legendary

Frederick Wiseman, a preeminent documentary filmmaker, has died. He was 96.

The filmmaker’s death was announced by his family Monday in a statement released by Zipporah Films, Wiseman’s distribution company.

In a career that lasted nearly 60 years, Wiseman produced and directed 45 films beginning in 1967 with “Titicut Follies,” a documentary on the the patient-inmates of Bridgewater State Hospital for the Criminally Insane in Massachusetts, through 2023’s “Menus-Plaisirs — Les Troisgros,” a documentary on the Troisgros family’s Michelin three-starred restaurant in Ouches, France. His final film earned universal critical acclaim, and was recognized as the best nonfiction film of 2023 by the New York Film Critics Circle, the Los Angeles Film Critics Assn. Awards and the National Society of Film Critics.

“Wiseman, whose observational approach has often been mischaracterized as objective or omniscient, here drops any pretense to neutrality, so potent and overpowering is his sense of kinship with a fellow artist,” wrote Justin Chang in his 2023 review. “The marriage of sensibilities in front of and behind the camera is the stealthiest meeting in ‘Menus-Plaisirs — Les Troisgros,’ and the most unexpectedly satisfying.”

A scene from Frederick Wiseman’s “Menus-Plaisirs – Les Troisgros.”

(PBS)

The filmmaker considered both Cambridge, Mass., and Paris his homes. His films, to an extent, reflected that transatlantic residency in their freshness of perspective. They display an innate curiosity and astonishing degrees of empathy, intelligence and perceptiveness, with subjects ranging from public and social institutions to cultural and specialized spaces and the minutiae of human interactions.

Wiseman’s other films included “High School” (1968), “Welfare” (1975), “Juvenile Court” (1973), “Public Housing” (1997), “La Danse” (2009), “National Gallery” (2014), “Ex Libris — The New York Public Library” (2017) and “City Hall” (2020). The varied body of work earned three Emmy Awards and an honorary Academy Award. Wiseman was also awarded Guggenheim and MacArthur Prize fellowships.

Beyond documentaries, the director also made three fiction films, “Seraphita’s Diary” (1982), “The Last Letter” (2002) and “A Couple” (2022). In reviewing the last, Chang wrote, “I suspect [Wiseman] is no more likely to impose himself on one of his fictions than he would on one of his documentaries, which ‘A Couple’ may resemble more than it appears. Wiseman has spent a career probing the complex inner workings and painfully human errors of America’s establishments, but in marriage itself, he may have found the most fraught, mysterious and unreformable institution of all.”

Nathalie Boutefeu in the movie “A Couple.”

(Film Forum)

Frederick Wiseman was born Jan. 1, 1930, in Boston. He graduated from Willams College and Yale Law School before embarking on a filmmaking career in the mid-1960s. He remained staunchly independent, establishing Zipporah Films, named for his wife, in 1971, in order to maintain control over distribution of his work.

In addition to his filmmaking career, Wiseman worked as a theater director and actor, including a recent appearance in Rebecca Zlotowski’s 2025 film “A Private Life,” starring Jodie Foster.

Wiseman’s wife of 65 years, Zipporah Batshaw Wiseman, died 2021. He is survived by his two sons, David (Jennifer) and Eric (Kristen Stowell), and three grandchildren, Benjamin, Charlie and Tess, as well as his friend and collaborator Karen Konicek, with whom he worked for 45 years.

AN iconic American actress looks completely unrecognizable after a string of legendary roles and an Oscar nomination.

The star first shot to fame in 1983 as she appeared in Scarface playing Al Pacino’s character’s sister, Gina Montana.

She starred in many huge movies back in the 80s and 90s – can you guess who?

The actress in question is none other than brunette bombshell Mary Elizabeth Mastrantonio, who has enjoyed an incredible career as a movie star.

Mary has recently been spotted out and about and she looks completely different to back in the day.

The 67-year-old has obviously moved on from her famous 80s curls and has opted for a more natural look often going to events makeup free.

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Mary’s style is incredibly chic, with the actress often donning shirt’s and over sized blazers.

Years ago, glamourous Mary was often seen on red carpets wearing floor length gowns and posing with her A-lister pals.

Many of Mary’s fans may recognise her from Robin Hood Prince of Thieves, where she played Maid Marion – a spy.

While Mary is probably best known for her role in Scarface she also appeared in the 1986 movie The Colour of Money, playing Carmen, which landed her the coveted Oscars Best Supporting Actress nomination.

Paul Newman and Tom Cruise appeared alongside the star in the movie, which also saw her nominated for a Golden Globe.

Her other movie roles include James Cameron’s science fiction, The Abyss with Ed Harris, she played the attorney daughter of Gene Hackman‘s character in Class Action, co-starred in the 1992 thriller Consenting Adults and played a fishing boat captain in The Perfect Storm.

The singer was also nominated for a Tony award for Best Actress in a musical back in 2003 for her work in Man of La Mancha.

As well as her impressive career as a movie star, Mary also appeared in many TV shows, the most notable being Without A Trace and Law & Order: Criminal Intent.

Mary was born in Lombard, Illinois and studied drama at the university. She worked summers at a local theme park to get her through college.

The Broadway star lived in England for over 20 years with her husband Pat O’Connor, who directed The January Man.

Mary and Pat have two sons and they all moved back to the US in the 2010s.

The movie star now works as a professional coach using her years of experience in theatre, film and prime time television.

Thundering drums and shredding guitar solos cut through the crowd as pyrotechnics and streamer cannons blast. The energy and production feel like a show at the Hollywood Palladium or the Forum, but we’re at Knott’s Berry Farm, on the rooftop of a big red doghouse — that is if we can suspend our disbelief for an evening. The educational rock band Jelly of the Month Club along with guest musicians Charlie Brown, Lucy, Schroeder and Linus set up the show’s finale with a question: “Where’s that crazy dog?” Hundreds of fans scream as “All aboard!” resonates through the park, watching in anticipation as a spotlight searches for its fuzzy rock ‘n’ roll star to emerge.

Chances are you’ve seen Snoopy dressed as Doggy Pawsbourne on your Instagram or TikTok feed, complete with Ozzy’s signature round sunglasses, long hair and trench coat, punctuating the Prince of Barkness’ “Crazy Train” entrance. Snoopy’s Legendary Rooftop Concert became an instant hit with park patrons and with fans internationally thanks to a viral video posted on opening night. Sharon Osbourne shared the “Peanuts” tribute to her late husband with the all caps message “I LOVE IT” to her social media from the floor of the 68th Grammy Awards. But it’s more than witty puns and costumes that make Snoopy’s Legendary Rooftop Concert special.

The show at Knott’s tells the story of Snoopy learning to be a rock star at Jelly of the Month Club’s Music Academy and touring the world with the band. Snoopy takes on fursonas like Dog Lennon, Paw Prince, Fido Mercury, Flying Ace Freely and even a lost member of Devo wearing the signature Energy Dome hat. Jelly of the Month Club hits every beat and chord with precision, with arrangements of songs and medleys that bring together the power of rock’s past with the whimsy of “Peanuts.” Woodstock gets a solo moment too, whistling on Dog Marley’s “Three Little Birds,” set to a perfect one drop beat as Charlie Brown spirals out in a chicken suit while rubber chickens sway.

“We got rows of kids bringing their own rubber chickens,” show director Rob Perez tells me. “Its almost like watching ‘Rocky Horror’; kind of bizarre, really funny, and charming.” When Charles Schulz’s daughter Jill came to see the show, she told Perez that her dad used to say “there’s nothing funnier than a rubber chicken.”

Snoopy as Doggy Pawsbourne at Knott’s Berry Farm

(Dick Slaughter)

It makes sense that rock ‘n’ roll appeals to Snoopy; he’s a bit of an outsider with an internal life seen by almost none of his friends. It makes more sense that the feeling of family promised by rock touring life would appeal to Charlie Brown; it often calls to creative dreamers and outcasts with a subconscious need to belong. Schulz explored why all humans have the feeling people don’t like us in his cartoons and admitted that Charlie Brown was loosely based on himself. “People who win are the minority,” he told BBC in 1977, “most of us lose a lot.” The solution he provided to overcoming life’s most difficult conditions was simply to never give up.

Nobody cheers on Charlie Brown in Snoopy’s Legendary Rooftop Concert more than Jelly of the Month Club guitarist and vocalist Michael De La Torre, a.k.a. Mic Dangerously, who has become accustomed to encouragement working with youth. Active since 2013, Jelly of the Month Club is a family-friendly band who use music to inspire, educate and entertain kids and adults. It has played countless elementary schools, children’s hospitals, civic events and theme parks with interactive songs that teach musical concepts and life lessons. The band also offers free online lessons called the Jelly of the Month Club Music Academy, which turned live gigs into cartoon-based educational games. The band members have partnered with nonprofits including UNICEF’s Kid Power initiative to provide concerts to schools across Southern California, often donating their time.

“Studies say music helps with math, English and science, but it also helps you as a person,” Dangerously says. “It helps you understand feelings better. Look at how adults use music therapeutically. Kids are doing just the same.”

Dangerously first recognized the power of music education as a young boy at St. Pius elementary school in Buena Park, when a man with a bushy mustache and a Hawaiian shirt quieted the boisterous students in seconds with only an acoustic guitar. But hearing Louis Prima’s voice in “The Jungle Book” solidified his desire to become a singer.

Playing at Knott’s has forged meaningful connections to the community in ways Dangerously never foresaw in his early rock ‘n’ roll days. He’s become close to a father and his usually nonverbal son who can’t keep quiet at shows, asking questions and singing along. Last year an older woman who he’s built a friendship with for years suddenly disappeared. Dangerously learned from her daughter and granddaughter that she suffered a stroke. She credits singing and dancing to his music at Knott’s as instrumental in recovering her speech and movement. “She told me that she loved me like a son,” Dangerously says. “I’ve never had anything like that happen with my rock band. It makes you really want to show up.”

On the night The Times experienced Snoopy’s Legendary Rooftop Concert, Dangerously’s biggest fan, Abbey, stood in the front row playing a light up tambourine above her head to “The Blooz Beagles,” wearing a head-to-toe matching outfit to him. In her sequin blazer, red pants, black boots, bow tie and wide-brim hat, the 11-year-old mirrored his musical gestures, never missing a beat. Abbey loves “everything” about the music and dancing she tells me, excited to share that Mic personally gave her the tambourine and a few other instruments too.

Crowd at Jelly of the Month Club show at Knott’s

“They’ve known her since she was 3,” says April Guerrero, Abbey’s supportive mom who has helped her daughter make replicas of Jelly of the Month Club’s looks since 2017. Abbey learned to play music because of the band’s online resources.

“Many of us have a background in education,” Dangerously said. Matt Kalin is a teacher and pro saxophonist who has shared the stage with legends like Social Distortion and Louis Bellson. Dr. Todd Forman is a practicing physician who went to Harvard, taught at USC, and played sax with Sublime. Bassist James Kee is an educator who has taught kindergarten through fourth grade for the last 15 years. Dangerously’s own mom was an art teacher who encouraged him to teach after he finished his audio engineering degree at Musicians Institute, something he’s used in a junior producer’s course he created for an after-school program in Long Beach.

Like the members of Jelly of the Month Club, director Rob Perez is a multi-instrumentalist and producer with a deep reverence for classic rock and Charles Schulz cartoons. Perez is the man responsible for turning Snoopy’s Legendary Rooftop Concert from a dream into a reality. The concert grew out of a 2017 show called Woodstock’s Music Festival. When Snoopy walked out as Jimmy Hendrix, the crowd went wild, and Perez’s boss and Knott’s fans wanted more.

“The Rooftop Concert is a little bit of a nod to the Beatles, but it’s much more about Snoopy’s rooftop,” Perez tells me. “When you see Snoopy as the great writer, or the World War I Flying Ace, it’s always on the roof of his doghouse. So why wouldn’t he be a rock star on his rooftop?”

Knott’s rebrand of the show let Perez incorporate more storytelling, a task he shared with Jelly of the Month Club. The show opens with Snoopy traveling from his fictional cartoon town to a rehearsal where Dangerously gifts him a tambourine to join their jam. He sends Snoopy home with a pile of records which he listens to obsessively in his doghouse, a relatable experience for fans who have found solace and inspiration in old LPs, hiding out like Snoopy with pizza, root beer, and the complicated dream of leaving the only place you’ve ever called home to follow music’s call. Snoopy dons a leather vest, proclaims he’s a “Golden Dog,” and runs away from home to take lessons at Jelly of the Month Club‘s Music Academy and tour the world. After receiving criticism in the recording studio about his howl, Snoopy finds himself missing his best friend Charlie Brown. He asks the Peanuts Gang to team up with Jelly of the Month Club for one final performance on top of his doghouse, legendary enough to land them in the Rock and Roll Hall of Fame.

Perez’s writing and producing shares the attention to detail present in Jelly of the Month Club’s approach to the music. Perez had the honor of voice acting for Snoopy. He digitally re-created a technique he learned from researching Bill Melendez’s 1960s approach in which he recorded barks and grumbles directly to reel-to-reel tape, sped it up, then cut and pasted it randomly to create Snoopy’s signature pentameter-less cadence. Perez worked closely with costume designer Tim Barham, creating every wig, accessory, and costume with exacting detail. The storyline and graphics pay close attention to “Peanuts” lore and rock ‘n’ roll film history, with Easter eggs from “La Bamba,” “Rocketman,” “This Is Spinal Tap,” “Almost Famous” and many others hidden throughout the 30-minute show.

“We don’t try to change the Peanuts from who they are,” Perez says. “We have to bring Charlie Brown along as he constantly fails at being a rock star. We have to give him a shot and prop him up, because he’s usually on the ledge. We bring him back. That’s been the premise of many Peanuts TV specials and movies.”

Mic Dangerously with Snoopy at Knott’s

(Dick Slaughter)

Jelly of the Month Club’s original song “The Magic Is in the Music” meets Charlie Brown where he’s at, encouraging him to take on the challenge of becoming a guitarist. As he fumbles with his out-of-tune Flying V, looking ready to shred in a thrash band, the crowd cheers for his success despite his self-doubt. When Charlie withdraws during the Elton John number, Dangerously responds by saying that that music can be a safe place when you’re feeling lost, saying “Charlie Brown, you are home.”

“We’re out there singing we ‘want to bark and howl all night’ but we’re teaching Charlie Brown and Snoopy is that it’s not just about your clothes, it’s about what’s in here,” Dangerously says, touching his heart. “It’s important not to take yourself too seriously. We’re showing that it’s OK to have fun. And that silliness is a big, important component of rock and roll.”

This spirit is the core of Snoopy’s Legendary Rooftop Concert on stage and on the floor. At the show I see a sea of grandmas shaking babies’ fists in the air, a little boy in a Woodstock hoodie headbanging, rockers in studded vests with huge smiles on their faces, and teenagers momentarily dropping their defenses against cringe in exchange for a moment of sheer joy.

Hanna and Ellie, teens from South Gate and Silver Lake, respectively, can’t contain themselves, pogoing, screaming and singing along. “I’m at a loss for words,” Hanna says, giggling. The girls agree that the show was better than they expected.

On Snoopy’s rooftop everyone is a rock star: Abbey, a rubber chicken and even Charlie Brown.

The picturesque village boasts 1,000 years of rich history, stunning churches and marvellous buildings, as well as a legendary haunted pub.

A picturesque Lancashire village renowned for its medieval heritage, stunning landscapes, and a celebrated pub with a spooky history is being praised as essential viewing by visitors.

Nestled between Ribble Valley and the Forest of Bowland Area of Outstanding Natural Beauty (AONB), this charming hamlet offers the perfect peaceful retreat, particularly for those passionate about history.

With origins stretching back at least 1,000 years, the serene village of Chipping features in the Domesday Book as Chippenden; the name stems from ‘Chepyn’ meaning ‘market place’.

The settlement experienced significant wealth in bygone eras, flourishing throughout the Industrial Revolution, when seven mills operated along Chipping Brook’s banks.

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Chipping possesses a fascinating and layered past, with its period buildings ranking among the village’s premier attractions.

Wandering through this delightful village feels remarkably like travelling back in time, with the scenic hamlet radiating an unmistakably medieval yet captivating atmosphere, reports Lancs Live.

Indeed, numerous stone cottages throughout the village date back to the 1600s and 1700s, enhancing its historical appeal.

St Bartholomew’s Church

The village of Chipping houses the 13th-century St Bartholomew’s Church, an active Anglican church with Grade II Listed status, positioned at the village centre and partially restored in 1505, 1706, and throughout the 19th Century.

St Bartholomew’s Church boasts an ancient yew tree within its grounds – a magnificent landmark renowned throughout the county – thought to be more than a century old.

A sundial from 1708 can also be discovered in the churchyard on the southern side of the main structure.

Open for private prayer daily between 10am and 3.30pm, this beautiful church has occupied its present site for more than 500 years and forms an integral part of Chipping’s medieval heritage.

St Mary’s Church

After the 16th-century Protestant Reformation, publicly practising Catholicism became unlawful, yet several local landowners who stayed Catholic proceeded to create a handful of worship centres on their properties.

One was in Chipping, founded by the Welds of Leagram Hall.

In 1827, George Weld donated funds and land to build the openly Catholic St Mary’s Church in Chipping village, just before Catholic Emancipation in 1829.

He also constructed an adjoining priest’s house and a school (now serving as a parish hall) around the same period, which remain standing as the buildings we observe in the village today.

Other medieval attractions

Another medieval site in Lancashire’s Chipping is Hesketh End on Judd Holmes Lane – a Grade I Listed Building originating from 1591 and the early 17th century, which underwent restoration in 1907.

The Grade II Listed Woolfen Hall, potentially dating back to the 16th century and nestled at the base of nearby Parlick Hill, is a must-see when visiting Chipping.

The village boasts two incredibly popular pubs: The Sun Inn, a welcoming yet infamously legendary 17th-century pub, sits unassumingly on the corner of Chipping’s main street, proudly displaying its rich history of spectral tales.

Chipping’s other well-loved watering hole is The Tillotson’s Arms on Talbot Street. Constructed around 1836 and historically known as the Buck Inn, it has since been renamed to The Tilly’s.