I was in New York City with my family on the day Taylor Swift and Travis Kelce tied the knot at Madison Square Garden. Although our hotel was a few short blocks from the venue, which was surrounded by swooning fans, we managed to steer clear. Instead, we headed for the Nederlander Theatre on 41st Street to catch “Schmigadoon.”
The show, which took the Tony Award for best musical last month, was at the top of my must-see list, along with two other recent Tony winners — “Death of a Salesman” and “Giant,” — which I wasn’t sure would be as appealing to my 10-year-old.
There is a certain magic to Broadway despite the crush of commercial horrors a person must wade through in Times Square to get to a show, and “Schmigadoon” did not disappoint. I don’t remember the last time I laughed so hard during a live show. The jokes about a modern couple trapped in a magical town stuck more than 200 years in the past hit the mark with just the right amount of bawdy fun.
SNL alumn Ana Gasteyer is pitch perfect as the town’s vengeful moral crusader Mildred Layton, but the real hero of the show is McKenzie Kurtz, who plays Betsy, a love-hungry young farm girl desperate to catch a man and get married. Kurtz’s comic delivery is so over-the-top that laughter is the only option — and once you start laughing with her you can’t stop.
Like most Broadway musicals , “Schmigadoon” features an ensemble cast that represents the very best of the best when it comes to dancing and singing. It’s clear these actors like one another and know that they have a good thing. There is joy on the stage that transfers effortlessly to the audience. It’s one of those only-in-New-York experiences to be treasured. The show is scheduled to run through Jan. 3.
When we stepped out into the night after the show, we found it had rained. The temperature that day had reached 99 degrees and the city had wilted, but the downpour caused the mercury to plummet a good 10 degrees. The lights of Broadway sparkled in puddles as we made our way down the slick sidewalk, singing the show’s most catchy tune, “It’s not a metaphor, oh no it’s something more, it’s a literal bridge.”
I’m Arts editor Jessica Gelt wishing you a summer vacation that is also a journey. This is your arts and culture news for the week.
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Arts anywhere
FRIDAY
John Travolta listens for evidence which he hopes will trap a killer in Brian De Palma’s 1981 suspense drama, “Blow Out.”
(Filmways Pictures)
Blow Out The Academy Museum’s Summer Thrills series features a 35mm screening of Brian De Palma’s 1981 thriller about a movie sound tech who unwittingly uncovers a political assassination. John Travolta, Nancy Allen, John Lithgow and Dennis Franz star. 7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
SATURDAY
Defiantly Joni The artist collective Muse/ique, in partnership with Center Theatre Group, presents a celebration of singer-songwriter Joni Mitchell, featuring Chris Pierce, Effie Passero, the DC6 Singers Collective and the Muse/ique Orchestra led by artistic and music director Rachael Worby. 5 p.m. Saturday and Sunday; 7:30 p.m. Thursday, July 16 and July 17; 2:30 and 7:30 p.m. July 18; and 2:30 p.m. July 19. Mark Taper Forum, 135 N. Grand Ave., downtown L.A. muse-ique.com
Installation view of Alex Hubbard Abstract or Regular? at Regen Projects, Los Angeles July 11–August 15, 2026
(Evan Bedford, courtesy the artist and Regen Projects)
Alex Hubbard The exhibition “Abstract or Regular?” features video animations projected on wood cutouts by the Los Angeles-based artist, as well as a painting that demonstrates experimentation with the boundary between representational form and abstraction. Opening, 5-7 p.m. Saturday; exhibition continues through Aug. 15. Regen Projects, 6750 Santa Monica Blvd., L.A. regenprojects.com
The Shoebox Museum: A Private Immersive Experience A “narrative video game” is brought to life by theatrical and sensory vignettes that enhance the interactive audience’s examination of artifacts and memories of a past relationship. Shows begin every 30-45 minutes, 1-10 p.m. Saturdays and Sundays, through July 26. Afterhours Theater, 5628 Vineland Ave., North Hollywood. eventbrite.com
Earnestine Phillips, from left, Cynthia Kania, Susan Angelo and Ellen Geer rehearse “Waiting in the Wings.”
(Ian Flanders)
Waiting in the Wings Noël Coward’s 1960 play about a feud between two female residents in a retirement home for actors joins “Romeo & Juliet,” “A Midsummer Night’s Dream” and “Treasure Island” in the Theatricum Botanicum’s repertory season. 7:30 p.m. Saturday, through Oct. 3 (check schedule for specific days and times). Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com
SUNDAY
Journey Through Cahuenga: Indigenous Storytelling and Dance Generations of Native narratives are expressed through music, poetry and dance. Scheduled participants include Dennis Garcia (Fernandeño-Tataviam, Chumash, and Tongva), Chad Hamill/ čnaq’ymi (Spokane), Eric Hernandez (Lumbee), and Carolyn M. Dunn, Ph.D. (Cherokee, Muscogee Creek, Seminole, Cajun, French Creole, and Tunica-Biloxi). Hosted by Tonantzín Carmelo (Tongva). An LA Soundscapes Family Concert featuring a pre-show activity and participatory artmaking. Doors open at 10 a.m. 11:30 a.m. The Ford, 2580 Cahuenga Blvd. E., L.A. theford.com
Mahjong Social With Mahjong Mistress A full afternoon begins with a screening of the late Taiwanese American filmmaker Edward Yang’s 1996 film “Mahjong” followed by an open mahjong session for all experience levels led by Mahjong Mistress, a collective of four friends united by their love of the game and its use in fostering cultural connection and conversation. 1:30 p.m. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu
MONDAY
Hudson Hawk A 35th-anniversary 35mm screening of the 1991 Bruce Willis heist satire with director Michael Lehmann and co-screenwriter Daniel Waters; introduced by Larry Karaszewski. 7:30 p.m. Brain Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com
TUESDAY
“Apparition, ” circa 1880–1890 by Odilon Redon. Charcoal, powdered charcoal, black chalk, and black and yellow pastel with stumping on brown paper. 20 11/16 × 14 11/16 in.
(Getty Museum)
Odilon Redon: Otherworldly Visions The exhibition includes charcoal drawings, lithographs and pastels by the French artist from the Getty’s collection, revealing the inspirations and imagination that helped create them. Through Oct. 18. Getty Center, 1200 Getty Center Drive, L.A. getty.edu
Harry Dean Stanton: Partly Fiction On what would have been the actor’s 100th birthday, Vidiots welcomes the 2013 documentary’s director Sophie Huber for a screening hosted by Cherry Jones and a conversation with Logan Sparks, writer-producer of Stanton’s final film, “Lucky.” 7:30 p.m. Eagle Theatre, 4884 Eagle Rock Blvd. vidiotsfoundation.org
National Museum of the Aftermath screening series The final screening in the series pairs Reginald Alan Hudlin’s 1994 sci-fi short “Space Traders: Cosmic Slop” with William Greaves’ 1968 meta-documentary hybrid “Symbiopsychotaxiplasm: Take One.” 8 p.m. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu
Tchaikovsky & Beethoven Cristian Măcelaru conducts the L.A. Phil for Tchaikovsky’s “Violin Concerto in D major, Op. 35” (with soloist Leonidas Kavakos on violin) and Beethoven’s “Symphony No. 7 in A major, Op. 92.” 8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com
THURSDAY
The Lord of the Rings: The Fellowship of the Ring in Concert The Pacific Symphony, soprano Kaitlyn Lusk, voices/LA and Los Angeles Children’s Chorus unite under conductor Ludwig Wicki for the 25th anniversary of Howard Shore’s Academy Award-winning score, performing live as director Peter Jackson’s epic film is projected on a 60-foot screen. 7 p.m. Thursday and Friday; 1 and 7 p.m. Saturday. Peacock Theater, 777 Chick Hearn Court, downtown L.A. peacocktheater.com
Mozart & Brahms Spanish conductor Roberto González-Monjas leads the L.A. Phil on Korngold’s “Straussiana,” Mozart’s “Piano Concerto No. 19 in F major, K. 459” (with pianist Mao Fujita), and Brahms’ “Symphony No. 4 in E minor, Op. 98.” 8 p.m. Hollywood Bowl, 2301 N. Highland Ave. hollywoodbowl.com
— Kevin Crust
Dispatch: Remembering a master actor
Trisha Miller, from left, Josey Montana McCoy, Peter Van Norden and Dan Lin in “Misalliance” at A Noise Within.
(Craig Schwartz)
Peter Van Norden, one of Los Angeles’ most accomplished stage actors, died Wednesday at age 75. A graduate of Colgate University, he worked steadily in film and television, wracking up notable credits (“The Accused,” “St. Elsewhere,” “Murder, She Wrote”) over four decades.
But it was in the classical theater where he distinguished himself with his command of language and depth of human understanding.
He didn’t need to be cast as the star to elevate a production. His textual fluency and incisive, unfussy intelligence set a standard for his fellow company members, who might not be able to match him but couldn’t help gaining inspiration from his veteran example.
What might his Prospero be like, I wondered longingly? Later that year, he got the chance to show me in a rackety Antaeus Theatre Company revival that unfortunately failed to make the most of his poetic gifts.
He was better served by the graceful 2024 production of “Misalliance” at A Noise Within, where he played the wealthy underwear industrialist John Tarleton in a voluble comedy of ideas that proved Van Norden was as adept in crisp, rational, talky idiom of George Bernard Shaw as he was in the more supple iambic pentameter of Shakespeare.
He was slated to appear as Capt. Shotover in Antaeus’ upcoming production of “Heartbreak House,” Shaw’s masterpiece. It was a role he had long wanted to play, and I can’t imagine the part being better cast.
For his heroic service to Los Angeles theater, Van Norden received the 2024 Michael McCarty Recognition Award, honoring Los Angeles–based Actors’ Equity members who have built their lives in the theater. I remember cheering from my desk the moment the announcement landed in my email inbox. Sometimes the award gods get things right.
Van Norden, who is survived by his wife, Wendy, and his son, Robert, a film producer, inspired that kind of hearty, spontaneous, grateful applause. Whenever I saw his name in a theater program, I breathed more easily, knowing that whatever else might happen that evening I would at the very least have the pleasure and the privilege of another Van Norden master class.
— Charles McNulty
Culture news and the SoCal scene
Nael Nacer, from left, Andrea Martin and Susan Pourfar in “Meet the Cartozians” by Talene Monahon at Second Stage Theater.
(Photo: Julieta Cervantes)
Times theater critic Charles McNulty knows a good show when he sees one — but also when he reads one. And this past week he helpfully compiled a list of eight works that he’s read for award consideration — or seen outside of L.A. — that he believes deserve local productions. I’m not going to spoil it for you by listing them here, so you’ll just have to read the story.
Are you a budding artist, or even a seasoned one looking to step up your game? Times contributor Sarah Fensom put together a handy list of seven L.A. figure drawing events and classes that feature unique concepts including high fashion and nude muscle men. Find your perfect match, here.
The Lucas Museum of Narrative Art in Los Angeles.
(Myung J. Chun / Los Angeles Times)
The Lucas Museum of Narrative Art is set to open on Sept. 22, but it announced some exciting news this week: It is giving free annual passes to its South L.A. neighbors in the 90037 ZIP code. The LM37 passes entitle holders to reserve tickets for themselves along with a guest. Tickets for non-pass holders go on sale July 21 and cost $25 for adults and $21 for seniors. Kids 17 and under are free.
On the heels of its 60th season, East West Players, the largest and longest-running Asian American theater in the country, announced its 2026-27 slate. “This season is the first chapter of East West Players’ next sixty years, a bold invitation to imagine what Asian American theater can become,” said artistic director Lily Tung Crystal in a statement. “By centering new voices, we’re not just honoring our legacy, but shaping the canon for generations to come.” The mainstage season will include the Southern California premiere of Jaclyn Backhaus’ comedy “Wives,” the Los Angeles premiere of the eponymously titled work “Kristina Wong, #Foodbankinfluencer” by the Pulitzer Prize finalist and East West Players’ New Works Festival. The group is also enticing theatergoers with new ticketing options: Pay-What-You-Will for every show and the Emerging Artist Membership, a free program for theatergoers ages 18 to 35, which guarantees $20 orchestra seats for them and a guest.
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The Smithsonian Museum of American History on the National Mall in Washington.
(Pablo Martinez Monsivais / Associated Press)
A new White House report calls leadership of the Smithsonian Institution radical activists who “cannot be trusted to tell America’s story honestly and in a way that is inspiring, unifying, and worthy of our great republic.” The report specifically singles out the National Museum of American History, and culture watchers fear it’s paving the way for Trump to install his own team of leaders as he did at the Kennedy Center.
Speaking of the Kennedy Center, Trump appealed a court decision to remove his name from the building’s facade, but this week an appeals court denied his request.
— Jessica Gelt
And last but not least
We can all stop taking our kids to live-action remakes of Disney classics. Seriously. Times film critic Amy Nicholson breaks down why in this crushing review of the new live-action “Moana.”
The deadpan comedian sailed through to the Season 2 finale, outlasting the show’s returning champion, Bob Mortimer. He went toe-to-toe with David Mitchell in the final episode, with neither comedian breaking as they fed each other buffet food.
It resulted in an unprecedented tie-breaker in which the person who made the most people laugh over the course of the series was awarded the crown, meaning David scooped the win while Sam was awarded the runner-up title.
Sam is set to return to TV screens again in just a few days with his brand new comedy series, but what is it about, when is it released, and who is in it? Here’s everything you need to know.
What is Make That Movie about?
The six-part Channel 4 comedy series follows a director called Sam (played by Sam Campbell) who attempts to make feature films based on the weird and wonderful ideas of everyday people. He goes on a trip around the country seeking out people to share their ideas with him, before attempting to make their movies in just three days.
While Sam appears to play himself, the series is a scripted comedy show and not real life. Alongside Sam in the cast are Michell and Webb Are Not Helping star Lara Ricote as runner Jess, and Am I Being Unreasonable’s Helen Bauer, who plays sound engineer Pat.
Meanwhile Aaron Chen (Fisk) plays intimacy coordinator Sebastian and This Country’s David Hargreaves takes on the role of cinematographer Winnie.
The series is directed and co-written by Joe Pelling who may already be known to some as the director of nightmarish comedy-horror puppet show, Don’t Hug Me I’m Scared.
Make That Movie’s release date and time
The very first 30-minute episode will air on Channel 4 on Thursday, May 28 at 10pm. The second episode will be broadcast immediately after at 10.30pm.
Announcing its release date, Sam posted: “This show is on channel 4. 28th of May ~ so pretty soon in fact. We hope it wets so many people’s whistles. Hopefully not a dry whistle left in the whole world. Hopefully. Please watch.”
A flurry of excited fans were quick to comment, with one penning: “I don’t understand any of this but that’s okay, I trust Sam,” in reference to Sam’s surreal comedy style.
“Nathan Fielder has been real quite since this dropped,” joked another. “Can’t wait for this dynamite series!” a third fan remarked.
Make That Movie begins on Channel 4 on May 28 at 10pm.
