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A nepo baby with two very famous actor parents has bagged herself a role in the new Peaky Blinders movie – can you guess who her mum and dad are?

Ruby, 27, has followed in her parents footsteps as an actor and according to IMDB, she’s set to star as Agnes Shelby in the upcoming film, Peaky Blinders: The Immortal Man.

The highly-anticipated project is a direct continuation of the BBC One television series and has an epic cast.

Cillian Murphy is back in the role of Thomas Shelby alongside Stephen Graham, Sophie Rundle, Ned Dennehy, Packy Lee and Ian Peck.

Ruby joins other actors who are new to the Peaky Blinders world, including Rebecca Ferguson, Tim Roth, Jay Lycurgo and Barry Keoghan.

Her actor and filmmaker father is best known for his motion capture roles working with animation and voice work for computer generated characters.

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He’s starred in massive Hollywood films including The Lord of the Rings trilogy, King Kong and the Planet of the Apes reboot series.

His work has garnered him several BAFTA awards, a Daytime Emmy Award and a Golden Globe nomination.

Meanwhile, his wife also has an impressive resume, having appeared in massive shows including The Crown, Bridgerton and Grantchester.

And she most recently entertained fans in the BBC drama Riot Women, written by Happy Valley’s Sally Wainwright.

Have you guessed who Ruby’s famous parents are?

That’s right, it’s none other than Gollum actor Andy Serkis and his wife Lorraine Ashbourne.

As well as the projects previously mentioned, Andy has starred in other big projects including Avengers: Age of Ultron, The Batman and Venom: Let There Be Carnage.

The couple got married back in 2002 and live in London with their three children, Ruby, Sonny and Louis.

Ruby Ashbourne Serkis has already starred in some big productions, having bagged small roles in The Hobbit: An Unexpected Journey and The Hobbit: The Battle of the Five Armies thanks to her dad.

She’s since carved out her own career with projects such as drama comedy film La Cha Cha and most recently, Netflix film Steve, alongside Cillian.

Ruby is also set to appear on stage at The Hampstead Theatre in Indian Ink, alongside Felicity Kendal and Gavi Singh Chera.

A synopsis for the play reads: “Satirising the self-importance of both academia and the ruling class, Tom Stoppard’s Indian Ink is an evocative meditation on art and love, exploring how creativity can bridge even the most profound cultural barriers.”

Both of Ruby’s brothers, Sonny and Louis, have also bagged the nepo tag and ran with it, and are also acting.

Sonny has appeared in mini series Masters of the Air, The Witcher, The War Below and Young Wallander.

While Louis is best-known for his role as Alex in the 2019 fantasy adventure film The Kid Who Would Be King.

Back in 2017, Andy directed the film Breathe, which is a true story about the love between Robin and Diana Cavendish.

Many fans thought the film was inspired by Andy and Lorraine’s own love story, having been married for 23 years.

However, Andy has clarified the project was inspired by the Cavendish’s story and the power of their love to overcome adversity.

Reporting from Washington — More than 300 years ago, Edward Teach, better known as Blackbeard, whose whiskered visage virtually defines the image of the 18th century pirate, ran his flagship aground near Beaufort, N.C.

On Monday, the Supreme Court agreed to hear an appeal involving that ship to resolve a question of alleged 21st century piracy: Can the state of North Carolina be sued for taking someone’s copyrighted work?

At issue in the case, brought by a videographer who has filmed the wreckage of the Queen Anne’s Revenge since it was discovered in 1996, is a broad question of whether authors, musicians, video producers and others may sue a state agency and collect damages if the government makes use of their works without permission.

The high court has created a broad “sovereign immunity” shield that protects states from many types of lawsuits. In this case, the Recording Industry Assn. and experts in copyright law are urging the justices to shrink that shield, at least in copyright cases.

Recent rulings have left “states free to infringe copyrights with impunity, with nothing to deter them from that bad behavior,” the recording industry said in its brief supporting the appeal.

“Digital piracy of sound recordings and musical works, including by states, can be quick and easy to accomplish.”

The case began with the discovery of the wreckage of Blackbeard’s flagship, which sank in November 1718 and was found by a private research group in 1996.

A model of Queen Anne’s Revenge, flagship of the 18th century pirate Blackbeard, at the North Carolina Maritime Museum in Beaufort, N.C.

(David Zucchino / Los Angeles Times)

The discoverers hired Frederick Allen and his Nautilus Productions to film the wreckage and the salvage operation. His videos were copyrighted, but in 2013, North Carolina’s Department of Natural and Cultural Resources began posting the videos online.

Allen and the state entered into a settlement that paid Nautilus $15,000, but according to the videographer, the state violated the agreement by converting his works into “public record” materials that were free to all.

Allen sued the state for copyright infringement and won before a federal judge.

But the 4th Circuit Court based in Virginia ruled last year that the state and its officials were immune from such claims.

In 1990, Congress passed a law to protect copyrights from infringement by state agencies, but a few years later, the Supreme Court handed down a series of rulings that gave states “sovereign immunity” from being sued for damages in federal courts. One of those decisions, Florida Prepaid vs. College Savings Bank in 1999, threw out patent and copyright claims against a Florida agency.

The 4th Circuit cited that decision in blocking the videographer’s suit over Blackbeard’s ship.

His lawyers argued in their appeal that the Constitution gave Congress the power to protect the work of “authors and inventors.” The decision by Congress to enact a federal law allowing the suit to go ahead should override a state’s claim of immunity, they said.

The Supreme Court announced Monday it had voted to hear the case of Allen vs. Cooper in the term that begins in the fall.

More stories from David G. Savage »

Vicky Pattison is bouncing back after being booted off the BBC dance show, with the star already lining up a new on-screen project that will take her in a very different direction

Vicky Pattison is reportedly preparing for a brand-new TV role after her shock exit from Strictly Come Dancing. The former Geordie Shore favourite, who recently turned 38, was dropped from the BBC competition over the weekend despite impressing viewers with her routines alongside professional partner Kai Widdrington, 30.

The pair were sent home after the judges chose to save Balvinder Sopal, 49, and her partner Julian Caillon, 30. Now, Vicky is said to be heading straight back onto screens – this time alongside her husband Ercan Ramadan, whom she married in 2024 – in a new E4 series.

A TV insider told The Sun: “Vicky is already hugely popular with E4 audiences, thanks to her documentary about her dad’s alcoholism, her wedding specials and her show The Honesty Box, and this is the perfect post Strictly vehicle for her.”

According to the report, the show will explore a range of fertility topics, including IVF, egg freezing and the emotional realities behind the process. Vicky will also share her own journey while speaking to experts and women who have undergone similar experiences.

The star has been open about taking control of her fertility, choosing to freeze her eggs before tying the knot with Ercan last summer. She has frequently discussed the subject on social media and previously fronted the BBC documentary Egg Freezing And Me, which examined the rising demand for fertility treatments in the UK.

Growing up in Newcastle, Vicky felt the pressure many young women face surrounding marriage and motherhood. The 38-year-old has said that in her hometown, “it was ‘expected that you’d get married and have kids by 30, and if you didn’t you’d have failed.”

But despite once believing she had missed the mark, Vicky says her thirties turned out to be the most fulfilling years of her life so far. She told the Daily Mail: “I’d just come out of a relationship. I’d been conditioned to think everything was going to go downhill – looks, fertility, career. But my 30s have actually been the best years of my life. I met my husband, I bought a house, I adopted my dog, I found a career I’m proud of. I was a girl until I was 30 – now I’m a woman, and I like her. Society scares women into thinking life ends at 30. It’s rubbish.”

Vicky has also spoken openly about her diagnosis of Premenstrual Dysphoric Disorder (PMDD), after doctors initially dismissed her symptoms as nothing more than Premenstrual Syndrome (PMS).

Reflecting on her fertility treatment, she has been honest about the emotional and physical toll, saying: “It’s emotionally difficult, and you’re all over the shop, but I found it to be quite uncomfortable and painful as well. And I don’t think enough people talk about that… we’re not allowed to whinge about it and say it was a bit hard, and it was a bit uncomfortable.”

She added an important reminder that women can feel both grateful and overwhelmed at the same time: “But actually, you can be grateful, and you can be really excited for the end product, but you can also struggle to get there, and I found it painful.”

The Mirror has reached out to Vicky Pattison’s representatives for comment.

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IN her blue gingham dress, brown pigtails and trusty dog Toto by her side, Dorothy Gale is one of the most famous characters in Hollywood history.

But 86 years after original actress Judy Garland skipped down the yellow brick road, the school girl from Kansas is back on the big screen – being played by a Pilates instructor who lives in Surrey.

Bethany Weaver, 30, has been unveiled as the woman portraying Dorothy in the big budget movie Wicked: For Good, which hits cinemas this Friday.

However, The Sun can reveal she only appears on screen for 69 seconds and says a total of six words — and Bethany’s friends may not even recognise her, as her face is never shown on screen.

It follows on from last year’s first film, simply titled Wicked, and completes the tale of the witches of Oz, Elphaba, played by Cynthia Erivo, 38, and Ariana Grande, 32, as Glinda.

But while the first musical extravaganza was a prequel to The Wizard of Oz, the second instalment’s plot runs parallel to that of the 1939 film, telling the tale from an entirely different perspective.

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That means viewers will once again see Dorothy with the Tin Man, the Scarecrow and the Cowardly Lion.

Explaining the decision not to show her face, director Jon M. Chu, 46, said: “I didn’t want to step on who you think Dorothy is in whatever story that you came into this with.

“[The sequel] is still Elphaba and Glinda’s journey, and she is a pawn in the middle of all of it.”

Cynthia added: “I think that’s such a wonderful thing to do because then everyone gets to keep the Dorothy that they know.”

The film studio went to major lengths to keep her identity a secret, stopping her from attending the major premieres.

The cast and crew were banned from following or interacting with her on social media and on Instagram, she only had 1,041 followers before being formally announced.

She has had a string of theatre jobs in Oklahoma and Broken Wings after training at The Urdang Academy, and recently helped to choreograph a production of Charlie and the Chocolate Factory.

But away from the stage, she has a less showbiz career as a Pilates instructor in Surrey.

Her casting ends a year of speculation, as fans had been convinced that Irish actress Alisha Weir, 16, who played the lead in 2022’s Matilda the Musical, would take the role.

She attended the London premiere of the first Wicked film last year wearing silver shoes, which was thought to be a reference to the original colour of the character’s ruby red heels in the 1900 novel The Wonderful Wizard of Oz by L. Frank Baum.

And even superstar Taylor Swift, 35, was at one point linked to the role.

Fans thought the video for her song Karma, which saw her skipping down a yellow brick road, was a clue, and an image of the singer dressed as Dorothy went viral before later being debunked as AI.

But with an all-star cast in Wicked: For Good, also featuring People magazine’s Sexiest Man Alive Jonathan Bailey, 37, Oscar winner Michelle Yeoh, 63, and Jurassic Park’s Jeff Goldblum, 73, there is plenty of star power to propel it to success.

Wicked, released last November, became the highest-grossing film of the year at the UK box office, raking in £61million in a matter of weeks.

Now the blockbuster sequel is being forecast to repeat its success, with expectations it will surpass the £56million made by A Minecraft Movie and the £46million raked in by Bridget Jones: Mad About The Boy earlier this year.

Bosses at Universal Pictures are also hoping the movie will prove fruitful in awards season too, after the first flick landed ten Oscar nominations but only won in the Best Costume Design and Best Production Design categories.

The film is based on the second half of the Broadway musical, although two new songs were penned especially for the big-screen version, which will be available when the official soundtrack is released on Friday.

Ariana has a solo moment with The Girl in the Bubble while Cynthia gets a song on her own with No Place Like Home.

The tracks mean they could go head-to-head for the Best Original Song gong at the Oscars.

The movies were filmed back to back from December 2022 to January 2024 at studios in Elstree and Leavesden, Herts, although Ariana and Cynthia returned to the UK in May this year for last-minute reshoots.

An estimated $150m was spent on the film with millions more on marketing it – with the massive investment paying off for the first flick.

That one set a box office record for a stage-to-screen adaptation, making $756m globally.

And they are going all-out to market this film too.

Today, it was revealed that Brick Lane in East London has been transformed into Yellow Brick Lane, with the famous path from the Wizard of Oz now running down the road, along with several Wicked murals.

There have also been a raft of big brand tie-ins, with a slew of Wicked-themed products including a collection of Le Creuset cookware, Crocs, rugs, trainers, perfume, and even drinks and bakes at high street chain Greggs.

Wicked Barbie dolls are also expected to be one of the most in-demand toys this Christmas.

And its legacy is likely to be even more musicals making it to the big screen.

Following the success of the first film, Sabrina Carpenter, 26, has had a musical about Alice in Wonderland greenlit by the same movie studio.

Mamma Mia 3 is also expected to go ahead, with talk of Nicole Scherzinger, 47 – who had been linked to the role of Elphaba back in 2017 – starring in a film adaptation of Sunset Boulevard.

As for Cynthia and Ariana, they have spent the last two weeks on a promotional tour including premieres in Sao Paulo, Paris, London, Singapore and on Monday evening, New York.

However, it has taken its toll.

Cynthia, who wore a black gown featuring leather and feathers on the red carpet in the Big Apple, was unable to do interviews there after losing her voice entirely in the lead-up to the film’s release.

Meanwhile, talk during the promo run has turned to Ariana, who wore a pink tulle skirt and a black corseted bodice, and her relationship with her co-star Ethan Slater, 33.

Romance blossomed during filming, just after her marriage to estate agent Dalton Gomez crumbled, and following his split from his childhood sweetheart and the mother of his son, psychologist Lilly Jay.

But despite steering clear from each other on red carpets and declining to talk about each other, the couple are quietly still going strong after two and a half years as an item.

And while she isn’t saying goodbye to him, she is moving away from the role of Glinda, which she had dreamed about playing since she was ten years old.

She has dyed her peroxide blonde hair back to brown and has moved onto her next project, recently completing work on the latest film in the Meet the Parents franchise.

Reflecting on the release of the second – and final – film, Ariana was emotional.

She explained: “It’s been such an incredible ride and an incredible experience to create with people we love so much and respect so much creatively, but also who just have such great hearts.”

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Speaking about the characters, who she and Cynthia auditioned for in 2021, she said: “It’s almost five years that we’ve spent with them. So, for them to finally be getting the full picture and to know the secrets we’ve known all along is very exciting.”

Ariana added: “This project will always be part of our lives.”

James Bye is joining forces with Hollyoaks actor Gary Lucy in the West End show 2:22 A Ghost Story – and fans are excited to see the two soap stars on the stage together

Actor James Bye has landed his first major role since his EastEnders character, Martin Fowler, was killed off in the soap. The 41-year-old star is joining forces with Hollyoaks actor Gary Lucy, whose character Luke Morgan was also killed off, for a new theatre acting job in the West End. The two actors will play Sam and Ben in 2:22 A Ghost Story in next year’s shows.

The announcement was made by the official profile of the play on Instagram, with a poster showing the actors in their roles. It read: ” INTRODUCING OUR 2026 SAM AND BEN. @jimmybye and Gary Lucy will be taking #222AGhostStory across the UK through 2026!

“Joined by @shvornemarks returning as Jenny and @natalielauracasey as Lauren.” Fans were excited to see that James and Gary will be working together on the production – and many said they can’t wait to go to the theatre to watch the show.

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“Amazing such a brilliant cast,” a person said. “Can’t wait. See you in Cardiff,” a fan added. A third wrote: “This is a great duo! I’m gonna come watch!”

“Ooooooooo brilliant, great casting,” someone else said. The West End show, a thriller play by Danny Robins, premiered in 2021 and received a Laurence Olivier Award nomination for Best New Play the following year.

James played Martin in EastEnders from 2014 until he was killed off for the soap’s 40th anniversary episode this year. The character died after being trapped by a falling steel beam during an explosion at the Queen Vic pub. The episode aired on February 20 and saw Martin have a final moment with Stacey before he was crushed and died from his injuries.

After leaving the soap, James landed a job as Jane Austen hero Mr Darcy in the theatrical world premiere of Death Comes To Pemberley. Following his sudden departure from EastEnders, James said: “Saying goodbye is not easy, but after 10 years at EastEnders and on the night of the shows epic 40th anniversary – the time felt right. It’s an honour to leave on a story of this magnitude.

“A huge thank you to all the fans of the show – EastEnders wouldn’t be what it is without you – and to the BBC and EastEnders team for trusting me with this role for so many years. This fruit and veg man will always hold a special place in my heart. It’s time to look forward, and I’m incredibly excited for what the future holds. RIP Martin Fowler.”

Gary’s Hollyoaks character was killed off in July 2022 after suffering a fatal fall in Mallorca. Viewers were left heartbroken following Luke’s tragic death. “Wow I just finished Hollyoaks, I was not expecting Luke to go like that”, one fan wrote on X, then called Twitter.

“So sad watching Luke fall to his death on his stag. What a way to kill him off,” another echoed. “Can’t believe that’s the last of Luke Morgan,” someone else complained.

Meanwhile, a fourth said: “Hollyoaks playing that montage of Luke after he fell to his death has ruined my day. I loved him.”

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During the last government shutdown six years ago, the main narrative when it came to public lands was the damage caused by unsupervised visitors. Trash cans and toilets overflowed with waste. Tourists reportedly mowed down Joshua trees to off-road in sensitive areas of Joshua Tree National Park.

This time around, national parks were directed to retain the staff needed to provide basic sanitation services, as I reported in a recent article with my colleague Lila Seidman. But meanwhile, something bigger and more coordinated was unfolding behind the scenes, said Chance Wilcox, California Desert program manager for the National Parks Conservation Association.

“We’re not seeing Joshua trees getting knocked down, things getting stolen, damage to parks by the American people, but we are seeing damage to parks by this presidential administration on an even larger scale,” Wilcox told me last week before lawmakers struck a deal to reopen the government.

(Allen J. Schaben / Los Angeles Times)

Wilcox and other public lands advocates allege that President Trump’s administration used the shutdown to expedite an agenda that prioritizes extraction while slashing resources dedicated to conservation and education. What’s more, they fear the staffing priorities that came into sharp relief over the past 43 days offer a preview of how these lands will be managed going forward, especially in the aftermath of another potential mass layoff that could see the Interior Department cut 2,000 more jobs.

When I asked the Interior Department about its actions during the shutdown, a spokesperson responded via email that the administration “made deliberate, lawful decisions” to protect operations that sustain energy security and economic stability. “Activities that continued were those necessary to preserve critical infrastructure, safeguard natural resources, and prevent disruption to key supply chains that millions of Americans rely on,” the spokesperson wrote.

As a resident of the Mojave Desert on the outskirts of Joshua Tree National Park, I’ve taken particular interest in this topic. Out here, summer days can top 110 degrees, a trip to the grocery store is an hours-long excursion and there are rattlesnakes. Lots of rattlesnakes. But one huge bonus is the proximity to public lands: We’re surrounded by the park, the Mojave National Preserve and hundreds of miles of Bureau of Land Management wilderness.

These spaces not only provide endless entertainment for residents like my 3-year-old daughter, who would rather be turned loose in a boulder field than a jungle gym, but they play a key role in drawing visitors from around the world who support the stores, restaurants and other establishments that underpin our local economy.

Sentinel Rock in Hidden Valley, Joshua Tree National Park.

(Allen J. Schaben / Los Angeles Times)

In short, the health of our community depends on the health of these landscapes. Now, their future seems increasingly uncertain.

During the shutdown, roughly 64% of National Park Service employees were furloughed, according to a Department of the Interior contingency plan. At Joshua Tree National Park, those sidelined included Superintendent Jane Rodgers, along with most of the staff responsible for scientific research, resource management and educational and interpretive programs, according to a source at the park who asked not to be named out of fear of retaliation.

Over at the BLM, roughly 26% of staffers were furloughed. Among those who were allowed to keep working: employees responsible for processing oil, gas and coal permits and leases, along with items related to other energy and mineral resources, according to the contingency plan, which cited the president’s declared national energy emergency as rationale. As a result, the federal government issued 693 new oil and gas drilling permits and 52 new oil and gas leases on federal lands during the shutdown, according to tracking by the Center for Western Priorities.

Also during the shutdown, the BLM continued to move ahead with plans to consider the expansion of the Castle Mountain Mine, which is surrounded by California’s Castle Mountains National Monument. Already, the Interior Department had approved a different nearby mine, the Colosseum, ending a years-long dispute in which the National Park Service had alleged the mine was operating without authorization.

In Alaska, the Trump administration moved to open the Arctic National Wildlife Refuge to oil and gas leasing and approved a long-disputed push to build a 211-mile industrial road through the Gates of the Arctic National Park and Preserve to allow for mining in a remote corner of the Northwest. The U.S. also took an equity stake in a company focused on mining exploration in that area, part of a growing trend that some experts have described as unusual.

And in Utah, the BLM is now reconsidering an application, which has been rejected seven times, to build a four-lane highway through desert tortoise habitats in the Red Cliffs National Conservation Area.

There’s real fear among federal employees and advocates that this dynamic — an emphasis on developing public lands, as stewardship and research efforts languish — will become the new reality, said Jordan Marbury, communications manager for Friends of the Inyo. What’s more, he said, is that some worry the administration will point to the shutdown as proof that public lands never really needed all that staffing in the first place.

“It could get to the point where conservation is totally an afterthought,” he said.

More recent land news

Operators of the 1,000-acre Inglewood Oil Field must stop pumping by the end of the decade, if a state edict holds up in court. My L.A. Times colleague Doug Smith looks at what will become of one of the Los Angeles region’s last great pieces of undeveloped land, which offers a rare opportunity to address the pressing needs of open space and affordable housing in underserved neighborhoods.

Homes sit in the shadow of the Inglewood Oil Field.

(Jason Armond / Los Angeles Times)

Five California tribes have established an intertribal commission to co-manage Chuckwalla National Monument, marking a historic step toward tribal sovereignty over sacred desert lands. Times environment reporter Tyrone Beason examines how this will work — and why it’s a big deal.

President Trump has tapped former New Mexico Rep. Steve Pearce to lead the BLM — which manages about 10% of land in the U.S. — after his first pick, oil and gas lobbyist Kathleen Sgamma, withdrew her name from consideration in the wake of reporting on comments she made criticizing Trump’s role in the Jan. 6 attack on the U.S. Capitol. Industry trade organizations are praising Pearce’s nomination, while environmental groups allege that the former Republican Party of New Mexico chair is a climate change denier with a record of supporting expanded oil and gas drilling on public lands and shrinking national monuments, the Santa Fe New Mexican reports.

Lawmakers have begun to use the Congressional Review Act, which enables Congress to overturn recent federal rules with a majority vote, in an unprecedented way: to revoke specific land management plans that limit mining and drilling in specific places, Inside Climate News reports. So far, lawmakers have rescinded BLM plans that ended new coal leasing in Montana’s Powder River Basin and that limited development in North Dakota and portions of Alaska. They are now seeking to do the same in Alaska’s National Petroleum Reserve. That’s despite warnings from legal experts, environmental organizations and hunting and fishing groups that these precedents could paralyze the ability of agencies to manage public lands.

A few last things in climate news

Negotiators for seven Western states say they are making progress in ongoing talks over how to share the diminishing waters of the Colorado River, according to our water reporter Ian James. Still, a deadline set by the Trump administration came and went Tuesday without any regionwide agreement on water cutbacks, Ian reports.

The Trump administration plans to allow new oil and gas drilling off the California coast, but energy companies may not be interested in battling the state’s strict environmental rules to try and tap into limited petroleum reserves, our climate policy reporter Hayley Smith writes. Citing these obstacles, some experts told Hayley the move may be politically motivated: It’s likely to set up a fight with California Gov. Gavin Newsom, who has said that any such proposal will be dead on arrival.

Gov. Gavin Newsom speaks to reporters at the COP30 Climate Summit in Belém, Brazil, on Tuesday.

(Alessandro Falco)

Speaking of Newsom and Trump, the California governor is in Belém, Brazil, for the annual United Nations climate policy summit, which the Trump administration is sitting out. My colleague Melody Gutierrez, who’s also there, looks at how California hopes it can fill in the gap left by America’s absence as Newsom positions himself for a 2028 presidential run.

Meanwhile, diplomats have accused top U.S. officials of threatening and bullying leaders from poorer or small countries to defeat a historic deal to slash pollution from cargo ships that was slated by be approved by more than 100 nations, according to a bombshell New York Times report. Federal representatives denied that officials made threats but “acknowledged derailing the deal and repeated their opposition to international efforts to address climate change,” the paper reported.

This is the latest edition of Boiling Point, a newsletter about climate change and the environment in the American West. Sign up here to get it in your inbox. And listen to our Boiling Point podcast here.

For more land news, follow @phila_lex on X and alex-wigglesworth.bsky.social on Bluesky.