L.A.s

He pushed a $1-billion Hollywood studio project. Now, he wants to be L.A.’s next city controller

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Noah Goldberg, giving you the latest on city and county government.

L.A. City Hall is not known for making things simple for real estate developers — especially those seeking approval of large, complicated projects.

Yet earlier this year, Westwood resident Zach Sokoloff navigated the city’s bureaucratic obstacle course, winning City Council approval of a $1-billion plan to redevelop Television City, the historic studio property on Beverly Boulevard.

Now, Sokoloff is hoping to make what some might view as a baffling career change, jumping from Hackman Capital Partners, where he is senior vice president for asset management, to a job as L.A.’s next elected city controller.

For that to happen, Sokoloff would need to defeat City Controller Kenneth Mejia, who is running for another four-year term in June. That’s a tall order, given Mejia’s social media savvy, his status as an incumbent and his deft use of graphics highlighting the minutiae of city government — sometimes featuring hat-wearing corgis.

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In 2022, Mejia secured more votes than any other candidate in city history, as he and his team like to point out. Former state Sen. Isadore Hall, who is also running against Mejia, has his own track record of winning elections.

Sokoloff, by contrast, has never run for public office. He’s spent the past seven years at Hackman, which proposed the 25-acre Television City project and owns other studio properties.

A onetime grade school algebra teacher, Sokoloff promised to emphasize “leadership through listening” if he is elected, shining a light on areas where the city is struggling and working collaboratively to find solutions.

Sokoloff gave some credit to Mejia for seeking to make city government more transparent and understandable. But he argued that such efforts are only a starting point.

Mejia’s audits, he said, “just aren’t moving the needle.”

“He’s shown a preference for lobbing criticism after the fact, rather than getting involved early on to shape the outcome,” Sokoloff said in an interview.

Mejia spokesperson Jane Nguyen pushed back, saying Mejia has championed an array of policy changes, including the creation of a chief financial officer position and a move to “multi-year budgeting.”

In an email, Nguyen said public officials have been responding to Mejia’s audits by working to improve oversight of rents for affordable housing, purchases of military equipment by the Los Angeles Police Department and housing placements by the Los Angeles Homeless Services Authority.

“Despite our small audit staff, this work is ‘moving the needle’ and making a difference in city policies and departments while improving the quality of life of Angelenos,” she said.

Nguyen said her boss has listened to thousands of constituents at community events and at his town hall meetings.

“All politicians ‘listen,’” she said. “The difference between Kenneth Mejia and our opponents is who we listen to. Our Office listens to the people of Los Angeles.”

If Mejia secures a majority of the vote in June, he will avoid a November 2026 runoff. Forcing Mejia into a round two will be a tough task for Hall and Sokoloff, said political science professor Fernando Guerra, who runs the Center for the Study of Los Angeles at Loyola Marymount University.

Because city controller is a relatively low-profile position and Mejia is an incumbent, voters will likely stick with him unless there’s serious “negative publicity,” Guerra said.

“While he’s quirky, there’s nothing there that’s in any way scandalous,” Guerra added.

Sokoloff is launching his campaign at an opportune time. Television City is the subject of several lawsuits, which have been filed not just by neighborhood groups but also The Grove, the shopping mall developed by businessman and former mayoral candidate Rick Caruso. Those plaintiffs have asked a judge to overturn the council’s approval of the project, saying the city failed to comply with CEQA, the state’s environmental law.

Shelley Wagers, who lives nearby and has been fighting the project, said she was surprised by Sokoloff’s decision to run for citywide office. Asked whether he is in fact good at listening, she replied: “Not in my experience, no.”

Sokoloff defended his company’s handling of the TVC project, pointing to the unanimous votes cast by the planning commission and the council.

“We built a broad and diverse coalition of supporters,” he said. “Ultimately, the results of the [city’s] entitlement process speak for themselves.”

Sokoloff has already picked up one key endorsement: Laura Chick, who was perhaps the most confrontational city controller in recent history. Chick, who served in citywide office from 2001 to 2009, took on officials at the city’s harbor, its airport agency, the city attorney’s office and many others.

Chick, who now lives in the San Francisco Bay Area, said L.A. needs a controller who will find strategies to make the city more efficient and effective.

“[Sokoloff] understands that L.A. needs an active problem solver as its chief auditor,” she said.

State of play

— CREATING A RECORD: Mayor Karen Bass, Councilmember Eunisses Hernandez and an assortment of elected officials, clergy and community activists went to a four-hour hearing this week that focused on the impact — and alleged abuses — of Trump’s immigration crackdown. “We want to establish a record, because when the political winds change, we want to hold those accountable,” Bass said.

— THANKSGIVING TEXTS: Caruso, the real estate developer now weighing a second run for mayor, offered his own message on the immigration raids this week, sending a text message blast asking for donations to help families whose lives have been upended by crackdown.

“As we get ready to sit down with family tomorrow, I’m thinking about the families across our city whose Thanksgiving will look a little different,” Caruso wrote on Wednesday. “Many are afraid to return to work after the recent workplace raids, leaving families short on food, rent, and basic necessities.”

— CONCEPT OF A PLAN: Mayoral candidate Austin Beutner said he supports “the concept” of hiking L.A.’s sales tax by a half-cent to pay for additional firefighters and fire stations. Beutner offered his take a few days after the firefighters union confirmed it is preparing ballot language for the tax, which would raise $9.8 billion by 2050. The union wants voters to take up the measure in November 2026.

FIRE FUNDING: Even without the tax, Fire Chief Jaime Moore is asking for more than $1 billion for his department’s next annual budget, a 15% hike over the current year. Moore said the additional funds are needed to ensure the city is prepared for emergencies like the Palisades fire.

— DIALING 9-1-1: Sticking with the firefighting theme, Beutner posted an interactive graphic on his website showing how much paramedic response times have increased in most zip codes in the city. Beutner said firefighters are being asked to respond to too many non-emergency calls.

— DELAYED RESPONSE: Residents in neighborhoods near the Port of Los Angeles were not told to shelter in place until nearly six hours after a massive hazardous materials fire broke out aboard a cargo ship in the harbor. The handling of the alert, which urged residents to go inside immediately and shut their doors and windows, follows deep concerns about the region’s alert system and how it worked during the Eaton fire in January.

KATZ OUT THE BAG: The five-member board that oversees the Department of Water and Power has lost its third commissioner in as many months. Richard Katz, a former state lawmaker and a Bass appointee, had his final meeting on Nov. 18. In his resignation letter, he said he’s stepping aside to focus on two upcoming surgeries.

— LACKING A QUORUM: Because the DWP board needs three members to hold a meeting, it won’t be able to conduct any business until the council confirms the mayor’s newest appointee: Benny Tran, who is slated to replace Mia Lehrer. Tran is a principal with Baobab Global Consulting, according to his nomination paperwork.

— IN HOT WATER: A high-ranking DWP employee has been accused of making staffers run personal errands for her on city time, including purchasing tickets to a Snoop Dogg concert, according to a filing lodged by the Los Angeles City Ethics Commission’s director of enforcement. The employee’s lawyer said the claims were the product of a disgruntled subordinate.

— MONEY TROUBLES: L.A. County’s Department of Homeless Services and Housing faces a $230-million financial gap in the upcoming budget year, setting the stage for cuts to key services. Officials are looking at scaling back an array of programs, including services to help homeless residents find apartments.

— BOLSTERING THE BUDGET: The council’s new Budget and Finance Advisory Committee, a five-member citizen panel looking at ways to strengthen the city’s finances, held its first meeting this week, selecting former City Controller Ron Galperin as its chairman. The committee plans to look at the city’s investment strategies, real estate portfolio, legal obligations and overall approach to annual budgets.

QUICK HITS

  • Where is Inside Safe? The mayor’s signature program to combat homelessness did not launch new operations this week.
  • On the docket next week: The Charter Reform Commission is set to hold an outdoor town hall Saturday at Echo Park Lake. The event, which runs from 10 a.m. to 1:30 p.m., will take place on the northeast lawn at Echo Park and Park avenues.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

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A community activist is challenging Bass. Could she be L.A.’s Mamdani?

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser and Doug Smith, giving you the latest on city and county government.

Could L.A.’s Zohran Mamdani moment be here?

It’s definitely a long shot. But Rae Huang, a 43-year-old community organizer, minister and dues-paying member of the Los Angeles chapter of the Democratic Socialists of America, is making her move, throwing her hat into the ring for mayor of Los Angeles.

The virtually unknown candidate is the deputy director of Housing Now California, a coalition that fights displacement of tenants at the state and local levels.

Huang, who is planning a campaign launch on Sunday, is shying away from comparisons to Mamdani, a democratic socialist who was elected mayor of New York City last week. She has not been endorsed by DSA-LA, though she hopes to be. Nevertheless, she sees next year’s election as a “moment for change.”

“We are in a place in our country and in our political environment where folks feel stuck and afraid,” Huang said in an interview. “They feel like nothing is going to change, and the things that are changing are making things even worse.”

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Huang, a Sawtelle resident, has never run for elected office. She faces an extremely uphill battle against Mayor Karen Bass, a veteran politician with close ties to the Democratic Party who has spent much of the year denouncing President Trump’s immigration crackdown in L.A.

Still, Huang could complicate Bass’ reelection bid by playing a spoiler role, pulling away left-of-center voters in a year when the incumbent is facing criticism over her handling of the Palisades fire, a struggling city budget and less-than-optimal public services.

Bass already has a challenger in former Los Angeles Unified School District Superintendent Austin Beutner, who has assailed her record in each of those areas. And it’s still not clear whether billionaire developer Rick Caruso, who lost to Bass in 2022, will jump in the race.

The larger the pool of candidates, the more work Bass will have to do in the June primary to secure an outright victory. If she falls below 50% of the vote, she would need to wage an expensive runoff campaign in the November 2026 election.

Doug Herman, a spokesperson for Bass’ campaign, said that under her leadership, “there has been unprecedented progress on the issues that matter most to Angelenos.”

“Homelessness has declined for the first time in two consecutive years, neighborhoods are safer with significant drops in crime, and the Palisades fire recovery continues far ahead of pace with the fastest recovery and rebuilding in California history,” Herman said in a statement. “In addition, there was no better defender of Los Angeles than Mayor Karen Bass when Trump’s ICE raids started and we won a court ruling to help stop the illegal raids and unconstitutional arrests.”

Sara Sadhwani, a politics professor at Pomona College, said the upcoming mayoral election differs from recent L.A. contests that were won by DSA-aligned candidates. In many of those races, DSA-backed challengers ousted incumbents who were already struggling politically, she said.

The same goes for New York City, where former Gov. Andrew Cuomo — Mamdani’s main opponent — was trying to emerge from scandal and stage a comeback, Sadhwani added.

The Democratic incumbent, Eric Adams, was so weakened by his own legal issues that he ended up running as an independent and then withdrawing from the race.

“Bass has her detractors,” Sadhwani said, “but is not in such an embattled position as Eric Adams or even Cuomo, who had stepped down from the governorship amid sexual harassment claims.”

Huang said she is in it to win — and hopes to highlight important issues for people on the left. She wants to expand public housing, make buses free for Angelenos and invest more in unarmed crisis responders.

Sound familiar? Those would pretty much be Mamdani’s talking points.

Huang said she was “hopeful” when Bass was elected. Now, she lobs plenty of criticism at Bass.

She thinks the mayor’s Inside Safe program is allowing too many people to slip back into homelessness. She believes Bass should explicitly support the Venice Dell affordable housing project. And she doesn’t feel the mayor did enough to curb police violence during the summer’s chaotic protests over federal immigration raids.

Huang is not the first to run from Bass’ left. In 2022, late-arriving mayoral hopeful Gina Viola won nearly 7% of the vote, scooping up more than 44,000 votes in the primary after positioning herself as the self-proclaimed “infamous defund-the-police candidate.”

Viola said she is glad to see Huang get into the race, and with much more time to campaign. Viola ran in 2022 with just three and a half months left before the primary. Huang has nearly seven months.

“What she needs to do is [win over] those voters that are so terribly disenfranchised that they don’t have anything to vote for,” Viola said.

Part of getting those potential voters out to the polls is having a strong ground game, knocking on doors and raising money. An endorsement from the local DSA chapter could help Huang get her name out to more Angelenos, Sadhwani said.

DSA members have petitioned to endorse Huang. She needs to receive 50 signatures, which would trigger a vote of chapter members, with 60% required to capture the endorsement.

“It’s certainly exciting to see a left challenger to a status-quo Democrat. That always pushes the conversation in a good direction,” said Claire Palmer, an organizer with DSA-LA.

There has been “enthusiasm” among members about Huang, Palmer said.

As for the DSA-backed members of the City Council?

“I haven’t sat down with them yet,” Huang said.

While four DSA-backed L.A. City Council members celebrated Mamdani’s win with a party at a Highland Park bar on election night, it’s not clear that they have any interest in getting behind a candidate other than Bass.

“Karen Bass is the most progressive mayor we’ve ever had in L.A.,” Councilmember Nithya Raman told The Times at the party.

Bass “has been doing a good job at least in handling this crisis,” Councilmember Eunisses Hernandez said in June, referring to Bass’ handling of the federal immigration raids.

Councilmember Hugo Soto-Martínez has already endorsed Bass.

State of play

— THE RENT IS TOO DAMN CAPPED: The City Council voted Wednesday to lower the annual cap on rent increases for rent-stabilized apartments to 4%. Many landlords and developers opposed the move, saying it would eat into their bottom line and drive away investment. Council members argued that the changes are needed to keep Angelenos from falling into homelessness.

— WILDFIRE PROBE: Los Angeles County has opened an investigation into State Farm General’s treatment of January wildfire victims following complaints that claims were delayed, denied and underpaid. The state’s largest home insurer received notice of the probe in a letter demanding records and data showing whether the company violated the state’s Unfair Competition Law.

— MISSING INFO: At least one official in the Los Angeles Fire Department was aware of concerns that its firefighters were ordered to stop mop-up operations for a Jan. 1 brush fire that later reignited into the massive Palisades fire. Yet the department’s 70-page after-action report on the Palisades fire didn’t include that information — or any detailed examination of the reignition, The Times reported this week.

— FAREWELL TO A WATCHDOG: One of L.A. County’s most prominent citizen watchdogs is dead at 62. Eric Preven, a resident of Studio City, advocated for increased public access to city and county meetings, filed countless public information requests and regularly offered his views on CityWatch. “It wasn’t just like [he was] shooting from the hip,” said Supervisor Kathryn Barger. “He would do his research.”

— MEMORIES OF MARQUEZ: Environmentalists are mourning the death of Wilmington clean air advocate Jesse Marquez, who battled the Port of Los Angeles for years over emissions from trucks, trains and ships. Marquez, 74, died Nov. 3 from health complications that developed after he was struck by a vehicle while in a crosswalk in January.

— A NEW ROADBLOCK: The proposal from Frank McCourt for a gondola between Union Station and Dodger Stadium faced yet another setback this week, with the City Council urging Metro to kill the project. “This resolution tells Metro that the city of Los Angeles refuses to be bought by shiny renderings and empty promises,” said Hernandez, who represents Chinatown and the stadium area.

— PROTEST POWERS: The council’s Public Safety Committee endorsed legislation this week that would bar the LAPD from using crowd control weapons against peaceful protesters and journalists. The proposal, which now heads to the full council, would prohibit the department from using “kinetic energy projectiles” or “chemical agents” unless officers are threatened with physical violence.

— POLICING THE POLICE: The LAPD took more than a year to begin fully disclosing domestic abuse allegations against its officers, as required by a state law passed in 2021. The revelation came out during a recent hearing regarding an officer who was fired after being accused of time card fraud and physically assaulting her former romantic partner, a fellow cop.

— CHIEF IN CHARGE: The council voted Friday to make Deputy Chief Jaime Moore the city’s newest fire chief. Moore, a 30-year department veteran, said one of his top priorities will be improving morale in a department that has faced heavy criticism for its handling of the Palisades fire. He also plans to seek an outside investigation into missteps by fire officials in the days leading up to that disaster.

— GRILLING GIBSON DUNN: U.S. District Court Judge David O. Carter pressed attorneys from Gibson Dunn this week on the fees they’ve been charging the city in the landmark LA Alliance homelessness case. At one point, the firm had 15 lawyers billing the city $1,295 per hour, regardless of their titles or experience.

Carter also voiced his anger over reports that a South L.A. homeless facility had only 44 beds, not the 88 spelled out in a contract awarded to a nonprofit group. The judge set a hearing for Wednesday on whether to hold the city in contempt over what he described as delaying tactics in complying with an order he issued earlier this year.

QUICK HITS

  • Where is Inside Safe? The mayor’s signature initiative to combat homelessness did not launch any new operations this week. The program did move about a dozen people indoors from Skid Row, according to Bass’ team.
  • On the docket next week: The council heads out on recess next week, with members taking part in the National League of Cities conference in Salt Lake City. Meetings are also canceled the following week for the Thanksgiving holiday. They’ll be back Dec. 2.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

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Elephant Hill may be L.A.’s next great park. Will we save it in time?

I stood atop a lookout point in the heart of Los Angeles County watching the sunset paint downtown L.A. a deep orange.

I was amazed to be alone in the outdoors just before 5 p.m. in America’s second-largest city. I took in more of the panoramic view before me. I could see Mt. Baldy turning a hazy pink as the sun coated the rest of the San Gabriel Mountains in a scarlet hue. I spotted thick clouds moving in over the South Bay. It’d be foggy later.

I’d usually need to travel to Griffith Park or Debs Park for similar views, but that evening’s location was the lesser-known Elephant Hill Open Space, a rolling landscape in El Sereno that local activists hope becomes L.A.’s next great park. But that’s only if they can save it in time.

Mt. Baldy is visible in the distance from a hiking trail in Elephant Hill Open Space in El Sereno.

Mt. Baldy is visible in the distance from a hiking trail in Elephant Hill Open Space in El Sereno.

(Jaclyn Cosgrove / Los Angeles Times)

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Elephant Hill Open Space is a 110-acre plot of undeveloped land in El Sereno that residents have advocated, for more than 20 years, to be developed into a public park like nearby Debs Park or Ascot Hills with hiking trails, benches and overlook points.

For years, local activists have beat back developers who wanted to build luxury homes, tried to curb illegal dumping and attempted to persuade off-road enthusiasts who have (illegally) carved deep scars into the hillsides to recreate elsewhere.

Their final challenge, though, if the entire 110 acres is to be saved from development, is persuading about 200 different land owners to sell their parcels of Elephant Hill to a public agency — and at fair market rate.

Newly installed steps near the Elephant Hill test plot lead hikers toward panoramic views of L.A. County.

Newly installed steps near the Elephant Hill test plot lead hikers toward panoramic views of L.A. County.

(Jaclyn Cosgrove / Los Angeles Times)

About 25 acres are owned by government agencies. Mountains Recreation & Conservation Authority, a local government agency focused on protecting open spaces, manages 8.37 acres at Elephant Hill and is in the process of buying another 2.4 acres. The city of L.A. owns about 15 acres after buying around 20 acres in a 2009 settlement with a developer who wanted to build luxury homes on the hillsides. (The city later sold five acres to MRCA.)

In recent years, MRCA has received about $4.2 million, including $2 million last month from the Santa Monica Mountains Conservancy, to research and buy more land, build a 0.75-mile trail to bring in more hikers, and install gates and boulders to prevent illegal off-roading.

Sarah Kevorkian, deputy chief of wildfire resilience at MRCA, said her agency is required by law to buy land at fair market rate, making it hard to compete in a “cutthroat” market with private developers who can offer landowners more money.

“The number of individual landowners is an added layer of complexity, and I don’t think that exists in other places, not like this,” Kevorkian said.

A view looking east from Elephant Hill's new hiking trail.

A view looking east from Elephant Hill’s new hiking trail.

(Jaclyn Cosgrove / Los Angeles Times)

Still, she remains optimistic, regularly checking land sales websites to see whether any Elephant Hill owners have posted their properties. Community members are quick to call her if they see a “for sale” sign go up.

“I immediately will call,” Kevorkian said. “I called this one person, and they said, ‘Yeah, we have an offer, we’re going with it.’ … I said, ‘If anything changes, call me back.’ They didn’t, but I just had a feeling.”

The land was next to the hiking trail that MRCA was installing. It’d be such a perfect parcel to snag.

Kevorkian called the property owner back a few weeks later, and they told her the deal had fallen through. “It was such an awesome win,” she said.

Mt. Wilson is visible from the Elephant Hill Open Space in El Sereno.

Mt. Wilson is visible from the Elephant Hill Open Space in El Sereno.

(Jaclyn Cosgrove / Los Angeles Times)

And anyone who visits can easily see why.

I first visited Elephant Hill a few weeks ago with Elva Yañez and Hugo Garcia, co-founders of Save Elephant Hill. They started their efforts in late 2003 to try to fight off private developers. Both live within walking distance of the open space.

We started our hike on the western side of Elephant Hill, with an aim of seeing the beginnings of Elephant Hill’s first official hiking trail, which MRCA expects to complete next year with way-finding signage, boulders and more.

We headed up the steep terrain, quickly passing the latest disputed development — a truck garden that’s drawn the ire of Save Elephant Hill and other conservation groups for its owner’s choice to chop down protected native trees, as reported by L.A. Taco.

A tree canopy provides shade over the hiking trail in Elephant Hill Open Space in El Sereno.

A tree canopy provides shade over the hiking trail in Elephant Hill Open Space in El Sereno.

(Jaclyn Cosgrove / Los Angeles Times)

We took the trail’s switchbacks and then paused to catch our breaths in the shade of hollyleaf cherry, black walnuts and other trees creating a dense canopy. There, the hills blocked the noise from the roads and city. It’d be the perfect place for a picnic table, bench or both.

Next, we walked down newly installed steps to reach the Elephant Hill test plot, a lush experimental restoration garden where volunteers have planted hundreds of native flowers and shrubs and close to 100 trees. The land looks grateful.

Bees buzzed around the sugar bush and coyote brush. Unlike other parts of the park that remain overwhelmed with invasive mustard, trees of heaven and castor bean, this area is thriving with drought-tolerant and, in some cases, fire-resistant native plants.

triptych of three photos of a yellow flower, a path into the distance, and a small bird on a twig.

A native sunflower in the test plot garden, from left, a shaded path in Elephant Hill, and a white-crowned sparrow perched in the test plot garden.

(Jaclyn Cosgrove / Los Angeles Times)

Yañez said during the early days of the COVID-19 pandemic, she and Garcia realized they needed to expand their list of allies for Elephant Hill. “We’re not naturalists. We’re not traditional environmentalists. We’re not native plant people,” she said. “We realized at a certain point that we have to activate this space. We have to get people on it to start building that support.”

Joey Farewell, an estate planner who lives nearby and manages the test plot, said, with Yañez and MRCA’s blessing, the test plot volunteers installed the garden in fall 2022 and have seen it thrive, largely without watering outside of what’s needed to first establish new growth.

The test plot started as 3,000 square feet and has expanded to 10,000 square feet of native plant, said Jennifer Toy, director of nonprofit Test Plot, which has 16 experimental gardens around L.A. At Elephant Hill, volunteers have cleared about 20,000 square feet of invasive species, she said.

“It’s not a huge area, but each year we think about” what they can do next, Toy said. “It’s a work in progress.”

And it’s a powerful proof of concept of what Elephant Hill could look like with investment.

Farewell, who is the conservation co-chair of the L.A. and Santa Monica Mountains chapter of the California Native Plants Society, said most people don’t realize what a dynamic landscape Elephant Hill is, including its water features.

“My kids would play by the brook” after heavy rains, Farewell said. “You could reach your hand into one of the springs that fed the stream and feel the water bubbling out of the ground.”

Skyscrapers in the distance lit by a pinkish orange sunset.

The view of downtown L.A. from a high point at the Elephant Hill Open Space in El Sereno.

(Jaclyn Cosgrove / Los Angeles Times)

Yañez wants more local children to have similar experiences. Elephant Hill sits among a neighborhood plagued by environmental racism, she said. Green space isn’t readily available, but with the development of Elephant Hill into a park, it could be.

Yañez said she understands the need for more housing in L.A., but Elephant Hill has repeatedly proven an unsafe option. In the late 1980s, townhouses in a nearby development started falling into the ground, causing major structural damage. Around 2006, a developer was using a backhoe to build a fence around his property when the heavy machinery fell deep into a spring. Neighbors referred to it as a “sinkhole.”

“When you look at the big picture of climate change and lack of access to park space in communities like El Sereno, it’s kind of a no-brainer — and it’s very difficult to build here. In fact, it’s not safe,” Yañez said. “All the factors come together and make a pretty strong case on their own for conservation. Plus, I think the community deserves access to open space on these hillsides.”

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3 things to do

Volunteers repair habitat in the Bolsa Chica Conservancy in Huntington Beach.

Volunteers repair habitat in the Bolsa Chica Conservancy in Huntington Beach.

(Erika Moe / Amigos de Bolsa Chica)

1. Address messy nests in Huntington Beach
Amigos de Bolsa Chica needs volunteers from 8:15 to 11:30 a.m. Saturday to restore nest habitat for the threatened western snowy plover and endangered California least tern. Participants will remove invasive and overgrown plants in an area of the reserve off-limits to the public. Register at amigosdebolsachica.org.

2. Craft s’mores ’round the campfire in Culver City
The Nature Nexus Institute will host a fall harvest event from 1 to 3 p.m. Saturday at the Baldwin Hills Scenic Overlook featuring a campfire and drum circle. Guests can also take guided nature strolls, listen to storytelling and make s’mores around a campfire. Register at docs.google.com.

3. Nurture native plants in the Hollywood Hills
The Citizens for Los Angeles Wildlife needs volunteers from 9 to 11 a.m. Saturday for a habitat restoration project in the Hollywood Hills. Participants will weed and water young native wildflowers, trees and shrubs, and install humane protection from deer and gophers. Register at clawonline.org.

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The must-read

A sign asks visitors to steer clear; behind the sign, the remains of a burned home, including a large stone chimney.

A sign stands in the middle of the fire-ravaged remains of the ranch house at Will Rogers State Historic Park in Pacific Palisades. The park reopened Saturday.

(Genaro Molina / Los Angeles Times)

Hikers rejoice! Will Rogers State Historic Park reopened Saturday after being closed for 10 months following the devastating Palisades fire in January. Times staff writer Hailey Branson-Potts reported that 4.2 miles of the park’s trails are now open while 4.8 miles remain closed. Unfortunately, the segment of the Backbone Trail — a 67-mile trek from Point Mugu State Park to Will Rogers — that runs through the park will remain closed because the fire destroyed the Chicken Ridge Bridge. The Rivas Canyon Trail and Rustic Canyon Trail will also remain closed. The looping trail to Inspiration Point will be partially open, although parks officials might sometimes close it for trail work.

I am glad, slowly but surely, we’re getting to return to some of our favorite places closed by fire.

Happy adventuring,

Jaclyn Cosgrove's signature

P.S.

It’s a bird, it’s a plane, it’s — no, it’s a bird! It appears that a bald eagle was spotted flying over the Audubon Center at Debs Park last Thursday. “Could it be?!” the Audobon Center posted on Instagram. The answer is yes, it really could have been! On the citizen science app iNaturalist, users have reported almost 1,000 bald eagle observations in L.A. County, including one over Debs Park in 2017 and others in nearby Glassell Park and Pasadena. Perhaps the Steve Miller Band was correct about our national bird’s flight pattern: “I want to fly like an eagle / To the sea.” May your spirit carry you through this week, friends!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.



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10 spots to relive L.A.’s bohemian past like Eve Babitz did

L.A. is a harmony of contradictions: It’s a bankrupt skyscraper covered in graffiti, a Mercedes-Benz G-class SUV with an expired registration, the quiet confusion of wondering whether a stranger’s outfit means they’re unhoused or just new to Silver Lake. L.A.’s refusal to make sense is what makes it irresistible, and no one understood that better than writer, artist and provocateur Eve Babitz, who died in 2021.

“Los Angeles isn’t a city. It’s a gigantic, sprawling, ongoing studio,” she wrote in her 1974 book “Eve’s Hollywood.” “Everything is off the record.”

Born in Hollywood in 1943 to a classical violinist father and an artist mother — and with Igor Stravinsky as her godfather — Babitz was destined for “It”-girl-ism. While people tend to flee their hometowns to start over in a new city, usually a place like L.A. or New York, Babitz knew she was exactly where she was meant to be. She tried New York once as a typist for Timothy Leary, because it’s where “real writers” lived and worked; she gave it one year before moving back to L.A.

“She lived in Rome for six months, and that was the only other city she loved, almost as much as L.A.,” Mirandi Babitz, Eve’s younger sister, told me. Despite her growing popularity in the ’60s and ’70s, Eve Babitz didn’t hightail it from her Hollywood bungalow to live in Pacific Palisades or Topanga or Malibu — she lived and died in the heart of it all.

When I asked Mirandi what Babitz would think of today’s coffee-shop lines, overpriced wine bodegas and tinned fish culture, she said with a laugh, “She’d roll her eyes.”

Babitz may have been synonymous with places, including the Chateau Marmont and Musso & Frank Grill, or with people such as Jim Morrison and Ed Ruscha. But it wasn’t because she was a hanger-on, desperate to be cool or famous. She was the keeper of cool, and L.A. was the only muse she gave a damn about. “I did not become famous but I got near enough to smell the stench of success. It smelt like burnt cloth and rancid gardenias,” she wrote in 1977’s “Slow Days, Fast Company: the World, the Flesh, and L.A.”

After graduating from Hollywood High, Babitz skipped the traditional UCLA route and instead took classes at Los Angeles City College. “The school was located about 4 blocks from the hospital I was born in,” she wrote in “Eve’s Hollywood.” “It was on Vermont near Melrose, which is an indeterminate lower-middle-class sort of neighborhood with no delusions. Westwood, where UCLA is, is so insanely crappy you could throw up. It’s so WHITE and it’s so clean and it’s so impervious …”

At age 20, Babitz made a name for herself in the art world. She posed nude, playing chess with a fully clothed Marcel Duchamp for Esquire — a cheeky act of revenge against her lover, Walter Hopps, who wasn’t returning her calls. Shot by Julian Wasser at the Norton Simon Museum, the now-iconic photo did its job: Hopps rang her soon after. That photo is now described by the Smithsonian Archives of American Art as being “among the key documentary images of American modern art.”

Babitz also launched her independent career as an artist, designing album covers for Linda Ronstadt, the Byrds and Buffalo Springfield. Her foray into the music scene — where she partied with (and allegedly had affairs with) legends like Morrison of the Doors (“I met Jim and propositioned him in three minutes,” she wrote in “Eve’s Hollywood”) and some original Eagles members — blossomed into a social life so magnanimous that names like Andy Warhol, Steve Martin and Annie Leibovitz came up as casually as what Babitz had for lunch that day.

She went on to publish several books and worked as a journalist, writing about everything from Salvador Dalí to the best taquito stand in L.A. (Don’t worry — we listed it below.) Although Babitz’s love life kept the city gossiping, it was always apparent that her true love was the city itself. Her books, including “Sex and Rage” (1979) and “L.A. Woman” (1982), are all love letters to a city she knew inside out. In turn, her life in L.A. became the stuff of urban legend — and decades later, we’re still talking about it.

Babitz understood L.A. better than anyone, including its seductions and secrets. Her legacy is being revisited in the Huntington’s exhibition “Los Angeles, Revisited,” which explores how L.A. has been shaped — and reshaped — by its visionaries. Babitz and her mother, Mae, a self-taught artist known for her preservation work on the Watts Towers and her sketches of L.A.’s vanishing buildings, have drawings included in the show. The exhibition runs through Dec. 1.

Consider what’s below your invitation to see L.A. as Babitz did — expansively, honestly and maybe a little recklessly. Just a heads-up, though: You won’t find a single coffee shop with a DMV-like line on this list.

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The SNAP-funding mess makes L.A.’s food-insecurity crisis clear

A strange scene unfolded at the Adams/Vermont farmers market near USC last week.

The pomegranates, squash and apples were in season, pink guavas were so ripe you could smell their heady scent from a distance, and nutrient-packed yams were ready for the holidays.

But with federal funding in limbo for the 1.5 million people in Los Angeles County who depend on food aid from the Supplemental Nutrition Assistance Program — or SNAP — the church parking lot hosting the market was largely devoid of customers.

Even though the market accepts payments through CalFresh, the state’s SNAP program, hardly anyone was lined up when gates opened. Vendors mostly idled alone at their produce stands.

A line of cars in the City of Industry.

A line of cars stretches more than a mile as people wait to receive a box of free food provided by the L.A. Food Bank in the City of Industry on Wednesday.

(Genaro Molina/Los Angeles Times)

As thousands across Southern California lined up at food banks to collect free food, and the fight over delivering the federal allotments sowing uncertainty, fewer people receiving aid seemed to be spending money at outdoor markets like this one.

“So far we’re doing 50% of what we’d normally do — or less,” said Michael Bach, who works with Hunger Action, a food-relief nonprofit that partners with farmers markets across the greater L.A. area, offering “Market Match” deals to customers paying with CalFresh debit cards.

The deal allows shoppers to buy up to $30 worth of fruit produce for only $15. Skimming a ledger on her table, Bach’s colleague Estrellita Echor noted that only a handful of shoppers had taken advantage of the offer.

All week at farmers markets where workers were stationed, the absence was just as glaring, she said. “I was at Pomona on Saturday — we only had six transactions the whole day,” she said. “Zero at La Mirada.”

CalFresh customers looking to double their money on purchases were largely missing at the downtown L.A. market the next day, Echor said.

A volunteer loads up a box of free food for a family at a drive-through food distribution site in the City of Industry.

A volunteer loads up a box of free food for a family at a drive-through food distribution site in the City of Industry.

(Genaro Molina/Los Angeles Times)

“This program usually pulls in lots of people, but they are either holding on to what little they have left or they just don’t have anything on their cards,” she said.

The disruption in aid comes as a result of the Trump administration’s decision to deliver only partial SNAP payments to states during the ongoing federal government shutdown, skirting court order to restart funds for November. On Friday night, Supreme Court Associate Justice Ketanji Brown Jackson temporarily blocked the order pending a ruling on the matter by the U.S. Circuit Court of Appeals.

But by then, CalFresh had already started loading 100% of November’s allotments onto users’ debit cards. Even with that reprieve for food-aid recipients in California, lack of access to food is a persistent problem in L.A., said Kayla de la Haye, director of the Institute for Food System Equity at USC.

A study published by her team last year found that 25% of residents in L.A. County — or about 832,000 people — experienced food insecurity, and that among low-income residents, the rate was even higher, 41%. The researchers also found that 29% of county residents experienced nutrition insecurity, meaning they lacked options for getting healthy, nutritious food.

Those figures marked a slight improvement compared to data from 2023, when the end of pandemic-era boosts to state, county and nonprofit aid programs — combined with rising inflation — caused hunger rates to spike just as they did at the start of the pandemic in 2020, de la Haye said.

“That was a big wake-up call — we had 1 in 3 folks in 2020 be food insecure,” de la Haye said. “We had huge lines at food pantries.”

But while the USC study shows the immediate delivery of food assistance through government programs and nonprofits quickly can cut food insecurity rates in an emergency, the researchers discovered many vulnerable Angelenos are not participating in food assistance programs.

Despite the county making strides to enroll more eligible families over the last decade, de la Haye said, only 29% of food insecure households in L.A. County were enrolled in CalFresh, and just 9% in WIC, the federal nutrition program for women, infants and children.

De la Haye said participants in her focus groups shared a mix of reasons why they didn’t enroll: Many didn’t know they qualified, while others said they felt too ashamed to apply for aid, were intimidated by the paperwork involved or feared disclosing their immigration status. Some said they didn’t apply because they earned slightly more than the cutoff amounts for eligibility.

Even many of those those receiving aid struggled: 39% of CalFresh recipients were found to lack an affordable source for food and 45% faced nutrition insecurity.

De la Haye said hunger and problems accessing healthy food have serious short- and long-term health effects — contributing to higher rates of heart disease, diabetes and obesity, as well greater levels of stress, anxiety and depression in adults and children. What’s more, she said, when people feel unsure about their finances, highly perishable items such as fresh, healthy food are often the first things sacrificed because they can be more expensive.

The USC study also revealed stark racial disparities: 31% of Black residents and 32% of Latinos experienced food insecurity, compared to 11% of white residents and 14% of Asians.

De la Haye said her team is analyzing data from this year they will publish in December. That analysis will look at investments L.A. County has made in food system over the last two years, including the allocation of $20 million of federal funding to 80 community organizations working on everything from urban farming to food pantries, and the recent creation of the county’s Office of Food Systems to address challenges to food availability and increase the consumption of healthy foods.

“These things that disrupt people’s ability to get food, including and especially cuts to this key program that is so essential to 1.5 million people in the county — we don’t weather those storms very well,” de la Haye said. “People are just living on the precipice.”

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Sing jazz with a live band at L.A.’s longest-running open mic night

Elliot Zwiebach was 62 years old when he sang in front of a live audience for the first time.

The retired reporter had always loved show tunes, but he’d never considered singing in public before.

“I sang for my own amusement, and I wasn’t very amused,” he said recently.

But one night, after attending a few open mic nights at the Gardenia Supper Club in West Hollywood as a spectator, he got up the nerve to step onto the stage and perform a tune backed by a live band.

For his first song, he picked the humorous “Honey Bun” from the Rodgers and Hammerstein musical “South Pacific.” It was frightening and he didn’t sing well. And yet, the following week he came back and did it again.

Ian Douglas, left, and Elliot Zwiebach

Newbie Ian Douglas, left, and longtime singer Elliot Zwiebach look over a sign-up sheet at the Gardenia’s long-running open mic night.

Sixteen years later, Zwiebach, now 78, is a core member of what the event’s longtime host Keri Kelsey calls “the family,” a group of roughly 25 regulars who sing jazz standards, show tunes and other numbers from the Great American Songbook at the longest-running open mic night in L.A.

“It’s very much like a community,” Zwiebach said on a recent evening as he prepared to sing “This Nearly Was Mine,” another song from “South Pacific.” “Everyone knows everyone.”

For 25 years, the small, L-shaped Gardenia room on Santa Monica Boulevard has served as a musical home for a diverse group of would-be jazz and cabaret singers. Each Tuesday night, elementary school teachers, acting coaches, retired psychoanalysts, arts publicists and the occasional celebrity pay an $8 cover to perform in front of an audience that knows firsthand just how terrifying it can be to stand before even a small crowd with nothing more than a microphone in your hand.

“You are so vulnerable up there with everyone staring at you,” said Kelsey, who has hosted the open mic night for 24 years and once watched Molly Ringwald nervously take the stage. “But it’s also the most joyous experience in the world.”

Director and acting coach Kenshaka Ali sings "Goodbye Pork Pie Hat" by Rahsaan Roland Kirk.

Director and acting coach Kenshaka Ali sings “Goodbye Pork Pie Hat” by Rahsaan Roland Kirk.

The singers are backed by a live, three-piece band led by guitarist Dori Amarilio. The rotating group of musicians — a few of them Grammy winners — arrive not knowing what they will be playing that night. Some singers bring sheet music, others chord charts. And there are those who just hum a few bars and allow the musicians to intuit the key and melody enough to follow along. Poet Judy Barrat, a regular attendee, usually hands the evening’s piano player a copy of the poem she’ll be reading and asks him to improv along with her.

“It’s totally freeform,” said Andy Langham, a jazz pianist who toured with Natalie Cole and Christopher Cross and often plays the Gardenia. “I read the stanzas and try to paint pictures with the notes.”

Keri Kelsey

Keri Kelsey, singing “Mack the Knife,” has hosted the Gardenia’s open mic night for 24 years.

The Gardenia, which opened in 1981, is one of the few venues in L.A. specifically designed for the intimacy of cabaret. The small, spare room has table service seating for just over 60 patrons and a stage area beautifully lit by an abundance of canned lights. Doors open at 7 p.m. on Tuesday nights, but those in the know line up outside the building’s nondescript exterior as early as 6 p.m. to ensure a reasonable spot on the night’s roster of singers. (Even though there is a one-song-per-person limit, the night has been known to stretch past 12 a.m.) Nichole Rice, who manages the Gardenia, takes dinner and drink orders until the show starts at 8:30 p.m. Then the room falls into respectful silence.

Pianist Andy Langham and guitarist Dori Amarilio

Pianist Andy Langham and guitarist Dori Amarilio perform live music accompaniment for each open mic participant at the Gardenia.

“This is a listening room,” said singer-songwriter Steve Brock, who has been attending the open mic night for more than a decade. “I’ve been to other rooms where I’m competing with tequila or the Rams. Here, when anyone goes up in front of that microphone, everyone stops.”

On a recent Tuesday night, the show began as it always does with an instrumental song by the band (a piano, guitar and upright bass) before an opening number by Kelsey. Dressed in a black leather dress and knee-high boots, she had this time prepared “Mack the Knife.” “This may be one of the loungiest lounge songs ever,” she said. “Maybe that’s why I really like it.”

People line up outside the Gardenia Restaurant and Lounge

People begin to line up outside the Gardenia at 6 p.m. to get a spot for the Tuesday open mic night.

The first singer to take the stage was Trip Kennedy, a bearded masseur who performed “The Rainbow Connection” in a sweet tenor. When he finished, Kelsey shared that she was cast as an extra in “The Muppets Take Manhattan.”

“It was the most ridiculous thing,” she said, filling time as the next singer consulted quietly with the band. “I was a college student who dressed up as a college student for the audition.”

Dolores Scozzesi, who sang at the Hollywood Improv in the ’80s between comedy sets, performed a moody arrangement of “What Now My Love.” “This is a [chord] chart from 2011,” she told the audience before she began. “I want to try it because these guys are the best.”

Monica Doby Davis sings "You Go to My Head" by Billie Holiday

Monica Doby Davis, an elementary school teacher, sings the jazz standard “You Go to My Head” at the Gardenia.

Zwiebach performed a medley of two Broadway hits, “I’ve Grown Accustomed to Her Face” (which he altered to “his face”) and “This Nearly Was Mine,” easily hitting all the notes. After, his young friend Ian Douglas, a relative newbie who started attending the open mic night in the spring, sang the jazz standard “You Go to My Head.” Zwiebach praised the performance.

“I know that song very well and you did a great job,” he said.

Monica Doby Davis, who once sang with the ’90s R&B girl group Brownstone and now works as an elementary school teacher, also performed “You Go to My Head.” Although she had left the entertainment business decades ago, she said finding the Gardenia open mic night 13 years ago “brought music back to my life.”

Tom Noble, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham

Tom Nobles, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham at the Gardenia.

There were many beautiful, intimate moments that night, but perhaps the best was when Tom Nobles, an actor and retired psychoanalyst in a purple knit cap and thick plastic glasses, forgot the words to “Lost in the Masquerade” by George Benson.

He stumbled for a moment, a bit perplexed, before turning to his friends for help.

“Whoever knows the words, sing it with me,” Nobles said to the crowd.

Quietly at first and then louder and stronger, the whole room broke out into song.

We’re lost in a masquerade. Woohoo, the masquerade.

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