Japans

Japan is one of those spots on the map of the planet Earth where infrastructure and digital innovation are closely connected.

The country considers technology as an instrument of national competitiveness. For the last few years, this approach has extended, bringing revolution to Japan digital infrastructure, and exceeding expectations not only of citizens but also of international travellers.

5G Expansion and Digital Urban Infrastructure

Smart Tourism and Data Consumption Trends

Remote Work, International Mobility and Data Demands

In this context, as demand grows, many international visitors search for Japan eSIM unlimited data solutions that match their usage patterns. One example is available at Mobal Japan eSIM unlimited data, which provides an unlimited eSIM designed specifically for short-term stays, typically ranging from 3 to about 31 days, with unrestricted data usage suited to tourists and business travelers.

eSIM technology supports Japan’s tendency for digital transformation. eSIMs are the easiest way for travelers to stay connected, which can be arranged beforehand.

Policy, Regulation and Mobile Accessibility for Foreign Visitors

Japan’s telecom system is a perfect balance of competition and strict oversight. The market is tightly controlled by the rules around SIM registration, protection of consumers, and network licensing. As a result, foreign visitors may face a problem while getting a local SIM card.

At the same time, it’s clear that easy mobile access is needed for the positive experience of Japan for both business and travel spheres. Mobal provides a stable connection within the regulated system. All the services are perfectly adapted to correspond to legal requirements and the needs of travellers. The focus is not on promotion but on smooth service and security compliance.

Japan expands 5G networks, developing smart city technologies. As a result, regulations are constantly changing, covering such aspects as cybersecurity and digital identity. Such updates are needed for easily foreign visitors access and reliable mobile networks.

The Future of Digital Access in Japan

Japan’s Sanae Takaichi was formally reappointed as prime minister by Emperor Naruhito, ten days after her Liberal Democratic Party won a landslide victory in a snap election. Ministers who belonged to her cabinet were also reappointed to their positions.

LDP looks set to secure 316 seats in Japan’s 500-member house, marking its best result since its founding in 1955.

Japan’s Prime Minister Sanae Takaichi has promised to cut taxes and keep her cabinet intact as she celebrated her Liberal Democratic Party’s (LDP) landslide victory in Sunday’s general election.

Takaichi’s pledge on Monday came as projections by the NHK broadcaster showed the conservative LDP securing 316 seats in the 500-member National Assembly and winning a “historic” two-thirds majority in the lower house.

The results marked the best result for the LDP since its founding in 1955, surpassing the previous record of 300 seats won in 1986 under then-Prime Minister Yasuhiro Nakasone.

LDP’s junior partner Japan Innovation Party won 36 seats, while the main opposition Centrist Reform Alliance managed to keep only 49 of the 172 seats it previously held.

Analysts credited the LDP’s triumph to the extraordinary popularity of Takaichi, who is Japan’s first female leader, and say it will allow her to pursue significant changes in Japan’s security, immigration and economic policies.

In a televised interview with NHK on Monday, Takaichi said she will emphasise policies meant to make Japan strong and prosperous.

She told NHK that she will push for the reduction of consumption taxes as promised by the LDP. During the campaign, the governing party had said it would ease household living costs by suspending the 8 percent food sales tax for two years.

“Most parties are in favour of reducing the consumption tax, such as reducing the tax on food items to zero, or to 5 percent, or reducing the tax on all items to 5 percent,” Takaichi said.

“The LDP has also campaigned for a consumption tax cut. I strongly want to call for the establishment of a supra-party forum to speed up discussion on this, as it is a big issue.”

Takaichi also indicated that she will not make any changes in her cabinet, calling it a “good team”.

The head of Japan’s top business lobby, Keidanren, also welcomed the result, saying it will help in restoring political stability.

“Japan’s economy is now at a critical juncture for achieving sustainable and strong growth,” Yoshinobu Tsutsui said.

United States President Donald Trump, who endorsed Takaichi ahead of the election, congratulated Takaichi in a post on social media and wished her “Great Success”.

South Korea’s President Lee Jae Myung also offered his congratulations and said he hoped to see her soon in Seoul.

The leaders of India, Italy and Taiwan also welcomed Takaichi’s win.

Al Jazeera’s Patrick Fok, reporting from Tokyo, said the message from Taiwan’s President William Lai Ching-te to Takaichi could upset China.

“Remember that Takaichi triggered Chinese anger after suggesting that Japan might intervene in the event of a Chinese attack on Taiwan,” he said, referring to the diplomatic storm the Japanese leader set off last year shortly after taking office.

“How she handles that relationship between Tokyo and Beijing is likely to define Japan’s foreign policy,” Fok added.

China regards Taiwan as part of its territory and has been keeping a close eye on Takaichi and the results of the polls.

The strong mandate for Takaichi could also accelerate her plans to bolster military defence, which Beijing has cast as an attempt to revive Japan’s militaristic past.

“Beijing will not welcome Takaichi’s victory,” said David Boling, principal at the Asia Group, a firm that advises companies on geopolitical risk.

“China now faces the reality that she is firmly in place – and that its efforts to isolate her completely failed,” Boling told the Reuters news agency.

Loneliness is a growing epidemic worldwide, but in Japan, it has become particularly severe as the pressures of modern life increasingly isolate individuals from their communities.

A Place for You is a mental health hotline where dedicated volunteers provide critical support to thousands in need every day. Two people who are struggling to find meaning in their lives turn to the online chat service as they seek connection. As they become aware of their need for human bonds, they embark on a journey of healing and renewal.

Dear Tomorrow is a documentary film by Kaspar Astrup Schroder.

Currently nominated for multiple Oscars, Chloé Zhao’s “Hamnet” traces how the immeasurable sorrow of losing a child fueled William Shakespeare to write “Hamlet” as a literary effigy to loss. That revered text, which has inspired countless adaptations (“The Lion King” among them), takes on a new form in the hands of Japanese animation master Mamoru Hosoda for his latest fantastical epic, “Scarlet.”

In a career of animated features with thematic heft and deep emotional impact, “Scarlet” may be the director’s most sobering and intense effort to date, not only given the severity of the violence on display, but because it advocates for the sometimes-impossible task of forgiving one’s foes, even when they show no remorse. Here, what’s at stake is one’s very soul. What remains is Hosoda’s investment in parent-child relationships, a recurring subject for him, always explored with compassion for both parties: the child in need of guidance and the parent struggling to be a beacon.

Gender-swapping the play, Hosoda once again centers a heroine (he seems to prefer female protagonists). The 16th century eponymous Danish princess (voiced by Mana Ashida) loses her father, King Amleth (Masachika Ichimura), to a gruesome betrayal. Her unscrupulous, power-hungry uncle Claudius (Kôji Yakusho) murders his own brother to become king. But in his final moments, as Scarlet watches, Amleth pleads a request she cannot hear. Avenging her fallen father — and finding out what he asked for before dying — becomes the young woman’s sole purpose going forward. Rage consumes her.

Hosoda’s body of work consists almost exclusively of movies that take place on two distinct planes, whether those be reality and a digital world (“Summer Wars,” “Belle”) or reality and a magical realm (“Mirai,” “The Boy and the Beast”). “Scarlet” is no different in that regard.

This time, however, he explores an afterlife with its own set of rules. Sensing Scarlet’s resolve to destroy him, Claudius poisons her. Scarlet wakes up in the Otherworld, an endless, arid landscape with an ocean for sky where a dragon roams. The deceased from the past and the present convene here. That’s how Scarlet and Hijiri (Masaki Okada), a paramedic from our present who refuses to believe he’s died, can exist in the same timeline. This purgatory essentially mirrors life: There’s conflict and suffering and if you die again here, you vanish into darkness forever. The goal is to ascend to the Infinite Land, a stand-in for heaven. But Scarlet cares not for eternal peace. She learns that Claudius is here and embarks on a trek to find him and kill him for good.

Hosoda doesn’t dwell on the differences between Scarlet and Hijiri’s realities back in the land of living. Instead, he zeroes in on their clashing worldviews. While Scarlet doesn’t think twice about slaughtering anyone who gets in her way, Hijiri protects life at all costs, so much that one can understand Scarlet’s frustration with him. After a brutal fight, for example, Hijiri bandages her enemies’ wounds with as much care as he does hers.

Multiple battles with Claudius’ henchmen pepper Scarlet and Hijiri’s journey, as does an encounter with the United Nations of this place: a group of wandering nomads from around the world who’ve come together for companionship. Even after death, Hosoda suggests, all people truly hope for is a shoulder to cry on and someone to share their burdens with.

For “Scarlet,” Hosoda ventures into uncharted aesthetic territory. When the narrative is in the Otherworld, fans will immediately notice the look differs from his previous creations. And that’s because Hosoda has opted for photorealistic, computer-generated animation in those sections. The early scenes in Scarlet’s time period are conceived using the more traditional hand-drawn technique.

Still, the characters in the Otherworld, created in CGI, retain qualities of hand-drawn animation, making one hyperaware of the relationship between the figure’s movement and the environment. The mix of visual approaches shocks the eye at first, though it comes to seem fitting.

If probed too closely, Hosoda’s high-concept interpretation of life after death may raise more questions than it can answer (have all of history’s villains been killed in the Otherworld?). But despite any narrative quibbles, the movie deserves praise for its genuine call for compassion. Scarlet’s final encounter with Claudius radiates with the complicated poignancy expected of real, difficult catharsis.

Admittedly, the film’s resolution feels naïve. Scarlet’s good intentions to end wars by way of sheer determination to do what’s right might prove insubstantial in practice. In that regard, “Scarlet” is the prayer of a director who fervently wants to believe in kindness (even for those who don’t deserve it) as the one true road to healing. That’s a tall order these days, especially in this country, but it’s hard to fault Hosoda for the sincere reminder of what could be.