legacy

England lifted successive trophies in 1982 and 1984 but then had to wait 39 years until Carsley’s men won in Georgia and Romania in 2023, beating Spain in the final.

Last summer’s extra-time victory over Germany in Bratislava sealed their title defence, thanks to Jonathan Rowe’s strike.

Winning the tournament three times in a row has only ever been done once before, by Italy in the 1990s, although never in the competition’s current guise of 16 teams.

Carsley is aware of the challenge ahead – but also the lasting impact more success could have.

“The older you get, you want to leave a legacy, don’t you?” He said, with England top of Group D and three points clear of Slovakia.

“There would have been an easy move, after the first win, to go and do club management and go and accept a few of the offers.

“But I enjoy the job I’m doing and I enjoy that I’m part of a bigger quest to win a major tournament. I want to be part of the FA when we do that.”

Carsley also says he welcomes the pressure of attempting to do something no Young Lions team has done before.

“I think we have to embrace that,” said the former Everton and Derby midfielder. “They come to play for the under-21s, you’re back-to-back champions. There’s a bullseye that goes with that. We have to be aware of that and go for it.

“The expectancy, we’ll just get through the group and then we’ll win the quarters, we’ll win the semis and then we’ll just win the final… it’s very difficult.

“My priority is definitely qualifying and then that’s something I’ll think about.”

The Country Music Assn. will put on a two-hour live TV special honoring Dolly Parton, who died last month at the age of 80.

The association said Wednesday that the television tribute — titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton” — will be recorded live at the Fisher Center for the Performing Arts, on the campus of Belmont University in Nashville.

The tribute will air Oct. 21 at 6 p.m. Pacific on ABC and Disney+, and will stream on Hulu a day later.

In a news release, CMA described the special as a “joyful, emotional celebration” dedicated to Parton, the rhinestone-studded singer whose life began humbly, in a one-room cabin at the foothills of the Great Smoky Mountains.

Robert Deaton, veteran executive producer of the Country Music Awards and Billboard Music Awards, will fill that role on the Parton project.

“Dolly gave Country Music its heart, and giving some of that heart back to her is an incredible honor,” said Deaton in a news release Wednesday. “My hope is simply that we do right by her story, her music and the people who love her, so that this evening feels like the tribute my friend deserves.”

Sarah Trahern, CMA chief executive, added that the tribute is the association’s “responsibility”: “This special is our way of saying thank you, on behalf of every artist, industry member and fan who found a piece of themselves in her music.”

The tribute is in partnership with Belmont University, which hosted the 2025 world premiere of “Dolly: A True Original Musical,” a biographical production about the “9 to 5” singer that is scheduled for its Broadway debut on Jan. 19, what would have been the Parton’s 81st birthday.

The university also previously launched “Dolly U,” an immersive educational partnership designed to connect students with hands-on opportunities in entertainment, media and creative industries.

Greg Jones, president of Belmont University, welcomed the special with a statement of his own: “It is a privilege to welcome artists, friends and fans from around the world to celebrate her extraordinary life and legacy from this stage in Nashville, honoring a woman whose love for Tennessee was woven into everything she did.”

Both the CMA and Belmont University will make a donation from the proceeds to Parton’s Imagination Library, which was launched by the Dollywood Foundation in 1995 to address childhood literacy by giving millions of children the gift of a free book each month. Disney will also support the program.

News of the television tribute follows an announcement last month by Parton’s estate that revealed plans for Dollyfest, a two-day celebration in Nashville and London next year across two consecutive weekends to honor her legacy.

Additional details for the CMA special, including performers and tickets, will be announced at a later date.

World War Two continues to shape relations between Russia, China, Taiwan and Japan, with competing interpretations of the conflict increasingly intersecting with present day geopolitical tensions.

The issue resurfaced last week when Russian diplomats in Taiwan screened a film about Japanese militarism and World War Two. The screening raised concerns in Taiwan that Moscow was helping Beijing promote a narrative of a rising Japanese military threat while also creating divisions between Taipei, Tokyo and their Western partners.

The disagreement reflects fundamentally different interpretations of who fought Japan, who ultimately defeated Japanese forces in East Asia and which governments have the right to claim that legacy.

What’s Happening

Russia’s presentation of Japan’s wartime history comes against the backdrop of its own unresolved dispute with Tokyo over territory captured at the end of World War Two.

Soviet forces entered the war in East Asia only during its final weeks, when the Red Army moved into Japanese occupied northeastern China. Soviet forces withdrew from most of the region in 1946 and transferred many captured Japanese weapons to Mao Zedong’s communist forces.

The Soviet Union quickly recognized Mao’s government after the People’s Republic of China was established in October 1949 following the communist victory over Chiang Kai shek’s Republic of China.

Soviet forces also seized four islands off Japan’s Hokkaido at the end of the war. Russia calls them part of the Kurils, while Japan refers to them as the Northern Territories. Moscow continues to control the islands.

Russia and Japan have never signed a formal World War Two peace treaty, with the territorial dispute remaining a major obstacle.

China’s View of World War Two

Beijing presents the history of the war as a central part of China’s national narrative.

The Chinese government says China sacrificed 35 million people during its struggle against Japan, which Beijing dates back to Japan’s 1931 invasion of Manchuria.

China officially refers to the conflict as the Chinese People’s War of Resistance Against Japanese Aggression and describes World War Two as the World Anti Fascist War.

Beijing argues that China and the Soviet Union were the mainstays of resistance against Japan and Germany, while Chinese communist guerrilla forces formed the backbone of the resistance inside China.

This interpretation gives the wartime struggle an important role in China’s broader political narrative and its portrayal of Japan’s contemporary military posture.

Taiwan’s View

Taiwan strongly disputes Beijing’s interpretation.

Taiwan’s government argues that the People’s Republic of China cannot claim credit for a war fought before the PRC was established in 1949.

During World War Two, the Republic of China under Chiang Kai shek was China’s government, while Taiwan itself was under Japanese colonial rule. Republican forces carried out much of the fighting against Japan.

The Chinese civil war was temporarily suspended during the conflict as Chiang’s forces and Mao’s communists formed an uneasy alliance against Japan.

Taiwan also points to the formal Japanese surrender at the end of the war. The Republic of China, represented by Chiang’s government, signed the surrender alongside the other Allied powers, including the Soviet Union.

From Taipei’s perspective, Mao’s communist forces used the war to strengthen themselves and subsequently benefited from the civil war that resumed after Japan’s defeat.

Why It Matters

The competing historical narratives are not simply disagreements about the past. They influence how the governments involved portray present day security threats and diplomatic relationships.

For China, Japan’s wartime history remains an important element of its criticism of Japanese military development. For Taiwan, however, Beijing’s use of that history is also connected to its claim over Taiwan and its attempt to define the historical legitimacy of the Chinese state.

Russia’s involvement adds another layer because Moscow has its own unresolved territorial dispute with Japan stemming directly from the final stages of World War Two.

The screening of a film about Japanese militarism in Taiwan therefore carries significance beyond historical commemoration. Taipei sees the issue through the lens of its current relations with Japan and the West, while Russia and China share interests in challenging what they portray as a resurgence of Japanese military power.

Key Stakeholders

Russia retains control of the disputed islands off Hokkaido and has never concluded a formal World War Two peace treaty with Japan.

China presents itself as a central force in the wartime resistance against Japan and emphasizes the enormous Chinese sacrifice during the conflict.

Taiwan argues that the Republic of China, rather than the People’s Republic of China, represented China during World War Two and carried out much of the fighting against Japan.

Japan remains directly affected by the competing historical narratives, particularly because of its territorial dispute with Russia and its increasingly important relationship with Taiwan.

What’s Next

The dispute over World War Two history is likely to remain intertwined with current tensions in East Asia.

For Taiwan, the concern is that Russia and China could use wartime history to portray Japan as an emerging military threat and undermine Taipei’s growing ties with Tokyo and other Western partners.

For Japan, historical disputes remain connected to its relationships with both Russia and China.

For Russia and China, emphasizing their wartime resistance against Japan provides a historical framework through which they can criticize what they see as a revival of Japanese military power.

Analysis

The significance of the dispute lies in how history is being used as a tool of contemporary geopolitics. The same war produces fundamentally different political narratives depending on which government is telling the story.

Beijing emphasizes China’s enormous wartime sacrifice and the role of communist forces. Taipei emphasizes the Republic of China’s role as the government that fought Japan and signed the Japanese surrender. Moscow emphasizes the Soviet Union’s final campaign against Japan and retains territory captured during that period.

These competing narratives matter because they provide historical legitimacy for present day political positions. As Japan strengthens its security relationships with Taiwan and Western partners, wartime memory can be used to frame those developments not simply as responses to current security concerns, but as part of a longer historical confrontation.

The dispute therefore shows how the legacy of World War Two remains an active element of East Asian power politics rather than simply a question of historical interpretation.

With information from Reuters.

It’s never too late to go back to school. But after years of deferred admission, can a new generation of students at Hillman College score high at delivering a compelling, modern take on the groundbreaking sitcom “A Different World”?

The foundation for an updated version of the popular sitcom set at a historically Black college was set three decades ago. In the 1993 series finale, the show’s central couple — smart, bespeckled math whiz Dwayne Wayne (Kadeem Hardison) and high-maintenance Southern belle Whitley Gilbert-Wayne (Jasmine Guy) — were embarking on their next chapter as newlyweds, relocating to Japan and expecting their first child. Before their departure, a professor jokingly quips to Dwayne: “I can’t wait to have your child in my class in the year 2014.”

The only guide you need for fall entertainment.

But plans for a revival — the original series itself was a spinoff of “The Cosby Show,” centered on the Huxtables’ free-spirited daughter Denise (Lisa Bonet) — to suit that time frame were in limbo for years. Producer and director Debbie Allen, who joined the original series in its second season to help it better reflect the HBCU experience, actively pitched and tried to relaunch “A Different World” in the early 2010s, but those efforts were derailed by the highly publicized sexual assault allegations against the show’s creator, Bill Cosby.

“It’s very difficult,” Allen told The Times. “The biggest difficulty, just being totally transparent, was people’s hesitation to work with Mr. Cosby; to have anything to do with him. [But] we were so independent. He kind of put us on a boat and said, ‘Go.’ And that’s what we did. And he was happy to know that we were going on our way.”

In early 2023, another push began to revive the series while also distancing itself from Cosby. Now, its decades-long gap year finally complete, a new incarnation of “A Different World” is starting up classes this fall at Netflix. And it hopes to carry on the legacy of its predecessor, which was celebrated for its depiction of Black culture and life in a higher education setting during its six-season run on NBC, from 1987 to 1993, bringing HBCUs into the mainstream.

Rashida (Alijah Kai), left, Deborah (Maleah Joi Moon) and Hazel (Kennedi Reece) in Netflix’s “A Different World.” After years of trying to tell the story of a new class at fictional Hillman College, Debbie Allen, who returns as an executive producer and director, says the sequel arrives at the right moment: “If there’s any voice we need to hear from right now, it’s young people.”

(Daniel Delgado Jr. / Netflix)

Billed as a sequel series premiering Sept. 24, a Wayne offspring is our anchor for the freshman class at Hillman College, the show’s fictional historically Black college based in Virginia. Deborah Wayne (Maleah Joi Moon) is an aspiring artist forced to attend her parents’ alma mater on academic probation after her NYU acceptance is rescinded. As the youngest Wayne child, she continues the family’s legacy at the school: her older sister — the child Whitley was pregnant with at the end of the original series — and an older brother are both alums.

She’s joined by a mix of first-gen and legacy students: star quarterback Shaquille Johnson (Cornell Young IV), who is the only child of original character Ron Johnson (Darryl M. Bell); criminal justice major Rashida Duvall (Alijah Kai); psych major Amir Rodale (Jordan Aaron Hall); Ghanaian-Nigerian fashion merchandising student Kojo Achebe (Chibuikem Uche); and small-town pastor’s daughter Hazel Henry (Kennedi Reece).

Some of the show’s original creative team join Allen as executive producers, including Tom Werner, and original series writers Reggie Rock Bythewood and Gina Prince-Bythewood. (Mandy Summers of “That ’90s Show” is also an executive producer.) To shepherd this reimagined version of the sitcom, Allen enlisted her former “Grey’s Anatomy” colleague Felicia Pride, who was most recently part of the writing staff on “Bel-Air,” the dramatic reboot of ’90s comedy “The Fresh Prince of Bel-Air.” It was a dream call for Pride, who as a kid living in Baltimore recorded and rewatched episodes — namely, the one involving a step competition that she obsessively watched after school to learn the routine. But she was reluctant.

“I love the show so much,” Pride said, seated next to Allen inside a Netflix conference room in Los Angeles on a recent day. “I was like, ‘I don’t want to be the one to mess it up.’ But she [Debbie] was so adamant that the time was now to hear from young Black America — and that, I could get with.”

Allen remembers it this way: “I don’t have an ego. I begged her. It’s the truth. To get this show back up, we’ve tried for years. But this is the time that’s right … We had inspired all these kids, not just Black kids, all young people to go to college. This was a peep into college that had never happened before, where you saw young people being responsible and living their lives and being crazy, but still dealing with what is happening in this world. If the young people in the country don’t have a voice, that country is dead. And if there’s any voice we need to hear from right now, it’s young people.”

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1. The original “A Different World”: Dwayne (Kadeem Hardison), left, and Ron (Darryl M. Bell). 2. Jaleesa (Dawnn Lewis), left, Freddie (Cree Summer) and Whitley (Jasmine Guy). With Netflix’s modern take, showrunner Felicia Pride wanted the series to be intergenerational: “That’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart.” (NBCUniversal via Getty Images)

The show has been credited with boosting enrollment at HBCUs. While overall HBCU enrollment rose by 26% between 1976 and 1994, according to the National Center for Education Statistics, much of that increase occurred during the stretch of the show’s run.

Pride said she rewatched the original series, paying particular attention to the shift that materialized in Season 2 when Allen was brought on to overhaul it, as a starting point. Allen had a document of ideas detailing the types of characters she wanted to see depicted, including a star athlete, the first out queer character in the show’s universe and an African student. One major detail was a nonnegotiable: Allen wanted the show to revolve around Dwayne and Whitley’s daughter. (How they arrived at the character’s name — Deborah (pronounced Deb-OR-ah), which also happens to be Allen’s first name — is fuzzy. Pride remembers the name already being set by Allen; Allen recalls being amused upon seeing it on the page, thinking Pride had chosen the name.)

And just as in college, legacy matters on TV.

“I wanted the show to feel of now,” Pride said. “I also wanted it to be intergenerational. That was important to me, and that’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart … These [characters] were like my friends. I felt comfort in them. I felt like I could be them. It was also culture in a way that I hadn’t seen before, represented by people who look like me.”

Several familiar faces from the original make their way into the sequel, some taking on the mentor role of the older characters from the original, others representing how one gives back to the community that shaped them. Hardison and Guy lead the cast from the original series who reprise their characters, along with Bell, Cree Summer as Freddie Brooks, Charnele Brown as Kimberly Reese Boyer, Ajai Sanders as Gina Deveaux, Karen Malina White as Charmaine Brown, Jada Pinkett Smith as Lena James, Jenifer Lewis as Dorothy Dandridge Davenport and Allen as Dr. Langhorne.

Several original “A Different World” cast members reprise their roles in the new version of the series, including Charnele Brown, left, Jasmine Guy, Kadeem Hardison, Darryl M. Bell and Cree Summer.

(Quantrell Colbert / Netflix)

“They were so happy to be back,” Allen said. “There was a day they were all together —”

“That was the day where I felt like, ‘Oh, this is history,’” Pride added.

“In between takes, it was just chaos,” Allen continued. “They just laughed and acted up. It was just wonderful.”

To make the new characters and their stories resonate in a deeper, more contemporary way required as large a commitment to reflecting HBCU life as the original had under Allen’s guidance. The creative team assembled two paid student councils from various HBCUs — one to advise the writers’ room on storylines and campus issues; the other worked on the show’s Atlanta set, with students hired as production assistants that had working schedules tailored to their classes. The background performers filling up scenes in the quads, classrooms and parties feature 59% HBCU students and grads. And some key characters are portrayed by HBCU alumni who bring their lived experience to the screen, including Reece, who went to Howard University.

The freshman season will explore issues that Gen Z is grappling with such as financial insecurity, learning struggles, activism in the age of social media and matters of mental health, as well as bigger systemic issues like uncertainty around funding for HBCUs and immigration enforcement. The series also doesn’t shy away from its real-world backdrop — while it doesn’t explicitly mention President Trump by name, there is reference to the state of affairs under his administration.

Actors Jordan Aaron Hall, left, Cornell Young IV, Chibuikem Uche and Dasan Frazier are part of the new class of students at Hillman College in “A Different World.”

(Eli Joshua Ade / Netflix)

But this version of “A Different World” departs from its source material in its narrative format and tone. The original series was a multi-camera sitcom taped in front of a studio audience — and Allen initially thought any sequel of it would follow that same blueprint. But when the new series found its home at Netflix, it became a 10-episode single-camera dramedy. (Allen directed three episodes in the season, including the premiere, which set the cinematic style of the series.) As if to signal this iteration hasn’t completely deviated from its roots, in the show’s opening moments, Deborah Wayne coolly flicks the iconic flip-up frames made famous by Hardison’s Dwayne. And its memorable theme song that had versions from Phoebe Snow, Aretha Franklin and Boyz II Men hasn’t gone anywhere: Brandy was tapped to give a fresh spin on it that helps straddle the line between generations.

Now, Allen and Pride are on the cusp of seeing how this long-gestating idea will fare in the streaming world.

“You play the cards you’re dealt,” Allen said. “It took a while, but it was right for it not to happen until now. Right now is when we need it. Young people are struggling to find hope and inspiration and guidance, connection …”

Allen’s hope is that the show will have enough seasons to let the characters evolve: “On Netflix, not too many shows go past three, maybe four [seasons],” Allen said. What’s the goal? “At least three.”

Pride isn’t thinking ahead to graduation just yet. She’s still thinking about surviving the first day of school with this different (but familiar) show made for a different world.

“I came to understand we can never re-create the original show, and … even trying to pursue that is just not the thing to do,” Pride said. “It was a different time. It was a different everything, and it should stand on its own. What I wanted to do, personally, was just [focus on]: How can we capture that spirit and hopefully have a show that young people today can see themselves in, and that people [who watched the original] can also enjoy and be proud of?”

WASHINGTON — President Trump has frequently suggested he wants to seek a third term, posting about mounting another campaign, donning 2028 caps and discussing ways to make it happen — even as he’s acknowledged the Constitution prohibits it.

But lately, Trump has begun showing signs that even he doesn’t really believe another run will happen.

During recent speeches, the Republican president has begun describing life after the White House when his term ends in January 2029, predicting he’ll be at home and agonizing as his successor claims credit for his accomplishments.

“Your next president is going to say, ‘What a great job I did,’ ” Trump told an event on Long Island, N.Y., this month. “He’ll be sitting around, watching television. A real stiff. Unless you vote Republican, of course.”

A sitting president talking about becoming a former one is always politically fraught. But with midterm elections now just nine weeks away, Trump is approaching the point of his presidency where there will be more and more reminders that his power will soon wane.

Being willing to say he’s contemplating a White House without him marks a notable shift for Trump. Going back to his first term and from virtually the moment he won a second, he’s left the door open to staying put for more than eight years.

“He is all over the place,” said Brian Kalt, a Michigan State University constitutional law professor. “And what that does is, it allows him to point to his own words to support any number of mutually exclusive things.”

Trump can say, “ ’Oh, yeah, I made it clear that I wasn’t gonna run,’ ” Kalt said. “Or, if he decides that he will, he could say, ’Well, you know, I never said I wouldn’t.’ ”

Trump suggests his post-presidency may make him cry

The White House dismissed suggestions that Trump’s thoughts are increasingly turning to the clock running out on his presidency — and the legacy he’ll leave behind. Spokesperson Olivia Wales said he “is fighting every day” to deliver on promises to reduce violent crime, crack down on the U.S.-Mexico border and lower prescription drug prices.

“The only legacy President Trump is concerned with is making America greater than ever before,” Wales said.

Still, hinting at how he’ll be remembered is something Trump is suddenly talking about a lot.

During a recent Pennsylvania rally, he said, “Whoever the next president is, he’s going to be talking about what a brilliant president he is. And I’ll be home. And I’ll be saying, ’That son of a gun,’ because we did the job.”

A week later in Georgia, Trump was predicting that once his presidency was over, “I’ll be sitting home.”

“I may be crying,” the president added, arguing that Democrats could retake the Senate and scrap filibuster rules, making it easier to move their key legislation.

Then, in Michigan, Trump injected some doubt into whether he was ready to hand over the Oval Office and move back to Florida.

“In two and a half years, you may have a different president — may,” he said, emphasizing the “may.”

“I’ll be sitting home. I’ll be reading the papers. I’ll be watching television,” Trump said, before swiping at his predecessor, President Biden. “And I’ll be having some guy — like last time, a real idiot — stand up and say, ‘We are doing record business.’ ”

Mixed Trump signals are still most common

But even as he’s begun to suggest he’ll be leaving the presidency, Trump has also continued to tease a 2028 reelection run.

Addressing the rescheduled White House Correspondents’ Assn. dinner last month, Trump joked, “Just like my presidency, the second time is always better” and that “the third time will be better yet. I’m only kidding.” He later wore a 2028 campaign cap to finish the speech.

The Constitution’s 22nd Amendment says no one can be elected president more than twice. It was ratified in 1951, six years after President Franklin Delano Roosevelt died, months into his fourth term. Until Roosevelt, no other president had defied the tradition of stepping down after two terms that George Washington started.

Still, Trump had only been back in the White House for a couple of months when he told NBC News, “There are methods which you could” use to seek a third term.

He acknowledged that one method was to be the running mate to Vice President JD Vance in 2028 — then have Vance step aside if the pair won.

“There are others, too,” Trump said then, alluding to more options. He later told Time magazine, “There are some loopholes,” while also saying he didn’t believe in using them.

The president has since often used his social media posts to promote “Trump 2028” logos featuring his slogan “Make America Great Again.”

But Trump has also at times seemed definitive about the ban on him making another run, acknowledging recently to reporters: “I’d love to run, but the law is very strong.”

Kalt wrote about a two-term president possibly getting back to office by running for vice president in “constitutional Cliffhangers: A Legal Guide for Presidents and Their Enemies.”

“People do tend to find, in Trump’s words, whatever it is that they want to hear,” he said.

Trump may be fighting the ‘lame duck’ factor

Second-term presidents typically see their power and influence wane during their last two years, particularly if their party suffers big midterm defeats. But Trump’s comments could also be a sign he’s thinking about cementing his legacy, a stage that many of his predecessors also reached.

“They all, particularly as they cross the midpoint of their second term, start thinking about legacy,” said Paul Begala, a former adviser to President Clinton.

“They all banish the word. I know Clinton and Bush, they said, ’Can’t use the L-word.’ But they do,” Begala said, referring to his old boss Clinton and to President George W. Bush. “They all think about it. And the staff thinks about it and the Cabinet thinks about it.”

In his last two years of office, Clinton threw himself into trying to broker a Middle East peace agreement. Bush used the slogan “sprint to the finish” during his presidency’s final year in 2008, and Biden adopted a “run through the tape” ethos after abandoning his reelection bid.

Trump has leaned into molding the White House and Greater Washington in his own image, harkening back to his days as a real estate developer in 1970s and 1980s New York.

He’s ordered up a towering arch near the Lincoln Memorial and restored city fountains, while constructing a Rose Garden patio area and helipad on the White House lawn and adding scores of gilded touches to the building’s stately interior and exterior.

And then, there’s the massive ballroom that Trump has crews rushing to finish in the face of legal challenges — a project the president says will only be completed late in 2028, shortly before he leaves office.

“It’s not for me, ‘cause I’m going to be here a very short period of time” when the work is finished, Trump recently told reporters in the Oval Office. “I’ll be there for four, five, six months. This is for future presidents.”

Weissert writes for the Associated Press.