Jessica

BROOKS Nader stole the spotlight at a World Cup final party in New York sporting a thigh-skimming mini skirt and matching crop top.

The American model, 29, chose the striking white co-ord, which showed her toned abs and tanned thighs, for her night out at Zero Bond bar in Lower Manhattan ahead of the clash between Spain and Argentina.

Brooks, who recently showcased her figure in a trendy bikini, oozed glam in her two-piece and ramped up her look with thigh high-heeled boots.

The Baywatch actress styled her blonde hair into loose waves flowing over her shoulders and kept her make-up fresh.

She flashed a smile as she entered the party, hosted by Todd Graves, for the Raising Cane’s Chicken Fingers event.

She was joined by actress Jessica Alba, who donned a black bandeau dress, and Jake Paul in all-white attire.

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Earlier in the night, Brooks took to Instagram to share behind the scenes glimpses of her getting ready for the night.

She stripped topless for a snap to praise her “dream team” as she posed in front of a cabinet filled with cosmetics.

The IMG Model then covered her modesty with her hands for another sizzling selfie.

Brooks then pulled on her co-ord and captured herself in the midst of a blow dry.

After her lively night, Brooks revealed she was working the following day on the Baywatch set.

Brooks was announced as one of the Baywatch reboot castmembers back in March.

She will be playing Selene, a captain of the Zuma beach lifeguards, according to Fox.

In her latest caption she wrote: “And we’re back, time to save some lives”.

Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.

And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”

Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”

Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.

Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.

When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.

Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.

“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.

Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”

(Evelyn Freja / For The Times)

During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.

“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”

“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.

She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.

Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.

“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”

As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”

Like her heroines, no one tells Knoll what to do. Unless she gives the OK.

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

LONDON — During a weekend that celebrates life, liberty and the pursuit of happiness, Wimbledon offers an American variation in the pursuit of Grand Slam glory.

Sunday’s fourth-round clash on the No. 1 Court between Jessica Pegula, the top-ranked American and veteran standard-bearer, and Iva Jovic, the brightest young American star since Coco Gauff, is a compelling intergenerational showdown between the present and future of U.S. women’s tennis.

It’s the kind of matchup worthy of a holiday complete with fireworks.

“I know she’s going to come after me hard,” the 32-year-old Pegula said following her clinical 6-1, 6-3 third-round defeat of Jessica Bouzas Maneiro of Spain on Friday.

“Everyone kind of wants to be the top American, I guess,” agreed Jovic, an 18-year-old from Torrance who toughed out a 6-3, 3-6, 6-4 win over Ekaterina Alexandrova of Russia on Friday to reach the fourth round at Wimbledon for the first time. “There is a little bit extra competition there.”

Pegula and Jovic are hardly unfamiliar opponents, and not just because people frequently told a young Jovic to model her game after Pegula. The two have met three times before, including twice this year, on hard courts in Dubai and on clay in Charleston, S.C. Pegula won all three matches.

American Jessica Pegula serves the ball during a win over Spain’s Sara Sorribes Tormo at Wimbledon on Wednesday.

(Kirsty Wigglesworth / Ap Photo/kirsty Wigglesworth)

“There is a lot of things we do well, and we do similar, but a couple of differences too,” Jovic noted of their baseline-centric, tactical styles.

Pegula is expecting nothing less than a mirror-like baseline duel from the player she affectionately dubbed “mini-me” after beating her in February.

Their career arcs have taken different paths to their first Grand Slam meeting. Pegula spent years grinding away on the Women’s Tennis Assn.’s lower tier before becoming a late-blooming major contender and top-10 mainstay. The experience gap remains enormous: Pegula owns 11 career singles titles to Jovic’s one and has amassed more than 500 tour-level wins compared with just over 100 for the teenager.

Jovic, a top-ranked junior in just her second Wimbledon, quickly has made her presence felt on tour, becoming the youngest player to win a WTA title last season at 17 before backing it up with her breakout quarterfinal run at the Australian Open in January. She is the youngest player in the top 20 and the youngest remaining in the Wimbledon singles draw.

After watching Jovic’s rise this season, Pegula praised her competitive instincts and rapid adjustment to grass.

Jovic “competes like an animal,” Pegula said.

Their relationship to grass, however, couldn’t be more different.

Pegula historically has not been a force at Wimbledon, reaching the quarterfinals only once in 2023. She acknowledges battling her own instincts on the surface.

“I feel like sometimes years in the past I’ve really fought against how to move on it, fought against all the intangibles, all the slices,” she said.

This year she’s relaxed her approach, improved her balance and added more pop to her serve, a major asset on grass.

Jovic, by contrast, has been a quick study when it comes to adapting to the tricky footing, sliding and occasional tumbles on grass. She’s taken to the lawns of London like a natural despite growing up in Los Angeles County, where grass courts are virtually nonexistent.

Jovic credits playing left wing in local soccer leagues from about ages 6 to 13 for her exceptional, low-to-the-ground footwork. That cross-training has paid dividends. She won her first professional title on grass in England last year and recently reached the semifinals at the prestigious Queen’s Club warmup event.

“It’s very closely related to the movement that we do in tennis,” Jovic said of soccer.

Jovic, who’s of Serbian and Croatian descent, also has been keeping tabs on the World Cup, though rooting for the U.S. during late starts has proved challenging in Europe.

Hall of Fame analyst Pam Shriver says the age gap adds a fascinating dimension to the grass-court chess match.

“It’s interesting when rivalries can develop generations apart from the same country, and I think they have a really good respect for each other,” Shriver said.

Torrance native Iva Jovic, left, congratulates fellow American Jessica Pegula after Pegula won their match during the Charleston Open on April 4 in Charleston, S.C.

(Matthew Stockman / Getty Images)

Shriver added that Jovic can learn from Pegula’s cerebral approach, while veterans like Pegula can tap into a fresh mindset from the younger generation’s unflinching energy.

“It goes by so fast,” Pegula acknowledged of the creeping sense of urgency in pursuit of her first major title.

Jovic is aware Sunday’s match is a massive opportunity to prove her rapid ascent is no fluke and flip the script on her head-to-head deficit.

“Hopefully, this will be the one I get her,” she said.

Through the first week in London, Pegula has been in sharper form. She hasn’t dropped a set in three matches, gliding into the fourth round and looking more and more like the favorite in her quarter. She also feasts on fellow Americans. Since 2023, Pegula is an impressive 34-3 against her compatriots.

“I’m always motivated to beat the other Americans in a way that’s different,” Pegula said. “Excited again to challenge myself against someone who is much younger, who is playing with nothing to lose and no fear.”

Still, reaching next weekend’s final will require either player to navigate a brutal top half of the draw. It includes four-time major winners Aryna Sabalenka and Naomi Osaka, two-time major champion Gauff and the last Wimbledon champion left in the field, 2024 winner Barbora Krejcikova.

On a weekend devoted to celebrating the U.S., at least one American will be celebrating at Wimbledon when the fireworks fade.

Coco Gauff overcame an “eventful” start to her French Open title defence – dealing with a “mini car accident” and a dress malfunction before securing a first-round win.

The American fourth seed opened her campaign with a routine 6-4 6-0 victory over compatriot Taylor Townsend.

But it was the drama off the court that left Gauff with the more memorable story.

“We got in a mini car accident on our way to the site today,” she told TNT Sports.

“There was this pole thing and it was supposed to go down and the police told him [the driver] to go and we ran into it.

“You felt an impact, I spilled my juice all over the car.”

Gauff said the car was “not driveable” afterwards and her team had to make alternative travel arrangements to get to the Roland Garros site.

The 22-year-old, who came from a set down to beat Aryna Sabalenka in last year’s final, said the accident – along with other incidents – felt like a “good omen”.

Gauff and Townsend were on Court Philippe Chatrier earlier than planned, with the men’s match before coming to an abrupt end when Alexandre Muller retired injured after 50 minutes against Stefanos Tsitsipas.

“The retirement happened and right before the match my dress got stuck so my physio was in the bathroom trying to help me take it off,” Gauff said.

“It was an eventful day, but whenever that happens it lets you not think about the match.”

WHEN pop superstar Justin Timberlake started dating actress Jessica Biel, they quickly became Hollywood’s hottest couple. 

But now, after 14 years of marriage, their relationship is going through a positively chilly phase. For long-suffering Jessica, 44, has drawn a line in the sand following a relentless string of public embarrassments, serving her husband with a brutal ultimatum to clean up his act, or she is out.

From the humiliating release of bodycam footage showing Justin’s June 2024 drink-driving arrest to fresh whispers of intoxicated antics at a Las Vegas golf tournament just weeks ago, the Cry Me A River singer’s fall from grace has pushed his wife to the edge, according to reports.

But the drama doesn’t stop there. Insiders tell The Sun that Justin pulled the plug on a $100 million NSYNC reunion, in a last stand bid to save his marriage. 

Behind closed doors, those who work closely with the couple say Jessica has been the “glue” holding the family together. 

A well-placed Los Angeles producer, who has worked closely with Jessica, tells The Sun that the actress’s marriage can sometimes be a far cry from the fairytale Justin sold the world in the 2010s.

The insider says: “Jessica is a superwoman. For the last decade, she has run the home, carried and raised two boys, continued acting and enjoyed success with a production company in Hollywood. Where she has found the time and energy to balance is staggering. She has been the glue.”

The couple’s permanent relocation to the luxury Yellowstone Club in Montana was Jessica’s way to shield their sons, Silas, 11, and Phineas, 5, from the downsides of fame.

“She took huge pride in being a hands-on mother, ensuring that her kids would be raised in the most normal way and not be impacted by LA life or Hollywood temptations and dramas,” the insider explains. 

“Her boys are the most important thing in her life, and she will do her utmost to protect them. That would have absolutely been made clear to Justin.”

But while Jessica thrives in the tranquillity of the mountains, Justin remains obsessed with the spotlight. 

His gruelling Forget Tomorrow world tour, which finally wrapped last summer after more than 100 gigs, kept him away from home for massive chunks of time and put a strain on their marriage.

Our source adds: “When the lights go out, Jessica is still a devoted, hard-working mum wanting to do the best for her kids.

“Justin is committed, but is also balancing this battle to remain a pop star and entertainer. In today’s world, if you disappear for too long, you become forgotten or irrelevant. That is something Justin would never let happen.”

This desperate need for validation, however, has come at a steep personal cost.

Jessica’s own career has been flying high. She poured her heart into her production company, Iron Ocean Productions, and her acclaimed 2025 series The Better Sister earned her a prestigious 2026 Critics’ Choice Award nomination for Best Actress. 

Yet, when her big moment arrived in January, her husband was absent from the red carpet.

“Many industry figures were shocked that Justin didn’t walk the carpet to support her,” the producer notes. 

“She had been there for him over the previous seven months. Regardless of his recent scandals, it would have been a great public display of unity.”

Justin’s erratic decision making hasn’t just alienated his wife; he has also managed to infuriate his oldest friends.

The Sun can reveal that the singer recently blew a chance to catapult himself back centre stage by walking away from an epic NSYNC 30th anniversary reunion.

The highly lucrative comeback – which included proposals for a live comeback show, a lucrative Las Vegas residency, and a documentary – could have netted the five bandmates a staggering $100 million.

A top music executive, who was intimately involved in the proposals, claimed Justin’s refusal to commit has caused bitter “disdain and disappointment” among his former bandmates.

They said: “Justin let the boys down, and really killed the chance for a special 30th anniversary adventure. The other boys were the driving forces with everyone on board initially… well, that is what they believed.”

“Pinning down Justin just could not be done. It wasn’t so much that he was saying outright no, but more just not committing. There was a real hope for something momentous and exciting to play out, which could have really put them back to the top of the music world again.”

The insider notes that the bond between the five men, who were once like brothers, has been severely damaged.

“Those five men have been friends through many highs and lows. But this took something away from that bond. Publicly, of course, they will always support Justin, but this was really seen as a wasted chance to make magic happen.”

But those close to Justin say that walking away from the NSYNC reunion was an attempt to rebalance his work with his family life and repair his relationship with his wife.

Justin’s reluctance to embark on a massive boyband tour was also undoubtedly influenced by his latest health battle. 

Last summer, the singer revealed he had been diagnosed with Lyme disease, a debilitating bacterial infection that wreaked havoc on him both mentally and physically. 

Jessica, ever the dutiful wife, stepped up to the plate.

Our source says: “Last summer Jessica really urged her husband to slow down, recover fully and seek the best medical advice. There was a huge sense that Justin really had a tough time on the road doing the dance moves and powering through so many shows with his medical issues.”

“Jessica was really kind, caring, and sympathetic. Justin’s mood and outlook was hit quite hard at the diagnosis. The reality is that his entire future as a performer is potentially on the line given how debilitating Lyme disease can be.”

Even the music executive admitted that the health crisis “must have played a key factor in him stepping back” from the NSYNC tour, though they noted that “there were projects like a doc film which would not have needed him to dance or perform”.

Despite her immense sympathy for his health struggles, Jessica’s patience with Justin’s headline-grabbing antics is running dry.

It’s not the first time he has embarrassed his wife. In 2019, The Sun revealed pictures of him drinking and holding hands with his Palmer co-star Alisha Wainwright.

Justin was forced to admit he had been drinking alcohol during the encounter, describing it as a “strong lapse of judgement” but insisted “nothing happened”.

He also added a grovelling apology to his family, writing: “I drank way too much that night and regret my behaviour. I should have known better. This is not the example I want to set for my son.”

“I apologise to my amazing wife and family for putting them through such an embarrassing situation, and I am focused on being the best husband and father I can be.”

Then in 2024, Justin was arrested for drink-driving. The police bodycam footage was released earlier this year, and shows the slurring singer complaining to cops that they were ruining his “world tour”.

Jessica distracted from the embarrassing footage and posted a loved-up snap with her husband on February 1st, captioning it: “Happy 45th to a true original. I love you baby.”

But then last week on April 18 eyewitness reports say that Justin once-again appeared intoxicated at a golf tournament in Las Vegas.

Since then, Page Six reported Jessica was ready to “pull the trigger” on the marriages, with an insider adding: “There’s not much more she can take.”

Now with an ultimatum on the table it appears Jessica is officially done playing the doting wife.

Our source said: “Knowing what a straight shooter she is, there is no way she would hold back on telling her husband exactly how she feels.”

If Justin doesn’t clean up his act, it could be Jessica saying “Bye Bye Bye” to their marriage once and for all.

Jessica and Justin’s representatives were contacted for comment.