For a long time, the lifestyles and foibles of the modest bourgeoisie were a mainstay of art-house cinema, with urbane, upscale audiences happy to turn out to see versions of their own lives depicted on the screen. But more recently, as ideas about what middle age looks like have shifted, along with the changing demographics of viewers, these films have largely disappeared. Which is what makes the seriocomic “The Invite” feel both fresh and something of a throwback — a movie for those who worry about losing their edge.
Directed by Olivia Wilde, “The Invite” was a clear standout when it premiered at the Sundance Film Festival in January and now arrives in theaters as one of the best dramas of the year so far. It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.
The film begins with married couple Angela and Joe, played by Wilde and Seth Rogen, checking back in at their home in San Francisco at the end of the day. He has been at the teaching job he resents and she has been frantically preparing for the dinner party she may not have told him about. Their daughter is away at a sleepover for the evening and it seems they no longer fully know how to relate to each other. As they bicker and jab, their quiet dissatisfaction with their lives stops being so quiet.
Angela has invited over their neighbors from the apartment upstairs, who they do not know well and who often have loud sex. That couple, Piña and Hawk, played by Penélope Cruz and Edward Norton, seems more assured, self-possessed and adventurous, the kind of people you can absent-mindedly invent stories about, assuming their lives are much cooler than your own.
Things go in ways both expected and unexpected, the two couples warily feeling each other out as they wait to spring their own private agendas. Over the course of the evening, things will be alternately tense, flirty, vulnerable and revelatory as surprisingly little food is eaten. (Other substances get ingested instead.)
An adaptation of Cesc Gay’s 2020 Spanish film “Sentimental,” the screenplay is credited to Rashida Jones and Will McCormack. In an unusual step, the script was further workshopped and developed with the cast during rehearsals. Rogen came up with some of the biggest laugh lines and Norton wrote the deeply earnest monologue he delivers late in the film. (The popular Belgian psychotherapist Esther Perel is also credited as a consultant.)
This American version expands upon the characters more than Gay’s original film while consistently returning to the disappointment of Angela and Joe’s lives in terms both big and small. Neither of them are the people they once thought they might become. Whether two people who are each unhappy can make it as a couple becomes the overriding theme of the film.
This is Wilde’s third movie as a director and it is, by far, her most cohesive and accomplished, both contained and expansive. Her debut, 2019’s charming end-of-high-school tale “Booksmart,” had a throw-everything-at-the-wall quality, as if she wanted to get out every idea and try every trick in case she never got another chance to direct. Wilde’s follow-up, the 2022 psychodrama “Don’t Worry Darling,” became mired in behind-the-scenes gossip and tabloid speculation that overshadowed what was intended as a stylized portrait of female rage and discontent.
Her latest fulfills and exceeds the promise of those earlier movies. Shot on 35mm film by cinematographer Adam Newport-Berra, the action of “The Invite” is almost entirely confined to Angela and Joe’s apartment, which thanks to a recent renovation has plenty of rooms to explore. All four players are exceptional in their roles, playing smartly off their screen personas while exploring the nuances of the characters and their intersecting dynamics.
Wilde’s Angela is expressive and antic; Rogen’s Joe is sullen and snarky. Cruz is alluring and watchful, while Norton turns out to be the film’s secret weapon. He has a low-key comic energy and helps guide the story through a few of its trickier emotional turns. At one point he simply rises from behind a couch and it plays like a punchline.
Skip the next two paragraphs if you want to hold onto the film’s purest pleasures. Those noises from upstairs have been Piña and Hawk hosting group sex parties and they are now cruising Angela and Joe for some extramarital couples’ fun. Here, the movie pivots from passive-aggressive party conversation into farce, as Angela and Joe try to process the idea anyone else might find them desirable, as they have long since given up on seeing themselves in that way.
Wilde in particular lights up during this section, Angela’s mind racing at possibilities she never considered for herself while fumbling over the practicalities of protocols and just how this would work. Before pushing the film into its final forlorn section, the excitement that something sexy might happen charges the actors. It is very likely that streams of Sade’s seductive “By Your Side” will skyrocket.
But the focus stays very much on the struggles of married life. One of the biggest strengths of “The Invite” is the way it keeps evolving as the night progresses so it never feels claustrophobic or repetitive. There is a sense of visual invention and imagination to the film that continues all the way through, such as a moment when Wilde crouches down to check on a doomed soufflé in the oven and addresses the camera directly, looking up as if talking to Rogen. The viewer is frequently placed in an adjacent POV to the different characters, as if you are there in the room too.
The film has a propulsive rhythm to it, a relentlessness, even as Wilde and editors Yorgos Mavropsaridis and Anthony Boys know when to ease off the throttle and take it easy for a bit. The film breathes in a dynamic way, the last few beats taking a startling turn toward a somber wistfulness. The ending is just enigmatic enough to have audiences talking it through as they make their way out of the theater.
The end credits include a handwritten dedication, “For Diane,” a nod to Diane Keaton. The live-wire wit and idiosyncratic verve that she embodied in “Reds” and “Something’s Gotta Give” are very much on display here. Early in the story, Norton dryly notes, “We love a contentious environment.” Thanks to Wilde’s confident direction and the ensemble’s unpredictable performances, audiences will too.
‘The Invite’
Rated: R, for sexual material, language throughout, and drug use
As Coronation Street revealed it was Sarah who killed Theo on Monday, actress Tina O’Brien addressed whether she could be leaving the ITV soap and her reaction to the twist
Coronation Street revealed it was Sarah who killed Theo on Monday(Image: ITV)
Coronation Street’s Sarah Platt has been exposed as Theo Silverton’s killer.
Now, actress Tina O’Brien, who has played the character since 1999, has addressed whether she’s about to bow out for good. Flashbacks during Monday’s episode confirmed what really happened to Theo, and who was to blame.
We saw Sarah accidentally killing Theo after he turned sinister. As he threatened her, she shoved him before hitting him over the head with a metal pole, leading to him plummeting off the scaffolding.
In the fallout, Sarah will be desperate to cover her tracks. But will she be caught out, and could it lead to a prison stint, or possibly a permanent exit from the ITV soap after after nearly 30 years in the role?
Tina shared: “It’s not just about her now, it’s about her family and her son, and there are times when she can’t cope with the pressure and you think she’s just going to hand herself in. And then she thinks about her son growing up without a mum, if she’s convicted and can’t prove she acted in self defence.
“And because of those things, she’s so desperate to do whatever it takes to be part of her family’s life.” It was her ex Gary that she frantically called for help, with him now keeping her secret.
With Gary’s rivalry with Sarah’s partner Kit Green now at boiling point, Tina explained why Sarah told Gary and not detective Kit. She said: “I think she absolutely went into panic mode, shocked, stunned and numb. She obviously didn’t know what to do, she didn’t know how to react and in that moment she thought, I can’t call Kit because of his job in the police.
“And so in that moment, she thought who can I call and it was Gary. There’s a lot of guilt there and I think also, selfishly, she feels like she’s ruined her chance with Kit, because if he knows what she’s done, he might not want her anymore and she so wanted him to be her future.”
This isn’t the first time Sarah has been caught up in a murder plot. Fans will recall that back in 2015, Sarah’s sister-in-law Kylie Platt murdered Sarah’s love interest Callum Logan. Callum had tried to attack Sarah, leading to Kylie killing him with a wrench.
Sarah and Kylie, with the help of Sarah’s brother David Platt, covered up the crime, and buried the body under their house. Sarah’s mental health spiralled in the fallout, and she was admitted to a psychiatric unit for treatment.
With Sarah caught up in another murder, Tina said this time her character could face prison. She teased: “If she’d have called the police straight away and explained what happened, she would have been in a much better situation, because it was clearly not pre-meditated, it was a situation where she felt she had no other choice.
“But to cover it up, to actively cover something up, she knows that she crossed a line that she can’t come back from.” She added on exit fears: “I genuinely didn’t worry, at the end of the day this job is incredible, but to be an actor is not necessarily a job for life. So, I just was really excited to be given the honour of being the murderer, and then hopefully, however it plays out, I’ll enjoy Sarah’s arc.”
So does this hint that Sarah will stick around? After keeping quiet for months, Tina shared: “I’ve literally been a big bag of nerves. It’s been so difficult, I told my mum and I just recently told my daughter Scarlett and my son Beau. You’re seeing all the chat on social media, everyone’s saying I think this, and I think that.
“Actually filming these scenes the weeks after have been the hardest thing I’ve ever filmed because I felt like my face looked guilty constantly and I thought everyone’s going to know it’s me instantly.”
It came as no surprise to Tina though that Sarah killed Theo. She explained: “I completely understand how it happened, why it happened. For me to get into her character and her head, I feel like in that moment, she didn’t feel like she had any other choice.”
However, the bizarre case takes an unexpected turn, and the series about his extraordinary life has left viewers stunned.
The synopsis on Netflix reads: “Henry Lee Lucas rose to infamy when he confessed to hundreds of unsolved murders. =
“This documentary series examines the truth – and horrific consequences.”
Titled The Confession Killer, the Netflix series was a hit when it first came out, earning a rare 100% fresh score on Rotten Tomatoes.
Audiences took to the review section to share their thoughts on the mini-series, with many praising its detail and calling it a “must watch”.
“Superb, my mind was blown as the story unfolded,” one person wrote, as another agreed: “This is amazing. One of the best, if not the best, true crime doc series of late.”
“Very well described in terms of details and information. Very little bias,” another praised, as a fourth person said: “Henry Lee Lucas is a tragic story where everyone involved was surprised in the end. It’s heartbreaking. You must watch it.”
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Another person reflected: “As someone as complicated as Henry Lee Lucas, this is probably the best and most well put together documentary about him that has ever been made.”
One more viewer observed: “This was fascinating and SO well done. The old footage was terrific as were the interviews with people who are still alive to tell their versions of the story. I was hooked.
“I thought I was just watching a good profile of a serial killer and then everything took a completely different turn. Anyone interested in true crime will find this a compelling documentary. Highly recommended.”
Critics also applauded the documentary, with Mashable noting: For true crime devotees, watching the five-part series will do more than hit the spot.”
The Confession Killer is available to stream now on Netflix.
Coronation Street boss Kate Brooks has revealed when viewers will find out the identity of Theo Silverton’s killer after the scaffolder was killed off in the soap’s latest whodunnit
Theo Silverton was killed off earlier this month
Coronation Street boss Kate Brooks has revealed when viewers will find out the identity of Theo Silverton’s killer.
The scaffolder, who was played by former Tracy Beaker star James Cartwright, was killed off at the end of the soap’s much-hyped Murder Week after almost a year of abusing partner Todd Grimshaw, and along with Todd himself, George Shuttleworth, Gary Windass, Summer Spellman, Christina Boyd and Danielle Silverton were named as official suspects.
It all came about following a flashforward, which aired earlier this year, and five potential victims were named in the incredibly dramatic storyline. In the end, it was Theo who was revealed as the victim after viewers had to sit through the same day played out over and over again, all played out from various points of view.
Now Kate, who took over as producer of the ITV soap in November 2024 and previously held the top job on Emmerdale, has told viewers that they will have to wait just a bit longer to find out who was responsible for the murder.
She said: “It’s later in the summer. We reveal to the audience who it is during late June, July. There’s lots of people you definitely think it could be. It’s a massive story, there’s so many different twists, and there’s so many different offshoots to the story as well. You think you’re watching one thing, and then it diverts into a completely new kind of story territory. It’ll definitely keep people guessing. “
In the coming weeks the investigation shifts, and pulled in for questioning are Summer, Christina and Danielle. As lies are exposed, and arrests are made, it’s yet to be revealed if any of the six are actually the murderer.
They all have motives, and upcoming scenes will reveal why they are a suspect. Todd was being abused by Theo, and the night Theo died he was trying to hunt Todd down – so did he find him?
For Summer, the last time we saw Theo alive was when he trapped her in the flat alone. So did Summer kill Theo? Gary has also been seen acting weirdly – even though wife Maria Connor has givne him an alibi.
We know Gary had threatened him and the pair had clashed, and he’s also killed before. Did Gary take revenge? George also stood up to Theo, and on the night of the murder he was alone at home.
Finally there’s Theo’s ex-wife Danielle. She was also acting suspiciously on Monday and upcoming scenes tease her marriage faced it’s troubles. So might she have killed her violent ex?
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Just over three years ago, the U.S. Air Force moved to cancel the AGM-183A Air-launched Rapid Response Weapon (ARRW) hypersonic missile. ARRW had been in line to be the U.S. military’s first operational hypersonic weapon. Now, the program has not only reemerged from purgatory, with missiles being ordered for operational use, but a new variant is on the horizon. The “Increment 2” ARRW is set to feature an all-new seeker, which would give it a moving target engagement capability. A version of the AGM-183 able to strike enemy ships at sea could be especially relevant in a future high-end fight against China in the Pacific.
The U.S. Air Force is asking for just over $296 million to support work on the new ARRW variant in its 2027 Fiscal Year budget request. This money would fund “the design, test, and evaluation of Air-Launched Rapid Response Weapon (ARRW) Increment 2 with terminal seeker and data link capability and other cost reduction production initiatives into ARRW,” according to official budget documents.
The Air Force’s budget documents also indicate that prior work has already been done that “integrated Air Force and DARPA [Defense Advanced Research Projects Agency] enabled system technologies into a prototype that demonstrated the viability of this concept to be fielded as a long range prompt strike capability.”
A live AGM-183A ARRW missile seen under the wing of a B-52 bomber at Andersen Air Force Base on Guam ahead of a test in 2024. USAF
Furthermore, the “ARRW [program] designed, developed, manufactured, and tested, [sic] a number of prototype vehicles to inform decisions concerning ARRW acquisition, production, and leave behind capability,” the budget documents add. “ARRW Inc.2 adds enhanced capability.”
“FY27 [Fiscal Year 2027] plans to begin [ARRW] INC 2 technology efforts such as but not limited to integrating pre-planned product improvements, design, trade studies, hardware upgrades, facilitization, affordability initiatives, and testing,” the documents also note.
To take a step back quickly, ARRW is known as a boost-glide vehicle-type hypersonic weapon. Designs of this type use a rocket booster to get an unpowered glide vehicle to an optimal speed and altitude. The glide vehicle then detaches from the rest of the weapon and proceeds to its target along a relatively shallow flight path within the Earth’s atmosphere. The vehicle is also designed to maneuver along the way, sometimes erratically. The combination of speed, flight trajectory, and maneuverability creates particular challenges for opponents when it comes to spotting and tracking incoming glide-vehicles, let alone attempting to intercept them or otherwise reacting to the threat. It is this ability to pierce enemy air defenses and very rapidly strike very high-value targets that makes hypersonic weapons so attractive.
A rendering depicting an ARRW hypersonic missile’s nose cone breaking away to reveal the unpowered boost-glide vehicle inside. Lockheed Martin A rendering depicting an ARRW hypersonic missile’s nose cone breaking away to reveal the unpowered boost-glide vehicle inside. Lockheed Martin
“The Air Force will employ units equipped with ARRW to provide an offensive, high-speed strike capability to destroy high-value, time-sensitive, land-based targets in anti-access/area-denial environments,” according to a report from the Pentagon’s Office of the Director of Test and Evaluation that was released in March. “Launched from bomber aircraft, ARRW provides standoff capability to prosecute targets in a timely fashion.”
To date, the Air Force has disclosed plans to integrate ARRW onto its B-52 and B-1 bombers, but other aircraft could potentially carry these weapons, or variants thereof, in the future.
A B-1 bomber seen carrying an ARRW missile, or a relevant test article, on an external pylon during a flight test. USAF capture
ARRW, in its current guise, is also understood to only be capable of engaging static targets. Adding a terminal seeker would open up the ability to hit targets on the move, including ones at sea. The budget documents do not provide any further details about what kind of seeker the Air Force is looking to add to the Increment 2 variant. Imaging infrared sensors, radars, or passive signal homing seekers – or some combination thereof – could be potential operations.
The extreme heat and physical stress that hypersonic weapons experience in flight, as well as the shape of the glide vehicle, would make integration of any seeker system of these more complex. It is worth noting that ARRW’s prime contractor, Lockheed Martin, is already developing an anti-ship-optimized version of the Precision Strike Missile (PrSM) short-range ballistic missile for the U.S. Army. A key element of the new PrSM variant is the addition of a multi-mode seeker system to enable engagement of moving targets. It is possible that some of that technology could be applicable now to work on the new iteration of the AGM-183.
A rendering of the anti-ship-optimized version of the PrSM short-range ballistic missile. Lockheed Martin
A data link would also allow targeting updates to be sent to Increment 2 ARRWs in flight, helping to get it first to a general area where the enemy is, or at least believed to be, before its seeker takes over. That system would also need to be able to communicate under hypersonic flight conditions. Given the AGM-183A’s range, off-board platforms would be required for initial target detection and tracking. The weapon’s ability to close that distance very quickly does limit the time available for the target to try to leave the area.
The Air Force did demonstrate exactly the kinds of networks that would be required to close this extremely long-range kill chain in a simulated ARRW strike during Exercise Northern Edge 2021. The designated target was 600 nautical miles from the launch platform, a B-52 bomber. In that instance, no weapon was actually released.
Multiple ARRW flight tests have been conducted since then, including the launch of an AGM-183A with a live warhead from a B-52 flying from Andersen Air Force Base on Guam in 2024. As TWZ noted at the time, the Guam test sent clear signals to China. The Air Force has made no secret of how important it views the development and fielding of hypersonic weapons as part of larger preparations for a potential future high-end fight against the Chinese People’s Liberation Army (PLA) in the Pacific. This is further underscored by the fact that the mention of the “terminal seeker and data link capability” for Increment 2 of ARRW is actually contained in the Pacific Deterrence Initiative (PDI) section of the Pentagon’s Fiscal Year 2027 budget request.
A rare look at an ARRW shortly after launch, from a test in 2021. USAF A low-quality image of an ARRW after launch during a previous live-fire flight test. USAF
In the context of a major conflict in the Pacific, there would also be a very high demand for prompt, long-range anti-ship capability. The ability to conduct those strikes even in the face of dense anti-air defenses would be even more attractive for engaging very high-value vessels, such as China’s growing fleets of aircraft carriers or big deck amphibious assault ships. The PLA Navy’s (PLAN) combat fleets, overall, continue to grow in scale and scope at a prodigious rate, as well. This, in turn, has put additional emphasis on the development and fielding of new and improved anti-ship capabilities that can be air-launched, as well as employed from the maritime and ground domains, across the U.S. military in recent years. Increment 2 ARRWs could also offer another means to strike mobile, high-value targets on land, such as ballistic missile transporter-erector-launchers.
China’s aircraft carriers Shandong, at left, and Liaoning, at right, sail together, along with various escorts, as elements of their air wings fly overhead, in 2024. Chinese state media
To reiterate, a plan now to develop an Increment 2 version of ARRW is also just an important step forward for the program as a whole. As mentioned, the Air Force had previously moved to cancel work on the AGM-183 in 2023. The announcement followed a number of failed flight tests of what had been expected to be the first operational hypersonic weapon anywhere within the U.S. military. The explicit intent at the time was to shift resources to the Hypersonic Attack Cruise Missile (HACM) effort. HACM is an air-breathing hypersonic cruise missile that functions in a completely different way from ARRW.
A graphic offering a very general comparison of the typical flight trajectories of hypersonic boost-glide vehicle weapons and air-breathing hypersonic cruise missiles, as well as aeroballistic (or quasi-ballistic) missiles and traditional ballistic missiles. GAO
In the years that followed, there were steady signs that the Air Force’s position on ARRW was changing and that it had not actually been axed in the end. Last year, it became clear that the service had rebooted the program when it requested funds to purchase missiles for operational use in its Fiscal Year 2026 proposed budget. The Air Force ultimately received $362.15 million for the procurement of ARRWs in the current fiscal year, and is now seeking a little over $452 million to continue doing so in Fiscal Year 2027. How many of the weapons the Air Force has ordered to date, and how many more it plans to buy in the coming years, is currently deemed to be Controlled Unclassified Information (CUI) that is not releasable to the general public.
Depending on how ARRW and HACM programs progress, the former could still be the first hypersonic weapon to enter operational U.S. Air Force service, with an Increment 2 version able to hit targets on the move following close behind.
Vardy was released by his boyhood club Sheffield Wednesday for being too small, but the documentary unearths footage of his blistering goalscoring form in his Stocksbridge days while also working in a factory making medical splints.
However, in the first of a series of problems in 2007, Vardy admits in the documentary he had “no stability” in his life. He had been convicted of assault when out drinking and had to wear an ankle tag for six months.
He also had a 6pm curfew which meant he had to leave matches early.
Moves to Halifax Town – where Vardy met his long‑time agent John Morris – and later Fleetwood Town followed, before his £1m move to then‑Championship club Leicester City.
Woven throughout are “The Inbetweeners” – a nickname given to Vardy’s small, all‑male social group from Sheffield – who act as his main support, alongside his wife.
“If one of us is having a problem, then get it in the group. Might get abused for a bit but at least it’s us lot keeping an eye on each other,” Vardy says.
They were needed, as former Foxes midfielder Andy King says Vardy experienced an initial “culture shock” at Leicester, where the striker admits he initially felt not good enough.
Physiotherapist Dave Rennie also corroborates accounts of Vardy’s struggles with alcohol, worsened by the pressure of the move, including “manufacturing his own Skittles vodka at home”.
Vardy would arrive at training hungover and, on one occasion, uncontactable to his then-pregnant Rebekah, or Becky as he affectionately calls her.
There was a feeling he was going to throw away his career, but the work of a “good psychologist”, the patience of manager Nigel Pearson and his own efforts to grow up after the birth of his daughter Ella kept him going.
He later described it as “a massive, massive learning curve”, explaining he was never taught which terms he could and could not use.
The film also highlights “one of the harder things” Vardy experienced when he rushed home from a team‑bonding trip to Helsinki after being told a tabloid was publishing a story about his secret biological father, who he had no prior knowledge of.
Still, Vardy became the poster boy and top scorer for Leicester’s Premier League title‑winning campaign in 2015‑16, went on to lift the FA Cup and fulfilled his agent’s prediction, made when he signed for Halifax, that he would one day play for England.
Asked whether he could have achieved more internationally after retiring from England in 2018, Vardy replied: “Possibly. We’ll never know.
“I’ll be honest, going away with England is unbelievable – you want to play for your country – but the mental side of it was tough. That changed when Gareth [Southgate] came in, but before that you were stuck in your room all day.
“You trained and then you were just back in your hotel room, pulling your hair out. There’s only so much time you can spend on a PlayStation or speaking to the kids on video calls. You’ve already not seen them and now you’re getting pulled away for another two weeks. It’s tough.
“At the time, after the World Cup, I just wanted to protect [my legs] as much as possible, prolong my club career, and as I’m still going now, it was obviously the right decision.”
Coronation Street spoilers have hinted at guilty characters who could be Theo Silverton’s killer, while the fates of two other villains are also teased on the ITV soap
Spoilers for next week on Coronation Street have revealed huge twists(Image: ITV)
Spoilers for next week on Coronation Street have revealed huge twists, including clues about who killed Theo Silverton.
One villain faces her comeuppance finally, while another’s fate is revealed after murder week. One character is plotting an exit and some new evidence is teased as Theo’s murder suspects fall under the spotlight.
Sam Blakeman sparks concern, and Tim Metcalfe must face his past. Kicking things off, Will secretly meets Megan, having stolen £2,000 from the pub safe.
They plot to flee to France, while Will pretends he’s moving to Scotland with his mum. As he leaves in Tim’s taxi, Tim is suspicious about Will’s plans when he realises the Glasgow train is cancelled.
The Driscolls also realise something is up when Will’s passport is gone, and they can’t get through to him. Tim tells Will all about his relationship with Tricia, how much he enjoyed it at the time but how he’s come to realise that technically he was a victim of rape, but will he get through to Will?
Will returns to Weatherfield, and reports Megan to the police. Lisa interviews Megan but she denies everything. After his chat with Will, Tim confronts Trisha and spells out that like it or not, she abused him when he was 14 years old.
Back at the Rovers, Ben gets a call from Melanie, and Maggie’s thrown into panic, telling Ben they need to talk. David kicks Jodie out, leading to her sowing seeds of doubt in Shona’s mind about what happened between them.
Soon, Jodie comes across Daniel, who is still lying about being at the Lakes, and the pair share their secrets. As Jodie later collects her things from Shona’s, her face darkens.
Sam is left panicked when he’s threatened by Will at the Red Rec, causing him to break his telescope. Hope urges Sam to tell Leanne about Will, but Sam loses it.
As Sam prepares for his exam, he overhears Nick and Toyah talking, but doesn’t hear their true words. Soon, Roy finds an agitated and distressed Sam surveying a tracking device he found in his school bag.
Kit and Lisa don’t believe Gary’s alibi after the recent murder, but they soon suspect Todd is hiding something. As the police call at the builder’s yard and start gathering potential evidence, it includes some scaffolding poles.
After some evidence is deleted, Kit makes it clear that Gary is still his prime suspect. Finally, Summer reveals that she’s been offered a place at an American university – but is her possible exit her attempt at fleeing?
Coronation Street boss Kate Brooks has teased summer and beyond in Weatherfield in the fallout to Theo Silverton’s murder, with two new characters and the identity of Theo’s killer
Coronation Street boss Kate Brooks has teased summer and beyond in Weatherfield in the fallout to Theo Silverton’s murder(Image: ITV)
There’s plenty of drama coming up on Coronation Street in the fallout to murder week.
We finally know the victim, as Theo Silverton was killed off on Friday night. But who killed him and how did he die? All of that is to come.
That’s not all, as there are big scenes ahead for two other characters. Debbie Webster has a busy few months, while teenager Sam Blakeman’s mental health continues to spiral.
Then there’s the arrival of two new characters, both of which have links to current Weatherfield residents. Speaking to The Mirror and other press, Kate Brooks teased what was on the cards.
Kate revealed: “Obviously, there’s lots of people who are in the frame for Theo’s death – George, Todd, Summer, Carl. He’s created a lot of enemies. Gary’s another one who’s kind of in the mix, who’s really been betrayed by him.
“It’s Todd rebuilding his life – this is a guy who’s been subjected to the most horrific abuse, who is traumatised, who was grieving. And it’s how he kind of tried to rebuild his life while still kind of struggling to comprehend the fact that this man’s been murdered by potentially somebody he knows or maybe even him.
“It’s an interesting mix of ‘whodunnit’ thriller story, but also about Todd’s family and friends, George, Christina, Summer, Sarah, all rallying around Todd to make sure that he’s okay, to try and build them and repeat them back together. What he’s been through at the hands of Theo has been such an ordeal for him, and to get that love and to get that trust in people again, it was very important to show that with Todd.”
Megan and Will fallout
“The stuff with Megan and Will, there’s a bit of a journey to go on with that story. So obviously she’s been exposed, but Will at this point, he believed it was love.
“He believed it was all genuine. Scales fall from his eyes and Tim’s going to be so instrumental in kind of making them realise what’s gone on and how unacceptable and how wrong it was.
“It’s about the family falling apart, but then kind of building themselves back up again as they try desperately to kind of repair the damage that Megan’s done. Obviously, there are soap Gods, and as in soap God’s law, there’ll be some kind of retribution for Megan.
“She cannot get off of this scot-free. We will go down the proper channels. Whether it goes on to plan or not, I cannot say, but it goes down quite a very big path.” Will will be quite badly affected by what he’s been through with Megan. It does go a bit dark as well.
Sam’s mental health and Daniel spirals
“Getting him across the Megan story and having him be another victim of her manipulation felt like a really interesting way of telling the story. But as a result of that, his mental health has been really, really damaged by everything that’s happened – by the manipulation, by the fact that he wasn’t believed, by the fear that he felt every time he was with Megan.
“We’re going to tell a big mental health story with Sam, and he’s going to really, really struggle over the course of spring and early summer. It’s about his family realising, hopefully before it’s too late, that he’s in desperate need of help – and he’s really vulnerable. It’s showcasing that, Megan’s actions have not just directly impacted Will and the Driscolls, Sam’s also collateral damage.
“Similarly, with Daniel as well, he met somebody who’s on the same page as a teacher, apparently respectable, and he’s been completely duped by it, and it completely makes him unravel. Rob Mallard who plays Daniel is such a phenomenal actor and we’ll see him slowly start to lose it, because of wondering who to trust.
“He’s been bitten so badly by this relationship, and by the fact that he was the one who defended her as well, he feels like he’s let Will down. He feels like he’s let Bertie down. We’re really going to chart the impact she’s had on him and his life and his attitude to relationships going forward.
David and Shona’s future after Jodie drama
“Jodie is desperately trying to get what she feels is rightfully hers. She’s still definitely kind of on that trajectory, but David and Shona are a really strong, united couple. They adore each other. They love each other. They’ve been through a lot.
“We’ve obviously got Harper still in hospital. Ultimately, Harper will come home and the stresses of family life will start to really take its toll. Whether Jodie is able to exploit those weaknesses within that relationship, whether she’s able to kind of tempt David over to the dark side, or because she wants to punish Shona for leaving her, she’s certainly going to try and come between them.
“But as I say, David and Shona are pretty solid couple. It’s whether they can unite and see Jodie for who she is and what she is in time. Similarly, Jodie’s story will dovetail off into Daniel’s story as well.
“An unlikely little friendship will be formed, which I don’t think many people see coming, but it’s a really different insight into what makes them both tick. For the first time, Daniel’s able to be truthful about how he feels. And similarly, Jodie’s able to be quite truthful with Daniel, because he’s in a quite a dark place. There’s some interesting dynamics between them.
Debbie’s future
“We’ll see her symptoms start to take hold slightly more, but she’s still very much the Debbie we know and love throughout the spring and summer. Her friendships with the women who she holds so dear are still very much at the front and centre of the show.
“Her relationship with Ronnie is still really, really strong, but it’s the relationship with Carl that needs the most repair and I think the thing with Carl is he is such a complex individual. He’s incredibly selfish and self-serving. Debbie, as his mother, can see that.
“It’s how those two people can come together and forge a relationship that’s not based on Carl trying to get money. It needs to kind of go back to basics and becomes about the sincerity of their relationship. And it takes a while to get there.
“And it does all come to a head, kind of a big head with the fellas in Debbie’s life. It’s about trying to give Debbie that bit of happiness before she goes too far down the line.
“Christina, Glenda, Sally, Debbie, Bernie, those five women are just phenomenal actors, and the warmth and the comedy that they all emanate, is just contagious. It won’t just be Debbie at the front and centre.”
Two new characters as Cassie exits
“Tyrone’s dad makes an appearance in the show. Needless to say, he comes with quite a bit of drama, and it’s going to cause quite a lot of friction within that family, obviously with Cassie’s history.
“As you know, Cassie’s leaving us, and so it will contribute to her exit, which is going to be massive and quite explosive. It’ll be full of all the twists and turns that you can come to expect from an exit.
“He comes into the world of Fiz and Tyrone. Tyrone’s in the mindset of, I’m in my 40s, I’ve survived this long without a dad. The dad is very keen to connect with Tyrone. It’s not long before the dad makes eyes at one of the residents, and maybe a bit of a relationship starts there.
“It’s very domesticated. It really shines a spotlight on Fiz and Tyrone as a couple and that dynamic as a family. Cassie is, needless to say, not happy that this guy has turned back up.
“We also have Idris. He’s Alya’s cousin. He is very, very charming, like the charm oozes out of every pore of this guy. He’s a savvy kind of business guy, he’s got a bit of a ruthless streak, he’s not ready to get his hands dirty slightly, but he can charm the birds from the trees.
“He’s a new love interest for Leanne. The attraction is instantaneous. It kind of gives Leanne a new lease of life somewhat. She’s been harbouring a deep-rooted resentment them towards Toyah and Nick, because that’s the life she had.
“And this guy comes along, he’s got it all, he makes her laugh. He’s funny, he’s a handsome chap, and he ruffles a lot of feathers, but he’s not without an edge. He’s not soft, and he’s certainly no pushover. He butts heads with some of our more alpha kind of characters quite early on. We’re really excited about Idris. He brilliant.”
When will find out who the killer is?
“It’s later in the summer. We reveal to the audience who it is during late June, July. There’s lots of people you definitely think it could be. It’s a massive story, there’s so many different twists, and there’s so many different offshoots to the story as well.
“You think you’re watching one thing, and then it diverts into a completely new kind of story territory. It’ll definitely keep people guessing.”
Other characters set for big storylines
“There’s a massive storyline coming up for Bernie further down the line, and which will involve Kit and her family dynamic. That’s too far ahead, but certainly late spring, early summer.
“There’s a massive story for Sally and Tim that comes to the to the fore, and it’s a story that tests them as people, test them as a couple, but tests them as foster parents as well. It’s a bit of a curveball, and it comes from slightly left field, but absolutely upends their lives.
“It’s how they navigate that situation going forward. Sally and Tim are so beloved, and I just adore them. And it’s seeing them in a slightly different position than what we’ve seen them in before.
“That story will also dovetail further down the line with a Christina story. Christina and George are a really great, strong couple in the show. It’s those friendships alive. There’s a connection there as well.”
EastEnders spoilers confirm big moments next week on the BBC soap including the return of a vile villain, Bea Pollard’s sinister next plan and target and some emotional scenes
It’s another drama-filled week on EastEnders next week(Image: CREDIT LINE:BBC/Jack Barnes/Kieron McCarron)
It’s another drama-filled week on EastEnders next week, as new spoilers tease twists, discoveries and revenge.
Nicola and George return home from hospital to a surprise welcome home party for the baby. Overwhelmed Nicola orders everyone to leave but she and Gina later share a heart-to-heart.
Soon the peace is shattered when George’s estranged father Eddie reveals he’s dying. Only Nicola knows this and she keeps it from George, but when he figures it all out he sees his dad, and is shocked by his fragility.
Soon, George faces questions from his family and heads to see Eddie one final time, while Nicola has a warning for Eddie. Phil attempts to adjust to life after Nigel’s death, but is rejected by Grant who is sad about his fractured relationship with Mark.
Julie prepares to head to Nigel’s care home to collect his belongings, where she is soon joined by Sam and Phil for support. Julie finds a letter from Nigel, but she can’t bring herself to read it.
Ian is consumed by his councillor campaign but is upset to discover that the majority of supporters are voting for Elaine. Ian turns to bribery, but Bea has other ideas when she starts a smear campaign against Elaine.
Ian and Elaine anxiously prepare for the Walford debate, but things go awry when Oscar swaps Ian’s speech, but Elaine steps in to sway his nerves. But a moment leaves Ian fuming, and he agrees to let Bea post the video about Elaine.
He regrets this but the damage is done. Also next week, a discovery saddens Kat and Alfie, Sam supports Denise, and Harry agrees to lend Gina some money landing them in trouble with Nicola.
Finally, Grant offers support to Linda amid her drama with Johnny, who is having money problems, while Linda is jealous of Max and Cindy. It’s soon clear Max is thinking about Linda, and he’s not happy to find out she’s slept with someone.
EastEnders isn’t the only soap with drama next week, as Hollyoaks spoilers tease there’s plenty in the village too. Vicky wakes up from her coma, and Charlie and Frankie plead with her to echo their lies about the crash.
Later, Vicky lets slip to Misbah that it was Gemma who has been prescribing her the skinny jabs. Knowing time isn’t on her side, Diane tells Tony they need to tell Eva, Sinead and Finn the truth.
Ro is worried it’s too much for his mum, while he’s also left torn when he finds out Ste cheated on Rex with James. Cleo is determined to get proof that Sienna has been swapping her psychosis medicine for multi-vitamins.
After a confrontation, Cleo wakes to find Sienna watching her, wanting to know if she still loves her. Cleo claims there’s a way back for them as long as she does what’s right. Soon, Mercedes and Warren make a shocking discovery.
It’s a massive week on Coronation Street next week according to spoilers, as the fallout to murder week could give away the killer with missed evidence, with the victim teased too
It’s a massive week on Coronation Street next week according to spoilers(Image: ITV)
While Coronation Street fans will have to wait for the end of this week to find out who dies, new spoilers drop major hints.
Not only do they possibly give away which of the potential victims live or die, but it’s confirmed some huge evidence possibly exposes the killer. We see Betsy Swain in turmoil after finding the body, as detectives begin their investigation.
As soon as it’s revealed it is murder, suspects are lined up and evidence is gathered. But as some characters cover their tracks and get rid of some possible evidence, others could be about to slip up.
Spoilers confirm that next week, Kit begins to investigate the body found on the street, sparking interrogations with a number of residents. As characters struggle to process what happened, it’s soon confirmed to be murder.
Todd is struggling to move past Theo’s abuse, while Debbie is waiting for news on Carl, and there’s some shocking truths revealed to the Driscolls about Megan and Maggie. Shona wants answers as the Platts’ home remains a scene of trauma and the search for answers begins.
When forensic results come back, Kit gives an update that the blood at the scene belongs to more than one person. Shona is left haunted, while David confesses how Jodie tricked him into bed.
Later, David hands some evidence into the station but Kit’s questioning leaves him worried that they think he had something to do with what happened to Jodie – while soon there’s some news. Elsewhere, Carla and Lisa do their best to comfort a traumatised Betsy, postponing their honeymoon.
Lisa begins a formal round of questioning. Inconsistencies in someone’s story start to emerge, leading to a public arrest. When some new evidence leaves Lisa and Kit convinced they are one step away from a breakthrough, we learn more than one resident has a dark secret to hide as some incriminating footage is revealed.
Back to the investigation and as the week draws to a close, a couple are struggling, while a suspicious partner demands the truth behind a sudden change in behaviour. Kit and Lisa continue their interrogations, and some deleted evidence threatens to expose the truth.
Soon, a seemingly innocent photograph reveals a hidden presence at the scene of the crime that could change everything. Away from the murder drama, Hope taunts Daniel over Megan, leading to Hope accusing her teacher Daniel of assault.
It’s clear Daniel is struggling as he hits the bottle. Melanie wants son Will to live with her, but tensions lead to Will storming out. Meanwhile, someone attempts to steal something from the pub safe, only to be caught by Susie.
Danielle approaches and asks to talk to Todd about Theo, where she finally shares her own suffering. It’s another big week on the cobbles!
