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A little over a year ago, Madi Diaz lay in bed in an apartment near Dodger Stadium sweating out a gnarly case of COVID-19.

The Nashville-based singer and songwriter had traveled to Los Angeles to record the follow-up to her album “Weird Faith,” which came out in early 2024 and would go on to earn two Grammy nominations, including one for a beautifully bummed-out duet with her friend Kacey Musgraves. But after three or four days of work in the studio, Diaz became sick just as the Dodgers were battling the Mets in last October’s National League Championship Series.

“I could literally see the stadium lights — there were drones everywhere and people honking and lighting things on fire,” she recalls. “I was just like, Why, L.A. — why?”

Her suffering in a city she once called home was worth it: “Fatal Optimist,” the LP Diaz eventually completed in time to release this month, is one of 2025’s most gripping — a bravely stripped-down set of songs about heartbreak and renewal arranged for little more than Diaz’s confiding voice and her folky acoustic guitar.

In the album’s opener, “Hope Less,” she wonders how far she might be willing to go to accommodate a lover’s neglect; “Good Liar” examines the self-deception necessary to keep putting up with it. Yet Diaz also thinks through the harm she’s doled out, as in “Flirting” (“I can’t change what happened, the moment was just what it was / Nothing to me, something to you”).

And then there’s the gutting “Heavy Metal,” in which she acknowledges that enduring the pain of a breakup has prepared her to deal with the inevitability of the next one.

“This record is me facing myself and going, ‘I have to stay in my body for this entire song,’ ” Diaz, 39, says on a recent afternoon during a return trip to L.A.

What makes the unguardedness of the music even more remarkable is that “Fatal Optimist” comes more than a decade and a half into a twisty-turny career that might’ve left Diaz more leathered than she sounds here.

Beyond making her own albums — “Fatal Optimist” is her sixth since she moved to Nashville in 2008 — she’s written songs for commercials and TV shows and for other artists including Maren Morris and Little Big Town; she’s sung backup for Miranda Lambert and Parker McCollum and even played guitar in Harry Styles’ band on tour in 2023.

Yet in a tender new song like “Feel Something,” about longing to “be someone who doesn’t know your middle name,” Diaz’s singing reveals every bruise.

“Music is a life force for Madi,” says Bethany Cosentino, the Best Coast frontwoman who tapped Diaz as a songwriting partner for her 2023 solo album, “Natural Disaster.” “She has to do it, and it’s so authentic and so real and so raw because it’s not coming from this place of ‘Well, guess I gotta go make another record.’ ”

“If she doesn’t put those emotions somewhere,” Cosentino adds, “I think she’ll implode.”

Which doesn’t mean that putting out a record as vulnerable as “Fatal Optimist” hasn’t felt scary.

“I was gonna say it’s like the emperor’s new clothes,” Diaz says with a laugh over coffee in Griffith Park. “But I know I’m not wearing any clothes.” Dressed in shorts and a denim shirt, her hair tucked beneath a ball cap, she sits at a picnic table outside a café she liked when she lived in L.A. from 2012 to 2017.

“For a second, I was like, Damn, I wish I’d brought my hiking shoes — could’ve gone up to the top,” she says. “I would absolutely have done that as my masochistic 28-year-old self. Hike in the heat of the day? Let’s go.”

Diaz points to a couple of touchstones for her LP’s bare-bones approach, among them Patty Griffin’s “Living With Ghosts” — “a star in Orion’s Belt,” as she puts it — and “obviously Joni Mitchell’s ‘Blue,’ ” she says. “That’s just a duh.”

Like Mitchell, Diaz achieves a clarity of thought in her songs that only intensifies the heartache; also like Mitchell (not to mention Taylor Swift), she can describe a partner’s failings with unsparing precision.

“Some ‘I’m sorry’s’ are so selfish / And you just act like you can’t help it,” she sings in “Why’d You Have to Bring Me Flowers,” one of a handful of what she jokingly calls “folk diss tracks” on “Fatal Optimist.” It goes on: “Bulls— smile, in denial / We’ve been circling the block / We’ve been in a downward spiral.”

“There are definitely a couple songs on this record where I felt apologetic as I was writing it,” she says. “Then when I finished it was just like: It had to be done.” She grins. “They’re tough,” she says of her exes. “They’ll be fine.”

Asked whether any of her songs express her feelings in a way she wasn’t capable of doing with the ex in question, she nods.

“I’d say I could get about halfway there in real life,” she says. “It’s almost like I couldn’t finish the thought within the relationship, and that was the signal that we couldn’t go onward. Or that I couldn’t go onward.”

Has writing about love taught her anything about herself and what she wants?

“I travel a lot — I’m all over the place,” she says. “And I really like to come and go as I please. But it’s funny: In retrospect, I think maybe I was chasing a relationship that was a little more traditional, even though I don’t know if I can actually be that way. So that’s a weird thing to be aware of.”

Madi Diaz in Pasadena.

(Annie Noelker / For The Times)

Diaz grew up home-schooled in a Quaker household in rural Pennsylvania and learned to play piano and guitar when she was young; when she was a teenager, her talent took her to Philadelphia’s Paul Green School of Rock, whose founder was later accused of abuse and sexual misconduct by dozens of former students, including Diaz. (“It was a really toxic place,” she told the New York Times.)

She studied at Berklee College of Music in Boston before dropping out and heading to Nashville, where she started making her name as a singer-songwriter operating at the intersection of country and pop. After a few years of fruitful grinding, she came to L.A. to “see how high the ceiling was,” she says, and quickly fell in with a group of musician friends.

“We used to love going to the Smog Cutter,” she says of the shuttered Silver Lake dive bar, “to have a couple Bud Lights and sing Mariah Carey really poorly.”

Diaz was making money writing songs — Connie Britton sang one of her tunes on the soapy ABC series “Nashville” — but she struggled to achieve the kind of liftoff she was looking for as an artist. “Turned out the ceiling was quite high,” she says now with a laugh.

Along with the professional frustrations came “a nuclear explosion of a breakup” with a fellow songwriter, Teddy Geiger. “They were going through a huge identity shift,” Diaz says of Geiger, who came out as transgender, “and we worked in the same industry, and it just kind of felt like there wasn’t a place for me here.”

Diaz returned to Nashville, which didn’t immediately super-charge her career. “I was bartending at Wilburn Street Tavern and making Jack White nachos,” she recalls. “He would never remember this, but I remember. I was like, This is my life now.”

In fact, her acclaimed 2021 album “History of a Feeling” — with songs inspired by the complicated dynamics of her and Geiger’s split — finally brought the kind of attention she’d been working toward. She signed with the respected indie label Anti- (whose other acts include Waxahatchee and MJ Lenderman) and scored the road gig with Styles after he reached out via DM; she also became an in-demand presence in Nashville’s close-knit songwriting scene.

“I don’t know of anybody in town that doesn’t love Madi,” says Little Big Town’s Karen Fairchild, who adds that Diaz “has instincts about melodies that are all her own. Sometimes I’m thinking, ‘How’s she gonna fit that into the phrasing?’ But she always does.”

For “Fatal Optimist,” Diaz took an initial pass at recording her songs with a full band before deciding they called for the minimalist setup she landed on with her co-producer, Gabe Wax, at his studio in Burbank.

“We did it with no headphones, no click track, no grid,” she says. “It speeds up and slows down, and it goes in and out of tune as instruments do.” (One unlikely sonic inspiration was a singles collection by the pioneering riot grrrl band Bikini Kill, which she hailed for its “still-kind-of-figuring-it-out energy.”)

Diaz describes herself as a perfectionist but says “Fatal Optimist” was about “trying to find our way through the cracks of imperfection to break the ground and sit on the surface. I feel so proud that we let it live there.”

She’s touring behind the album this fall, playing solo shows — including a Nov. 20 date at the Highland Park Ebell Club — meant to preserve the album’s solitary vibe.

“I don’t know if I’d really thought that through when I made the decision,” she says with a laugh.

As good as she is on her own — and for all the torment she knows another relationship is likely to hold — “I’m a die-hard loyalist,” Diaz says. “I’m still looking for connection more than anything else.”

The band is back together, even though they never really parted.

Departed? Sure. The crew that comprised “Inside the NBA” moved from TNT when the cable network lost its NBA broadcast rights to ESPN, NBC and Amazon after last season.

But the ensemble that somehow is greater than the sum of its star-studded parts continues — albeit now under the title “NBA Tip-Off.”

The familiar lineup of Charles Barkley, Kenny Smith, Shaquille O’Neal and Ernie Johnson reunited for a pregame show ahead of ESPN’s doubleheader Wednesday, with the Cleveland Cavaliers visiting the New York Knicks and San Antonio Spurs visiting the Dallas Mavericks.

And they poked fun at themselves and at the Worldwide Leader. Any fears that ESPN suits would tone down the rollicking, often hilarious dynamic the quartet brought to the last decade-plus of the 36-year “Inside the NBA” run were quickly doused.

O’Neal opened by admonishing Johnson for mentioning the NBA‘s opening games Tuesday night, which broadcast on NBC and the Peacock streaming service.

“You are supposed to say, this is TRON — the real opening night,” O’Neal said to laughs. “Don’t forget who we are, boys.”

Johnson gently pushed back, replying, “Don’t be that way!” to more laughs.

O’Neal said Smith was almost late for the show, and Smith said, “I haven’t been that nervous since Game 7 of the NBA Finals.”

Barkley, who had been the most vocal skeptic of leaving TNT for ESPN, seconded that sentiment, saying “I was nervous all day.” But before he could continue in a more serious vein, Johnson interrupted and clips were shown of Barkley expressing doubts about ESPN on the “Dan Patrick Show” and other outlets.

More laughs ensued, although Barkley did his best to toe the company line, saying, “I’m not gonna lie. Every person who ever touched a ball wanted to be on ESPN. They are the greatest sports network ever. And to be working with these guys is an honor and a privilege.”

Johnson echoed Barkley, saying, “It is a dream come true,” and asked Smith if he felt the same way. Smith sighed and replied, “I will answer yes, but do you all want a napkin for all that kissing up?”

The laughs continued when a clip of Barkley earlier expressing worry about the workload at ESPN was followed by a graphic that displayed his Thursday work “schedule,” which included appearances every hour of the day, including during broadcasts of World Axe Throwing League and the American Cornhole League.

Basketball analysis did eventually follow the jokes and jabs, with O’Neal making a somewhat-bold prediction regarding oft-injured former Lakers big man Anthony Davis, who now plays in Dallas: “If A.D. plays 65 games, the Dallas Mavericks will be in the Western Conference finals.”

“NBA Tip-Off” was set to air segments pregame, halftime and postgame during Wednesday’s doubleheader, and ESPN announced it will air 20 days during the regular season around games broadcast on ESPN and ABC.

Formats will be different on each network. Pregame shows on ESPN will begin an hour before tipoff and postgame shows will start right after the final horn. Pregame shows on ABC will begin 30 minutes before tipoff. with postgame shows airing only after Saturday prime-time games. The NBA Sunday Showcase series on ABC also will feature an “NBA Tip-Off” pregame show.

“We’re proud that ‘Inside the NBA’ — one of the most iconic and beloved shows in all of media — will play a leading role in our NBA coverage,” ESPN president of content Burke Magnus said in a statement two weeks ago. “Fans should expect the same great show they’re accustomed to watching as it becomes an essential part of the highest-profile events in the NBA, including the NBA Finals.”

There was talk a few months ago that TNT could produce a separate show with the same cast, since this season’s “NBA Tip-Off” will continue to be produced in TNT’s Atlanta studios. Barkley seemingly put the kibosh on that notion when he said a pilot TNT taped was “just stupid stuff.”

“Number one, we won’t have basketball highlights [on TNT],” Barkley said in June. “But also, we’re probably gonna be going up against an NBA game. And anybody who likes basketball ain’t gonna say, ‘Hey, you know what? Let me turn off an NBA game on Amazon, ESPN or NBC to go watch these four dudes sit around and talk about nothing.’”

Instead, the quartet will continue to talk hoops and trade zingers, but only on ESPN and ABC.

“Inside the NBA” 2025-26 regular season broadcast schedule

2025
Oct. 22: ESPN and ESPN2
Oct. 23: ESPN
Oct. 29: ESPN
Nov. 12: ESPN
Dec. 25: ESPN and ABC

2026
Jan. 24: ABC
Jan. 28: ESPN
Jan. 31: ABC
Feb. 7: ABC
Feb. 20: ESPN
Feb. 21: ABC
Feb. 22: ABC
Feb. 27: ESPN
Feb. 28: ABC
March 1: ABC
March 6: ESPN
March 7: ABC
March 8: ABC
March 14: ABC
April 12: ESPN

Diane Keaton, the beloved star of “Annie Hall,” “The Godfather” and “The First Wives Club,” wooed audiences as much as she did her multiple Hollywood boyfriends. It seems that much remains true for ex-lovers Woody Allen and Al Pacino, whose high-profile romances with the Los Angeles native are back in the spotlight in the wake of her death over the weekend.

“Her face and laugh illuminated any space she entered,” Allen, Keaton’s “Annie Hall” director and co-star, wrote Sunday.

The acclaimed and controversial filmmaker reminisced on his dating relationship with Keaton for the Free Press, recalling how they first met in Manhattan in the late 1960s for his stage production of “Play It Again, Sam.” Allen’s first impression of the eventual Oscar winner was, he explained, as “if Huckleberry Finn was a gorgeous young woman.”

“The upshot is that she was so charming, so beautiful, so magical, that I questioned my sanity. I thought: Could I be in love so quickly?” he wrote, later describing their evolution from collaborators to romantic partners.

Keaton and Allen collaborated on eight movies, also including “Stardust Memories,” “Sleeper” and “Love and Death.” The 89-year-old director wrote that he “made movies for an audience of one, Diane Keaton,” and heavily valued her opinions on his work. As Allen praised Keaton’s radiating personality (“She was a million laughs to be around”) he recalled learning about her struggles with bulimia and spending Thanksgiving with her family in Orange County.

“Why we parted only God and Freud might be able to figure out,” Allen wrote.

Pacino, who shared the screen with Keaton in three “Godfather” films and dated Keaton throughout the ‘70s and ‘80s, is also thinking about what could have been. “Looking back, Al admits the love of his life was Diane who he’s always called an ‘amazing woman,’ ” a source close to the 85-year-old actor told the Daily Mail.

“I know he will forever regret he didn’t make his move when he had the chance,” the source added. “For years after he and Diane split, Al used to say, ‘If it’s meant to be, it’s never too late for a do-over. But sadly, now it is.’ ”

After news of Keaton’s death spread Saturday, stars including Bette Midler, Steve Martin, Viola Davis and Kate Hudson paid tribute on social media. “What you saw was who she was,” Midler said of her “First Wives Club” co-star. Keaton never married and is survived by two adopted children, Duke and Dexter Keaton.

Allen closed his essay emphasizing the significance of Keaton’s death: “A few days ago the world was a place that included Diane Keaton. Now it’s a world that does not. Hence it’s a drearier world.”

“Still there are her movies,” he wrote. “And her great laugh still echoes in my head.”

A woman has shared her frustration after an ‘entitled’ passenger tried to steal her plane seat – but she managed to get the last laugh with a cutting response on the flight

A woman has hit out at an ‘entitled’ passenger who stole her plane seat and tried to pull it off with ‘main character energy’. She detailed her experience on a nine-hour flight from Abu Dhabi to Bali, which had two economy sections.

The first section was described as “big and crowded”, but she had the foresight to pre-book a seat in the second section where every seat boasted extra leg room. Taking to Reddit, she shared: “Guess which one I booked? Yep, the smaller one, because I actually planned ahead, paid the higher fare, and got the perks (priority boarding, luggage, and that sweet legroom).

“Boarding finishes, and the woman next to me slides into the empty window seat, leaving the middle empty. Dream scenario: me on the aisle, her on the window, and glorious space in between.

“I’m snuggled up under a blanket, headphones in, hoodie up. Universal ‘do not disturb’ mode activated.”

Once the aircraft reached cruising altitude and the seatbelt sign went off, the woman felt a tap on her shoulder and turned to see a woman in her late 20s to early 30s grinning at her.

The woman continued: “She starts with, ‘Wow, you look so comfortable!’ Translation: she’s about to make me uncomfortable.

“She explains she wants me to swap seats with her so she and her friend (currently seated in the sardine can section) can take my aisle and the free middle seat.

“Her seat? Somewhere back in the busy main cabin, absolutely not extra legroom. I just smiled and said: ‘No thank you.’ Her jaw dropped.

“She tried to argue, so I spelled it out, ‘This is a paid extra legroom cabin. I booked it in advance, it wasn’t free, and I’m not giving it up so two adults who didn’t plan ahead can sit together’.”

She says the entitled woman looked at her as if she’d just “slapped her across the face” before walking away with a sour expression.

She added: “I put my headphones back on, hoodie up, and turned toward the window. Curtain closed on that conversation.

“The absolute audacity of people never ceases to amaze me. Pay for your seat like the rest of us.”

Commenting on her post, one user said: “I can’t believe the hide of some people.”

While someone else added: “My brother is tall so he always books the extra legroom seats. He also travels pretty often.

“He has told me that on almost every flight he is on someone will try to get him to swap with them to some squished no no-legroom seat. He has mastered the ‘f*** off’ and ‘what part of f*** off don’t you understand?'”

A third user said: “My come back line as always is….. ‘sure for $1,000 (£743) cash, you can have the seat, that’s my price.'”

Vanessa Feltz quit This Morning in March this year after 33 years to launch her own rival show on Channel 5

Vanessa Feltz has had the last laugh after quitting This Morning. Her Channel 5 lunchtime show has been extended by bosses. While her former colleagues at ITV are facing brutal spending cuts with the budget for shows and staff, Vanessa has been granted more time on air.

The talk show Vanessa was originally planned to air for “six months”, but now the TV presenter has confirmed the programme will run for “eight months at least”.

Vanessa, 63, told the new issue of Woman’s Own magazine: “We’ve just had an extension.

“We were commissioned for six months, but we’re running about eight months at least, there’ll be a Christmas break, and then we’re very much hoping to come back in the new year. We’re thrilled.”

The show – which sees Vanessa have straight-talking discussions on relationships, parenting, gossip, fashion, and other topics with celebrity guests – launched in March.

However, one show that month only raked in 83,000 viewers – a big contrast to rival, ITV’s Loose Women, which drew in 686,000 people.

And it has been reported that bosses at Channel 5 were thinking of ways to “revamp” Vanessa to attract more viewers.

A TV Insider claimed to the magazine: “Bosses have been locked in crisis talks and have been planning ways to immediately revamp the programme if there is to be a chance that it could be saved.”

The show also raised attention when it became the centre of an Ofcom storm after guest Karen Millen said that feeding children past six months breast milk was ‘weird‘ and selfish.’ The designer’s comments led to more than 2000 people complaining with Millen apologising for her comments.

However, Vanessa is proving popular as the show took home the prestigious Talk Show gong at the National Reality TV Awards on July 30 – beating the likes of BBC’s The Graham Norton Show and ITV’s The Jonathan Ross Show.

Reacting to the award, Vanessa told London Beautiful Life Media: “I’m beside myself!”

Asked if she expected to win, the TV star continued: “Definitely not – you must be joking! The show’s only been going since the last week of March, it’s only July!

“And we’re up against all the greats – Graham Norton, Jonathan Ross, Alan Titchmarsh, absolutely everybody! So I was not. I was thinking – I had this knot in my stomach of nerves, and I was trying to give myself a sharp talking to like, ‘Don’t be silly, absolutely don’t stand a chance, the show’s brand-new, we’re never going to,’ and then here it is, we did!

“So, it’s one of those extraordinary moments. I’m shaking, and I’m thrilled to bits, and it’s lovely for the team, and it’s lovely for me, and it’s lovely for the audience. And I’m just delighted.”

Vanessa quit This Morning after 33 years in March this year.

Vanessa told the Daily Star newspaper: “I’ve been on ‘ This Morning ‘ since 1992. It’s been a long time . But I’m now doing my own show and I can’t do both.”

As she made her announcement, Vanessa praised the presenters and crew on This Morning for being “so lovely” about her decision.

She added: “When I told everyone I wouldn’t be able to do the show anymore, they were lovely about it. I heard from Alison Hammond and Holly Willoughby immediately and the bosses were charming. I’ll miss working with them all.”

A man was left baffled when a family of plane passengers lied to a flight attendant in order to get him to switch seats with them – but he ended up getting the last laugh

Unless you can shell out the money for an upgrade, travelling by plane is often a draining experience. You can find yourself sitting in a cramped space for hours on end next to a complete stranger, and it’s often luck of the draw whether your seatmate has any bizarre habits that make you want to tear your hair out.

But one man has claimed that sometimes, not even getting upgraded to a fancier class makes you exempt from rude passengers who expect you to accommodate them. In fact, he asserted that on one recent flight he took, a family attempted to lie to a flight attendant so that they could take his seat from him.

In a post on Reddit, the man explained he decided to book business class on a recent flight because he could bag himself a window seat while guaranteeing that the middle seat remained unbooked, meaning he’d have a bit more room.

When he boarded his flight, he took his seat across from an older man sitting in the aisle seat on the other side of him. Moments later, however, the other man’s wife and son came in and asked if he would switch seats with them to allow the family to sit together.

But there was one problem – the wife and child were in economy class, so swapping seats would have meant a downgrade.

Warning: The below Reddit post contains strong language.

The man refused this unfavourable offer, and the family made a counteroffer in which the son would sit in the free middle seat with his dad while the mum went back to economy. It turned out they lied to flight attendants on board the plane to make this deal happen.

In his Reddit post, he wrote: “His wife and son came in, asking me to switch (business for economy) so they could all sit there. Then, [they] told me that if I didn’t switch with the wife, the son would sit in the middle at least. [The dad] reasoned that I didn’t need an empty seat next to me and claimed the stewardess allowed it.

“Turned out, [the flight attendant] said it was possible if the other passenger agreed, to which they replied that I was family, so I would 100% agree.”

The man refused to move and told the flight attendants the truth, and the family were eventually made to go back to the seats they had been assigned.

He added: “I didn’t budge. The son and wife had to stay in the economy, and his father spent almost four hours muttering passive-aggressive comments. Whenever I took off my headphones, he was still going…

“Like what the f**k. But shoutout to the stewardesses (another one had to come, because they refused to go back to their seats) for staying professional.”

Commenters on the post were shocked at the family’s behaviour, especially considering that the dad could have swapped with someone in economy class to ensure his family could sit together, but didn’t want to give up his luxury experience.

One person said: “He didn’t give up his seat for his family, just wanted you to.”

Another added: “It’s wild how some people feel entitled to what others paid extra for. Lying about being your family? That’s next-level manipulative. You had every right to your seat and your space. Props to you for standing your ground, and huge respect to the flight attendants for backing you up.”

A third wrote: “The family 100% booked like this on purpose. Get three business class upgrades for the price of one. They probably saw a ‘travel hack’ on TikTok and then were mad when the scam didn’t work. Good on you for not budging.”

Every recreational golfer of my generation has at least two things in common: We grew up revering Tiger Woods, and we know “Happy Gilmore,” the 1996 Adam Sandler golf comedy, like the back of our hands. Which millennial, while lining up a putt on the green, hasn’t told himself at some point to just “tap it in — give it a little tappy, a tap tap taparoo”? Who among us, before hitting a challenging tee shot, hasn’t at some point first closed his eyes and attempted to escape to his very own “happy place”? And above all, which of us hasn’t spent hours upon hours at the local driving range trying to master the craft that is protagonist Happy Gilmore’s signature running golf swing?

For all of us picking up the game once described by sports journalist John Feinstein as “a good walk spoiled,” Sandler’s character was a never-ending font of laughs and inspiration. Like so many others of my generation, then, I was very excited to watch “Happy Gilmore 2,” just released on Netflix on July 25. The sequel, 29 years in the making, didn’t have a script as instantly quotable as the original, nor was it as memorable. (Which film sequel, besides “The Godfather Part II” or “The Empire Strikes Back,” ever has been?) But “Happy Gilmore 2” still surpassed expectations: It was at times a bit silly, but it was still rollicking fun, replete with nostalgic flashbacks and a bevy of pro golfer cameos.

But it’s also more than that. It would be a mistake to dismiss the two movies as purely frivolous fare — good just for a few laughs. Rather, Sandler, long known for leading a private, low-key lifestyle that eschews the Hollywood limelight, has a specific message for Happy’s myriad fans: Family always comes first.

In the original film, Happy, a hockey fanatic whose weak skating skills inhibited his pro hockey aspirations, reluctantly takes up golf for one reason: to earn enough money to save his beloved grandmother’s home from a bank foreclosure and return her there from a hostile nursing home. Throughout the film, Happy emphasizes this as his sole motivation for biting his lips and suffering through what he calls “golf sissy crap.” Happy doesn’t particularly care about the game of golf. He’s just doing it for Grandma.

In the sequel, Happy, now considerably older and a father of five, has retired from golf and developed a bad drinking habit. A single father, he is struggling to make ends meet and provide for his daughter Vienna. Early in the film, Vienna’s dance instructor recommends that Happy enroll her in an advanced four-year ballet school in Paris, which would cost $75,000 annually. Happy senses that Vienna’s dream to dance ballet is similar to his old dream of playing hockey. With the encouragement of John Daly (one of many real-life pro golfers cast as themselves), he dusts off his old golf clubs and gives it a go again. Spoiler alert, without giving away too many of the specifics: The film has a happy ending for Happy’s family.

Clearly, this is not just about golf and laughs.

Sandler, a onetime registered and politically active Republican, is conveying to his audience a traditional conservative message: A life well lived is not a solipsistic one that exalts the self, but an altruistic one that places the interests of others above all else. These “others” are usually those closest to us — family members, older and younger generations alike, to whom we have obligations. You might notice that in both films, Happy plays golf only for others — not for himself.

Happy, who once fought to save the house his grandfather built, now finds himself trying to do right by the next generation. It is these relationships — with those who came before us and those who come after us — that give our lives meaning and purpose. And in “Happy Gilmore 2,” Sandler drives home that message in the most personal way possible: He casts his real-life wife and his two daughters — one as the aspiring ballerina.

The foul-mouthed, trash-talking rebel of golf, Happy Gilmore, is onto something important. Perhaps more of Sandler’s Hollywood colleagues ought to listen. They might learn something.

Josh Hammer’s latest book is “Israel and Civilization: The Fate of the Jewish Nation and the Destiny of the West.” This article was produced in collaboration with Creators Syndicate. @josh_hammer

A Benidorm actress has share some exciting news about a potential new series of the much-loved ITV comedy

A much-loved Benidorm star has given fans a glimmer of hope about the return of the cult ITV comedy series.

Launching in 2007, the show captivated audiences as it charted the hilarious escapades of Brits basking in the sunshine at the Solana Resort. Over its glittering run, Benidorm scooped up numerous accolades including BAFTAs and NTAs, securing its status as a viewer’s delight.

Despite an all-star cast featuring Sheridan Smith, Siobhan Finneran, and Johnny Vegas, the show came to an untimely end after 11 years in 2018, much to devotees’ dismay.

Whispers of a revival have been circulating, spurred on by hints from the cast and even creator Derren Litten himself, reports OK!.

Sherrie Hewson, renowned for her portrayal of Joyce Temple-Savage, dropped a bombshell during her ‘An Evening With Sherrie Hewson’ on Sunday (July 6) in Barnsley. She revealed: “I do know ITV have got new scripts and they love them and think they are wonderful.”

Yet, she tempered expectations by stating: “The problem with Benidorm is that it’s probably one of the most expensive shows ever because it’s in Spain, we have a Spanish crew, we have a British crew, so it costs a fortune to make.”

Still, she remains optimistic, adding: “But it’s on twice a day every day and those ratings are still as high as they ever were, so I think it will [return].”

Fans loyal to Benidorm may just see their beloved characters gracing the screens once again thanks to ITV’s apparent adoration for the new material presented to them.

Sherrie hinted at good news: “And I think they [ITV bosses] love the scripts anyway and Derren said he laughed out loud when he wrote them so I don’t think there’s any question, it’s just when.”

In other news, Benidorm creator Derren Litten had fans buzzing in April when he announced that he is in negotiations with ITV about a potential revival of the fan-favourite show.

During a Facebook Live session reported by The Sun, Derren divulged some tantalising details: “Have I been talking to ITV in the last few months? Yes I have.”

He continued, giving fans a glimmer of hope: “Have ITV commissioned a special or a series at the moment? No. Might they in the next few weeks [or] couple of months? Yeah they might. They might.”

Derren concluded, aiming to uplift fans with anticipation: “So I hope that gives you [the fans] some hope, and I hope that gives you some idea of where we are,” indicating that the beloved sitcom may soon return to the small screen.

BEVERLY HILLS — Julian McMahon, an Australia-born actor who performed in two “Fantastic Four” films and appeared in TV shows such as “Charmed,” “Nip/Tuck” and “Profiler,” has died, his wife said in a statement.

McMahon died peacefully this week after a battle with cancer, Kelly McMahon said in a statement provided to the Associated Press by his Beverly Hills-based publicist. He was 56, according to the New York Times.

“Julian loved life,” the statement said. “He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible.”

McMahon played Dr. Doom in the films “Fantastic Four” in 2005 and “Fantastic Four: Rise of the Silver Surfer,” which came out two years later.

Additionally, he had roles in the TV shows “Home and Away,” “FBI: Most Wanted” and “Another World,” according to IMDB.

Actor Alyssa Milano, who appeared with McMahon on “Charmed,” mourned his death on social media, saying “Julian was more than my TV husband.”

“Julian McMahon was magic,” Milano said. “That smile. That laugh. That talent. That presence. He walked into a room and lit it up — not just with charisma, but with kindness. With mischief. With soulful understanding.”

A British tourist who reserved sunbeds on holiday before heading off for breakfast has hit out at critics who call her ‘selfish’, as she claims there’s nothing wrong with it

The debate over whether it’s socially acceptable to put your towel down on a sunbed before you’re ready to use it has been ongoing for years. Every summer, videos are shared on social media of tourists racing down to their hotel swimming pool to dump towels and bags on sunbeds at the crack of dawn.

Many of these holidaymakers then leave the pool to go back to bed, have breakfast, or even do some sightseeing, but staking their claim on a sunbed means no one else can use it. However, one British tourist has defended this practice, insisting it’s not “selfish” to reserve a spot by the pool.

Rachel McGuigan and her husband, David, were on holiday in Turkey when they decided to put towels down on a couple of poolside beds to reserve them while they went off and had breakfast in their hotel.

The woman, from York, posted a video of her holiday on TikTok and was baffled by the backlash she got for showing herself reserving the sunbeds.

One person had commented on her video: “Just throw the towels in the pool. It’s not allowed to do this in most hotels and resorts.” And another had written: “I just remove them if they’re full. I don’t care, and the hotel doesn’t care.”

Rachel, who was holidaying at a resort in Fethiye, west of Antalya, said: “I just thought it was crazy that people were so upset about leaving a towel for half an hour to go for breakfast. They accused me of being selfish and all sorts.”

To try to make light of the situation, Rachel then uploaded a second video that appeared to show her leaving towels on a sunbed at 5.30am before going on a series of excursions that lasted until bedtime.

The video was a joke, and Rachel didn’t really reserve a sunbed all day without using it. However, it highlighted exactly how divisive this topic is, as her comments were flooded with people who believed she really had kept others from using the beds.

One person wrote: “So you reserved the beds and didn’t use them, but wouldn’t let anyone else use them? Have you ever thought that you may be the problem?”

Another added: “You go on holiday for a rest, but end up getting up early like you do at home, just to put towels out. Hotels are not for me, that’s why I Airbnb. Not having a go, just saying.”

However, Rachel has insisted that people are taking her videos too literally. She said the resort wasn’t full when they visited, so they were never taking sunbeds from other people who wanted them.

She said: “After the first time, I thought it would be funny to play up to it. It was a joke and I didn’t expect anyone to take it seriously, but I ended up opening a can of worms about sunbed reservations!

“We went to The Residence in Fethiye for two weeks in May for the second year running. There wasn’t a lack of sunbeds, so putting our towels down before going for breakfast wasn’t an issue for anyone. I was surprised with everyone commenting about it.”

The woman also admitted that it can be “annoying” when some tourists leave their towels on sunbeds for “hours on end”. However, she noted she doesn’t think it’s a problem when it’s “only for half an hour”.

A pilot has been hailed a “hero” after he took revenge on a woman who sprinted to the front of the plane as soon as it landed, despite the seatbelt sign still being on

A pilot has been praised as a “hero” for his tongue-in-cheek response to an impatient woman who dashed down the aisle to be the first off the aircraft. A fellow traveller recounted on Reddit how the woman leapt from her seat the moment the plane touched down and bolted towards the exit.

Ignoring the illuminated seatbelt sign and the cabin crew’s requests to sit down until the aircraft had come to a complete stop, she made her way to the front. The passenger posted: “The woman in the back unbuckled and darted to the front of the plane to get off first.

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“She did not make any eye contact and felt that she was special. I’m talking about going from the very last seat on the plane, down the whole row, and past first class, basically standing at the little kitchen thing in the front.

“The seat belt sign was still on and we were still rolling down the runway. The flight crew had asked her to return to her seat until we reached the gate but she was not even responding.”

After the gruelling eight-hour flight, all eyes were on the woman as passengers watched the drama unfold. That’s when the captain decided to address the situation with a bit of humour.

The passenger continued: “Suddenly the captain announced we had a special guest onboard and he would be coming out to greet them after we were settled at the gate,” they added. “The woman stood there awkwardly until we did the whole rolling into the gate thing, and whatever planes do when they land, for about 15 to 20 minutes. Everyone sat there waiting to see what the captain was talking about.

“Eventually, the captain came out and asked the lady to please move back a little to get to his special guest, then a little more, then a little more. He was looking from row to row trying to find a specific person.

“Everyone is watching and looking around to see who it could be.” The pilot continued to guide her back one row at a time until she reached the very rear of the aircraft.

“Finally, as they neared the back of the plane, he asked her to sit for a moment while he fetched the intercom from the rear. He said: ‘Ladies and gentlemen, I’d like to announce our special guest sitting in seat 42C. Let’s give her a round of applause’.

“The whole plane erupted with laughter and applause. I loved every moment of that.” Reflecting on the pilot’s clever manoeuvre, one user commented: “That pilot is a hero to the people.

Another added: “I was hoping that the special guest was a federal marshal coming onboard to arrest the woman for refusing to follow safety-related commands given by members of the flight crew.”

One passenger contributed: “Sometimes when a plane is late arriving, there are people who have a connecting flight that will be very tight to make.

“They need to disembark quickly to stand any chance at their connection. The best way to handle that is to inform the stewardess and they can make a general announcement.

“Of course, sometimes people ignore that announcement and block the aisle for those people anyway.”

Ricky Gervais is living his best life right now. Even when he’s busy talking about death. On Saturday his new tour, Mortality, arrives at the Hollywood Bowl, where thousands will hear him tackle hilariously macabre commentary about life — and the end of it — through his signature blend of dark humor, empathy and razor-sharp commentary. His last appearance at the Bowl in 2023 with Armageddon earned him a Guinness World Record for the highest-grossing single stand-up performance — so, no pressure.

Gervais is also known for turning awkward pauses and brutal honesty into comedy gold, so it’s only fitting that after such a long career full of accolades that he would also finally earn a coveted spot on the Hollywood Walk of Fame on Friday. As Hollywood honors the man who’s roasted its elite with such precision, to be roasted for eternity by the Hollywood sun sounds fitting.

It’s not all about receiving: Giving back matters to Gervais and he’s doing that by helping spotlight the next wave of comedic talent through the Spirit of Comedy — a U.K. stand-up contest presented by Dutch Barn Vodka, which he happens to co-own. With a star on the Walk of Fame, a massive show at the Bowl, and a platform for rising comics, Gervais is fully owning his Hollywood moment. But he needs to be home by 6 p.m.

You’ve spent your career pushing comedy boundaries, has there ever been a moment where you thought, “Oh yeah, I’m going to have to defend this one?”

Oh no, it all comes and goes. It’s cyclic. People get nervous and that’s just always been there from day one. People get worried and then I say, well, this is why it’s OK. Sometimes it’s an executive producer or a broadcaster who just wants some ammunition to defend it. Because sometimes, they don’t know whether it’s OK or not, they just don’t want to get complaints. If I can go “listen, this is why it’s OK,” then they often trust me because I can defend it. It’s not me sitting in the room going, “what’s the most offensive thing I could say to get the BBC burned down?” There’s always a point to it. Offense often comes from people mistaking the subject of a joke with the actual target, and they’re not usually the same.

It sometimes feels like comedians, whose job it is to joke, are being held to a higher standard when it comes to what is “offensive.”

We’re human, so we react to buzzwords and we’re cautious of taboo subjects. That’s why they’re still taboo, because we’re cautious of them. I do that on purpose as well, particularly with my stand-up where I talk about contentious issues and taboo subjects because I do want to take the audience to a place they haven’t been before. I do want them to reflect on it, worry about it, think about it and then, I’ve got to misdirect them. It’s like I take them by the hand through a scary forest but it’s OK because they always laugh. If I were going out there and saying things that were really offensive, and no one was laughing, well, that would be odd. That’s what politicians do. Politicians say awful things and they mean it, and no one laughs. Comedians say things they don’t mean, everyone laughs and they get the same treatment.

But you have to have free speech, and there’s nothing you could say that someone somewhere won’t be offended by. It’s impossible so you shouldn’t even try. I don’t go out there and try to ruin the audience’s evening, I go out there and I make a joke and it’s crafted. We’re human though and we take things personally, but you shouldn’t because I think comedy is best as an intellectual pursuit.

“Comedy is best as an intellectual pursuit” sums you up because you’re not careless. There’s a formula to it all.

Exactly. You should go “well, that’s a bad subject and I don’t agree with the punchline, but does it work comedically?” It’s a magic trick. It is a formula. You can’t argue with chemistry. No one goes, well, I know I laughed, but I don’t agree with it. Well, it did what it does. That’s the joke and I’m not gonna change the joke or meaning. I think the only form of censorship, as an audience, is your right not to listen. You just don’t have to watch. You can leave, not buy my stuff, not buy my tickets, and that’s absolutely fine.

You can turn your own TV off, but what you can’t do is make other people turn their TV off. That’s the difference. And then, people will complain about something you’re doing in the privacy of your own home, even if they have to go up to their attic and stand on a stepladder and look through binoculars to see it. They will find it. People sometimes seek out the offense and that’s actually where people can get addicted to being offended. They like it, it makes them feel alive. The news even picks up Twitter! They say, “Oh, fans weren’t happy!” Three fans weren’t happy.

“I don’t go out there and try to ruin the audience’s evening, I go out there and I make a joke and it’s crafted,” Gervais said. “We’re human though and we take things personally, but you shouldn’t because I think comedy is best as an intellectual pursuit.”

(Andy Hollingworth)

Tweets making headlines is why we can’t have nice things. I wanted to ask about the Spirit of Comedy contest, where the winner gets to open for you at OVO Arena Wembley. How did all of this happen?

I know, it’s mad! I’ve never done anything like this before and I’ve turned down loads of things, but this co-ownership with [the show’s sponsor] Dutch Barn Vodka is different. When we met, we first bonded about the company being really ethical. It was sustainable, it was recyclable, they used British apples, they were vegan, they paid their workers really well—they were really trying to be good, and I like that. They said they wanted me to make it famous, make it a global brand, and that I could do the advertising, which really interested me. I do all of my own trailers, I write all my own stuff, so that was exciting creatively. What a great nut to crack.

The business side of it sort of came last, but it all made sense too. The main thing about it was I felt I could sleep at night, and I could still have fun. That’s all I really cared about. The contest was actually all Dutch Barn’s idea and when they were asked about the contest they said something like, “Well, we know Ricky’s not going to last forever.” Maybe they’re finding my replacement? How cruel and ironic would that be?

Well, at least you can go down knowing you broke a record at the Hollywood Bowl.

Yes! It was two years ago, and I just put out a tweet because it broke the record for a single gig. I don’t know why I’m doing it again. I did it once, it was frightening, I broke the world record and it was great. Why would I do it again?

Ricky Gervais speaks at the 77th Golden Globe Awards on Jan. 5, 2020, at the Beverly Hilton Hotel in Beverly Hills.

(Associated Press)

Because we love you in L.A. and it’s been too long. That’s why.

I haven’t been avoiding it, it’s just a long way so I try to do as much as I can while I’m there. I sort of work out of London now and also, it gets harder with jet lag. I’m 63! Jet lag lasts about a week now! Everything is worse, isn’t it? I’m offered really cool things every day, flying around the world and I just think, is it better than me sitting on the couch with my cat and my girlfriend watching Netflix? No. It has nothing to do with anything else other than how valuable your time is and how you wanna spend it.

Is that why you named your tour “Mortality”? Are you planning?

Sort of. There’s a joke in there where I sort of talk about getting old, looking back and all the things that are going wrong which are funny. The reason I started doing one word, sort of academic-style titles, was that I was sarcastically making fun of the pomposity of some comedians who think they’re doing lectures. That’s where it started when I was pricking that bubble of comedians who think they’re changing the world. I’ve kept up the one-word thing, but also, mortality, it’s a scary subject so already the audience is going, is Mortality gonna be funny? Yeah, it’s funny! I’m the one dying. Sit back and laugh.

From sitting to kneeling, it’s fitting — and a bit ironic — that someone who roasted Hollywood so memorably is now being cemented into its history with a star on the Walk of Fame.

Well, that’s funny because the first time they told me I got it I said, “Oh? Do I have to get down on all fours on the concrete? I’ll never get up! I’ve also got bad skin!” I had all of those thoughts, but I’m doing it the day before the Hollywood Bowl so I can kill two birds with one stone. It’s all about getting home on the couch by 6 p.m. This life, you know what I mean?

You started kind of late, but you did earn this comfortable life. And maybe 6 p.m. is the new midnight.

When I grew up, I was good at school, I went to college, then I was a failed pop star, and I never had money. Really, I never had any money. I think I was about 37 years old when I started doing this, and I just grabbed a hold of it. I thought, this is a really lucky second bite of the cherry. You better not screw this one up. So, I did work really hard, but in saying that, what does this sound like? “I work really hard in a room writing while drinking cappuccino.” Some people are hiding behind a wall getting shot at! My dad was a laborer for 60 years! It’s funny to say that, because now, I’m glad I was born poor. It’s not something that I talk about much, but I am sort of proud of myself. I didn’t have a penny, and no one gave me anything. It might be luck, but I still feel like I beat the system.

CHAMPIONS LEAGUE? You’re having a laugh.

We’ve all heard it. The derisory chant from opposition fans when one of the so-called ‘big guns’ is having an off day.

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For example, Southampton supporters had every right to aim it at the multi-billionaires of Manchester City last weekend, when they couldn’t find a way past the worst team in the Premier League.

Only now what was once a mildly amusing terrace jibe sums up perfectly what the leading club competition in the world has become. A joke.

Next season there will be a record SIX English teams in the Champions League.

Almost one third of the entire Premier League will be waved straight into the bizarre league phase by Uefa’s welcoming doormen at an empty small town disco on a wet Tuesday night.

Anyone can come in. From Liverpool who finished top, right down to hapless Tottenham or abject Manchester United hovering above the relegation zone.

It is time to officially ban the phrase ‘elite competition’ whenever the Champions League is mentioned on TV and radio or written in print.

There was a time when you had to win your domestic league to progress into the highest level of European football the following season.

Simple as that.

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We are now at a point where English Premier League teams have to work harder to stay out of the modern Champions League than to get in.

Spurs and Man United, regular participants in the past, have done spectacularly well trying to cock up their seasons. Yet

by virtue of winning the Europa League one of them will be alongside Liverpool, Paris Saint-Germain and Bayern Munich, the already declared winners of their respective leagues.

Erratic Chelsea, under the guidance of boss Enzo Maresca, have lost to Ipswich, Fulham and Brighton.

From winning five Premier League games in a row, they went winless in the next five and couldn’t string a pass together.

They lag 20 POINTS behind the bona fide champions of England from Anfield and are fifth.

Don’t bet against them being in next season’s Champions League.

The constant tinkering and chiselling away at a once simple game has led to Uefa getting its knickers in a right old twist.

Fifth in this year’s Premier League grants a free pass into the treasure trove of the Champions League thanks to the coefficients which measure success where once it was about winning.

A whole page is devoted to thrill-a-minute ‘coefficients’ on the governing body’s website to explain how a system that would baffle Stephen Hawking’s much cleverer cousin actually works: “Uefa calculates the coefficient of each club each season based on the clubs’ results in the  Uefa Champions League, Uefa Europa League and Uefa Conference League.

“The season coefficients from the five most recent seasons are used to rank the clubs for seeding purposes (sporting club coefficient).

“In addition, the season coefficients from the ten most recent seasons are used to calculate revenue club coefficients for revenue distribution purposes only.”

And that’s just the overview.

There’s a gag in there somewhere about how many coefficients does it take to ruin a game of football? Only I can’t see a funny punch line.

There was a time back when the world was black and white in the 1950s when two imaginative French journalists took inspiration from South America and came up with the idea of the best clubs from each country competing for a trophy on our continent.

Ironically, it wasn’t called the Champions League back then. It was the plain old European Cup. A cup fought over by teams in Europe. Simple eh?

Liverpool’s first steps into the European Cup came in 1964, our sole representatives having won the league the previous season under Bill Shankly.

Next season they share the honour with five other English teams and some of them are pretty ordinary.

If Spurs win the Europa League and follow it up by winning the Champions League next year, the champions of Europe will come from a team currently 17th in England’s top division.

You can argue it won’t happen. Yet somehow a side which has lost more league games than it has won this season is in a European final next week.

That’s cup football for you and it’s a wonderful lottery. Qualification for the Champions League is not. It’s a boring carve up.

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