Kate

In case it wasn’t already clear: Debora Cahn, the creator of “The Diplomat,” likes to leave viewers in suspense.

The Netflix political thriller has followed Kate Wyler (Keri Russell), the highly competent, intensely impulsive, deeply flawed and incredibly relatable career diplomat, as she’s cleaned up backroom deals, navigated volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. And the stakes escalate with each season’s finale, forcing Kate to test her limits. But the fourth season has brought her breaking point.

Alarmed by the questionable decision-making by President Grace Penn (Allison Janney) — as the bullying tactics used against the U.K. to ensure their cooperation against Russia become untenable — Kate resigns in unplanned, but grand fashion at the G7 summit in front of world leaders. She’s eventually joined by other members of Penn’s administration: chief of staff Billie Appiah (Nana Mensah), Secretary of State Miguel Ganon (Miguel Sandoval) and, most notably, her husband, Vice President Hal Wyler (Rufus Sewell).

“We like a good cliffhanger,” Cahn says during a recent video call.

Cahn’s thought about how “The Diplomat” will ultimately conclude. But like the show’s savvy titular character, she perfectly executes the art of the charming evasion when pressed for answers — namely, how close are we to getting there?

Keri Russell as Kate Wyler, left, Rufus Sewell as Hal Wyler, Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

“I don’t know — maybe it just did,” she teases. Cahn then turns more serious: “I’ve always had an idea of what the end is. As with everything on the show, I’m always delighted to have that idea blown out of the water by a better idea, but so far it hasn’t happened.”

Cahn began her television writing career on Aaron Sorkin’s acclaimed political drama, “The West Wing,” spanning seasons 4 through 7. After working on shows such as “Grey’s Anatomy,” “Vinyl” and “Homeland,” she took the helm as creator and showrunner for the first time with “The Diplomat.” And writing a political drama today meant grappling with a creative responsibility she hadn’t faced before.

“I didn’t have to figure out what ‘The West Wing’s’ political position was going to be or what ‘The West Wing’ thought about the world,” she says. “I want to make a show that is compelling for a lot of different people. And there are certain things that are happening in the world that, as much as I try or would like to be even-handed, … [are] really difficult to ignore when you’re living at a time when you feel like democracy is crumbling.”

On a recent afternoon from her home in New York, Cahn spoke more about the new season of “The Diplomat.” These are edited excerpts from the conversation, which includes spoilers.

The marriage between Kate (Keri Russell) and Hal (Rufus Sewell) is tangled with their work.

(Netflix)

So much of the show, but particularly this season, is about lines that are drawn and the crossing of them. How did you and the writers decide what would be the line for Kate?

It took months and months and months to decide because we wanted to treat the question as realistically as possible. A lot of good people don’t quit. And so, why? What’s the reasoning? The whole season is examining that question for Kate and, in a way, for all of them. I didn’t want to be like, “Well, she doesn’t like the president, so she walked on out.”

What did you want out of that final moment of the season?

The moment when she stands up, she has come to a clarifying realization that her line has just been crossed. It happens in that room. And we argued about that a lot. We ended up feeling really strongly that it be what was happening right there. That this was a question she had wrestled with, but when you see that you are off the cliff, it will become clear what you have to do. So for her, Grace’s speech was that moment. She then walks out of the room and thinks: “What the mother f— did I just do? I’ve just ended my career. Have I ended my husband’s career?” That’s how she feels until she hears the door open and sees Billie walk out, and both of them go through a similar moment when they hear the door open, and Ganon walks out; then obviously the last one [is Hal] that really nobody was expecting. But for Kate, there is a big difference between having realized that you can’t go forward because your own line has been crossed, to realizing that you have started a movement, and that there is a contagion in that action.

How much did the real world, particularly international relations, inform or shape the season?

I don’t ever like to do a ripped-from-the-headlines show, particularly because we write it and then a year or two passes before it gets on air. But it did feel like, at a time when this administration was coming back into power again, and their first move was to fire people and really obliterate the institution that we were writing about, it didn’t seem like a story that we could walk around and ignore.

Bradley Whitford as Todd Penn and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Nick Wall/Netflix)

We haven’t had a woman president. We know the sexism around this topic: Women are too weak, women can’t make tough decisions. What was the lay of the conversation in the writers’ room about who Grace Penn would be as president?

The situation that we wanted to sustain throughout the season was she’s not doing these things because she got shot, her stomach hurts and she’s mad. She’s doing things because she became president, and she thinks this is how the country needs to be run. Is there an overcompensation around her making sure that people don’t think that she’s too weak and afraid to be a foreign policy hawk? I think in plenty of circumstances, women in positions like that are more likely to take a strong decisive military action because there is this looming concern of, “Well is she tough enough? Is she gonna try and have everybody hold hands and make up?” There is an instinct to make sure that people realize that that isn’t your plan. Every one of the decisions that she made, we made sure that there was a smart, strategic, security mandated argument for doing what she was doing.

What Grace says at the top of that summit regarding the U.K. and Russia, if you didn’t know what was going on behind the scenes, it would seem reasonable and strategic.

I’m happy to hear you say that because that was very deliberate. We went round and round with different versions of what she said in that speech because some people would listen to it and say, “Oh, my God, she can’t say that. It’s just overwhelmingly reprehensible.” Then we would show our Washington people, and they were like, “It’s not so bad.” Democrats who were like, “This isn’t crazy. This is kind of middle of the road these days.” We realized that we couldn’t have her saying things that have become accepted in Washington because the public would view it as monstrous, and we didn’t want to be portraying a villain.

Is that the most difficult thing for you as the showrunner of a political show today — a president as a villain?

It’s trickier than I hoped it would be. I’m not really interested in the presidency as much as I’m interested in the thousands of people who interact with the president and perhaps don’t, as individuals, wield as much power in their hands as that office holder does. But real power, particularly in numbers, can make things happen or stop really disastrous things from happening. Whether or not we think that there’s a villain in the White House, what does everybody else do to try to manage it?

Rory Kinnear, who plays Prime Minister Nicol Trowbridge, sings opera in a scene where his character is having a hallucination.

(Clifton Prescod / Netflix)

There’s a surreal interlude with Prime Minister Nicol Trowbridge (Rory Kinnear) and his hallucinations — he’s singing opera, at one point. How did you arrive at that turn for him?

I would be lying if I didn’t say one of the big reasons I wanted to do that was because I found out Rory Kinnear sings opera. When we knew we were going to have this situation where he was going to through something even more stressful than everything that he’s been through up until now, it felt like it would be really great to see what’s going on in there [his mind]. I called him up and I said, “I’d like to have you singing ‘Pagliacci’ — is that OK?” And he was like, “Well, let’s start warming up now.”

For a brief moment, with Grace shot, Hal is acting president. I’m curious how you arrived at the length of time he’d fill in for Grace. It’s a few hours. And it reveals so much.

There’s a gravitational pull that we’ve been resisting ever since we made the president a big role, and then placed one of our leads in the role of vice president. There’s this pull toward the White House. But I’ve never wanted to be like, “Oh, well, then Hal’s president. Then, Hal dies, and Kate’s president! Everybody gets a chance.” Once he was VP, it started to seem equally absurd to not have a taste of that because it is, in fact, the reality in that job.

Making Hal a president for a long period of time wasn’t all that interesting to me, but I did want a little bit of a window into it. We think we really know what Hal Wyler is going to do in that role — and by we, I mean Kate, really —and it just isn’t true at all. It also turns out she really had no idea who he was as a vice president, and he’s a much different person than she thought. She thought he was going to continue to be a bull in a china shop, big swings and big ideas and asking for forgiveness, not permission. That’s not who he’s been in that job.

Billie (Nana Mensah), left, Kate (Russell), Hal (Sewell), Grace (Janney), Fitzwilliam (Neil Pearson) and Todd (Whitford) in “The Diplomat.”

(Nick Wall/Netflix)

Both couples faced questions like: Who is this person I married or how am I responding to who they are at this moment? What were you interested in exploring in both these dynamics?

The conversation that we were just having is in a way relevant for all four of them. Not only is Hal different than Kate thought he would be, Hal’s different than Hal thought he would be. I haven’t run a show before. This is this is my first time in that position, and I am absolutely different than I thought I would be. I was 100% sure I knew exactly how I would handle things, and it didn’t happen. That’s an idea that we wanted to keep alive for Hal and definitely for Grace. You can prepare for it all you want and still not know.

You can’t help but feel for Todd as he tries to figure out Grace. But then he nearly dismantles NATO and you’re like, Todd!

Todd goes through two phases. He has this terrible feeling of helplessness that is eventually supplanted by this terrible feeling of power that he’s unable to manage. In a lot of ways, the Todd story is the most realistic one we’re telling because a lot of people who’ve never done this before are making the most consequential decisions, literally in the world. And Todd’s not a dumb guy, and I don’t think the people that we’re watching do this are dumb people, but, boy, are they in over their head really fast.

I want to talk about Grace and Todd and the use of “babe.” There’s something so intriguing to me about what they’ve done with that pet name across the season.

You’re thinking about all my favorite things. I don’t know what to say other than I’m glad it’s reading. You take a term of affection, and, at a certain point, it just becomes a name. The affection that it carries with it is just a horrible memory of a moment that is clearly gone.

Good Morning Britain’s Ranvir Singh and Kate Garraway spoke to the UK’s Minister for Aviation, Keir Mather, on Friday’s show.

Good Morning Britain viewers were quick to call out Kate Garraway.

On Friday’s instalment of the ITV show (October 2), Kate and her co-star Ranvir Singh welcomed Aviation Minister Keir Mather onto the programme to speak about the proposed plan to stop airlines charging parents who want to sit by their children.

However, before the interview had even begun, the Good Morning Britain star was quick to remark on the 28-year-old’s youthful appearance, which didn’t go down well with people watching.

She commented: “We’re joined here now by Aviation Minister, Keir Mather, first time on Good Morning Britain, you’re there in Manchester airport this morning. When we saw you pop up, I have to say, we thought, ‘My goodness, ministers are getting younger every day’. You’re going to please a lot of people if you are the new prefect, because there’ll be a lot of people cheering about this.”

The MP didn’t address the remark as he dived straight into the topic he was on the show to speak about. However, as the interview came to an end, The ITV star touched on his age once again.

She said: “I understand you are indeed the youngest Minister since Gladstone in 1834, so it’s not just my old eyes that see you as young, good to speak to you this morning.”

As Kate and Ranvir went to address what he had spoken about with their panellists, Salma Shah and Caroline Flint, the presenter asked if they also felt old listening to the MP speak.

Salma commented: “I mean, I’ve never felt so old.” With Caroline adding: “He answered your questions, he did say yes, no, and what have you, we’ve seen people much older, not doing that.”

It wasn’t long before people commented on the interview, with many quick to call out Kate for her remark to the MP. One person on X said: “How outrageously patronising! Ooh, aren’t you young!”

Someone else wrote: “How patronising to remark on his age and call him a prefect! @GMB #gmb.” Another viewer commented: “@GMB Not cool to patronise the MP just because he’s young.”

While one person said: “Just watched @Mather_Keir on @GMB this morning, a great interview, I’m just really disappointed in the hosts and panel guests, that the conversation following was about his age and ‘how well he answered the questions for his age’ rather than discussing the issue in hand, bit shocking really.”

Meanwhile, one person praised the MP, commenting: “Excellent interview on @GMB from @Mather_Keir from @manairport this morning. Nice to see young govt ministers on TV.”

Good Morning Britain is available to watch on ITV weekdays from 6am.

The Graham Norton Show returns tonight and Hollywood actor Tom Cruise addresses Prince William and Kate Middleton attending the premiere of his new movie, Digger

Tom Cruise has opened up about being joined by the Prince and Princess of Wales on the red carpet at his movie premiere.

Prince William and Kate Middleton attended Tuesday’s (September 22) premiere of Digger, which stars the 64-year-old Hollywood actor. The trio were snapped at the star-studded event with Tom pictured holding Kate’s hand as her husband William wove to fans in the crowd.

Tom is one of the guests of The Graham Norton Show which returned tonight (Friday, September 25) for a new series alongside Oscar-nominated actor Florence Pugh, comedian and actor Lolly Adefope, top comic John Bishop and singer-songwriter Emeli Sandé.

When asked by host Graham about the Royal couple attending the premiere, Tom gushed: “They are amazing – very charismatic. I had such a good time.”

The Mission Impossible star also explained the extensive transformation he had to undergo using prosthetics for Digger, saying: “The makeup was taking so long that I decided to get it down from six hours to one – it was like a ballet getting everything in place. It was just like Formula 1.” Adding jokingly: “I had someone else hold the stopwatch!”

Tom stars opposite Riz Ahmed, Sandra Huller and Jesse Plemons in the film, in which he plays an oil tycoon whose company sets off an ecological disaster before being tasked with a mission to save humanity from his own mess.

He told Graham: “My character is outrageous and unpredictable. He says things that others may be thinking and never say. It’s a timeless story about power, greed, and ego framed in a very timely manner by Alejandro G Inarritu – one of the greatest filmmakers of all time.

“I’ve never read a script like it, and I have never seen a character like Digger.” He also shared his childhood dream to have an “adventurous life”.

Tom explained: “I am always doing something, learning something new which I can add to characters. I want to push every artform. I love the challenge of doing one thing while working on another. To create is life.”

Elsewhere on the show, Don’t Worry Darling actress Florence chatted about starring in the new adaptation of the Steinbeck classic East of Eden, saying, “It is a sweeping epic, and my character is also epic in every way. It has been the most amazing journey working with Zoe (director Zoe Kazan).

“It has been so special and it’s like releasing our baby. I am very protective of it, and really excited.” When asked about playing a character over seven episodes, Florence said, “Because I play a character that goes across several decades the thrill for me was figuring her out as she aged.

“It really was amazing and I had a brilliant time. Creating the series was a dream and I will be talking about this role for the rest of my career.”

The Graham Norton Show continues Friday, October 2 at 10.40pm on BBC One and BBC iPlayer

LILA Moss stole the show at H&M’s London Fashion Week show.

The star proved the apple doesn’t fall far from the tree as she followed in her mum Kate Moss’s heeled footsteps and took to the runway.

I’m told despite being one of the biggest names at the event and being the daughter of an industry legend, Lila refused to have any special treatment.

In fact, sources tell me Lila has secretly been battling vile treatment at shows over the past year due to her nepo-baby status.

She’s told pals how she has been given “icy treatment or totally ignored” behind the scenes as she battles to carve out a career in her own right.

A source said: “Lila was booked in the standard way, just like all the other models.

MOSSY ON ROCKS

Lila Moss stuns in sexy swimsuit as she proudly shows off diabetes monitor

MOSS-T BEAUTIFUL

Lila Moss, 23, looks just like Kate as she strips to underwear for snaps

“She didn’t ask for any special treatment due to her status—in fact, it’s the opposite.

“Over the past year, she’s confided in pals that many other models give her the cold shoulder or totally ignore her altogether.

“She’s not said these words, but essentially it’s jealousy—people judge her and brand her a nepo before they have even met her.

“Yes, being Kate’s daughter has opened a lot of doors, but Lila wants to be successful in her own right.

“There have been many times over the years where backstage she is left all on her own.”

Lila is the daughter of Kate Moss and magazine editor Jefferson Hack.

In 2018, she was snapped up by Marc Jacobs to front his Marc Jacobs Beauty range.

In 2021, she made her Fashion Week debut by walking for Miu Miu at Paris Fashion Week.

Speaking in 2022, Lila admitted her mum tried to put her off modelling.

She told British Vogue: “My mum always put me off.

“She was always like, ‘If you wanna do it, you can, but I wouldn’t recommend it’.

“When I was younger, she was scared that I’d fall into the same trap, I think.”

Kate has previously spoken candidly about the pressures of being a model.

She told Vanity Fair in 2012: “Nobody takes care of you mentally.

“There’s a massive pressure to do what you have to do.”