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Lyle Foster’s match-winning 79th-minute strike allowed South Africa to win first opening match at AFCON since 2004.

Lyle Foster scored a superb winner from outside the box as South Africa defeated Angola 2-1 in Africa Cup of Nations Group B in Marrakesh on Monday, the first time they have won their opening match ⁠at the continental finals in 21 years.

South Africa also had a goal disallowed and struck the crossbar, ​just about deserving the nervy victory. Angola also had chances and will ‍be disappointed not to have gotten something from the game.

South Africa took the lead on 21 minutes when Oswin Appollis showed neat footwork in the box to work a shooting chance and put the ball in the bottom ‍corner. But Angola ⁠equalised before the break as Show got a touch to Fredy’s free kick to steer the ball into the net.

The winning moment came after 79 minutes, when Foster was teed up 20 yards out and curled his shot into the top corner to give the bronze medallists from two years ago a positive start to their campaign.

It was a workmanlike performance from South Africa, who do not have the plethora of players in top ​European leagues that their tournament rivals enjoy, with Foster their only one ‌at Premier League Burnley.

But they are a well-oiled machine under Belgian coach Hugo Broos and did enough for a victory that set them well on course for the knockout rounds. Egypt and Zimbabwe will meet later on Monday in ‌the same pool.

Even first half

South Africa took the lead after a period of sustained possession that led to Khuliso Mudau’s cross, which was ‌touched by both Sipho Mbule and Foster before Appollis beat two ⁠defenders and side-footed into the bottom corner of the net.

Angola equalised on 35 minutes when Fredy’s low free kick was touched into the bottom corner by Show, his second goal in his 50th cap for his country, to make it ‌1-1 at the break.

South Africa thought they had retaken the lead when halftime substitute Tshepang Moremi turned his defender and fired low into the bottom corner of the net, but a VAR review showed ‍that Foster was offside in the buildup.

South Africa’s Mbekezeli Mbokazi crashed the ball against the crossbar with a rasping shot from 35 yards, before Foster’s clinical strike secured all three points.

Zambia rally to draw with Mali

In an earlier Group A match on Monday, Zambia’s Patson Daka scored with a spectacular diving header in stoppage time to see his ‍side come from behind ‍and force a 1-1 draw with Mali in Casablanca.

Mali looked in control for most of the encounter, but paid the price for sitting back in the closing stages as Zambia staged a ⁠late recovery, with Daka leaping through the air to force home Mathews Banda’s curling cross two minutes into ​stoppage time at the end of the game.

Lassine Sinayoko had ‌taken advantage of sloppy defending to give ‌Mali a 62nd-minute lead ⁠after his strike partner, El Bilal Toure, had a first-half penalty saved.

PETE Davidson has welcomed his first child with his girlfriend, Elsie Hewitt, and shared the baby’s gender and special name.

Elsie revealed the happy news on Instagram on Thursday.

The model shared photos capturing the moments after the little one’s arrival, including the pair bonding with the newborn.

She announced in her caption that they welcomed their daughter, named Scottie Rose Hewitt Davidson, on December 12th.

“My best work yet, i am absolutely overflowing with love and gratitude and disbelief. – elsie

“Wu tang forever. – pete,” Elsie added in her caption.

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The baby’s name is a sweet nod to Pete’s New York City firefighter father, Scott Davidson, who died on September 11, 2001.

Fans took to the comments to congratulate the new parents and gush over her family moniker.

Elsie, 29, revealed her pregnancy in July with a funny Instagram post featuring ultrasound photos.

She humorously wrote in her caption, “Welp now everyone knows we had sex.”

An insider previously told The U.S. Sun that Elsie and Pete, 32, hoped to one day have a family together, and that the supermodel envisioned a life with the Saturday Night Live alum.

Pete had been vocal about wanting to become a father sooner rather than later, although he sympathized with his girlfriend for going through her pregnancy in the public eye.

During an August appearance on The Breakfast Club, the comic admitted that he “felt bad” for Elsie, who had to deal with many things in the limelight because of their relationship.

Pete has had a spotlight on his personal life since his string of high-profile romances.

They included a brief engagement to Ariana Grande in 2018, and a months-long relationship with Kim Kardashian, following her messy split from her ex-husband, Kanye West.

Pete has also made headlines for his impulsive purchase of a massive Staten Island Ferry with his former SNL co-star, Colin Jost.

The duo has faced numerous delays in their renovation plans since buying the ferry four years ago.

The U.S. Sun exclusively revealed in October that the $280,000 vessel is currently sitting decrepit and abandoned in a New York City harbor, and that both Pete and Colin have expressed regrets over the extravagant purchase.

Kylian Mbappe scored two goals to help Real Madrid overcome a stubborn challenge from third-division side Talavera.

Kylian Mbappe scored twice and Real Madrid beat third-division club Talavera 3-2 in the round of 32 of the Copa del Rey on Wednesday.

Mbappe converted a 41st-minute penalty and sealed the victory late in the second half with a shot from outside the area for his 10th goal in his last six matches in all competitions with Madrid. The French forward was also involved in the play that led to an own-goal by Manuel Farrando in first-half stoppage time.

“He was decisive,” Madrid coach Xabi Alonso said. “Kylian has that knack for scoring. The third goal was key, which is why we kept him on the pitch and why he started.”

Talavera cut Madrid’s lead with goals by Nahuel Arroyo in the 80th and Gonzalo Di Renzo in second-half stoppage time, but Madrid held on to avoid the upset that would have put Alonso under increased pressure following a series of disappointing results recently.

A tough save by Madrid goalkeeper Andriy Lunin in the final minute was key to securing Madrid’s win.

Madrid struggled late but had been in control from the start despite playing without a few regular starters.

“In the first half, we controlled the game well and took the lead, but not making it 3-0 left the game open, and it remained that way until the end,” Alonso said. “The second half was competitive. We looked for the third goal earlier and had chances, but it wasn’t to be. It was an exciting tie. It’s a special competition. Objective achieved, and on to the next game.”

Madrid closes 2025 at Sevilla in the Spanish league on Saturday.

HOME And Away star Rachael Carpani shared a tragic post detailing her health struggles before her sudden death.

The Australian actress, 45, died after “a long battle with a chronic illness”, according to her heartbroken parents.

In 2021, she was rushed to hospital in Sydney after suffering from acute abdominal pain.

The issues caused Carpani, also known for her role in hit Aussie TV show McLeod’s Daughters, to even spend a few days in an intensive care unit before she was taken in for surgery.

She wrote at the time: “I was admitted to emergency with acute abdominal pain just over a week ago and spent a few days in the ICU.

“Was then moved to the surgical ward.”

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Carpani said the pain had existed for some time before her issues severely worsened all of a sudden.

She added: “Basically it was a case of me not listening to my body and the pain [I tend to work through pain!] and allowing myself to get quite ill.”

She urged all her followers to always take note of any health woes and to get them checked out as soon as possible.

In a now heartbreaking post from last year, Carpani shared images of herself posing for a photoshoot following a bout of surgery.

Alongside the smiling images, Carpani explained: “My first time back in front of a camera for a photoshoot two days ago.

“No hospital gown, no awesome surgery socks ….[have to admit I miss the comfort].”

It is unclear what surgery the actress was recovering from at the time.

In June 2023, Carpani also underwent surgery on her eyes.

She wrote on Instagram: “After a life with horrific short-sightedness, wearing glasses from the age of 5, I bit the bullet and got ‘eyeball’ surgery.”

She later confirmed it was phakic intraocular lense replacement which is a vision correction surgery where a permanent artificial lens is implanted in the eye.

In an emotional statement, the star’s parents announced her shock passing.

They said: “It is with great sadness that Tony and Gael Carpani announce that their beautiful daughter, beloved Australian actress Rachael Carpani, unexpectedly but peacefully passed away after a long battle with chronic illness.”

She passed away on December 7 in the early hours of the morning.

Her family has said the funeral will be a “private event”.

Carpani was best known for her role as Jodi Fountain in the hit early 2000s series, McLeod’s Daughters.

She appeared on the show between 2001 and 2009 and earned two Logie nominations for her on-screen performance.

The Logies are Australia’s annual awards for television, celebrating Australian TV shows and personalities.

In 2007, Rachael was nominated for a Silver Logie for most popular actress, as well as the biggest award of the night, the Gold Logie.

She had also appeared in a number of films, including The Very Excellent Mr Dundee, Hating Alison Ashley and The Way Back.

More recently, she had a recurring role in hit Aussie soap Home and Away, playing Claudia Salini, an on-screen villain.

Abraham Quintanilla, father and manager of the late Tejano pop icon Selena Quintanilla, has died. He was 86.

“It’s with a heavy heart to let you guys know that my Dad passed away today,” Quintanilla’s son, A.B. Quintanilla III, wrote on his Instagram account on Saturday. The cause of death has not been disclosed to the public.

As patriarch of the famous Mexican American music family, Quintanilla played a critical role in the development of his daughter Selena’s career. After her tragic death in 1995, he dedicated his life to safeguarding her legacy and overseeing primary control over her estate. This included managing the rights to her image, name and likeness — at times, to controversial ends.

Born in Corpus Christi, Texas, in 1939, Quintanilla began his music career as a member of the singing group the Dinos in 1956, a Chicano rock group that was met with racial discrimination. In one instance, a club owner paid the group not to perform after realizing they were Mexican American youth; but the group was also sidelined by its Mexican counterparts for not making Spanish-language music.

Quintanilla’s exasperation informed a real quote that was later made famous by actor Edward James Olmos, who played Quintanilla in the 1997 “Selena” biopic: “We have to be more Mexican than the Mexicans and more American than the Americans, both at the same time. It’s exhausting!”

Quintanilla would eventually step away from the group in the 1960s to start a family with Marcella Samora, whom he met in Tacoma, Wash., while serving in the U.S. Air Force. The family quickly grew following the births of A.B., Suzette and Selena. In them, he saw the potential to fulfill his own dreams of musical stardom.

With A.B. on bass, Suzette on drums and Selena as the tender vocalist, the trio would often perform at the family restaurant, PapaGayo’s, which later closed following the 1981 recession. The family was forced to sell their home in Lake Jackson, Texas, and move to Corpus Christi. In order to make ends meet, Selena y Los Dinos would perform on street corners, family parties and other social functions. Under the guidance of their father, who assumed the position of band manager, Los Dinos eventually signed with Freddie Records in 1984.

Selena was met with much skepticism from an early age as a young girl in a male-dominated genre, including by their first label head, Freddie Martinez. Still, Los Dinos persevered in the Tejano music scene, hopping from label to label before the group finally released eight albums under Manny Guerra’s independent labels, GP Productions and Record Producer Productions. With multiple albums under her belt, Selena was then able to dominate the Tejano Music Awards; she won the title of Female Vocalist of the Year in 1987.

Selena eventually caught the attention of Jose Behar, the former head of Sony Music Latin, who saw her crossover appeal — despite Selena’s primary language being English — and signed her to EMI Latin (Capitol Records) in 1989. This led to the release of her most career-defining hits across five albums, such as “Como la Flor,” “Amor Prohibido,” “Bidi Bidi Bom Bom” and the posthumously released ballad, “Dreaming of You.”

Following Selena’s murder in 1995 — by Yolanda Saldivar, the former president of her fan club — Quintanilla became a fierce protector of her image, which was often sensationalized by the public.

Because of the grisly and highly publicized nature of Selena’s death, Quintanilla felt that the film needed to be made sooner than later, in order to do justice to his daughter’s legacy, said “Selena” director Gregory Nava in a 2025 interview with De Los.

“For me, as a filmmaker, I wanted to really tell a true story,” said Nava. “I had conflict, not really with the family, but with Abraham. Her father was very protective of her.”

Tensions flared most when Nava began to shape the story of the singer’s elopement with guitarist Chris Perez, whom she married in 1992.

“You can’t put on the screen that it’s right for a young girl to disobey her father,” Nava recalled Quintanilla saying.

“Isn’t it a more important point to make that she is doing what she knows is right? And [that] she’s doing the right thing because she knows she loves Chris and Chris loves her?” Nava responded.

Eventually, Quintanilla relented. “I guess if I have to look bad to make Selena look good, I’ll do it,” Nava recalled him saying. “He has a soft heart. He finally saw that was the right thing to do, but it took hours of heated discussion.”

Although Suzette has said that the 1997 biopic came too soon in her eyes — and prompted criticism of her father, who some viewed as money-hungry and opportunistic — she ultimately stood by his decision, stating that there was a pressure within the family to control the narrative at the time.

Nava agreed.

“Abraham was very wise in pushing it through quickly,” he said. “Selena brought us all together, and it cemented her legacy in a positive way. All the negativity was dispelled by that movie. You see that in the film and you feel it.”

Last month, I was waiting for a shared taxi at the Nuseirat roundabout when I witnessed a heartbreaking scene. As I stood by the side of the road, I felt a small hand tugging at my clothes.

I looked down and saw a little girl, no older than eight. She was barefoot, her shirt was torn, and her hair was messy and unwashed. Her eyes were beautiful, and her face showed innocence, yet exhaustion and despair clouded it.

She pleaded: “Please, please, give me just one shekel, God bless you.”

Before I gave her the money, I decided to speak with her. I knelt down and asked, “What is your name, my dear?”

She replied in a frightened voice, “My name is Nour, and I am from the north.” Her name, which means “light” in Arabic, stood in stark contrast to the darkness surrounding her.

I asked her, “Why are you asking for money, Nour?”

She looked at me hesitantly, then whispered, “I want to buy an apple… I crave one.”

In Gaza, a single apple now costs $7; before the war, a kilogramme of apples was less than a dollar.

I tried to ignore the pain rising in my chest. I thought about the circumstances we now face, where young children are forced to beg in the street just to buy an apple.

I gave Nour one shekel ($0.30), but as soon as I did, the situation worsened. A large group of children, all Nour’s age or younger, gathered around me, repeating the same request. I felt immense distress.

For more than two years, we have faced genocide. We have witnessed countless tragedies and horrors. But for me, the sight of children begging in the streets is particularly unbearable.

Before the war, Gaza was still a poor place. We used to see child beggars, but they were few, mostly roaming in a few areas. Now, they are everywhere, from the north to the south.

The genocidal war has destroyed families and livelihoods across Gaza. The carnage has orphaned more than 39,000 children, and the enormous destruction has deprived more than 80 percent of the workforce of their jobs, driving countless children into extreme poverty and forcing them to beg for survival.

But child begging is not just a result of poverty; it is a sign of a deep disintegration affecting the family, the education system, and the community. No parent sends their child to beg because they want to. The war has left many families in Gaza without options, and in many cases, there are no surviving parents to keep the children away from the streets.

Child beggars do not just lose their childhood; they also face exploitation, harsh labour, illiteracy and psychological trauma that leaves a lasting effect.

The more begging children increase in number, the more the hope for this generation diminishes. Houses can be rebuilt, infrastructure can be restored, but a young generation that is deprived of education and hope for the future cannot be rehabilitated.

The strength Gaza possessed before the war was not just about military power; it was about human power, the main pillar of which was education. We had one of the highest levels of literacy in the world. The enrolment rate for primary education stood at 95 percent; for higher education, it reached 44 percent.

Education stood as a counterforce to the debilitating siege that dispossessed the people of Gaza and crippled the economy. It nourished skills and ingenuity within the young generations to help them cope with an increasingly harsh economic reality. More importantly, education gave children a sense of direction, security and pride.

The systematic attack on Gaza’s education system – the destruction of schools, universities, libraries and the killing of teachers and professors – has pushed what used to be a remarkably resilient and effective educational system to the brink. The pillar that protected children and guaranteed them a clear future is now falling apart.

After I left the Nuseirat roundabout, Nour’s eyes stayed with me. It was not just because of the pain of seeing an innocent child being forced to beg. It was also because of the realisation that this encounter brought about: That the capacity of the next generation to rebuild Gaza one day is being taken away.

The world allowed Israel to carry out genocide in Gaza for two years. It knew what was going on, and yet it chose complicity and silence. Today, it cannot erase its guilt, but it can choose to redeem itself. It can take all necessary action to save the children of Gaza and to grant them the rights they are inherently given by the Convention on the Rights of Children: The right to food, water, healthcare, a safe environment, education, and protection from violence and abuse.

Anything short of that would mean continuing support for the slow genocide of Gaza.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

HOUSTON — Amen Thompson’s three-point play with 17.2 seconds left helped the Houston Rockets to a 115-113 win over the Clippers on Thursday night.

Thompson tipped in Alperen Sengun’s miss to break a 110-110 tie, was fouled by Kris Dunn and hit the free throw. The putback came off Houston’s third offensive rebound of the possession and 21st of the night.

Thompson made eight of 12 from the field and finished with 20 points, nine rebounds and eight assists.

The Rockets (16-6) outrebounded the Clippers 51-28 and avoided losing back-to-back games for the first time since Oct. 24.

The Clippers had two possessions with a chance to tie the game, but Kawhi Leonard was called for an offensive foul, and Nicolas Batum committed a violation on an inbounds pass.

Sengun led the Rockets with 22 points and 15 rebounds, five assists and four steals, while Jabari Smith Jr. added 18 points.

Kevin Durant scored 13 of his 16 points in the third quarter. He started the game one for seven from the field but knocked down his next four shots.

Ivica Zubac matched a season high with 33 points for the Clippers. He shot 13 for 14 and added seven rebounds.

Leonard scored 24 points in a season-high 41 minutes, and James Harden chipped in 22 points against the team he starred with for more than eight seasons.

For the Clippers (6-19), it’s the third loss in a row and eighth in nine games.

Up next for the Clippers: host Memphis on Monday.

SEATTLE — Vince Dunn scored on the power play 1:21 into overtime and the Seattle Kraken ended a five-game losing streak on Wednesday night by beating the Kings, 3-2.

Matty Beniers tied the score for the Kraken with a power-play goal with 25.3 seconds left in regulation. Jared McCann also scored for Seattle, which had been winless in six outings (0-5-1) since Nov. 23. Eeli Tolvanan assisted on the tying and winning goals. Dunn added two assists.

Joey Daccord made 24 saves.

Alex Laferriere had a shorthanded goal and Kevin Fiala scored on the power play for the Kings. Anton Forsberg made 30 saves.

The Kraken got the power-play opportunity with 3:55 left in overtime when Adrian Kempe was called for tripping. Tolvanen, playing near the left circle, sent a pass across to Dunn just above the right circle, and his slap shot zipped past Forsberg.

It was a tripping penalty against Forsberg that gave the Kraken a power play with 38.8 seconds left in regulation. With Daccord already having been pulled for the extra attacker, Seattle took advantage of a Kings giveaway in their own end. Tolvanen gained control on the right side and sent it toward the net. Beniers redirected it past Forsberg.

Along with McCann’s fifth goal of the year at 3:21 of the second period for a 1-0 lead, all three Kraken goals were scored on the power play. They now have goals with the man advantage in three of the last four games after going 0 for 14 in the four games prior to that.

Laferriere tied it at 1-1 at the 8:16 mark of the second, scoring the Kings’ league-leading sixth shorthanded goal of the season.

Fiala put the Kings on top 2-1 on the power play with 5:20 left in regulation.

Yet Newcastle found a way to climb it.

Following some strong words at half-time, the visitors rallied after the break and won a penalty courtesy of Nick Woltemade aggressively pressing Leverkusen goalkeeper Mark Flekken.

And after equalising from the spot, Gordon then went on to set up substitute Lewis Miley’s header to put Newcastle in front.

However, another familiar issue reared its head.

Despite taking the lead in the 74th minute, Newcastle were unable to see out the game.

This side have dropped more points from winning positions – 11 – than any other team in the Premier League.

They have failed to win four of their past five away games in all competitions despite taking the lead in all of them at some stage.

Newcastle may have hit the upright through substitute Jacob Murphy after going in front, but Howe’s side began to drop deep against Leverkusen late on, consciously or not.

And Grimaldo’s clever dummy took Newcastle’s midfield out of the game before Leverkusen’s talisman levelled.

It was a familiar story for Howe.

“I don’t think it’s ever a case of sitting back and absorbing pressure,” the Newcastle head coach said.

“That’s not number one in our aim, but you need to do whatever it takes to win. Sometimes that is par for the course, that’s what you have to do.”

Newcastle remain on course for at least a play-off spot and are only a couple of points off the automatic qualification places for the last 16.

But Howe’s team cannot afford to let history repeat itself when they host a PSV side who are starting to hit form, on 21 January, before a trip to the Parc des Princes to take on holders Paris St-Germain a week later.

“We have it all to prove,” Howe added. “The two games we have are very difficult games but I believe in the group. Wherever we go, if we’re near our best, we can win.”