Route 66 was 20 years old and World War II had just ended when Bobby Troup, an aspiring songwriter from Pennsylvania, decided to go west. As it turned out, that drive in early 1946 did more than anyone could have imagined to establish the road as a symbol of footloose American freedom.
Stories, photos and travel recommendations from America’s Mother Road
Troup, 25 at the time, had already earned an economics degree from the University of Pennsylvania, written a hit song (1941’s “Daddy,” sung by Sammy Kaye), worked for bandleader Tommy Dorsey and served as a Marine through the war years. But to restart his career as a songwriter and actor, he believed that he needed to be in Los Angeles. So he and his wife, Cynthia, pointed their 1941 Buick toward California.
They started on U.S. 40, then picked up Route 66 in Illinois. Along the way, as Troup told author Michael Wallis in the book “Route 66: The Mother Road,” Cynthia came up with a phrase she thought was songworthy.
Bobby Troup, composer of the hit song “Route 66” and grand marshal of Duarte, Calif.’s Salute to Route 66 parade, rides in a 1948 Buick convertible and waves to fans in 1996.
(Louisa Gauerke / Associated Press)
“Get your kicks on Route 66,” she said.
Troup took it from there, creating “a kind of musical map of the highway.”
As Troup later recalled in an introduction to a Route 66 book by Tom Snyder, they heard Louis Armstrong play a club in St. Louis, stopped at Meramec Caverns in Missouri and found that “a good part of the highway was absolutely miserable — narrow, just two lanes, and very twisting through the Ozarks and Kansas.” Then came a snowstorm in Texas.
By the end of the drive, the up-tempo tune was half-done. Then, not quite a week after arrival, Troup landed a chance to pitch a few songs to Nat “King” Cole, who had already won fame with hits including “Sweet Lorraine” and “Straighten Up and Fly Right.”
They were sitting by a piano on stage — after Cole’s last set of the night at the Trocadero on Sunset Strip — when the nervous young songwriter decided to share his unfinished road song.
“I got up on the riser, pulled the piano bench back a little bit — and it went over the side and I fell over backwards,” Troup confessed in a later interview.
Still, Cole “loved it,” Troup recalled. “As a matter of fact, he got on the piano with me and played it.”
This was February. By mid-March, the song was done and Cole was recording it in a studio on Santa Monica Boulevard, part of Route 66.
The finished version name-checked a dozen cities along the route, including these words:
Now you go through Saint Looey
Joplin, Missouri,
And Oklahoma City is mighty pretty.
You see Amarillo,
Gallup, New Mexico,
Flagstaff, Arizona.
Don’t forget Winona,
Kingman, Barstow, San Bernardino.
Won’t you get hip to this timely tip
When you make that California trip
Get your kicks on Route 66.
In April, Capitol Records released “(Get Your Kicks on) Route 66” and the tune quickly rose to #11 on the Billboard chart of top-selling singles. Before 1946 was out, it had been recorded again, this time by Bing Crosby with the Andrews Sisters. That version went to #14.
Musicians Nat “King” Cole, left, and Bing Crosby, circa 1945.
(NBC / NBCU Photo Bank / NBCUniversal via Getty Images via Getty Images)
Coming just as postwar America was rediscovering leisure travel, the song was a big hit — and for many, a painful irony. Even with guidance from the Green Book used by many African American travelers in those days, it would have been deeply risky — and illegal in some places — for any Black man, Nat King Cole included, to eat and sleep on Route 66. This was a year before Jackie Robinson integrated baseball’s major leagues, two years before the U.S. Army was integrated.
As Candacy Taylor puts it in her 2020 book “Overground Railroad: The Green Book and the Roots of Black Travel in America,” “the open road wasn’t open to all.” Into the 1950s, Taylor writes, “about 35% of the counties on Route 66 didn’t allow Black motorists after 6 p.m.” and six of the eight states on the route still had segregation laws. Cole may have helped sell Route 66, Taylor writes, but “the carefree adventure he was promoting was not meant for him.”
Documentary photographer Candacy Taylor at the New Aster Motel in Los Angeles in 2016. In her book “Overground Railroad,” she writes about the discrimination Black travelers faced while driving on Route 66.
(Brian van der Brug / Los Angeles Times)
Two years after recording the song, when the increasingly wealthy Cole and his family bought a Hancock Park mansion and became the neighborhood’s first Black homeowners, many neighbors tried to keep him out, poisoned the family dog and burned racist insults into his lawn.
The Coles stayed put. The family was still in that home on South Muirfield Road in 1956, when Cole became the first African American to host a network television show, and in 1965, when Cole died of cancer at 45.
Troup, who later was divorced from Cynthia and married singer/actor Julie London, went on to record more than a dozen albums and had other songs recorded by Little Richard and Miles Davis. As an actor, Troup filled many guest-star roles on television, played Dr. Joe Early on the 1970s TV show “Emergency!” and had a small part in Robert Altman’s 1970 film “MASH.”
Meanwhile, the song kept rolling. As years passed, Perry Como, Sammy Davis Jr., Chuck Berry, the Rolling Stones, the Manhattan Transfer, Michael Martin Murphey, Asleep at the Wheel, Buckwheat Zydeco, Depeche Mode, Glenn Frey, the Brian Setzer Orchestra and John Mayer recorded versions. At different points in the 2006 movie “Cars,” you hear Berry’s and Mayer’s versions. Troup, who died in 1999, never forgot the difference the song made, both in his life and the way people think about the road.
“On the basis of that song, I was able to go out and buy a house and stay in California,” Troup told Wallis. “I never realized when I was putting it together that I was writing about the most famous highway in the world. I just thought I was writing about a road — not a legend.”
The Rolling Stones are among the countless musicians who have recorded versions of “Route 66.”
Abi made her debut on the long-running ITV soap back in 2017 – and it’s fair to say she has quickly become a firm favourite with fans. The character has also played a part in several big storylinesduring her stint on the soap.
From her drug addiction, the tragic death of her son Seb (Harry Visinoni), and, more recently, her affair with Carl Webster (Jonathan Howard) behind her husband Kevin’s (Michael Le Vell) back, her time in Weatherfield has not been short of drama.
Away from the cobbles though, on Saturday (May 9) Abi actress Sally celebrated her birthday – and fans couldn’t believe her real age.
On a Coronation StreetFacebook fan page, one person paid a sweet tribute to Sally and said: “Sally Carman is 51 today. Happy Birthday Sally.” And rushing to the comments section, fans were left gobsmacked by her age.
One person wrote: “51?! She looks in her 40s!” Another added: “She doesn’t look a day over 30.” A third chimed in: “I’d have guessed she was in her 40s.” Someone else wrote: “She doesn’t look that age! Gorgeous lady.”
Last year, Sally revealed the secrets behind her remarkably youthful looks. In an interview with The Sun, Sally confessed: “Oh, it’s no secret – I have fillers, I have Botox, facials…. I do all of it.”
Sally continued: “I’m really open about it. I don’t think there’s anything worse than someone promoting a cream saying: ‘Buy this mega-bucks cream and your face will be as smooth as mine.’ I’m like: ‘Yeah, whatever.’ So there’s no cream – well, there is, but there are other things on top.”
Meanwhile earlier this year, Sally confirmed that fans will be seeing her playing Abi until at least 2027 as she signed another year-long contract. Speaking exclusively to Radio Times at the TV Choice Awards, she confirmed: “Just signed for another year, which is great. My goodness, I love it. It’s my favourite job I’ve ever done.”
The soap star also shared that she would be honoured to follow in the footsteps and have the same screen longevity as Corrie royalty Sally Dynevor, who recently marked the milestone of playing Sally Metcalfe for 40 years. “If they’ll have me, yeah!” Sally joked.
In addition to her success on Coronation Street, Sally has also found love on the show. She met her co-star Joe Duttine, who plays Tim Metcalfe, on set in 2017, and the couple got engaged in 2020 before tying the knot two years later.
Discussing their unique engagement tale on Kate Thornton’s podcast, White Wine Question Time, Sally shared: “It was while we were in lockdown and we were staying in the Dales with his sister, who has a lot of space, with, his kids” she said.
She added: “We were walking around this big field on this walk and he went: ‘Kids, have a look in between the dry stone walling because you know, they used to put coins and precious things to hide them in the walls.”
Sally continued: “So I’m having a look and there’s this box. And I opened it. I’m like: ‘No way.’ And then there was another box inside. And I turned around and he was on one knee.”
Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX
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And here at The Times, I have been writing about theme parks for more than a decade. As a journalist but also as a fan, even attempting to analyze my own love for these spaces and why I keep going back.
My entry to theme parks were trips to Florida’s Walt Disney World. These vacations were the highlight of my youth, helping a shy, awkward kid get out of his shell and discover a safe world of play. As I’ve gotten older, I’ve come to see parks as places that reflect our popular myths back to us, allowing us to live inside them and define a role for ourselves. I still insist on riding Pirates of the Caribbean each Disneyland visit, just as my father used to. It’s the second-greatest ride at the park, after all.
Take on a character and quest at Universal Studios
I am standing in front of a makeshift cemetery. On the paths between gravestones are colored footprints, as if left by cartoon characters. These are the trails of a suspect. Purple imprints are what I’m seeking.
I am on the case, and the Scooby-Doo gang is here to help: Velma, Daphne, Fred, Shaggy and, of course, Scooby-Doo himself. Left in the thorny bushes of the graveyard is a clue. Once the latter is discovered, I am one step closer to solving the mystery, one that has unleashed a host of Universal’s classic movie monsters on the ol’ Europe section of the studio’s backlot.
A mash-up of Universal’s classic monsters and “Scooby-Doo!” characters is featured in a game-like experience at Fan Fest Nights.
(Christina House / Los Angeles Times)
Can I and a few hundred strangers restore order and save the day?
Universal’s Fan Fest Nights is in its second year, and after a mixed debut last spring, the after-hours, specially-ticketed event has hit its stride. The centerpiece of the fest, which runs on select nights through May 16 with tickets starting at $74, is a mash-up of “Scooby-Doo!” and Universal’s Monsters, a lengthy game-focused quest with escape room-worthy puzzles.
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The experience, as well as those focused on the worlds of “Harry Potter,” “Dungeons & Dragons” and anime sensation “One Piece,” are hefty, limited-time installations that would be worthy of including in a theme park’s daily operations, as the best of them experiment with character interactions and role play.
While exploring these pop-up worlds, I couldn’t help but think about how stagnant Disney’s own specially-ticketed events have become. Fan Fest and Universal’s Halloween Horror Nights change yearly, yet Disneyland’s popular Oogie Boogie Bash has become repetitive and its other themed nights are too reliant on photo ops and traditional character meet-and-greets.
Taken as a whole, Fan Fest resets expectations for what an after-hours, theme park event should be.
Here there are photo ops and limited-run food, sure (and I highly recommend the graham cracker-like Scooby Snack cookies), but Universal’s live theatrical team has placed the emphasis on exploratory attractions. Actors abound, allowing guests to lean in and take on an active role.
A “Harry Potter” experience at Fan Fest Nights is a walk through a fantastical forest looking for a magical creature.
(Christina House / Los Angeles Times)
In the Potter-focused “Forbidden Forest: Search for the Hippogriff,” we are amateur wizards on the prowl for a magical creature, in this case a majestic, oversized puppet. It reminded me of being a young Boy Scout and going on evening hikes into the woods with a guide regaling us with mysterious tales. In “Dungeons & Dragons: Secrets of Waterdeep,” a returning experience from last season, we are alternately adventurers and thieves.
And in the Scooby gang’s “The Case of the Phantom Director,” we are cast as extras in a film production. The Scooby Doo quest, the heart of the night, comes complete with a 14-page manual full of character bios, clues and missions. You’ll have to read, but it’s a bet that today’s guests are craving personal and interactive attractions that pull as much from immersive theater as they do classic theme parks. I applaud this sort of tinkering with the formula, even as I wonder how attendees will take to having to complete actual brain-teasers in a theme park. At least there is a payoff with a mini show (you do not need to complete the challenges to see the finale).
It took my friend and me more than an hour to solve the Scooby game, and, I confess, we didn’t complete one of the four mini-puzzles. While none of the head-scratchers individually are all that stressful, they are more complex than typical theme park fare and require guests to get out of a mindset of rushing from event to event. (Another friend of mine declared herself too “stupid” to complete the missions, but Scooby fans may simply enjoy living in the make-believe world and playing with the actors).
More of this kind of playful inventiveness, please. Magic isn’t always a fancy animatronic. Sometimes it’s just personalization.
A “One Piece”-inspired stunt show is a popular offering at Universal’s Fan Fest Nights.
(Christina House / Los Angeles Times)
The week in SoCal theme parks
Star Wars: Galaxy’s Edge will roll out some major changes on Wednesday. Out with Kylo Ren and in with Darth Vader (and Luke, Han and Leia). I’ll have more on this next week.
It’s your last chance to meet a Wall-E and Eve robotic figure at the Pixar Place Hotel. Wednesday is the final day currently on the schedule. This has been a popular meet and greet at the Disneyland Resort, so give yourself at least an hour, maybe more, to stand in line if it’s a priority for you.
Looking for a Disneyland deal? If you can get there midweek, single-day, single-park tickets can be had for $104 on Wednesday and Thursday. The friendlier price is also available next week, on May 5-6.
Universal Fan Fest Nights returns Friday through Sunday and while I clearly had a positive experience, if you’re considering going, be prepared for lines. The “Harry Potter” walk-through was a two-hour wait most of the evening. Queue up early, too, for the crowd-pleasing “One Piece” stunt show, as there were only three performances on opening night.
Disneyland has announced a host of new food options coming to the park this week, including blueberry cobbler doughnuts at Lamplight Lounge and a Philly cheesesteak at Pym Test Kitchen.
Facial recognition is now being used widely at Disneyland entrance gates. Disney isn’t the first theme park or major SoCal venue to utilize such technology, but Times news writer Hannah Fry spoke to guests about its implementation and delved into the ethical concerns surrounding it.
The best thing I ate at the parks
Universal Studios’ Scooby Snacks cookies are a delightful treat.
(Todd Martens / Los Angeles Times)
I mention this above, but as part of Fan Fest, Universal Studios has released a box of “Scooby Snacks.” They come in bundles of four, packaged in cute purple and green Girl Scout-inspired boxes. They are a delight, and only about $10. The honey & cinnamon dog tags also make a fine coffee accompaniment with breakfast as these are slightly oversize, graham cracker-style cookies. The only negative is you’ll need a Fan Fest ticket to snare them.
Ride report
There was recently a tweak to Universal Studios’ tram tour.
(Genaro Molina / Los Angeles Times)
The past couple weeks I’ve spent a significant amount of time at Universal Studios, partly in prep for Fan Fest and the arrival of the Fast & Furious coaster this summer, but I also wanted to take in its studio tram tour (officially designed as the World Famous Studio Tour). Aside from being a historic attraction, there was recently a change to its “King Kong” section. Namely, 3-D glasses are no longer required. As someone prone to motion sickness, this is a welcome change and I’m pleased to report it looks spiffy. Now if we could just do something about that stomach-churning “The Simpsons” ride.
Tell us your stories. Ask us your questions.
Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.
Ride on,
Todd Martens
P.S.
I often work remotely from theme parks — find me on my laptop at Flo’s V8 Cafe at Disney California Adventure, near the Calico Saloon at Knott’s or out in back of the Three Broomsticks at Universal Studios. But even when I’m in a normal office, I still like to write with a bit of theme park optimism. So I turn to music.
My favorite bands (Wilco, the Clash, Sleater-Kinney) will distract, so lately I’ve been seeking instrumental fare. And Disneyland Paris has just released a gem of a work soundtrack. It re-imagined its second park as Disney Adventure World, and while I’m confused as to why my editor didn’t send me to Paris to review it (nudge, nudge), I’ve been consoling myself with the “Adventure Way Symphonic Suite” from the London Symphony Orchestra and French composer Philippe Rombi. It’s calming, a bit majestic, and reminds me of early days music at Florida’s Epcot. That is, it’s music that aims to conjure wonder.
“Well…I’ve decided it’s TIME,” she wrote in the caption of an Instagram reel on Wednesday. “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?”
In the video, which the star shared across social media platforms, Witherspoon said she was with 10 women at a book club this week. “I said to the 10 of them, ‘How many of you guys use AI?’ And only three of them used AI. And then I said, ‘How many of the three of you feel like you really know what you’re doing or using it the right way?’ And there was only one person,” she said.
“So, if three out of 10 women are the only ones using AI, that means 70% of that group is not keeping up. The thing I’ve learned about technology is if you don’t get a little bit of understanding from the very beginning, it just speeds past you. So you have to have little bits of learning just to keep up.”
The “Big Little Lies” star then seemingly put out a feeler for an A.I. learning course saying, “I think we should learn the basics together and learn some really good tools that are going to make our everyday lives easier and better. Do you want me to share what I’m learning with you?”
One group that was especially vocal in their opposition to A.I., was the literary community, and writers and authors across the country didn’t hold back when sharing their two cents.
Bestselling “Bad Feminist” author Roxane Gay chimed in on Threads, writing, “Oh Reese. Absolutely not.”
“This is obviously a scripted ad and it’s genuinely infuriating. Notice how AI’s biggest defenders are the ones cashing checks from it,” wrote screenwriter and director Charlene Bagcal on Threads. “AI isn’t inevitable. Technology follows society. If people stop using it, it dies. We still have agency.”
“Jagged Little Pill” author and literary agent Eric Smith weighed in, “As someone who champions authors and books the way you do, this is so disappointing.”
“AI plagiarized all my books. It seems unlikely that I’ll be ‘left behind’ if I don’t use it, given that it’s trained on work I did years ago,” wrote “Get Well Soon” author Jennifer Wright.
Writer and actor Rati Gupta said, “How am *I* the one being “left behind” by not using AI when *my* cognitive function will remain fully intact and uncompromised?”
And Sophia Benoit posted, “There’s something particularly insidious about seeing that women— the group you have built your brand on— have not adopted something and instead of assuming it’s out of wisdom, infantalizing them with ‘we’re falling behind.’”
In 2021, Witherspoon’s company, Hello Sunshine, partnered with World of Women (WoW), an NFT collective, and the actor similarly caught flak from followers for tweeting “In the (near) future, every person will have a parallel digital identity. Avatars, crypto wallets, digital goods will be the norm. Are you planning for this?”
Representatives for Witherspoon have not responded to the Times request for comment.
