johnson

WASHINGTON — House Speaker Mike Johnson has lamented he would like to preside over a “normal Congress,” but the chamber the Republican is leading is anything but.

All-night sessions. Hours of dead zones with no action on the floor. Legislation being written on the fly, behind closed doors. Sudden votes scheduled. Spectacular failures. And, as happened this week, stunning turnarounds in which the House actually passes bills.

“Sometimes it’s an ugly process, sometimes it’s a long process,” Johnson said after House passage of a bipartisan bill to fund much of the Department of Homeland Security, ending the longest agency shutdown in history. “But we got it done.”

Republicans, who face an uphill climb this election year to keep hold of their paper-thin House majority, appear at times as if they are still learning on the job, years after having returned to power in 2022, while they are also about to ask voters in November to rehire them for another term.

This week’s starts and stops — for example, five hours of delay as Johnson huddled behind closed doors to salvage his agenda, then a sudden vote tally near 11 p.m. — would typically have been the kind of situation that shocked the political and procedural senses. Now, it’s just another Wednesday.

Or two weeks ago, when a routine House Rules Committee hearing ended up becoming a midnight forum to debut a just-produced 14-page bill to revise a surveillance bill, known as the Foreign Intelligence Surveillance Act, or FISA, before it was rushed to the floor for a 2 a.m. vote. It failed.

“House Republicans have shown again that they can’t govern,” said Rep. Ted Lieu of California, part of Democratic leadership.

“They routinely pass bills to the Senate that are way too extreme, then it ends up that we have all these floor session days where we’re just doing nothing,” he said.

House GOP’s slim majority makes leader’s job challenging

Johnson, who took over for the ousted Kevin McCarthy more than two years ago, is presiding over one of the slimmest House majorities in modern times, leaving him no room to spare if he’s trying to pass legislation on party-line votes, without Democrats.

The speaker is juggling not only President Trump’s priorities but also those of the various factions that make up his majority, from the conservative House Freedom Caucus to what remains of the GOP’s more pragmatic conservatives.

And Johnson’s own future is always in question, after Republicans chased other speakers, including McCarthy, John Boehner and Newt Gingrich, to early exits.

Last year Johnson, of Louisiana, led passage of the party’s signature achievement, a big bill of tax breaks and safety net cuts, which Trump signed into law. At the time, he quipped about the difficulty of getting it over the finish line.

“I do so deeply desire to have just a normal Congress,” the speaker said in July.

“But it doesn’t happen anymore,” he said. “Our way is to plow through and get it done.”

What’s ahead as House GOP tries to stay in power

Ahead of the fall elections, Johnson and other Republican lawmakers have discussed an agenda that includes the promise of another GOP-only budget package like the tax cuts bill that they could push through the House and the Senate, without Democratic votes.

Budget Chairman Jodey Arrington (R-Texas) said Thursday that he expects “the centerpiece” of that package “will be supporting our troops” with more than $100 billion in funding for the war against Iran as well as money to replenish defense munitions and other Pentagon-related needs.

Despite the turbulent week in the House, Arrington said what they’re calling “Budget reconciliation 3.0” should be the “next order of business.”

Yet GOP lawmakers may decide it’s better to skip the hard work of legislating, and the dramatic upheavals that tend to come with it, and hit the campaign trail to win over voters instead.

Rep. Richard Hudson (R-N.C.), the chairman of the House GOP’s campaign arm, the National Republican Congressional Committee, acknowledged that trying to pass legislation with such a tight majority “can be rough. It’s ugly.”

“I’d be fine with letting us go home and campaign,” Hudson said. “But we’ve got a lot of important work still to do.”

Some of Johnson’s most ardent sparring partners, those most conservative Republican lawmakers, turned their blame for the messy process not on Johnson’s leadership but on their own GOP allies across the Capitol in the Senate, who often dismiss the House’s work.

“Yeah, sometimes, it gets a little tense,” said Republican Rep. Chip Roy of Texas. “But we’re still getting stuff done. We’re sending it over to the Senate. So we look forward to them doing their job.”

Mascaro writes for the Associated Press.

For Democrats or, for that matter, anyone who believes in checks and balances, things are starting to look up.

President Trump’s days of untrammeled war-making, law-breaking and generally doing whatever he damn well pleases may finally be drawing to a close. Public opinion, history and, especially, the surging price of gasoline and groceries, all point to a Democratic takeover of the House in November’s midterm election.

There’s a direct correlation between a president’s approval rating and the way his party performs at the midpoint of his term. Anything below 50% favorability portends political trouble; right now Trump’s positive standing in polls hovers around a dismal 40%.

Then there’s the history part. Since World War II, the party out of the White House has gained an average of more than two dozen House seats in midterm elections. Democrats need to pick up just three to take control beginning in January.

(While the Republican grip on the Senate seems weaker than just a few months ago, the GOP is still favored to hang onto the chamber in November.)

There is, however, a looming threat causing nervousness among Democrats and their allies as they contemplate a celebratory fall, a landmine of sorts buried deep in the congressional election process.

Let’s acquaint ourselves with Article 1, Section 5 of the Constitution.

The pertinent language written by the Framers states, “Each House shall be the Judge of the Elections, Returns and Qualifications of its own Members.” In other words, it’s up to the House and Senate to acknowledge and abide by the will of voters as expressed in the election returns.

What could possibly go wrong?

Well, if you let your paranoia run wild, quite a lot. If the election outcome is close — and probably it would have to be very close — Republican lawmakers could theoretically seize on phony claims of fraud and effectively nullify the results of enough contests to deny Democrats control of the House.

There’s plenty of skepticism that would or could ever take place. But if it were to happen, hello, national crisis!

Normally, we could count on the occupant of the White House to humbly submit to the election returns, even if it’s a “shellacking” as President Obama called his walloping in the 2010 midterm election, or a “thumpin’ ” as President George W. Bush described his electoral spanking in 2006.

Not Trump.

This president has amply demonstrated the lengths to which he’ll go to overturn an honest election, siccing a violent mob on lawmakers certifying his 2020 defeat, telling endless lies and using the Justice Department to confiscate ballots and intimidate innocent election officials and others Trump deems his enemies.

He strong-armed Texas into a highly unusual, highly partisan redrawing of its congressional boundaries, an effort to net five seats and lengthen the odds against a Democratic takeover.

The move appears to have backfired, spurring voters in California and, last week, Virginia to redraw their state’s political maps to more than offset Texas and boost Democrats in November. (The Virginia results are being contested in court.)

Voters attend an Arlington Democrats redistricting vote watch party during a special election Tuesday in Virginia. A measure to redraw the state’s congressional map was narrowly approved.

(Valerie Plesch/Bloomberg via Getty Images)

That failure doesn’t take away Trump’s malign intent. And in the supine Speaker Mike Johnson, he has the perfect handmaiden to undermine the midterm vote.

In 2020, Johnson was the lead author of a Supreme Court brief seeking to overturn the results in four states that Joe Biden had indisputably won. That speaks to Johnson’s probity and integrity.

How would subversion of November’s election take place?

One theory goes like this: When the balloting is over, Johnson could appoint a House committee packed with Trump’s acolytes to investigate alleged voting irregularities. (And if you think Trump won’t be bellowing the words “rigged” and “fraud” in the face of defeat, you’ve either been in a coma or living on another planet for the last decade.)

Those hearings and the “evidence” they turn up could then be cited by election officials in key states — collaborators, if you will — as a reason to delay the certification of election results and block the seating of majority-making Democrats in the next Congress. In their place, the theory goes, Republicans could vote to fill those seats with GOP candidates who lost at the polls, keeping themselves in control.

Derek Muller, an election law expert, suggests that scenario is little more than a fever dream of doomsday devotees and overly nervous Nellies.

He said he’d be very surprised if all the election results weren’t certified by Jan. 3, when the new Congress convenes, given the legal remedies available to prevent stalling and undue delay. And, Muller said, there is no assurance Republicans would march in lockstep behind a plan to prevent the seating of Democrats.

Thwarting a duly elected Democratic majority “involves extraordinary coordination and precedents that have never occurred, with a unique convergence of factors,” said Muller, who teaches law at Notre Dame — though, he added, if control of the House came down to, say, a single seat “all bets are off.”

Far-fetched? Perhaps. Some of the spun-up theories surrounding November’s election do sound a bit like a product of political science fiction.

But what kind of president picks a fight with the pope? Plunges the world into crisis by unilaterally going to war with Iran with no exit plan? Demolishes the East Wing of the White House on an egotistical whim?

If Trump, an inveterate norm-buster, sees a way to keep his grip on unchecked power, don’t put anything past him.

After a brief reprieve following the end of Coachella, we find ourselves in the desert again for Stagecoach — hot, dusty and eager to be amused. The first day of the weekend offered plenty of top-tier country performances including Cody Johnson, Ella Langley, and Bailey Zimmerman along with a dose of nostalgia courtesy of ‘90s stars Counting Crows and Emo Nite featuring Ashlee Simpson. Let’s also not forget that Stagecoach is a place to catch celebrity cameos—we’re looking at you, Sydney Sweeney. Here’s our recap of all the fun we experienced on Day 1 of the festival.

Jessie Erickson, of Anchorage, Alaska, sings “more than my home town” by Morgan Wallen at the SYRN Saloon during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

I found a karaoke bar at Stagecoach — but it was Sydney Sweeney’s lingerie pop-up

En route to the press tent this sunny Friday, I saw a spot with saloon doors boasting karaoke. It didn’t click that the air-conditioned pop-up was a bar connected to Sydney Sweeney’s Syrn brand until I was inside and saw the lingerie hanging from the bar.

It was early in the day, so not much karaoke was happening, but you could scan a QR code and sign up via a Karafun link. I contemplated doing “A Long December” from the Counting Crows since they’re playing the Mustang Stage this evening, but thought it would No.1 bring down the mood and No.2, not really fit in with the Coyote Ugly vibes.

However, I saw dartboards on the wall and a sign to ask the “brand ambassador” about darts and I immediately thought — the hard drinkin’ Stagecoach crowd should probably not have sharp objects. They don’t. I found a “brand ambassador” and he showed off the darts, which were magnetic. It still might not be the best idea to let people throw projectiles as the night goes on, though. (Vanessa Franko)

Emo nite featuring Ashlee Simpson performs at Diplo’s Honkytonk during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

Emo Nite with Ashlee Simpson and 3OH!3 made Stagecoach dance with their feelings

I said that it felt like I went to Warped Tour two weeks ago when I saw ska/punk band Less Than Jake perform at Coachella’s Heineken House and this weekend I found the Stagecoach version of Warped Tour on Day 1!

How is the giant country festival channeling the SoCal-born traveling punk festival, you ask? The popular Emo Nite DJ set was booked at Diplo’s Honky Tonk. (Emo Nite is no stranger to the Goldenvoice desert fests, by the way. They played the Sahara Tent at Coachella a few years back, too.)

Emo Nite’s Morgan Reed and T.J. Petracca opened up with Fall Out Boy’s “Sugar We’re Goin Down” to set the sing-a-long tone before blistering through a set of remixes to songs by beloved emo and pop-punk artists such as Panic! At the Disco, Paramore, All-American Rejects and My Chemical Romance. They also played some emo-adjacent and not-so-emo-adjacent tracks, such as the Killers’ “Mr. Brightside,” System of a Down’s “Chop Suey” and Justin Bieber’s “Baby.” (Bieberchella lives even at Stagecoach!)

Actress Sydney Sweeney takes photos with fans during the Stagecoach.

(Evan Schaben/For The Times)

Sydney Sweeney takes pictures with fans at Stagecoach

Actress Sydney Sweeney snapped photos with fans during BigXThaPlug’s set at the Mustang Stage Friday at Stagecoach. Sweeney also has a pop-up bar promoting her lingerie line Syrn at the festival. (Evan Schaben)

Ella Langley performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Evan Schaben/For The Times)

Ella Langley takes a victory lap

“I’m gonna go ahead and burst your bubble,” Ella Langley said about halfway through her main-stage set Friday night. She’d just teed up her brand-new single, “I Can’t Love You Anymore,” a shimmering roots-soul duet with country’s biggest star, Morgan Wallen. “Morgan is not here,” she continued. “He’s on dad duty this weekend. Can’t blame a man for being a good dad.”

And you can’t blame Langley for managing expectations. But she didn’t need Wallen (or anybody else) to show why she’s the biggest thing in country music right now: This was an effortlessly cool performance by a deeply vibey singer and songwriter who’s absorbed more than Stevie Nicks’ predilection for lightweight shawls. (“Broken” was extremely Fleetwood Mac-coded.)

Langley did bring out a special guest: the podcaster Theo Von, who did Riley Green’s part in “You Look Like You Love Me” for some reason. (Big podcaster energy is what I’ll say.) She played “Choosin’ Texas” — her dreamy pop-country smash that’s currently at No. 1 on Billboard’s Hot 100 — not last but next to last, leaving “Weren’t for the Wind” as her closer. Baller move. (Mikael Wood)

Counting Crows will perform on Sept. 3 at the Rady Shell at Jacobs Park.

(Courtesy of the San Diego Symphony)

Counting Crows and the perfect Stagecoach sunset

I am very into the ‘90s alt acts playing Stagecoach 2026 (I see you, Third Eye Blind) and Counting Crows got things off to a sublime start as the sun set Friday.

While the band played its breakout hit, “Mr. Jones,” early in the set, singer Adam Duritz let the crowd take the lead and almost did some spoken word in the second verse.

“How was your first day at country Coachella? They only call it Stagecoach because Count-chella doesn’t sound good,” the singer asked the crowd before the band launched into the “Shrek 2” ditty “Accidentally in Love.”

The hits kept coming, including “Round Here” and “Rain King.”

But the perfect moment under cotton candy skies happened during the band’s penultimate song, “A Long December” off 1996’s “Recovering the Satellites.” With the crowd singing along, the sun setting behind the mountains and good feelings all around, it was nothing if not a vibe. (VF)

Bailey Zimmerman performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Evan Schaben/For The Times)

Bailey Zimmerman with an encouraging word

Bailey Zimmerman brought his puppy-ish energy — and an encouraging self-help message — to Stagecoach’s main stage Friday night ahead of Cody Johnson’s headlining set. “I grew up with nothing, and I worked my ass off to be where I am,” he bellowed before ripping off his shirt to punctuate the point. (MW)

Cody Johnson performs on the Mane Stage during the Stagecoach Country Music Festival at Empire Polo Club, in Indio, CA on April 24, 2026.

(Allen J. Schaben/Los Angeles Times)

Cody Johnson closes Night 1 with Boyz II Men

Cody Johnson opened his headlining set Friday night by promising to “bring a little Texas to California if that’s all right with y’all.” Yet the most surprising moment of his 90-minute show actually brought a bit of Philadelphia to Stagecoach when Boyz II Men dropped in to join Johnson for a rendition of the veteran R&B crew’s “On Bended Knee.”

If we’re being honest, the vocal mix was … not the evening’s finest. But the selection was appealingly unexpected from a down-the-middle country star like Johnson, who spent much of the rest of his set recounting his long music-industry come-up and urging folks to see past their differences in the name of unity.

He also lamented the three months he had to take off the road after busting his eardrum last year — “I was depressed about it,” he said — before acknowledging that the unanticipated break meant he got to be home for the birth of his youngest child. (MW)

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

WASHINGTON — The Senate approved a short-term renewal until April 30 of a controversial surveillance program used by U.S. spy agencies, following a chaotic, post-midnight scramble in the House to keep the authority from expiring.

The measure cleared the Senate by voice vote, without a formal roll call, as Congress raced to meet a Monday deadline. It now heads to President Trump, who had pushed for a clean 18-month extension, for his signature.

GOP leaders in the House rushed lawmakers back into session late Thursday with a series of back-to-back votes that collapsed in dramatic failure, before they quickly pushed ahead the stopgap measure as they race to keep the surveillance program running past Monday’s expiration date.

First they unveiled a new plan that would have extended the program for five years, with revisions. Then they tried to salvage a shorter 18-month renewal that Trump had demanded and Speaker Mike Johnson had previously backed. Some 20 Republicans joined most Democrats in blocking its advance.

Shortly after 2 a.m. they quickly agreed to the 10-day extension, which was agreed to on a voice vote without a formal roll call. It next goes to the Senate, which is gaveling for a rare Friday session, as Congress races to keep the surveillance program running.

“We were very close tonight,” said Johnson after the late-night action.

But Democrats blasted the middle-of-the-night voting as amateur hour. “Are you kidding me? Who the hell is running this place?” said Rep. Jim McGovern, D-Mass., during a fiery floor debate.

At the center of the standoff that has stretched throughout the week is Section 702 of the Foreign Intelligence Surveillance Act, which permits the CIA, National Security Agency, FBI and other agencies to collect and analyze vast amounts of overseas communications without a warrant. In doing so, they can incidentally sweep up communications involving Americans who interact with foreign targets.

U.S. officials say the authority is critical to disrupting terrorist plots, cyber intrusions and foreign espionage.

Surveillance program fight is a debate over privacy and security

Its path to passage has teetered all week in a familiar fight, as lawmakers weigh civil liberties concerns against intelligence officials’ warnings about national security risks.

Opponents of the surveillance tool point to past misuses. FBI officials repeatedly violated their own standards when searching intelligence related to the Jan. 6, 2021, attack on the Capitol and racial justice protests in 2020, according to a 2024 court order.

Trump and his allies had lobbied aggressively all week for a clean renewal of the program, without changes.

A group of Republicans traveled to the White House on Tuesday, and on Wednesday CIA Director John Ratcliffe spoke directly with GOP lawmakers. House Majority Leader Steve Scalise said Thursday there had “been negotiations late into the night with the White House and some of our members.”

“I am asking Republicans to UNIFY, and vote together on the test vote to bring a clean Bill to the floor,” Trump wrote on Truth Social this week. “We need to stick together.”

The result of days of negotiations

Thursday’s proceedings came to a standstill as lawmakers retreated behind closed doors and Johnson reached for an agreement to resolve the standoff.

Shortly before midnight GOP leaders announced a new proposal, a five-year extension, with revisions. The changes were designed to win over skeptics of the surveillance program who have demanded greater oversight to protect Americans’ privacy.

Among the changes are new provisions to ensure that only FBI attorneys can authorize queries on U.S. persons, and to require the Office of the Director of National Intelligence to review such cases, said Rep. Austin Scott, R-Ga., during the debate.

But the final product, a 14-page amendment, did not go far enough for some holdouts in either party.

With Johnson controlling a slim majority, he has little room for dissent. As the Republicans fell short on both efforts before the short extension, a handful of Democrats stepped in to try to help them advance the longer extensions, but most Democrats were opposed.

“We just defeated Johnson’s efforts to sneak through a 5-year FISA authorization tonight,” said Democratic Rep, Ro Khanna of California. “Now, they will have to fight in daylight.”

Cappelletti and Mascaro write for the Associated Press.

It turns out Raven Johnson’s “revenge tour” wasn’t completely over.

The South Carolina guard was selected as the 10th overall pick by the Indiana Fever at the 2026 WNBA draft Monday, setting her up to be reunited with a former college teammate as well as a notable rival.

Described as “one of the most WNBA-ready players” in the mock draft by The Times, the two-time national champion was famously waved off by then-Iowa phenom Caitlin Clark during their Final Four matchup in the 2023 NCAA women’s basketball tournament.

During the first quarter, Clark declined to guard Johnson, who had the ball outside of the three-point line, with wave of her arm while turned away from her. Not only did Clark’s team go on to win, the taunt — much like a number of other moments involving the sharpshooting former Hawkeye — went viral.

Johnson has been open about how that moment and the online response took a toll on her mental health.

“I was all over the internet,” Johnson said while discussing some of the adversity she’s faced in her basketball career on a recent episode of the “I Am Next” podcast. “I got bashed, I got bullied, I got called all these things that I wasn’t … like a monkey [and] just things like that. I wanted to quit basketball at that time and I wanted to just go in this little bubble of isolation and just be by myself.”

She credited her faith and the support of her teammates and loved ones for being able to turn it around and use the moment to fuel her “revenge tour” the next year. South Carolina beat Clark’s Hawkeyes in the 2024 national championship to cap off an undefeated season.

Caitlin Clark and Raven Johnson at the 2024 NCAA women’s basketball tournament.

(Carolyn Kaster / Associated Press)

At least in part because of this history, the online response to Johnson being drafted by the Fever has been divided among the team’s fans as well as the supporters of each of the individual players. But the Fever staff were clearly elated to be able to nab Johnson off the board.

“Let’s go,” Fever coach Stephanie White said in a video call with Johnson posted on social media on Monday. “We are so excited.”

Johnson isn’t the only one who is set to join forces with a rival in the next chapter of their career. Following her trade from the Sparks, Rickea Jackson will be teammates with Chicago Sky center Kamilla Cardoso, whose game-winning buzzer beater for the Gamecocks took down the former’s Tennessee team at the 2024 Southeastern Conference tournament.

And that’s not to mention the Washington Mystics following their selection of UCLA center Lauren Betts as the fourth overall pick Monday by later drafting Texas standout Rori Harmon in the third round. Betts’ viral block is what sealed UCLA’s win over Texas at the Final Four en route to the Bruins’ championship win earlier this month. (The Mystics also selected UCLA forward Angela Dugalic in the first round.)

Despite the naysayers, Johnson appears excited to be joining a championship contender with the Fever. During a Monday news conference, Johnson mentioned Clark, Aliyah Boston and Kelsey Mitchell among the team’s vets she’s looking forward to learning from.

“She has taught me so much through my college experience,” Johnson said of Boston, her former college teammate. “She taught me what pro habits were. She taught me you have to bring those habits every day to practice. … She is a phenomenal person. She instills so much in young people and there’s no way you don’t want to play with somebody like that [and] look up to somebody like that.”

WASHINGTON — Less than a week after he and other House Republican lawmakers rejected a Senate plan to fund the Department of Homeland Security — but not its immigration enforcement operations — Speaker Mike Johnson has made a complete about-face.

Johnson’s embrace of a two-track Senate bill marks a sharp reversal, after he had derided it as a “joke,” and said he was “quite convinced that it can’t be that every Senate Republican read the language of this bill.”

But now that Johnson appears to be fully on board, securing support from his own conference could prove more difficult after a sizable group of House Republicans blasted the Senate-passed bill last week.

President Trump said Thursday he will sign an order to pay all Homeland Security employees who have gone without paychecks during the partial government shutdown that has reached a record 48 days.

Trump used a similar maneuver to resume pay for the Transportation Security Administration after many employees had called out from work, resulting in long delays at airport security lines for travelers. Trump’s latest intervention is expected to apply to other non-law enforcement employees at the department, including many employees at the Federal Emergency Management Agency, U.S. Coast Guard and the agency responsible for coordinating federal cybersecurity efforts.

Despite that unilateral move announced in a social media post, the funding lapse for some Homeland Security needs is likely to stretch into next week as the House contemplates passing the very same Senate plan it previously rejected.

There was no legislative resolution Thursday after both the House and Senate met for just a few minutes in pro forma sessions. Nonetheless, the Republican leadership and Trump have coalesced around a plan to fully fund Homeland Security as part of a two-step process. The agreement puts the congressional leaders on the same page for ending the impasse after they had pursued separate paths that resulted in Congress leaving Washington for its spring recess without a fix.

During the brief sessions, Senate Majority Leader John Thune (R-S.D.) put aside the House plan to fund the entire department for 60 days. Then the House met briefly without taking up the bipartisan Senate plan that had been worked out with Democrats, though Thune is looking toward eventual passage.

“I don’t know the particulars around what the House will do with it,” Thune told reporters. “My assumption is, at some point, hopefully, they’ll move it.”

Johnson’s about-face

Johnson (R-La.) and Thune announced Wednesday that they would return to the Senate measure, which funds most of Homeland Security with the exception of U.S. Immigration and Customs Enforcement and U.S. Border Patrol. Republicans will try later to fund those agencies through party-line spending legislation that could take months to finish.

Neither outcome is guaranteed, and the strategy could potentially still face opposition from the GOP’s ranks even though Trump has given his support.

House Republicans held a conference call later Thursday to discuss the next steps. The GOP leadership indicated to lawmakers that it does not expect to recall them to Washington during the spring recess; they are due back April 14.

Public backlash was swift after lawmakers left Washington last week without a resolution, with the tabloid website TMZ posting paparazzi-style photos of members at airports and out of town. The regularly scheduled break, while drawing criticism, is typically used by lawmakers to reconnect with constituents and travel abroad.

Lawmakers also heard from White House budget director Russ Vought. The White House is expected to release Trump’s 2027 budget proposal on Friday.

Funding ICE remains a hurdle

Democrats in both chambers were aligned last week with the Senate’s plan, and Senate Democratic leader Chuck Schumer of New York blamed House Republicans on Thursday for taking no action on it during the brief morning session.

“The deep division and dysfunction among House Republicans is needlessly extending the DHS shutdown and hurting federal workers who are missing another paycheck,” Schumer said.

Johnson will look to persuade the most conservative lawmakers within his conference to go along with the two-step approach agreed upon with the president, and Trump’s latest social media post could help. The president thanked Thune and Johnson for their work, and sought to project Republican unity.

“Republicans are UNIFIED, and moving forward on a plan that will reload funding for our FANTASTIC Border Patrol and Immigration Enforcement Officers,” Trump wrote.

Many in the GOP conference have taken the stance that ICE and the Border Patrol need to be included as part of any funding agreement.

“Let’s make this simple: caving to Democrats and not paying CBP and ICE is agreeing to defund Law Enforcement and leaving our borders wide open again,” Rep. Scott Perry (R-Pa.) posted on X. “If that’s the vote, I’m a NO.”

Meanwhile, the budget package that Trump wants voted on by June 1 is expected to fund ICE and Border Patrol through the remainder of Trump’s term, as a way to try to ensure those agencies are no longer at risk from Democrats objecting to his immigration enforcement agenda.

Thune acknowledged the potential hurdles to that route, such as efforts to expand the scope of the bill. He said the goal is to keep it “as narrow and focused as possible” in order to pass it “with haste.”

The vast majority of Homeland Security employees have reported to work during the shutdown, but many thousands have gone without pay. As more Transportation Security Administration agents called out from work, there was increasing frustration for air travelers confronted by long waits at some airport security lines. Those bottlenecks appeared to be clearing this week as agents began receiving backpay after Trump signed an executive order.

About 10,000 FEMA workers are being paid because their wages come out of the non-lapsing Disaster Relief Fund. At least 4,000 FEMA employees are furloughed or currently working without pay.

Freking and Cappelletti write for the Associated Press. AP writer Lisa Mascaro contributed to this report.

CHICAGO — Edward Cabrera pitched six shutout innings, Ian Happ hit a solo homer and the Chicago Cubs beat the Angels 7-2 on Monday night.

Cabrera gave up one hit and walked one in his Chicago debut, delighting the crowd of 36,702 on a picturesque night at Wrigley Field. The 6-foot-5 right-hander was acquired in a January trade with Miami.

Carson Kelly and Moisés Ballesteros each drove in two runs for the Cubs (2-2) in the opener of a three-game series.

Yoán Moncada hit a two-run homer for the Angels (2-3) in their third consecutive loss. Ryan Johnson (0-1) yielded six runs and seven hits over 3⅓ innings in his first career start.

Angels star Mike Trout went 0 for 4 with two strikeouts after collecting six hits and walking seven times over the first four games of the season.

Johnson struggled with his control in the first, walking the bases loaded. Pete Crow-Armstrong reached on an 11-pitch walk ahead of Nico Hoerner’s sacrifice fly. Kelly made it 3-0 with a two-out fly ball that landed just out of the reach of a lunging Trout in shallow right-center for a two-run single.

The Cubs added three more in the third. Happ extended his homer streak to three games, and Ballesteros grounded a two-run single into right field.

Cabrera (1-0) struck out five while throwing 80 pitches, 49 for strikes. Colin Rea worked three innings for his first save of the season, striking out Moncada with two runners on for the final out.

WASHINGTON — President Trump took the United States to war without a vote of support from Congress, but lawmakers are increasingly questioning when, how and at what cost the war with Iran will come to an end.

Three weeks into the conflict, the toll is becoming apparent. At least 13 U.S. military personnel have died and more than 230 have been wounded. A $200-billion request from the Pentagon for war funds is pending from the White House. Allies are under attack, oil prices are skyrocketing, and thousands more U.S. troops are deploying to the Middle East with no endgame in sight.

“The real question is: What ultimately are we trying to accomplish?” Sen. Thom Tillis (R-N.C.) told the Associated Press.

“I generally support anything that takes out the mullahs,” he said. “But at the end of the day, there has to be a kind of strategic articulation of the strategy, what our objectives are.”

Trump said late Friday that he was considering “winding down” the military operations even as he outlined new objectives and goals and despite the continued buildup of forces in the region.

Congress stands still

The president’s decision to launch the U.S.-Israeli war on Iran is testing the resolve of Congress, which is controlled by his party. Republicans have largely stood by the commander in chief, but will soon be faced with more consequential wartime choices.

Under the War Powers Act, the president can conduct military operations for 60 days without approval from Congress. So far, Republicans have easily voted down several resolutions from Democrats designed to halt the war.

But the administration will need to show a more comprehensive strategy ahead or risk blowback from Congress, lawmakers said, especially as they are being asked to approve billions in new spending.

Trump’s casual comment that the war will end “when I … feel it in my bones” has drawn alarm.

“When he feels it in his bones? That’s crazy,” said Virginia Sen. Mark R. Warner, the top Democrat on the Senate Intelligence Committee.

House speaker says mission is ‘all but done’

The president’s party appears unlikely to directly challenge him, even as the conflict drags on. House Speaker Mike Johnson (R-La.) has said the military operation will be over quickly.

“I do think the original mission is virtually accomplished now,” Johnson told the AP and others at the Capitol this week.

“We were trying to take out the ballistic missiles, and their means of production, and neuter the navy, and those objectives have been met,” he said.

Johnson acknowledged that Iran’s ability to threaten ships in the Strait of Hormuz is “dragging it out a little bit,” especially as U.S. allies have largely rebuffed the president’s request for help.

“As soon as we bring some calm to the situation, I think it’s all but done,” Johnson said.

But the administration’s stated goals — of ending Iran’s ability to obtain a nuclear weapon and degrading its ballistic missile supplies, among others — have perplexed lawmakers as shifting and elusive.

″Regime change? Not likely. Get rid of the enriched uranium? Not without boots on the ground,” Warner said.

“If I’m advising the president, I would have said: Before you take on a war of choice, make the case clear to the American people what our goals are,” he said.

The power of the purse

The Pentagon has told the White House that it is seeking an additional $200 billion for the war effort, an extraordinary amount that is unlikely to win support. Senate Democratic leader Chuck Schumer of New York called the amount “preposterous.”

The Defense Department’s approved appropriations from Congress this year are more than $800 billion, and Trump’s tax breaks bill gave the Pentagon an additional $150 billion over the next several years for various upgrades and projects.

Sen. Mazie Hirono (D-Hawaii) said the country has other priorities.

“How about not taking away funding for Medicaid, which will impact millions of people? How about making sure SNAP is funded?” she said, referring to the healthcare and food assistance programs that were cut as part of last year’s Republican tax reductions.

“These are things that we should be doing for the American people,” she said.

Many lawmakers have recalled the decision by President George W. Bush in the aftermath of the Sept. 11, 2001, attacks to come to Congress to seek an authorization for the use of military force — a vote to support his proposed military actions in Afghanistan and later Iraq.

Tillis said Trump has latitude under the War Powers Act to conduct the military campaign, but that will soon shift.

“When you get into the 45-day mark, you’ve got to start articulating one of two things — an authorization for the use of military force to sustain it beyond that or a very clear path on exit,” he said.

“Those are really the options the administration needs to be thinking about.”

Mascaro writes for the Associated Press.

AUSTIN, Texas — “The Sun Never Sets” is filmmaker Joe Swanberg’s 10th indie to premiere at SXSW but his first to play the event since 2017. The astonishing pace with which he made his early work — loose, idiosyncratic stories that were progenitors of the emergent style known as mumblecore — has slowed significantly, but also given way to a newfound maturity as both a person and an artist.

Introducing “The Sun Never Sets” at its world premiere on Friday night to a sold-out crowd at the Zach Theater, Swanberg called his latest “my favorite film I’ve ever made.” Shot on 35mm in Anchorage, the movie follows a 30-ish woman, Wendy (Dakota Fanning in a vibrant turn), torn between pursuing a fresh romance with a reckless old flame (Cory Michael Smith) or continuing on with the settled-in-his-ways divorced father of two (Jake Johnson) she’s been seeing for a few years.

Dakota Fanning in Joe Swanberg’s “The Sun Never Sets,” filmed in Alaska.

(SXSW)

“I guess this is what they tell you about getting older and doing this job longer,” said a thoughtful Swanberg in a video interview from his home in Chicago shortly before the South by Southwest festival. “You get better at it and you sort of mature and all of this.”

The film marks Swanberg’s fourth collaboration with Johnson, a partnership that goes back to 2013’s “Drinking Buddies.” (The actor partly financed the new project along with his brother.) Following completion of the third season of the Netflix anthology series “Easy” in 2019, for which he wrote and directed all the episodes, Swanberg was planning to take a break. A divorce and the pandemic caused that pause to grow even longer.

In the intervening years Swanberg produced a number of projects for other filmmakers, did some acting and opened a small video store in Chicago. Swanberg knew Anchorage-based producer Ashleigh Snead, who encouraged him to consider shooting something there. The scenic location would give Swanberg the opportunity to expand his visual style from his usual couches, bars and apartments of much of his work. (There still are a surprising number of scenes on couches and in bars.)

“Joe’s a real filmmaker,” says Johnson in a separate interview. “And I think sometimes he doesn’t get that credit because he can make movies with nothing. This is a real adult movie. This is a film about how complicated breakups are and how messy they get. And it’s in beautiful Alaska.”

Swanberg, center, on the set of “The Sun Never Sets.”

(SXSW)

Swanberg has now gone from someone making talky, provocative and at times controversial films about the lives of post-collegiate 20-somethings to exploring the nuances and specifics of being a 44-year-old divorced father of two still trying to figure out his place in the world. His original cohort of SXSW-affiliated filmmakers, many of whom also fell under the rubric of mumblecore — nobody much liked the name, but no one ever came up with anything better, so it stuck — included Greta Gerwig, Lena Dunham, Barry Jenkins, Ti West and others who have gone on to more conventional mainstream success.

But Swanberg doesn’t seem to feel left behind. Rather, he only sees doors opening.

“It’s gone so much better than I thought it was going to go for me,” he says. “I mean, when I was making these really tiny, sexually explicit 71-minute movies, I was like, I’m just grateful to be here. I can’t even believe these festivals are showing this work and it’s so cool that there’s a space for me in this ecosystem.

“And so to watch my friends go off to do these giant movies, to see Greta doing ‘Barbie’ and stuff like that, to me it just opens up the possibilities,” he adds. “Each time a friend of mine sets some new record or moves into some new space, I’m kind of like: Oh, that just opened up for all of us now.”

His earlier work often featured raw sex scenes, sometimes featuring Swanberg himself. From practically the start of his career, well predating the #MeToo-era reckoning that began in 2017, Swanberg weathered accusations that he was exploitative and manipulative of his female performers. His stepback from productivity coincided with a moment when his explorations of sexual power dynamics fell out of favor. It would be easy to interpret that Swanberg preemptively soft-canceled himself to avoid a broader scandal. He doesn’t see it that way.

“Certainly in Chicago, where I’ve spent the last five years, I’m not unwelcome places,” he says, drawing a distinction between himself and “people who lose jobs or are capital-C canceled. But also my work has always pushed those boundaries and always attracted some amount of positive and negative attention.”

Though “The Sun Never Sets” has numerous kissing scenes, it doesn’t go too much further than that.

“I won’t do it,” Johnson says of more graphic scenes. “When I worked with Joe early on, I was like, ‘I love you, man — I’m not doing this.’”

For her part, Fanning had no reservations about working with Swanberg. He offered both Fanning and Smith the opportunity to work with an intimacy coordinator, but neither felt it was necessary.

“There was no planet where you’d ever be asked to do anything you were uncomfortable with,” Fanning says. “If there was ever a moment like, ‘I don’t want to do that,’ he’d be like, ‘Oh, then let’s not.’ There was a day where there was a scene and it was pouring rain outside. And we both looked at each other and he was like, ‘We’re not going to do it. The scene’s cut.’ He’s just open. And I just trusted him implicitly.”

Jake Johnson and Dakota Fanning in the movie “The Sun Never Sets.”

(SXSW)

Swanberg has long worked in an unusual style in which the script is essentially a detailed outline and the actors work to come up with their own dialogue during rehearsals. For “The Sun Never Sets,” Swanberg and Johnson developed the longest, most complete outline Swanberg has ever used, including some dialogue exchanges. Then the actors were allowed to make it their own.

Fanning recalled an early Zoom call with Swanberg and Johnson on which they explained the process.

“It’s still made like a real film,” Fanning says. “And Jake and Joe promised it’s not like we’re just flying by the seat of our pants: ‘You will know what to say, I promise.’ And then friends that know me asked, ‘Are you so nervous?’ And I was, but for some reason, I don’t know why, I just knew that it was going to be fine. And that just proved to be true.”

Even though it takes places in Anchorage, Swanberg calls “The Sun Never Sets” “extremely personal.”

“I was definitely writing a movie about a divorced mid-40s guy dating a younger person,” he says. “The questions of marriage and having children were sort of an amalgam of two real relationships that I merged into one onscreen.” He describes the material as “questions that I had and have about what my own relationships are going to look like post-divorce.”

That comes through in Fanning’s rich, layered performance, which might rank among the best of her already lengthy career. Swanberg’s style draws both an ease and an intensity from Fanning, who captures a woman at a pivotal moment of figuring out what she wants amid the emotional whirlwind she is going through. (At the film’s premiere, Fanning said, “I’ve never put so much of myself into a role before.”)

“I think the goal of Joe’s films, and I think at least my goal with this film, is trying to make everything feel real,” she says. “Things are just a mess some of the time.”

Dakota Fanning and Cory Michael Smith in “The Sun Never Sets.”

(SXSW)

Swanberg himself appears in a small role as the new husband of the ex-wife of Johnson’s character. And the characters of the two kids in the movie are named after the director’s own children. With a newfound maturity and emotional depth, Swanberg is continuing to make movies that are part diary, part generational markers.

“It’d be really cool in my 40s to make movies about characters in their 40s,” he says, “and in my 50s, 60s and 70s. It’d be neat to be making sexually explicit movies about 70-year-olds in their dating lives and sex lives and stuff. It’s really exciting to have movies about characters at this phase of their life, whether they’re finally settling down in their 40s or whether they’re getting out of relationships and reexamining their life. It’s where my head is at.”
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Hall of Fame high school football coach Bob Johnson, who turned El Toro and Mission Viejo into powerhouse high school football programs and became one of the winningest coaches in state history, has died. He was 80. He had been battling Alzheimer’s.

“I feel for the family,” Mission Viejo football coach Chad Johnson (no relation) said Wednesday.

Johnson passed early Wednesday morning,

Johnson won six Southern Section titles coaching at Mission Viejo and three at El Toro while winning 338 games, the second winningest in Orange County history and in the top five in state history, according to the Orange County Register.

He retired after the 2017 season and was inducted into the California High School Football Hall of Fame in 2023.

His two sons, Rob and Bret, were standout high school quarterbacks before enrolling at USC and UCLA, respectively. Rob made it to the NFL. Both became coaches after their playing days were completed. Rob still coaches as an assistant at Mission Viejo.