and how it’s accomplished and what results is really the vision of the president who undertakes that project.”

What the White House Historical Assn. does

Jacqueline Kennedy created the historical association in 1961 to help preserve the museum quality of the interior of the White House and educate the public. It receives no government funding and raises money mostly through private donations and sales of retail merchandise.

It is not the mission of the association to take a position on construction, McLaurin said. Its primary mandate is preserving the State Floor and some of the historic bedrooms upstairs in the private living quarters, and teaching the history of the White House, which is an accredited museum. The State Floor is made up of the Green, Blue and Red Rooms, the East Room and State Dining Room, the Cross Hall and Grand Foyer.

“Ours is not to support — or to not support,” McLaurin said. “Ours is to understand, to get the details.”

Since the demolition, McLaurin said he has seen attendance spike at a free educational center the association opened in September 2024 a block from the White House. “The People’s House: A White House Experience” is open seven days a week — including during the shutdown.

The educational center had its busiest days the weekend of Oct. 17-19, with about 1,500 daily visitors, up from a previous average of 900, he said.

Superville writes for the Associated Press.

There are a whirlwind of things happening around Tesla (TSLA -1.41%) right now, both good and bad. On the one hand, the company is dealing with a talent exodus with multiple executives leaving, consumer backlash at CEO Elon Musk’s political antics, declining global sales, and an aging vehicle lineup, just to name a few.

On the other hand, the company believes it can be the most valuable company in the world as it transitions from vehicle production to a company based on artificial intelligence (AI), robotics, and driverless vehicles. The question remains: Where will Tesla’s stock trade during all of this madness?

Falling behind?

One of the biggest developments for Tesla investors over the summer happened in Austin, Texas, where the company launched its robotaxi pilot. However, three months into its robotaxi pilot with a small number of Model Ys operating, it still requires a safety driver just in case, and it still only operates with invite-only passengers.

Image source: Tesla.

Sure, it was a step forward after the company had long promised such a service, but Tesla is still behind its primary rival, Waymo, which is moving into new cities and doesn’t require a safety driver to supervise its driverless vehicle.

While the slower and smaller initial test may have made investors cautious, Musk remains ambitious. During Tesla’s July 23 earnings call, he noted that the autonomous ride-hailing service would reach across most of the country and “probably” address half the U.S. population by the end of 2025 — lofty targets, to be sure.

No small matter

Make no mistake, this is a huge development for investors and the stakes are high. Tesla’s slow rollout has some onlookers pumping the brakes.

“It’s an acknowledgment that their software isn’t as mature as they thought it was and they’re going to need more time with a safety driver,” said Carnegie Mellon professor Philip Koopman, an expert in autonomous vehicle safety, according to Automotive News. “That’s OK for everyone except the people who invested thinking there’d be a million of these cars on the road by the end of the year,” he said. 

Investors looking for a silver lining might have to squint to see it more clearly, but it’s there. One reason Tesla remains a serious threat to its rivals such as Waymo is because once the autonomous technology and robotaxi become fully autonomous, the automaker can easily produce tons of vehicles from its factories in California and Texas.

Long term, Tesla’s gigafactory production is an advantage. But the company also has a cost advantage over its rivals as it only uses cameras for its self-driving technology, rather than more expensive sensors such as radar and lidar.

Investors also have to keep in mind Tesla may be behind at the moment, but at the same time could make progress faster than its competitors. In fact, if Tesla can change to no safety driver in the next 12 months, that’ll be faster than any other robotaxi company that’s accomplished the feat. For context, Waymo tested for years with safety drivers before going fully autonomous, but that was back in 2020.

What it all means

Tesla’s progress with autonomous vehicles has been slower than desired, but investors should focus on if the company can do it without sensors, and do it effectively. At this point doing it right is much more valuable than doing it faster — that battle may already be over. That said, Tesla has seemingly gone all-in on its future transition from only producing vehicles to becoming an AI, robotics, and robotaxi service company, which could be lucrative if it’s all achieved.

Until then, investors are going to need plenty of patience, especially considering the third quarter is likely to be strong — remember the end of the $7,500 tax credit pulled demand into the third quarter. That should be followed by several rather bumpy quarters for not only Tesla but the broader electric vehicle industry.

MANCHESTER UNITED are weighing up a cash-spinning mid-season friendly in Saudi Arabia.

A trip to the Middle East could reunite the Red Devils with Cristiano Ronaldo, who left Old Trafford on bitter terms to join Al-Nassr in 2022.

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United are holding early-stage talks with stakeholders while looking into possible dates and opponents.

But a face-off with CR7 would be the most lucrative prospect at a time when they’re crying out for funds.

United could stage midweek friendlies this season after failing to qualify for any European competition.

Losing May’s Europa League final to Tottenham meant a £100million reward fell by the wayside.

And with roughly £750m worth of debt weighing on Sir Jim Ratcliffe‘s shoulders, United are being forced to get creative.

Their schedule thinned out even more with defeat to Grimsby Town in round two of the Carabao Cup.

SunSport exclusively revealed last month that AC Milan, RB Leipzig, Lazio and Sevilla – four big clubs who missed out on Europe – have also been scouted out as potential friendly opponents.

United’s new plan comes after they scrapped the idea of a fly-on-the-wall documentary, which could have earned them millions.

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And Ruben Amorim could be sold on a trip to the Middle East if it doubles up as a warm weather training camp in the winter months.

Ratcliffe has sacked up to 450 United employees as part of his ruthless efforts to get finances back on track.

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But he insists the issue had to be tackled head-on, telling the BBC in March: “We can’t put our head in the sand.

“We have to deal with the problem. And it’s a big problem, not a small problem.

“We are in the process of change and it’s an uncomfortable period and disruptive and I do feel sympathy with the fans.”

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SAN DIEGO — Over the years, Hall H at San Diego Comic-Con has built a reputation — and an expectation — as the room where Hollywood juggernauts in attendance at the annual pop culture extravaganza unveil exclusive footage, break news and share behind-the-scenes stories with devoted fans, who often spend hours in line just for a chance to make it through the doors.

It’s not surprising, then, that headlines going into this year’s Comic-Con, which concludes Sunday, carried an air of disappointment about the absence of Marvel and other major film studios from Hall H’s programming schedule — even if 2025 is not the first time Marvel and others have sat out Comic-Con for one reason or another.

But for many fans in attendance, the news merited little more than a shrug.

Hector Guzman, who along with his friend Joaquin Horas made the trip from Los Angeles, acknowledged that the Hall H slate “felt a little bit different this year” with no Marvel Studios panel.

But “there’s still a wide presence of Marvel,” he added. “The ‘Fantastic Four’ movie that just came out — we’ve been seeing a heavy push on that this year.”

Guzman and Horas had spent a little over an hour in the Hall H line Friday afternoon trying to make it to the “Tron: Ares” panel before bailing, but they said that in their three years of attending the event, Hall H usually isn’t on their itinerary.

“If it’s interesting to us, we’ll give it a shot, and if it’s not, then there’s always plenty of other events and stuff going around [the convention],” said Horas. He and Guzman explained that they are generally more interested in exclusive merchandise, custom works by artists and getting together with their friends in cosplay.

Other attendees like Jennifer Moore and Sam Moore of British Columbia, Canada, took advantage of the absence of popular Hall H mainstays to get into Friday presentations they were excited about, including for “Alien: Earth” and “The Long Walk.”

“Last year was my first time [in Hall H],” said Jennifer Moore, who said they’d been attending the event for 10 years.

“Now [that] there’s no Marvel thing or DC thing, it’s pretty easy to get in,” said Sam Moore. “We’ve just been doing walk-ins [for Hall H] this year.”

That’s not to say Hall H was entirely without spectacle: Highlights included an ensemble of bagpipers performing “Scotland the Brave,” a dazzling laser light show, the world premiere of the “Alien” franchise’s first ever television series and an appearance by “Star Wars” filmmaker George Lucas to promote the Lucas Museum of Narrative Art.

A look inside the “Tron: Ares” Hall H panel at Comic-Con.

(Richard Shotwell / Invision / AP)

And although the Comic-Con experience has grown beyond the walls of the San Diego Convention Center, with immersive experiences and pop-ups spilling into the city’s Gaslamp Quarter and the Embarcadero, Hall H remains a venerated programming space for panelists and attendees alike.

“I want to give people the experience that they bought their tickets for to come here,” said Noah Hawley, the creator of “Alien: Earth” before the upcoming FX series’ Hall H presentation on Friday. “I was surprised the first time I came to Comic-Con, how emotional it is for the people who attend. There’s a lot of people for whom [361] days a year, they have to pretend to be somebody else. These [four] days of the year, they get to be who they really feel like they are on the inside.”

The Moores were among those who were able to make it into Hall H without much of a wait on Friday morning. But by Friday afternoon, the line had grown much longer in anticipation for later panels, which included capacity crowds. Other big draws included anime franchise entry “Demon Slayer: Kimetsu no Yaiba Infinity Castle” and DC Studios co-chief James Gunn, who received an ovation for the success of his recent “Superman” reboot while presenting the second season of the John Cena series “Peacemaker.”

Even those who were attending Comic-Con to promote their own projects couldn’t hold in their excitement for anime juggernaut “Demon Slayer.” Besides the Hall H, panel ads promoting the upcoming movie — which has already broken attendance records in Japan — adorned a nearby hotel and the trains of the Trolley.

“There is a part of me that just wants to be out with the fans in my Tanjiro outfit with the earrings with my daughter,” said actor Babou Ceesay of “Alien: Earth,” referencing the young warrior with a gentle heart at the center of “Demon Slayer.”

The growth of anime and animation programming at Comic-Con and inside Hall H is a reminder that the convention is best understood as a reflection of ongoing shifts in nerd culture and fandom. Having evolved from a gathering primarily for comic book collectors to a broader celebration of pop culture where blockbuster movies once had a stranglehold, Comic-Con may now be witnessing the loosening of comic book superhero films’ grip on the zeitgeist as a whole. Indeed, television has steadily increased its Comic-Con footprint for years. Studios and streamers have also been organizing their own promotional events, such as Disney’s D23 and Netflix’s Tudum, to build up buzz on their terms, too.

Plus, as fan Robbie Weber of Los Angeles reiterated, Comic-Con is more than just what happens in Hall H. When he first attended the event 11 years ago he was among those that camped out overnight in order to get into the hall, but this time around he skipped it, opting to explore activations and other panels instead.

“We saw [comic book writer] Jonathan Hickman [on Thursday],” said Weber. “We saw a friend on the “Primitive War” panel [on Friday], which was really cool. It was the first time I’ve been able to see a friend do something like that.”

For many, Comic-Con’s main draw remains how fans can freely celebrate their passions.

“Alien: Earth” actor Alex Lawther said it was nice to hear the excitement of the people around him on his San Diego-bound train as they reminisced about their past experiences and shared photos of their cosplay.

“I really get that intense enjoyment of something to the point where you want to walk down the street wearing the costumes,” he said.