TV presenter and content creator Jordon Cox said the ‘secret’ could help holidaymakers save hundreds
The TV presenter shared a helpful tip for holidaymakers(Image: Jordon Cox/YouTube)
Holidymakers could ‘save hundreds’ on their next hotel booking using a ‘secret’ booking trick. The advice was shared by Jordon Cox, an ITV presenter and content creator, known as the ‘Coupon King.’
Posting on YouTube and Facebook, the deals expert shared a tip for anyone making a hotel booking. He explained how people can save hundreds by taking advantage of the ‘free cancellation’ policy often found on bookings if they find the same booking at a lower price closer to the date.
While it won’t always apply, Jordon said he’s saved £400 in the past using the trick – and shared exactly when he would check back to look for offers. Jordon claimed: “Hotels don’t want you to know this hack.”
In his caption, he explained: “If you book a hotel stay which includes ‘Free Cancellation’ – you could use this as a trick to save you money. Even after you’ve booked, check back at the website you booked through to see if prices change.
“If the price drops, you can cancel your original booking, get your money back, and rebook at the cheaper price! It’s worth having a look at prices around two months, two weeks and five days before you travel (although check when your last day for free cancellation is. Most are up to about 48 hours before).
“I once got £400 off a week’s hotel stay by using this trick. So it could pay a lot to check! It won’t work every time, but set a reminder in your phone, and spend a few minutes to potentially save £100s!”
Sharing another tip in the comment section, Jordon added: “Works on Car Hire too! Always worth a look – set some reminders!” The post delighted social media users, gaining over 20k views and hundreds of likes.
Commenting under the video, a viewer said: “That’s a decent tip tbf.” A second comment claimed: “And that’s why hotels don’t offer cancellation for long.”
Someone else replied: “Recommend doing it the other way round. Make a new booking at the lower price, THEN cancel the original. Much safer in case someone else books.”
MoneySavingExpert also shares similar advice for holidaymakers. On a webpage sharing tips for cheap hotel bookings, the consumer website advises: “You can also save by cancelling if the price drops after you’ve booked. To do this, simply cancel the original booking, then rebook at the cheaper price. Often this can work with the site you booked with.
“Most booking sites and hotel websites give you a non-refundable and a free cancellation option for each room type. Non-refundable rooms tend to be cheaper, so you’ll need to weigh up if paying more for free cancellation is worth it.”
The woman whose harrowing story is the basis for ITV’s John Worboys drama Believe Me has said the show should be shown to the police so that they will treat women better – but it shouldn’t take TV for change to happen
Believe Me first look trailer for ITV drama
Anyone who wants to know what many women’s worst nightmare looks like should watch ITV’s latest true crime drama Believe Me. It follows the true story of three women who were raped by a London taxi driver and how many people, including the police, refused to believe them. Ahead of the show’s final episode, one of those women has said she thinks all police should be shown the TV show so that they can learn from it. It’s a brilliant idea that could lead to real change, but it poses a question – why can a TV show change everything, whilst the very real, very harrowing story behind it changes nothing?
There are certain things women are told to do to avoid being the victims of sexual assault and rape. Don’t go out late at night and if you are out late, get a cab home – it’s safer. Except in 2009, it very much wasn’t. John Worboys has been convicted of attacking 16 women who got into his taxi and is thought to have committed more than 100 rapes and sexual assault. They got into his cab thinking that they would be safe there and learnt in the worst way possible that ‘safe’ doesn’t really exist.
And what do you do when you’re entire sense of safety has been ripped away from you? You turn to the police. Those whose job it is to make wrongs right, to investigate reports of crime and bring the perpetrator to justice. The three women at the heart of this story – ‘Sarah’, ‘Laila’ and Carrie Symonds (the only one whose real name was used) – do just that. Only they don’t get justice. They get belittled. They get interrogated. They learn that their red nail polish is enough to make those who are supposed to listen to them decide they are promiscuous and ‘asking for it’. Red nail polish. The same colour I painted my nails when I was 12 and Kate Middleton wears to church at Easter.
When I watched the show, I was caught, as I so often am, between rage and resignation. I was shaking with fury at how the police refused to listen and in the same moment, utterly exhausted. Exhausted by being angry, exhausted by being scared, exhausted by knowing that less than 3% of reported rape cases result in charges and the constant realisation that this hasn’t changed much before and isn’t likely to change in the future.
And yet, even before the final episode of Believe was released on 18 May, I was seeing a call for the police to do better all over social media. The woman who was in the inspiration behind Sarah went on Good Morning Britain to tell Susanna Reid about why the show should be shown to police officers. She argued that if they had the effects of police ineptitude laid before them – in this case, the many, many women Worboys raped in the months between Sarah’s report and his arrest – they might be better going forward.
We know from past TV shows that well told dramas that capture the public attention can lead to change. Just look at Mr Bates vs the Post Office. After that show, a petition to have Paula Vennells CBE stripped was signed by more than 1.2million people and the whole case became such a huge news story that the then Prime Minister, Rishi Sunak, announced new legislation to exonerate the convicted subpostmasters. A TV show led to a change in the law.
Similarly, though it was not based on a true story, Adolescence was immediately met with calls from the now Prime Minister, Keir Starmer, for it to be screened in schools so that young boys can learn about the dangers of the manosphere.
There is a trend here where real life stories about traditionally marginalised groups – such as women and the working class – being treated badly by those more powerful than them are given little attention until TV shines a light on them. The systemic problems that are highlighted by these true stories are swept under the rug until television sweeps them back out again.
Here’s the message that sends: if you are from a marginalised group and something awful happens to you, don’t expect anything to change unless millions get to watch it happen to a fictional version of you on the country’s biggest TV networks. If you can’t get a BAFTA winning show out of your experiences, then, I’m sorry, but those with the power to change things aren’t listening.
It’s very Black Mirror, isn’t it? We’ve come to a place where people don’t matter unless there’s an element of entertainment thrown in. That being said, how many avenues for change do we really have?
Protests haven’t yet worked for ending violence against women. The protests after Sarah Everard was murdered sparked an inquiry, which in turn led to to James Cleverly announcing vaguely that police officers charged with “certain offences” would be automatically suspended from duty. Many women I know felt at the time that this was the equivalent to a pat on the shoulder and a ‘there, there, it’ll be alright’. Similarly, politicians are being hindered by internal party conflicts. Jess Philips, one of the biggest advocates for ending violence against women, resigned from her post in the cabinet amid calls for Keir Starmer to step down.
The people who are supposed to fight for us can’t. The routes we’re supposed to take to fight for ourselves don’t work. At least ITV dramas get our stories out there and into the spotlight. At least, when there are cameras, lights and someone calling action, somebody finally hears what we’ve been screaming all along.
