linda

Despite Linda Carter and Max Branning sharing a kiss and his claims that he loves her – to his daughter’s disbelief – another woman seems set to become his new love interest

The Walford Womaniser has struck again! While Max Branning seems convinced he’s in love with his ex Linda Carter, he’s found himself in another flirty interaction with a different woman has led EastEnders fans to say they know who his next love interest is.

Since he returned, many have thought Max (Jake Wood) might eventually marry his former flame Linda (Kellie Bright) in 2027. In the flashforward to next year, he was about to walk down the aisle to a mystery woman, and Linda was teased to be one of them.

But, during Tuesday’s episode (17 February), Max had a date with Linda that couldn’t be described as anything other than a disaster. For starters, Linda didn’t even know it was a date. When Max turned up with flowers and tried to kiss her, she firmly rejected him, leaving the worst philanderer in Walford to dejectedly lick his wounds.

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The devastated Max then gave the flowers to Gina Knight (Francesca Henry), wishing her a happy birthday. The brief interaction had many thinking Gina would be the next woman added to Max’s long list of lovers.

“They’re gonna do max and gina as a couple,” said one fan. Another added: “I do think there’s something in Max giving Gina the flowers.” Others, though convinced that the show was hinting and a Max and Gina romance, were clear that they did not want it to happen.

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“I refuse to be in a reality where Gina and Max have a baby,” a fan said, referring to the pregnant woman seen in Max’s bed during the flashforward.

Another said: “Please for the love of god do not put Gina and Max together – he’s got form for younger women and Gina is already in a complex relationship with Harry after George and Nicola’s baby news. Gina can do better then him and he’s too much baggage for her.”

A third posted a TikTok where they pointed out that Max had previously had a relationship with Gina’s half sister Lucy Beale (Hetti Bywater) just before she died. At the time, Lucy was 21 and Max was not only 45, but her best friend’s father. The TikTok poster said: “Ewww were these scenes foreshadowing Max trying it on with Gina or something?

“Is that why Peter [Beale, Gina and Lucy’s brother] is p***ed off at him in the flashforward and why Cindy [Beale, their mother] didn’t look happy with him? As if getting with Lucy wasn’t bad enough…”

Max has been romantically linked to many women over the years and has a tendency to go for younger women. One of his major storylines in the late 2000s involved an affair with Stacey Slater (Lacey Turner), who was his own son’s wife.

Jake Wood, who plays Max, has previously said that he thinks Stacey is the love of Max’s life. When asked at a press event who Max’s true love is, Jake mentioned Tanya (Jo Joyner), the mother of three of his children, but settled on Stacey.

The actor said: “Obviously, Tanya is very high, but I think probably Stacey as well. I think we saw that when Max came back a couple of months ago. The connection is still really strong between the pair of them; they really understand each other. I think wherever they are in different parts or wherever they are in their lives, they’d always have that connection. So, if you asked Max, he would probably say Stacey.”

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The poster for “Send Help” advertises the film as from the director of “The Evil Dead” and “Drag Me to Hell” — and notably not Sam Raimi’s bigger hit “Spider-Man” (or its two sequels). No, the kind of Raimi movie you’re getting here is irreverent, silly and very bloody: a character study that also features incredibly goofy scares. Written by Damian Shannon and Mark Swift, “Send Help” is a gonzo survivalist riff that works as well as it does because it features two incredibly game actors that surf the wave of Raimi’s tonal madness with a blend of absolute glee and carefully honed skill.

And if that poster were to present the star of “Send Help” in the same way as Raimi, the tagline would read “from the star of ‘Red Eye’ and ‘Mean Girls,’” because Rachel McAdams is fully in her horror-comedy mode here. It’s an excellent reminder of her range. Co-star Dylan O’Brien also proves himself once again to be one of the best actors of his generation: a former teen heartthrob who now operates more like a chameleonic character actor. Both McAdams and O’Brien move beyond expectations to deliver highly expressive, almost clownish performances — in the best way.

McAdams is astonishingly dowdy as beleaguered corporate workhorse Linda Liddle, a “Survivor”-obsessed loser who is passed over for a promotion by her slick new boss, Bradley Preston (O’Brien), a nepo baby. In an attempt to play the good ol’ boys game, she boards a private flight to Bangkok with the team, on which she bangs out memos while they laugh at her “Survivor” audition tape. One plane crash later, the tables are turned, with the injured Bradley now at the mercy of Linda and her survival skills on a tropical island.

The swap in the power dynamic thrills Linda, calling to mind Ruben Östlund’s “Triangle of Sadness,” specifically the relationship between Dolly de Leon and Harris Dickinson. But “Send Help” is more of a psychological exploration than overt class satire, though it does explore the ridiculous notion of what it would be like to be stranded on an island with your boss.

McAdams and O’Brien deliver almost silent-film era acting with their faces (there’s one bravura long shot of O’Brien eating a bug that’s absolutely virtuosic) and Raimi’s camera playfully pushes the audience around, offering exaggerated tilts and close-ups, screaming: Look at this. There’s no subtlety, but would you expect that from the director of the “Evil Dead” movies? You’re just waiting for the ghouls and blood geysers to pop out. We don’t come to a Raimi film for its natural realism.

If there’s any flaw to “Send Help,” it’s that it generates such nuance and empathy for both Linda and Bradley, even within such outlandish circumstances and style, that it feels impossible to root for just one of them to come out on top. The film paints itself into such a corner when it comes to their conflict that any ending would feel too clean, too pat. As it stands, the ending is just that. But it’s to Raimi and the actors’ credit that they manage to make such an odious character as Bradley actually sympathetic — and so clear a heroine as Linda complex and thorny. Nothing’s perfect but “Send Help” is a blast nevertheless.