kacey musgraves

Halfway through her very sold-out concert Tuesday night at the Greek Theatre, Ella Langley pulled up a stool near the front of the stage and told us she wanted to “be kind of normal for a second, if that’s all right witcha.”

Life has been pretty un-normal lately for the 27-year-old country singer from small-town Alabama, whose smash “Choosin’ Texas” set a new record last month for the longest stay of all time atop Billboard’s Hot 100. The chart achievement only bolstered talk that Langley is due to clean up when Grammy Award nominations are announced next month — welcome chatter, no doubt, for a striver who grew up, as she said at the Greek, determined to get exactly where she’s gotten.

Yet Langley’s success has brought with it some darkness, including accusations from armchair experts on social media that “Choosin’ Texas” — a monster hit that people keep saying they’ve never heard — owes its impressive stats to an act of record-biz chicanery. More ominously, Langley called off a concert in Oklahoma last week due to what she called a “serious security threat.”

Then former Homeland Security Secretary Kristi Noem got involved in Langley’s business when she tried in a tweet to pit the singer against Kacey Musgraves after Musgraves hosted the Senate hopeful James Talarico at a show in Dallas. (Langley, who’s been circumspect about voicing her political opinions, appeared to un-tag herself from Noem’s post, which is objectively hilarious.)

So you could empathize with Langley — empathize more than with other country singers longing for the good ol’ days — as she straightened up on that stool to do “Somethin’ Simple,” a winsome ditty from this year’s double-platinum “Dandelion” LP. “While I’m living the dream,” she sang, “all I’m dreaming about is slowing down just a little.”

This acoustic section of Tuesday’s gig, the first of two at the Greek, was by far the best part of the night; Langley also brought out her two openers for a pair of stripped-down duets in “Dreams,” the deathless Fleetwood Mac classic, which she sang with Laci Kaye Booth, and “Strangers,” her soulful power ballad with Kameron Marlowe, who gladly disregarded that unspoken rule about not showing up the headliner who hired you.

Loose, chatty, surrounded by friends and bandmates, Langley here was just a musician playing music; I can’t say whether she attained the normalcy she said she was looking for, though I’d buy that this is more or less what she gets up to on the back porch she sings about missing in “Somethin’ Simple.”

The problem with the rest of the concert — the parts with the lights and the videos and the goofy stage business involving a guy with a keytar and a cigarette — was that it demanded a level of star power that Langley simply doesn’t possess (or anyway isn’t interested in deploying).

On record, she summons a coolly detached quality that plays intriguingly against arrangements lush with romantic pedal steel; there’s something hard to pin down about the emotion of tunes like “Be Her” and “Choosin’ Texas,” in which the narrator sounds almost alienated from her own heartbreak.

If somebody wants to make a case that Langley’s beautifully dead-eyed love songs represent the purest embodiment of Gen Z’s post-pandemic social dysfunction — well, I’m all ears. (Great look too: very Linda Ronstadt meets Stevie Nicks.)

But onstage the lack of affect just felt flat, not least when she’d dole out the kind of canned banter between songs that would make anyone resent the mechanics of stardom. The performance posed an interesting question: How much (or how little) charisma is required to support a branding infrastructure as robust as Langley’s? At the Greek there were ads for her jeans and her sunglasses and her energy drink, and there were more merch stands than I’ve ever seen at the venue. Every one of them was jammed.

Kacey Musgraves is taking another trip to “Uncertain, TX” — this time with a little bit of Tejano flair courtesy of a legendary South Texas band.

On Tuesday, Musgraves released a Spanish version of her critically acclaimed track featuring Tejano group Intocable — a song she originally recorded with country star Willie Nelson, which debuted at No. 50 on Billboard’s Hot Country Songs after the May 1 release of her seventh studio album, “Middle of Nowhere.”

“Having a song with the legends of Intocable is such a thrill for me,” said Musgraves in a press release on Tuesday. “As a Texan, I am proud of the cultural melting pot that makes our state so great and this collaboration is such a fun example of that.”

According to Intocable lead singer and accordionist Ricardo “Ricky” Muñoz, who spoke with The Times via Zoom, Musgraves had first thought of including the great conjunto accordionist Flaco Jiménez, who passed away in August 2025, to join in on the original track with Nelson, a fact that the country gal herself confirmed on the Zane Lowe interview series on Apple Music in May.

“Flaco Jiménez’s son told me that Kacey wanted to do an all-Texas thing where Willie Nelson was in the song and Kacey also invited Flaco to play accordion,” said Muñoz, who heard the original demo. “I believe at the time, Flaco was not good, health-wise, so he wasn’t able to do it.”

Muñoz, who has always been a fan of the “Rainbow” singer, said the song was “orbiting” around him. Three weeks ago, he received a call from Musgraves’ team to help with the Spanish version.

“I was very conservative on the accordion part. I just played little parts here and there,” said Muñoz. “Then they call me back and they go like, ‘No, give me some more of that.’”

This isn’t Musgraves’ first collaboration with a música mexicana artist. In August 2025, the 38-year-old singer-songwriter joined forces with Carin León for the cross-cultural ballad “Lost in Translation.”

Muñoz considered the collaboration a “perfect fit.”

“We’re representing the Tejano community,  and I’m proud of that,” said Muñoz, who comes from a long line of Texas-born Mexicans. “ Once we meet in person and we get to play together, it’s even gonna be a better connection to the song.”

On Thursday, the two acts will perform together for the first time for Musgraves’ Middle of Nowhere tour at the Moody Center in Austin, Texas.

The iconic Tejano band formed in the border town of Zapata, Texas, in 1993, and rose to fame thanks to Tejano pop hits like “Fuerte No Soy,” “Soñador Eterno” and “Estás Que Te Pelas.”

In July, the “¿Y Todo Para Qué?” group received its own star on the Hollywood Walk of Fame. At the ceremony, hitmaker and songwriter Edgar Barrera, who grew up in the same borderland area, said that Intocable “showed the world what música mexicana could be.”

But the Grammy-winning band isn’t resting on its laurels. Of the Walk of Fame star, Muñoz said, “that’s just part of the journey. It’s awesome, but I haven’t really paid any more thought than the day I was there.”

Instead, the “Enséñame A Olvidarte” act is looking ahead. The group is preparing for the release of its 16th studio album next year, “Nostalgia Radical,” a project inspired by Muñoz’s mental health journey , which he said has allowed him to show up as his most authentic self.

“I was exploring myself, being vulnerable and asking questions,” said Muñoz. “ To me, going to therapy every Tuesday is like taking out the trash.”

This November, the band — which is currently zigzagging between Mexico and the U.S. for its Cultura Tour — is also up for a Latin Grammy for regional song for their country-fused pro-immigrant anthem “Estamos Todos.”

“We’re all asking all these questions, and we’re not getting the right answers or any answers. We’re just being danced around with the answers,” said Muñoz. “But in the meantime, we’re all together in this.”

The band’s pro-immigrant stance is another thing it has in common with Musgraves, who in May invited invited three teen mariachi brothers previously detained by ICE to open for her sold-out, three-night residency at Gruene Hall in New Braunfels, Texas, the oldest dance hall in the state..

The country singer also asked fans to donate to the Young Center for Immigrant Rights, which helps children whose parents have faced deportations, during the opening night of her tour in Chicago back in August.

“We need more people to talk about this and not stay quiet. Kacey is coming from another community and stepping up, I mean, that’s big, man. That’s huge.  I commend her for that,” said Muñoz.