learning

The show’s co-creator says it turned out to be one of his ‘great joys’ in life

The beloved show’s creator shared there are two main reasons behind the decisions.

Fans of Parks and Recreation are still discovering some behind the scenes secrets. This includes the reason behind some of the names used for both key characters on the show, as well as some who only appear briefly in an episode.

For those unaware, the series follows the parks department in the fictional Indiana town of Pawnee. They are lead by the overly enthusiastic Leslie Knope, who rallies her colleagues and friends to do the best for their community, including their attempts at creating a new park.

Co-created by former writers of The Office, Mikes Schur and Dan Goor it is described by some fans as one of the best comedy series ever made. Despite it being more than 10 years since it finished airing, its dedicated fan base are still learning secrets of the show.

Schur appeared on Amy Poehler’s podcast Good Hang where he revealed some of his own. At one point during their conversation, Amy notes that Schur enjoyed coming up with character and names. He even had a long list of alternate choices for her role of Leslie Knope.

Asked why he put so much thought into names of every character, he explained it was for two reasons. One was that he was heavily inspired by Monthy Python, who would often utilise silly names in their sketches.

He decided that the fictional town of Pawnee would also be a place that contains almost limitless people who happen to have ridiculous sounding names.

However, he also explained another meaningful reason. He said: “The actual thing that’s going on here is different. I would go to actors’ IMDb pages to see what they had been in when we were casting them in the early days of the show and you would see like woman number two or like man in crowd or guy with sandwich and it really bummed me out.

“Because I love actors. I love them so much. I think that they have the hardest job when it comes to making a show. It is so hard. Anyone who doesn’t believe this should try it, by the way. Try acting.”

Schur continued: “That person auditioned for this and booked this gig and drove all the way cross town and like put on fake clothes and put on makeup and whatever and had to stand in a certain place, follow a million instructions, say a line or two, and then they yelled cut and that person went home and they got paid like $600 for like a week’s worth of work.

“They should be something better than man number two or man and crowd. So I decided early in season one of Parks that every character who appeared on the show was going to have a first and last name. So instead of man in crowd, you’re like, ‘Oh, well that it doesn’t really count as an acting gig’. But if you see Marv Vavma, which is a name I gave a character once, you’re like, who the hell is Marv Vavma? What was Marvma up to?'”

The writer described the decision as one of ‘great joys’ in his life to give every actor a character name. He added that there is also a legal issue, with names used on the show needing to be cleared in case they used the name of a real person. As a result he would opt for the ‘weirdest names’ as there would be a chance that no one else has that name.

Some of Schur’s favourite names they created for the show include Mona-Lisa Saperstein, who was played by Jenny Slate and Trodd Frankensteip who was a reporter who only appeared briefly.

There was also a Tyrion Fonzarelli, which was a combination of Tyrion Lannister in Game of Thrones and Arthur ‘Fonzie’ Fonzarelli from Happy Days. Coincidentally, Henry Winkler, who played Fonzie, also starred in Parks as Dr. Lu Saperstein.

One fan discovering for the first time commented: “I never knew about this and I love it!” Another added: “These names are just incredible.”

Parks and Recreation is streaming on Paramount+, Channel 4 and U.

JO Whiley was left in tears as she recalled how she told her sister with a learning disability that their dad was dying.

The BBC Radio 2 host, 60, shared the sad news that her beloved father Martin had passed away as she shared a gushing tribute to him on Instagram yesterday (23 July 2026).

During the latest episode of Dig It with Jo Whiley and Zoe Ball, which was released yesterday, the pair discussed Jo’s dad’s ill health following on from his Parkinson’s Disease diagnosis in 2025.

TV presenter Jo opened up about they navigated explaining what was going on to her sister Frances, 53 – who has a rare chromosomal disorder called Cri du chat syndrome – during the last few moments of his life.

Frances also has learning difficulties and diabetes.

Opening up about how she dealt with the tough time, Jo said: “Frances has been extraordinary and she completely understands what is going on, she knows that he’s not going to get better, she just keeps saying ‘Not going to die?’ and instead of sugar coating it you just have to say ‘Well, he is not going to come home’.

STAR’S PAIN

BBC Radio 2 host Jo Whiley left heartbroken as she reveals her dad has died

JO’S REGRET

Jo Whiley apologises to Fearne Cotton after ‘bleak time’ over paedo ex arrest

“And she kind of pauses and she’s like ‘Okay, where is he going?’

“And my mum is a really, really devout Christian and she says ‘Well, he’s going to Jesus and that’s where we all go.’

“Frances is like ‘Okay, how old is he?’ He’s 86, ’87?’ And we’re like ‘No, he is not going to be 87’ and she thinks about it and she’s like ‘Okay’.

“She’s just been so tender with him, it’s been beautiful to watch, I’ve talked about her accepting grief before and coming to terms with things.”

“And then there was this really lovely moment when she was leaving the other day, and it was when he was on the cusp of consciousness and she was going ‘Say my name, say my name!’ And he actually said the word Frances.”

An emotional Zoe simply replied: “Oh wow.”

Holding the tears in, Jo continued: “It was lovely. It was really good.”

But getting overwhelmed by her emotion, wiping the tears from her face, she said: “And she keeps saying ‘Daddy said my name!’

“It couldn’t have been better.’

Many fans rushed to the comments section on YouTube where the podcast can be watched to share the love.

One wrote: “Sending you love and strength Jo we are all holding you in our heart xx.”

Another added: “So very sad for the loss of your dear Dad Jo, sending you love & strength xx.”

“Arh Jo, woke up to see the news that your dad had died and then watched this episode. So sorry lovely, such a hard time for you all. Big love and hugs,” a third said.

On Thursday Jo took to Instagram to share a slew of sweet snaps and short clips of her dad.

In the carousel of memories, Jo could be seen cuddling her dad in one heartwarming photo.

Other snaps showed him at family parties enjoying himself, while one throwback pic also saw the star when she was younger with her father.

Jo then penned an emotional tribute, which started with: “My lovely Dad died today.

“He was the kindest man, who lived solely to make others happy. He was supremely selfless and loved nothing more than caring for others and making people laugh.”

Jo talked about the “challenges” Martin faced in his own childhood, before meeting her mum and “finally knowing what love is”.

She also thanked her dad for giving her, her “love of music”.

Jo ended the sweet tribute with: “We’re going to miss you so very much. You absolute legend.”

Joe Root says some England players are having to “learn on the job” in 50-over cricket because of a lack of exposure to the format.

Root was a class apart in the second one-day international at Cardiff with a chanceless 99 that led England to a four-wicket win in tricky conditions.

In domestic cricket, the One-Day Cup is played in the same window as The Hundred and has therefore become more of a developmental tournament.

Collectively, England’s top six batters on Thursday had played more than 400 matches fewer than their India counterparts in List A cricket (which combines one-day internationals with major domestic white-ball competitions).

“I think that’s one of the biggest challenges for this team and the young guys coming through,” Root, 35, said after England’s win.

“Not just now, but in the next little while, anyone coming into this team does not have the wealth of experience and understanding of 50-over cricket because we are not exposed to it any more.

“There is not that element of grounding that happens before you get to this level, which happens elsewhere around the world, so it’s understanding that there are going to be times where guys have to learn on the job and they have to learn quickly.”

England reached their target of 234 in the 45th over in a game which resembled a more traditional ODI, where Root’s knock – alongside Virat Kohli’s 65 in India’s innings – was based on strike rotation, playing the ball late and punishing anything loose.

Due to the conditions, it was a stark contrast to some of the batting produced by England’s World Cup-winning squad of 2019, but Root highlighted the importance of being able to adapt.

“You’ve got to be brave and know that you can absorb pressure, because you have always got more time than you think and you can really make things up,” Root added.

“The more gears you can have, then it’ll make you a better player in the long run.

“Some guys will get out their tricks, sometimes you’ll be on a pitch where 400 is a par score which can happen.

“But you have got to have range and the hardest bit for guys coming through in English cricket is that everyone who plays T20 cricket can manipulate the field and take the game on – but when you find yourself in a situation like that, a wicket like that, can you find a way of doing it ugly and just getting over the line?”

I rose from my living room couch before Mexico’s World Cup match against Czechia when the Telemundo announcer stated it was time for the Mexican national anthem.

The public address system at Azteca Stadium in Mexico City played a short string intro. My back straightened. I pressed my right hand against my chest horizontally in the traditional gesture that accompanies the tune. And then I recited the opening lyrics to a song I’ve heard all my life but that I only began committing to memory this month:

Mexicanos al grito de guerra/El acero aprestad y bridón/Y retiemble en sus centros la tierra/Al sonoro rugir del cañon

Those florid 19th century words — “Mexicans, at the cry of war/Ready the steel and the bridle/and may the Earth tremble to its core/at the cannon’s resounding roar” — make “The Star-Spangled Banner” seem as anti-war as “Give Peace a Chance.” My kumbaya heart nevertheless jumped as the anthem continued.

Goosebumps blossomed on my skin as Mexico’s head coach Javier Aguirre, he of a stern face and gray haircut worthy of a drill sergeant, beamed while singing. My eyes watered as the camera panned over his arm-in-arm players as they shouted the line, “Think, o beloved homeland! That heaven/gave you a soldier in each son.”

Millions of Mexican Americans like myself have stumbled through the himno nacional during this World Cup, whereas in previous years, we might have just hummed some bars or stayed silent. It’s a boisterous way to connect with one half of our hyphenated lives and get in the right mindset to root for El Tri, but otherwise something we don’t really have to know all the way through given we’re in the U.S.

Yet seeing stadiums and bars packed with Latinos wearing the jerseys of their ancestral homes and warbling their national anthems during this World Cup has been a jolt of inspiration I wasn’t expecting. Those few minutes before each match have become a reminder of what we’re up against at this moment in the Western Hemisphere, as President Trump thirsts to smash Latin America into submission while persecuting too many of us stateside.

In downtown Santa Ana earlier this week, Alicia Rojas quietly recited Colombia’s national anthem word for word before a game against the Democratic Republic of the Congo, even though she was just one of a handful of Colombian fans at Chapter One: The Modern Bistro.

“It reconnects me to my roots, my family and the memories of home,” said Rojas, who was born in Bogotá and moved to the U.S. at age 12. The artist has helped to organize against federal immigration raids in Orange County and volunteers for local political races. “Those few minutes remind me that beyond our differences, we share a history, a culture and a love for the land that made us who we are.”

Latinos are a famously divided bunch, to the point that we don’t even like a catch-all label for “us.” A 2024 Pew Research Center survey found that 52% of Latinos prefer to refer to themselves by their family’s country of origin, while only 30% identify as Hispanic or Latino and just 17% use plain ol’ American.

One thing that can unite us all — and all lovers of liberty, for that matter — is those Latin American national anthems. Many were written in the aftermath of wars for independence. Most are bright, rousing listens, even if you don’t understand Spanish, because their chords reflect the Romantic classical music popular at the time of their composition in the 19th century. All call for their countrymen to fight against tyranny.

Fans cheer after Lionel Messi scores a goal against Algeria during a World Cup watch party at Mercado Buenos Aires on Tuesday, June 16 in Van Nuys.

(Ronaldo Bolaños/Los Angeles Times)

Cue up this soundtrack for your summer:

Paraguay’s national anthem starts by stating that the people of the Americas were “oppressed for three centuries” until they rebelled. Ecuador’s recalls how its founding fathers “cried out a holy voice to the heavens/that noble voice of a unbreakable pledge/to defeat that [Spanish] monster of blood.” Colombia’s similarly doesn’t shy away from how violent its fight for independence was, but takes solace that “in furrows of pain/good now germinates.”

On and on, these songs stir the soul. Argentina: “Hear the sound of broken chains/See noble equality enthroned.” Uruguay: “Tyrants: Tremble!/We shall cry out ‘Liberty’ in battle!” — a boast backed by flutes and violins that make it sound like a Rossini overture. I especially like how Panama’s national anthem concludes by urging “shovel and pick/to work without delay” — a reminder that the job of creating a better society is never done.

Conservatives have, unsurprisingly, long railed at the very idea of singing the national anthems of other countries on American soil. But that just reinforces Samuel Johnson’s adage that patriotism is the last refuge of a scoundrel.

There’s nothing wrong with taking inspiration from the clarion calls of other countries. “O Canada” is as soaring as “God Save the King,” while revolutionaries across the world have chanted “La Marseillaise” for centuries. And yes: I sing “The Star-Spangled Banner” with all my heart as well — and I definitely know the words to it.

But the message of the U.S. national anthem isn’t enough for Latinos right now. Hailing survival against an invading force is important, but it’s a mindset too many of us have resigned ourselves to under Trump.

The theme of Latin America’s national anthems is the demand that we stand against despotism and push for a better world through sacrifice and valor. They should be a wake-up call, especially for Latinos, to lead the electoral charge against Trump this November. We helped put him in the Oval Office in 2024, and we have the power to take Congress away from his GOP vassals.

Alas, all those paeans to freedom have played out better in song than in real life. Latin America is swinging rightward again, electing presidents who promise to channel the strongmen of yore and rule the region through might, not right.

On the same night that Rojas was cheering on Colombia, she was bemoaning that her homeland had elected Abelardo de la Espriella, a millionaire criminal defense lawyer and political novice who earned Trump’s endorsement for his “tremendous accomplishments in life” — which include claiming that female voters would pick him because of the supposed size of his genitals.

We must channel the hopes and dreams of Simón Bolívar, Emiliano, Zapata, José Martí and other heroes of the Americas who fought for freedom for their countrymen, sought to cast off the long reach of colonialism and imperialism and urged pan-American alliances over forever wars.

Nothing like the World Cup’s unofficial pre-game soundtrack to reinforce this eternal, universal message.

Mexico dominated Czechia 3-0 and finished first in its group. When El Tri plays again on Tuesday in the first round of the knockout stage, I will stand at a packed Chapter One with other fans and so many more across the U.S. and sing again Mexico’s national anthem.

I will hope to have it all memorized by then instead of reading off my smartphone — the thing is hard! The Spanish is archaic, the intonations are complicated, and the words tumble over themselves like a hard charge toward the goal posts.

But I will do it — a little victory in the long battle for freedom that never ends.

While abuse can be persistent, the response from athletes is evolving.

Some young athletes are finding ways to withstand the noise, such as Formula E driver Ella Lloyd who says she “just laughs” at negative comments, while Olympic gymnast Ruby Evans, who is competing at this year’s Commonwealth games, is clear in her response: “They can’t do what I do.”

Rather than simply enduring social media, many are shaping their visibility and Dr Mellick believes this shift is partly generational.

“Having grown up with this technology, [younger athletes] are better able to adapt to it. They have a better knowledge and understanding and appreciation for it,” he said.

“They don’t see it as an immediate threat response. It’s something they’re familiar with. They have a better understanding that social media is not fact-based. It’s a form of entertainment.

“They can then also look and use to explore it in more positive ways.”

Cardiff City midfielder Eli King is one such example. During his recovery from an anterior cruciate ligament injury last season, he launched Justaquickconvo, a series of social media podcasts focused on mental health in sport.

King says he hopes he is using his platform in a positive way and though being initially unsure about sharing his experiences, he has said the response has confirmed to him the importance of using visibility positively.

“People reaching out to me explaining their stories and maybe their struggles and why me trying to do something like this is helping them. Once I received that reception, it was worthwhile,” said the 24-year-old.

“Everyone has their problems and struggles. If one person can watch that [his content] and feel encouraged to call their mate the next day, that’s sort of my job done.”

Dr Mellick sees this response as significant.

“From research we know that athletes sharing their struggles online has been a really impactful measure to break down stigma associated with mental health issues,” he said.

“It has increased help-seeking behaviour, particularly in males, and created better and safer conversations around mental health and well-being.”

Exposure is inevitable but with that, increasingly athletes are learning not just to survive and deal with the noise from social media but inspire change through their platforms.

They are helping to reshape what visibility can mean in the hope that even small actions can shift behaviour.

As Cain said: “If I can make people think before they write something, I will.”