Karol G’s new album may just have you crying at the club
It may be summertime, but Karol G is unapologetically leaning into her sadness.
On Friday, the Colombian pop star released her sixth studio album “No Me Arrepiento de Sentir Tanto,” a 14-track project that details the depths of heartache one can only access when finally tuning out the world.
Tinged with dream-pop accents and acoustic instrumentation — though still fringed with her signature reggaeton-pop flair — it is a dramatic departure from her previous album, “Tropicoqueta,” a lofty, genre-rich album that envisioned a Latina-led utopia as a tropic floral paradise.
Now, with “No Me Arrepiento de Sentir Tanto” — which in English translates to “I Don’t Regret Feeling So Much” — Karol G swaps her vibrant, tropical facade for a soft blue vulnerability. Her special new brand of perreo melancolía features guest vocals by Drake (who sings in Spanish), Bruno Mars, Greg Gonzalez (of Cigarettes After Sex), as well as Spanish stars Judeline and Rusowsky.
The melodrama begins early on with the opening track, “Te Llevas To” — a moody EDM elegy that explores the loss of one’s self after a relationship ends. In an interview with Elle magazine, the hit maker shared that she spent a lot of time alone when creating this project, following her split from Colombian singer-songwriter Feid late last year — long before headlines caught wind of their breakup in January.
“Everything started when I went to Hawaii [last November]. I did a lot of hiking alone. I would climb the mountains alone. I would stand there gazing at the sky. I learned a lot about enjoying my solitude in this industry — we are really, really lonely. Compared to the rest of the world, you’re very isolated,” said Karol G in the Elle interview.
Rumblings of the new project first surfaced in April when Karol G performed at the 2026 Coachella Valley Music and Arts Festival as its first Latina headliner. There, she debuted “Después de Ti,” a shoegaze ballad joined by Greg Gonzalez, frontman of the indie-pop band Cigarettes After Sex; the song expressed profound grief after Karol experienced a loved one’s death.
“I cry a lot. I’m super sentimental and I’ve hated myself a lot for that,” Karol G revealed to Elle in her July cover story. “But at the same time, I’d rather suffer because I lived too much — because I loved too much, because I had too much fun — than to not have had those experiences, you know? I’m inviting everyone to be a little more dramatic, a little more extra.”
Although her classic bichota essence — a term Karol G frequently uses to describe herself, as a female counterpart to the Puerto Rican bichote, or “big shot” — is still heavily present in the new LP. Earlier this summer, Karol teased the song “Matadora” during the opening night of her international stadium tour in Chicago; produced by reggaeton pioneer Tainy, the sultry track is hallmarked by a muffled jazz trumpet and suggestive verses for an unknown paramour.
Her longtime collaborator, Colombian record producer Ovy On The Drums, also returns to incorporate elements of Karol’s the Grammy-winning 2023 album, “Mañana Será Bonito,” which followed her public breakup with ex-fiancé Anuel AA and grew into a massive commercial hit. With Ovy, Karol revived the shadowy timbre of her joint Shakira track “TQG” into the new “Bebiendo Lágrimas,” a reggaeton song that adamantly rejects the notion of love.
Mexican American producer Edgar Barrera — who previously worked with Karol on her merengue smash “Si Antes Te Hubiera Conocido,” as well as “Mi Ex Tenía Razón” and “Gucci los Paños” — reprises his role as a música mexicana connoisseur, aiding in Karol’s synth-doused Tejana-style cumbia, “Alguien Que Te Amaba.” (The track was also written with legendary songwriter Pete Astudillo, who co-wrote many of Selena Quintanilla‘s greatest hits.)
In the anguished “Con Quien Andara,” the singer pays tribute to the Spanish singer-songwriter Jeanette and her hazy, sentimental pop ballad from 1976 titled “Porque Te Vas?” And if that’s not enough of a nostalgia bomb, there’s the dream-pop reggaeton track “Bby Wow,” which features Judeline and Rusowsky and was inspired by the popular 2003 dancehall track, “Coolie Dance Rhythm” by Cordel “Scatta” Burrell. (Millennials may also recall echoes of this sample in popular tracks like Nina Sky and Jabba’s 2004 “Move Ya Body.”)
A word of advice for the Karol G fans — tropicoquetas and bichotas alike — this is an intimate record that’s best heard alone for the first time. So light up that candle, lock the doors and bring the tissues if you have to — just don’t be ashamed to feel all the feels, or shake your booty if the mood strikes.