linda

The story of Dan Tana’s, in many ways, is the story of Los Angeles.

In 1980, Dan Tana’s burst into flames. At the time, the Tana family was vacationing on a remote Yugoslav island when a telegram arrived: “The restaurant burned down. Call me, Pearl,” recalls Katerina Tana, one of Dan Tana’s daughters.

Dan Tana flew back to Los Angeles, expecting charred remains. Instead, he found handwritten signs taped to the restaurant’s door: “Rebuild it. This is our home. Don’t change a thing,” recounts Katerina.

News of the fire reached musician Linda Ronstadt, who swore that Dan Tana’s served the best plate of spaghetti in the world. The rock star became the immigrant-run restaurant’s unlikely patron saint, calling on her relationship with then-Gov. Jerry Brown to help clear the way for its reopening. Just six weeks after the fire, Dan Tana’s welcomed customers again, even without a roof.

“They open up the restaurant with no roof on it. There’s no air conditioning unit. It was the hottest day,” says Katerina.

Oddly, the fire ushered in a new era for Dan Tana’s — a rebirth, even. Like Los Angeles, the restaurant endured by reinventing itself. “In a weird way, he rebuilt better than he ever could have, because if the restaurant hadn’t burned down, it might not have lasted this long,” Katerina says.

Stories like these fill the pages of “Everybody Came to Tana’s,” the late restaurateur’s memoir, which chronicles the outlandish journey that carried a young immigrant from communist then-Yugoslavia to the helm of one of Los Angeles’ most adored dining institutions. Dan Tana died last year at age 90, but his legacy lives on — inside the restaurant and now in his own words.

On a summer afternoon, his daughters, Gabrielle and Katerina, sit at the Sunset Marquis bar, recounting their father’s remarkable life — particularly his championing of soccer and his contributions to the sport. With the World Cup now unfolding across Los Angeles, the sisters say they can’t help but feel his presence. “One of his big wishes was to be here for this year’s World Cup. That’s why I know he’s here,” Gabrielle Tana says. “He was very instrumental in L.A. getting the World Cup. Our father was constantly helping connect people,” says Katerina.

In the final years of his life, Tana became determined to tell that story, working with writers in Serbia and eventually a ghostwriter, Todd Gold, who requested no credit; the resulting memoir feels wholly told in Tana’s voice. “Our father, for years, was talking about how he wanted to tell his story,” says Gabrielle. “He was always pinching himself about the life that he had — the stories, the adventures, and his luck.”

Tana had an unusual path to becoming the restaurant owner of the renowned Hollywood red-sauce hideout. Born in present-day Serbia, Tana’s early life was marked by political oppression under Communist rule. His father, a restaurateur, spent years as a political prisoner.

Gabrielle and Katerina Tana with their dad at Dan Tana’s, circa 2001.

(Suzette Van Bylevelt)

“When you live in a country where political powers are constantly in play, when you own a restaurant, you’re the person who’s hosting somebody who’s having a dangerous conversation,” explains Katerina. From an early age, Dan Tana’s mother made Dan promise not to end up in the restaurant business.

Instead, Dan Tana became a soccer star, touring Europe with Red Star Belgrade before eventually escaping to Belgium — a decision that would set him on the unbelievable path to Canada and then Los Angeles, where he would serve a stint managing a nightclub called Peppermint West and even launch a modest acting career with the help of Natalie Wood.

The chapters follow the restaurant’s improbable success, offering extraordinary anecdotes, such as how a Yugoslavian immigrant happened to open a red-booth, comfort-food Italian restaurant. The answer? Hiring Mussolini’s private chef. “It was one of two chef options that he was given by his partners: Dan Reeves and Clarence Dan Martin, who funded the soccer league. [Dan Reeves] also bought the restaurant,” says Katerina.

Beyond dispatches from his red-and-white-checkered tablecloth joint and name-dropping, Dan Tana’s memoir outlines his significant contributions to soccer. Throughout his life, he maintained deep ties to the international soccer community, supporting Red Star Belgrade long after he retired from the sport. “He became an evangelist for the game because he thought it was a game that this country would appreciate,” says Katerina. “Football was always the biggest love of his life.”

Craig Susser, left in black, has been greeting patrons at Dan Tana’s for decades.

(Stephen Osman / Los Angeles Times)

Last November, when England faced off with Serbia for the World Cup qualifying games, the stadium held a moment of silence for Dan Tana’s passing. “There were people within the game who really wanted to acknowledge his contribution to the game,” says Katerina.

“A good restaurant has a good bar, and a good bar has ghosts,” reads the introduction. For Dan Tana’s, as far as ghosts go, they comprise a who’s who of Hollywood royalty. Johnny Carson once called it his favorite restaurant. Elizabeth Taylor, Richard Burton, Marilyn Monroe and other A-list stars were known to haunt the bar.

Even with its reputation as a watering hole for Hollywood’s biggest names, Dan Tana refused to pander to celebrities. “Everybody was treated the same. He never wanted the restaurant to be full of celebrities. He wanted to make sure that there were doctors, lawyers and teachers,” Gabrielle says. “He was almost a democratic socialist in that way.”

A revealing anecdote from the early pages of the book: Tana turned away Barbara Sinatra’s offer to buy out the restaurant for a night for Frank Sinatra’s birthday at $25,000. Tana refused. It wouldn’t be fair to his regulars. Frank Sinatra never set foot in the restaurant again.

Sonja Perencevic and Dan Tana attend the restaurant’s 50th anniversary party in Los Angeles in 2014.

(Alberto E. Rodriguez / Getty Images)

In many ways, Tana was one of Hollywood’s quiet power brokers, earning influence through humility and respect rather than status. In 1972, mysterious mafia members came into the restaurant to ask Tana to procure early-screening tickets for “The Godfather.” Naturally, Tana obliged. The mafia returned to report they loved the now-classic film.

The proximity to the Troubadour also made the restaurant a hangout for up-and-coming names in rock music. “He fed so many of those musicians. He wouldn’t charge them. These were kids that had nothing,” says Gabrielle. She recounts a night when musicians from the Troubadour celebrated the end of the Vietnam War at Dan Tana’s; the event went undocumented, lost to history.

Rock stars aside, the place is a writer’s joint too. Eve Babitz — who was a close friend of 93-year-old Deanne Mencher, who still makes the cheesecakes at Dan Tana’s — was known for socializing at the restaurant. “If you got hungry, you had to walk over to Dan Tana’s. Tana’s was delicious and evil — all that garlic,” Babitz once wrote in her semi-autobiographical novel, “L.A. Woman.” Screenwriters, journalists and famed L.A. writers Joan Didion and John Gregory Dunne were also known to frequent the restaurant.

In fact, Gabrielle and Katerina attribute the restaurant’s early colossal success to a Los Angeles Times review. It was 1966, and the restaurant was struggling. Art Ryon, a columnist at The Times, happened to stop at the restaurant before a screening at the Writers Guild of America and ordered mushrooms. “The L.A. Times made the restaurant,” Katerina says. “The next day there’s a line around the block, and my father has no idea what happened.” Tana was informed that he received a rave five-star review in The Times. Success soon followed.

Chicken Parmesan from Dan Tana’s.

(Jakob Layman)

The next generation of Hollywood — including comedy stars like Adam Sandler, Ben Stiller and Chris Rock — has continued the tradition. “SNL” cast member James Austin Johnson expresses his fondness for the restaurant. He discovered the restaurant after hearing Ed Begley Jr. rhapsodize about it. “The first intrigue is finding out who Dan Tana is,” says Johnson. “It has a West Hollywood mystique, like Chateau Marmont — like when Hollywood, the place and the business were all the same.”

Johnson loves restaurants that feel preserved in time. “It’s the idea that you can build something right the first time and then preserve it, so that people can be a part of your good idea when it happens,” says Austin Johnson.

Gabrielle and Katerina credit the enduring appeal of Dan Tana’s to its persistent lack of pretentiousness. The atmosphere evokes a Sinatra-era simplicity. “I think celebrities felt safe. They weren’t photographed, and they would be left alone,” says Gabrielle. The restaurant has kept its dim pink lights, which Gabrielle notes, “made everybody look good.”

The food has also remained consistent, with large portions and comfort food. “It’s not fancy, but it’s the best chicken Parmesan,” says Gabrielle. Over the decades, Dan Tana was approached about expanding the restaurant and opening second locations. He always refused, the restaurant’s humility always mirroring the man behind it. The restaurant, which felt like an anomaly, could not be replicated. “He always said: if I knew what I did right, I would do it again,” says Katerina.

Dan Tana’s originality continues to capture the city’s attention, its legacy now preserved in a memoir and carried on by its new owners, Mihajlo and Sonja Perenčević, who were friends of Dan Tana. Within its pages, the reader becomes one of Dan Tana’s beloved ghosts. “In a town that’s always trying to be something that’s not, it’s not trying to be anything,” says Katerina. “Dan Tana’s is longevity in the midst of ephemera.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

Noskova’s second-set collapse was excruciating to watch for the 15,000-strong crowd on Centre Court, but the way in which she mentally reset in the decider was admirable.

Serving for the title again an hour after her first attempt, Noskova hit an ace to set up a sixth championship point and converted it with a service winner.

Noskova immediately fell to the court as her relief poured out, with 29-year-old Muchova walking around the net to congratulate her Paris 2024 Olympics doubles partner.

“It’s really tough to find any words, but I’ll start with Linda – my ex-friend,” joked Muchova.

“The way you handled it and the way you played was unbelievable. You deserve it.”

Noskova hid under her towel towards the end of the second set and did the same again in the moments after securing a testing victory.

The ninth seed is the third Czech champion in the past four years at the All England Club, after victories for compatriots Marketa Vondrousova and Barbora Krejcikova in 2023 and 2024 respectively.

Fittingly, Noskova’s crowning glory watched by Czech-born Martina Navratilova – a nine-time singles champion – and one of her idols Petra Kvitova, who won in 2011 and 2014.

As well as lifting the iconic Venus Rosewater Dish, Noskova will receive £3.6m in prize money and move up to a new career-high ranking of seventh in the world.

One of the latest of a long line of Czech talents, Noskova had been tipped as a future star who could challenge for Grand Slam titles.

She was a highly-rated junior who became the youngest player inside the top 100 in 2022 and a run to the Australian Open quarter-finals in 2024 underlined her ability.

Making consistent runs at the majors had been rare, but reaching the fourth round at Wimbledon last year made her feel “comfy” on the grass when she returned this year.

Noskova set herself up for a deep run in SW19 by winning the Berlin title last month but, in her speech during the Centre Court trophy presentation, acknowledged how difficult the tournament has been both physically and emotionally.

On court, Noskova had to fight back from match point down in her third-round encounter against Romania’s Sorana Cirstea.

She is only the third player – after Venus Williams in 2005 and Serena Williams in 2009 – to win the Wimbledon women’s singles title from such a position.

EastEnders is set to welcome a new face to Walford later this summer as Casualty’s Jason Durr makes an appearance and is set to strike up a close bond with Linda Carter

EastEnders is set to welcome a Casualty legend in the coming weeks. Actor Jason Durr, who starred in the BBC medical drama as David Hide, will be making his first appearance in Walford later this summer.

But his arrival in Albert Square will see him cross paths with local businesswoman Linda Carter [Kellie Bright], and it’s fair to say that the pair will see sparks between them both. Durr is taking on the role of Clive, a local councillor, when things start to heat up in the Square.

Local residents will be joining forces to save the Community Centre, Walford’s hub, which is at risk of redevelopment. Linda, who’s known for not shying away from airing her thoughts, leads the charge as things start to heat up.

But while planning to save the Community Centre, she and Clive strike up an instant friendship as he backs the campaign. But both Linda and Clive soon realise that there is more than just a feeling of friendship between them both.

Speaking about joining EastEnders, Jason said: “Few shows command their place in the national conversation quite like EastEnders, so I’m delighted to be joining the cast as Clive Masters.

“Working with the wonderful Kellie Bright has been an absolute joy and pleasure from day one. All the cast, crew and production staff have been incredibly generous, welcoming and good humoured. I’m excited for audiences to meet Clive and see what’s in store.”

And it’s set to be an exciting time for Linda, who has endured her fair share of heartache in recent years. Her soulmate and husband, Mick Carter (Danny Dyer), died after Janine Butcher’s (Charlie Brooks) secrets were unravelled, resulting in a feud on the coast. She also battled alcoholism and murdered Keanu Taylor (Danny Walters), following a fight at the Queen Vic as she attempted to save her best friend, Sharon (Letitia Dean).

The Mirror understands that Jason has already started filming his scenes, which will air later this summer. His role comes three years after Jason walked away from Casualty, having left Holby City three years prior.

His character, David, left Wyvern’s emergency department after the death of his colleague, Robyn (Amanda Henderson). At the time, Jason said he was planning to spend more time with his family, as well as explore other opportunities in the industry. His role was open for a possible return in the future.

Confirming his exit on social media, he shared a snap of himself, alongside the caption: “After 6 yrs playing the wonderfully complex #NurseDavidHide @bbccasualtyofficial I’ve hung up my scrubs.

“I’ve forged firm friendships, learnt to pronounce Uvulopalatopharyngoplasty & had my squeamishness thoroughly challenged! Here’s to new adventures (hopefully with less blood & guts).”

Over the course of his time on the show, Jason’s character David was at the centre of a string of huge storylines. One included the death of his teen son, Ollie, who, with a friend, Rob, set out to carry out a mass shooting at their school.

He’s also appeared in the likes of Lewis, Midsomer Murders, Above Suspicion and Shakespeare & Hathaway.

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When David Jacks published a biography of Peter Asher in 2022, the veteran record producer and manager expressed surprise that anyone would have deemed his life worthy of the treatment. Four years later, he’s no less baffled to have become the subject of a new documentary, “Peter Asher: Everywhere Man,” directed by the filmmakers Dan Geller and Dayna Goldfine.

“It just seemed to me,” he says, “that I wouldn’t be that fascinating.”

The movie, in theaters now, argues otherwise: A child actor alongside his two younger sisters, the bespectacled Asher became an unlikely pop star during the British invasion as half of the duo Peter & Gordon, whose debut single, “A World Without Love” — written by Paul McCartney — hit No. 1 on Billboard’s Hot 100 in 1964. (McCartney offered the song to Asher while the Beatle was dating Asher’s sister Jane.) In 1968, the Beatles made Asher head of A&R at Apple Records, where he signed James Taylor; the two soon moved to Los Angeles and turned Taylor into music’s biggest heartthrob folkie.

Asher went on to shepherd Linda Ronstadt to stardom and to produce records by Diana Ross, Cher, Bonnie Raitt, Randy Newman, Neil Diamond and 10,000 Maniacs, among many others. And at 82 he’s still at it: Last year he produced Barbra Streisand’s latest duets album — they’re due to start work on a new Streisand solo LP, he says — and he’ll perform a show of his own July 19 at the Grammy Museum. Asher, who broke his leg in a recent fall, spoke about it all the other morning at his home in Malibu, where he walked into the kitchen using a cane before sitting down at a table set with pastries and several of the day’s newspapers.

What unites the jobs of musician, producer, executive, manager? What’s the through line?
Love of music and admiration for the people who do it. They’re very different jobs, and I came at them from very different perspectives. Record production was something I set out to do once I understood what a record producer did. Hire musicians much better than yourself and tell them what to do? That’s a cool job — how do I get in on that racket? Whereas I never had any ambitions to be a manager. It’s just that when James and I decided to go out on our own and try to put a career together, we didn’t know who we trusted to do it, so I kind of went, I’ll do it.

What’d you discover about the job of management?
The ingredients are common sense, not being a crook and having a great client.

Which is the hardest of those three?
The last one. I got to induct the first managers inducted into the Rock & Roll Hall of Fame: Brian Epstein and Andrew Loog Oldham — the Beatles and the Stones. That’s the hard part. The only thing that would tempt me back into management would be lightning striking for a third time — to see James, to see Linda, then to see somebody comparably brilliant, which I occasionally do. But usually they have a manager already.

What’s the last new act that knocked you out?
Ed Sheeran.

Was that just because he looks like he could be your grandson?
That certainly crossed my mind.

As a producer, your records helped define the sound of rock in the ’70s.
The so-called California sound.

Then the zeitgeist shifted.
One became aware of that. Pop music got very electronic, which I loved.

Was there a place for you in that style?
I didn’t consciously try to make records in that style because I don’t think I could have — not as well as they were being made anyway.

What’s a record from the early ’80s that made you think that?
“Sweet Dreams (Are Made of This).” I couldn’t do that.

Back to the ’70s: The doc is filled with pictures of James looking —
Like a movie star. With the cover of “JT,” I finally went all the way and said, “We’re doing the the glamour shot.” Then we did “Flag,” which everyone hated.

With the maritime flag. A truly perverse album cover.
I loved it. James loved it. Everyone thought we were crazy.

How crucial do you think James’ good looks were to his whole proposition?
I don’t know.

Oh, come on.
I really don’t. I mean, how would you gauge that? There’s probably girls who fell in love with him without listening to the record.

I think you just gauged it.
If he was ugly, would he be as big a star? Probably not.

(Evan Mulling / For The Times)

Same applies to Linda, right?
When I first saw Linda, it was stages of realization. Someone said to me, “You’ve got to go down and see this girl at the Bitter End.” I walk in and she’s singing so well — unspeakably good. Then she looks incredibly great — barefoot, short-shorts. Oh, my God, my heart. Then you meet her, and it turns out she’s a remarkably brilliant woman — extremely well read. You just kind of go, “All these things together — how can it be?” It’s the same thing talking about the Beatles: If you cast it like the Spice Girls, you still couldn’t have gotten four to fit together so perfectly.

Did you like the Spice Girls?
Terrific. “Tell me what you want / What you really, really want” — it’s a smash. And yet none of them are particularly good singers, which is kind of the point.

I went to an event not long ago where Paul McCartney played his new album for a small group of fans. It was fascinating to see the spell McCartney casts over people.
He’s had to get used to it — to admit to himself that he can’t meet people who aren’t amazed that they’re meeting him. Even as someone who’s known him off and on for a long time, you still get the wave of: Holy s—.

You’re still amazed to be around him?
Of course. I get it less — I’m ready for it. But you can’t pretend he’s not Paul McCartney. And he’s gotta live with that his whole life.

You grew up a member of the upper crust, I think it’s fair to say.
I don’t think we were that crusty. But upper, probably, yes.

I wondered how that situated you to live and work among artistic types.
If anything, the upper crust have more time to be artistic — less preoccupied with getting a job and making a living. But my parents worked incredibly hard — we weren’t upper crust in the sense of inherited wealth. My father was a doctor, my mother was a professor of music. But I never struggled, to be honest. I had a comfortable allowance, and then I went to school and worked hard. Everyone talks about sharing a flat with a million people, living on borrowed sandwiches — I skipped that phase.

Did that shape you in any meaningful way?
I don’t know. But I think when people do struggle, it becomes a meaningful part of their lives to get away from it. With someone like James, the struggle was a struggle with drugs. Now he says the worst thing about drugs is they’re a complete waste of time — you waste time doing nothing except looking for drugs. And I think that made him anxious to succeed and to be taken seriously.

I’m sure you saw the New York Times’ list of the 30 greatest living American songwriters.
You knew it was gonna be silly. Randy Newman, for God’s sake — you just cannot not include him.

No Neil Diamond either.
Insane.

And no Billy Joel.
[Shrugs].

How’s your health?
High blood pressure, high cholesterol, need to work out more — old man stuff. Other than that and a broken leg, great.

You’re OK with the cane?
It’s a considerable upgrade from the wheelchair. I like the cane — it’s kind of elegant.

What seems scarier: the body going or the mind going?
The mind going. And it is, slightly. I had a stroke, and bits of my brain aren’t quite working right. But compared to other people I know, I’m fine.

We’re at a moment when a lot of foundational rock ’n’ roll figures —
Are dying. It’s all the rage.

What’s it feel like to see your friends and colleagues go?
Better them than me.

Couple more for you: You managed Courtney Love for a spell.
I met her here in Malibu. I also managed Pamela Anderson for a while because she was a neighbor and asked me to help.

What, you put a shingle out?
“Manager for hire.” I’m trying to remember how I first met Courtney — I think Merck Mercuriadis was talking to her about publishing and Kurt stuff. I liked her. Very smart. I like smart women.

She’s easy to work with? Hard to work with?
Impossible to work with.

What’s James Taylor’s best album?
“JT,” maybe.

What’s Linda Ronstadt’s best album?
“Heart Like a Wheel.” With Linda, it’s unfair because they’re so radically different. How do you compare that to a mariachi record and then to Nelson Riddle?

Working with Riddle on those albums must have been a thrill.
He told us all these incredible stories about Frank Sinatra, who he didn’t like although he admired him enormously. It was John David Souther who originally suggested Nelson. Linda had tried doing the album a different way — did some versions with Jerry Wexler and it didn’t work out. So we had a meeting with Nelson: Would he consider doing a couple of arrangements for us? He went, “No.” We said, “What?” He said, “I’ll do an album, though.”

“A World Without Love” was one of eight songs to top the chart in 1964 with “love” in the title. What’s that say about pop music in the mid-’60s?
Same thing it says about pop music of all time: It’s either “I love you” or “She loves you” or “Why don’t you love me?” Weird Al pointed out to me that when you’re looking for a parody of a song, any song that has “love” in the title, substitute “lunch” and it’s funny. “A World Without Lunch” — I mean, who would want to live in such a place?

Linda Cohn, an ESPN veteran who has anchored more episodes of “SportsCenter” than anyone in history, announced her retirement Monday.

A Los Angeles resident since 2018, Cohn, 66, will make her final ESPN appearance Friday.

After starting her career in radio and local TV, Cohn joined ESPN’s “SportsCenter” in 1992 when female hosts on sports programming were still a rarity. In a statement, she acknowledged her trailblazer status.

“What I’m most proud of is that my career lasted long enough for me to see little girls grow up watching ‘SportsCenter,’ enter this business, and succeed in it,” she said. “If my journey helped make that path a little easier for them, then that’s the achievement I’ll cherish most.”

Cohn moved to Los Angeles in 2018. She regularly anchored the late-night edition of “SportsCenter,” which originated from the city until last year.

She hit a milestone of anchoring 5,000 “SportsCenter” episodes in February 2016 and appeared on at least 650 more over the 10 years that followed.

Cohn, who played collegiate hockey at Oswego Stage University and competed on the boys team in high school, regularly contributed to ESPN’s NHL coverage. She once did a live “SportsCenter” segment where she tried out for the job of emergency goalie for the Florida Panthers.

Cohn will return to ESPN’s Bristol, Conn., studios on Friday and appear on four editions of “SportsCenter” throughout the day. She will also reconnect with longtime co-host John Buccigross during coverage of the NHL Draft.

“Linda Cohn is a legend and a major part of the history of ESPN,” said Burke Magnus, ESPN president, content. “She has brought enthusiasm, personality and her love of sports to our audience for more than 30 years and her contributions to ESPN both in front of and behind the camera would make a very long list.”

EastEnders spoilers confirm big moments next week on the BBC soap including the return of a vile villain, Bea Pollard’s sinister next plan and target and some emotional scenes

It’s another drama-filled week on EastEnders next week, as new spoilers tease twists, discoveries and revenge.

Nicola and George return home from hospital to a surprise welcome home party for the baby. Overwhelmed Nicola orders everyone to leave but she and Gina later share a heart-to-heart.

Soon the peace is shattered when George’s estranged father Eddie reveals he’s dying. Only Nicola knows this and she keeps it from George, but when he figures it all out he sees his dad, and is shocked by his fragility.

Soon, George faces questions from his family and heads to see Eddie one final time, while Nicola has a warning for Eddie. Phil attempts to adjust to life after Nigel’s death, but is rejected by Grant who is sad about his fractured relationship with Mark.

READ MORE: Coronation Street fans ‘rumble’ who dies and who kills them after exit clueREAD MORE: Coronation Street star ‘confirms’ exit for villain Theo – but he ‘might not’ die

Julie prepares to head to Nigel’s care home to collect his belongings, where she is soon joined by Sam and Phil for support. Julie finds a letter from Nigel, but she can’t bring herself to read it.

Ian is consumed by his councillor campaign but is upset to discover that the majority of supporters are voting for Elaine. Ian turns to bribery, but Bea has other ideas when she starts a smear campaign against Elaine.

Ian and Elaine anxiously prepare for the Walford debate, but things go awry when Oscar swaps Ian’s speech, but Elaine steps in to sway his nerves. But a moment leaves Ian fuming, and he agrees to let Bea post the video about Elaine.

He regrets this but the damage is done. Also next week, a discovery saddens Kat and Alfie, Sam supports Denise, and Harry agrees to lend Gina some money landing them in trouble with Nicola.

Finally, Grant offers support to Linda amid her drama with Johnny, who is having money problems, while Linda is jealous of Max and Cindy. It’s soon clear Max is thinking about Linda, and he’s not happy to find out she’s slept with someone.

EastEnders isn’t the only soap with drama next week, as Hollyoaks spoilers tease there’s plenty in the village too. Vicky wakes up from her coma, and Charlie and Frankie plead with her to echo their lies about the crash.

Later, Vicky lets slip to Misbah that it was Gemma who has been prescribing her the skinny jabs. Knowing time isn’t on her side, Diane tells Tony they need to tell Eva, Sinead and Finn the truth.

Ro is worried it’s too much for his mum, while he’s also left torn when he finds out Ste cheated on Rex with James. Cleo is determined to get proof that Sienna has been swapping her psychosis medicine for multi-vitamins.

After a confrontation, Cleo wakes to find Sienna watching her, wanting to know if she still loves her. Cleo claims there’s a way back for them as long as she does what’s right. Soon, Mercedes and Warren make a shocking discovery.

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .