issue

West Wing actor Timothy Busfield facing child sex abuse charges in New Mexico as cops issue warrant for arrest

ACTOR and director Timothy Busfield is facing allegations of child sexual abuse.

An arrest warrant has been issued for the Emmy-winning star, best known for his roles in “Field of Dreams” and the TV shows “The West Wing” and “Thirtysomething”.

Timothy Busfield is facing charges of child sex abuseCredit: Getty
He is well-known for his role in ‘West Wing’ and hundreds of other Hollywood projectsCredit: Getty

A police probe into the film icon was launched in November 2024 when cops attended the University of New Mexico Hospital after a doctor made a report.

An officer reportedly spoke with two parents who said their children were actors on the FOX TV show “The Cleaning Lady” – where Busfield, 68, worked as a director.

The producer is alleged to have told the siblings to call him “Uncle Tim”, and was accused of tickling their stomach and legs, according to a warrant filed by Albuquerque police on January 4.

Hospital employees told police that it appeared the kids had been groomed, court documents say.

PORN STAR ‘PREDATOR’

Inside horrific rape & sex attack allegations made against Ron Jeremy

One of the minors claimed the alleged abuse started when he was seven years old.

Busfield allegedly touched the child five or six times on another occasion.

The director is said to have grown “closer to the boys” over the series shooting, the children’s’ parents say in the arrest warrant.

One of the minors told a therapist in 2025 that Busfield touched his “genitalia” and “bottom” while in a bedroom on the set of the TV show, according to an affidavit obtained by KTLA.

The document says that Busfield told an officer that he had engaged in “playful” contact with the children on set, but denied any wrongdoing. 

Busfield, also well-known for his role in “Revenge of the Nerds”, now faces two counts of sexual contact with a minor and child abuse. 

It is currently unclear whether or not the Hollywood star has been booked yet.

According to his arrest warrant, Busfield has previously faced sexual assault allegations dating back to 1994.

The Sun reached out to Busfield’s team for comment.

Busfield has over 700 credits as an actor, producer and director in TV and film.

He won an Emmy Award for his role as Elliot Weston on the hit series “Thirtysomething” in 1991.

The film industry giant is best-known for his role as Danny Concannon in several seasons of “The West Wing”.

But he has also appeared in several films including “Stripes,” “Sneakers” and “Quiz Show”.

Busfield married Melissa Gilbert in 2013, and the pair do not share any children.

Actress Melissa Gilbert (L) with her husband Timothy BusfieldCredit: AFP

Breaking news… More to follow…

Source link

As L.A. mayor’s race takes shape, Palisades fire is a defining issue

In some ways, it was just another campaign coffee: Los Angeles mayoral candidate Austin Beutner in a roomful of voters talking about his career and life accomplishments.

But this was no ordinary meet-and-greet. Beutner was standing inside a partially rebuilt house — with no doors, no windows and no drywall — in an area leveled by the Palisades fire. In the living room, about a dozen people spoke about what they had been through, from the frantic evacuation to the sight of smoldering ruins to the battle to get rebuilding permits.

Allison Holdorff Polhill, who owns the home, introduced Beutner — a former L.A. school superintendent — as the civic leader she would turn to first in a crisis.

“We were in the worst disaster that L.A. has ever experienced,” she told the group. “And we needed a leader that has experience with disasters and emergencies.”

The catastrophic Palisades fire, which destroyed thousands of homes and left 12 people dead, has redefined the L.A. mayor’s race, expanding the field of candidates and creating a political minefield for Karen Bass as she seeks a second four-year term.

Mayor Karen Bass at a ceremony where flags are lowered to mark the anniversary of the Palisades and Eaton fires.

Los Angeles Mayor Karen Bass speaks at a City Hall ceremony where flags are lowered to half-staff to commemorate the one-year anniversary of the Palisades and Eaton fires.

(Allen J. Schaben / Los Angeles Times)

When the fire broke out on Jan. 7, 2025, Bass drew criticism for being in Ghana on a diplomatic mission. Once she returned, she was at odds with her fire chief and unsteady in her public appearances.

More recently, she has faced scrutiny over her handling of the recovery, as well as fire officials’ watering down of an after-action report that was supposed to identify mistakes in the firefighting effort.

The Times found that LAFD officials failed to fully pre-deploy engines to the Palisades amid forecasts of dangerously high winds and that a battalion chief ordered firefighters to leave the scene of a Jan. 1 blaze, even though it wasn’t fully extinguished. That fire rekindled a week later to become the Palisades fire.

Fernando Guerra, a political science professor at Loyola Marymount University, said he expects the disaster will be the No. 1 issue in the June 2 mayoral primary, resonating with voters well beyond Pacific Palisades.

To wage a competitive campaign, each of Bass’ challengers will need to make the fire and its aftermath “a reflection of what’s wrong with city government,” he said.

“It really does reflect on the readiness of the city, the responsiveness of the city, how is government working at the most basic level,” said Guerra, who also runs the Center for the Study of Los Angeles.

So far, Bass’ major challengers are embracing that strategy.

Beutner, who ran the L.A. Unified School District early in the pandemic, has accused Bass of failing to take responsibility for the city’s failures before and after the fire. On Monday, appearing with fire victims in Pacific Palisades, he called on the mayor to form a citizens commission to examine what went wrong.

Rae Huang, a community organizer who is challenging the mayor from the left, has expressed disappointment in what she called Bass’ “finger-pointing” — a reference to the mayor’s criticism, and ouster, of Fire Chief Kristin Crowley last year.

Then there’s reality TV star Spencer Pratt, an outspoken Bass critic, who launched a campaign rooted in his fury over the city’s handling of the fire — and the loss of his family’s home in the flames.

“I’ve waited a whole year for someone to step up and challenge Karen Bass, but I saw no fighters,” Pratt said in a social media post Wednesday. “Guess I’m gonna have to do this myself.”

Palisades resident Spencer Pratt with another man holding a sign saying wanted: some leadership.

Reality TV star Spencer Pratt, second from right, announced on Wedneday that he is running for mayor. He is suing the city over its handling of the Palisades fire, which destroyed his home in Pacific Palisades.

(Genaro Molina / Los Angeles Times)

Still unclear is whether two formidable public figures will jump in — L.A. County Supervisor Lindsey Horvath and real estate developer Rick Caruso, who lost to Bass in 2022. On Wednesday, Caruso said he will decide in the next couple of weeks whether he will run for mayor or governor.

Asked whether he might stay out of both races, Caruso responded: “I think that option is pretty much off the table now.”

As the city marked the one-year anniversary of the fires this week, Bass mostly kept a low profile, addressing the Pacific Palisades Democratic Club over the weekend and joining a private vigil at the Self-Realization Fellowship Lake Shrine.

While Pratt and hundreds of demonstrators were staging a “They Let Us Burn” rally in the Palisades, Bass stood solemnly outside City Hall as police officers lowered flags to half-staff. Bass spoke about grief and loss, but also the fact that more than 400 homes are being rebuilt.

“You see signs of hope everywhere,” she told the crowd.

Bass’ political team has taken a tougher approach, accusing her most outspoken critics — including Pratt, who is releasing a book later this month — of exploiting the disaster for political or even financial gain.

“For the first time ever we saw a major wildfire politicized by MAGA leaders and monetized by social influencers making tens of thousands of dollars per month and hawking books on the backs of a devastated community,” Bass campaign strategist Doug Herman said in a statement.

For much of the past year, Bass has faced criticism over the Fire Department’s deployment decisions and its failure to put out the Jan. 1 fire. She also has taken hits over the recovery, with residents saying she has not delivered on promises to waive permit fees for rebuilding homes lost in the fire.

Now, the focus has turned to a new and unsettling question: Did the city undermine its own effort to assess the Fire Department’s mistakes?

The Times reported last month that LAFD officials made changes to the after-action report that were so significant that its author, Battalion Chief Kenneth Cook, declined to endorse it.

“The fact that [Cook] is not willing to sponsor, or support, or endorse the report says a hell of a lot about the fact that there is no trust and clear leadership,” Huang said.

Bass told The Times on Wednesday that she did not work with the Fire Department on changes to the report, nor did the agency consult her about any changes.

L.A. County Supervisor Lindsey Horvath speaks at a rally.

L.A. County Supervisor Lindsey Horvath speaks at a rally in support of the county’s emergency rent relief program to help households who have lost income because of federal immigration enforcement.

(Al Seib / For The Times)

Horvath, who is running for a second four-year term as county supervisor, has also ripped the city over the report, saying wildfire victims feel “gaslit” — and deserve answers.

The supervisor, whose sprawling district includes the Palisades burn area, said she has been hearing from people asking her to run for mayor. She said she would prefer to continue in county office. But she voiced concern about the city’s future — not just its handling of the wildfire, but also the budget, the homelessness crisis and the delivery of basic services.

“I think people are hungry for a different kind of leadership,” she told The Times.

Pacific Palisades has not been a political stronghold for Bass. Although she won her 2022 race against Caruso by a 10-point margin, she trailed him by double digits in the Palisades.

Like many people across the region, the major mayoral candidates were directly impacted by the January fires or have family who lost homes — or both.

Beutner’s home was severely damaged in the Palisades fire, forcing him to live elsewhere for the past year. His mother-in-law’s home, also in the Palisades, was completely destroyed.

Bass has spoken repeatedly about her brother, whose Malibu home was destroyed in the Palisades fire. Huang’s 53-year-old cousin lost her Altadena home in the Eaton fire. Pratt, who is suing the city over the Palisades fire, said on social media that the flames consumed not just his home but also one owned by his parents.

Caruso, still a candidate-in-waiting, managed to save Palisades Village, the shopping center he opened in 2018, in part by securing his own private firefighting crew. But the inferno nevertheless destroyed the homes of his son and daughter, who are 26 and 29.

Rick Caruso stands in a suit at a lectern against a black background

Real estate developer Rick Caruso on Wednesday unveils an installation in Pacific Palisades with three beams of light to mark the one-year anniversary of the fires.

(Jason Armond / Los Angeles Times)

On the night the fire broke out, Caruso voiced his fury on live television about empty fire hydrants and the overall lack of water to douse the flames. Since then, he has offered a steady stream of criticism about the rebuilding process, including the mayor’s decision not to select a replacement for Steve Soboroff, who served 90 days as her recovery czar.

Caruso has spoken favorably in recent weeks about a few aspects of the recovery, including the reopening of classrooms and the quick removal of fire debris. He credited L.A. Unified and the U.S. Army Corps of Engineers, respectively, for those accomplishments — not the city.

“Frankly, the bright spots are under the leadership of other people,” he told The Times.

Beutner has been equally blunt. At last month’s campaign coffee, he said the city needs to convene a citizen panel similar to the Christopher Commission, which was formed weeks after the 1991 police beating of Rodney King. The panel assessed the LAPD’s handling of discipline, misconduct complaints, excessive force by officers and other issues.

“If you have a tragedy, you have public hearings, you have leaders who are empaneled with the money they need to ask tough questions of everybody — the mayor, her staff, the acting mayor, police, fire” and the Department of Water and Power, Beutner told the group. “What did you do, and what would you have done differently?”

Clara Karger, a spokesperson for Bass, said the city is already participating in a state investigation, which is being overseen by the Fire Safety Research Institute, into the Palisades and Eaton fires.

On top of that, she said, the fire department is commissioning an independent investigation into its response to the Jan. 1 fire that reignited into the Palisades fire. That blaze, known as the Lachman fire, was mentioned only briefly in the department’s after-action report.

“Mayor Bass wants all the information to ensure accountability and to continue implementing needed reforms, many of which are already underway from LAFD,” Karger said.

Source link

NASA: Crew-11 to return to Earth early due to medical issue

NASA’s SpaceX Crew-11 members, NASA pilot Mike Fincke, NASA commander Zena Cardman, mission specialist Oleg Platonov of Roscosmos and mission specialist Kimiya Yui from the Japan Aerospace Exploration Agency walk out of the operations center before boarding a SpaceX Falcon 9 rocket at Kennedy Space Center, Fla., in July. File Photo by Pat Benic/UPI | License Photo

Jan. 8 (UPI) — NASA said Thursday that four astronauts aboard the International Space Station will return to Earth a month earlier than scheduled after one of them suffered a “serious medical condition.”

Neither the astronaut nor the medical issue were made public, with NASA officials saying they were withholding the information due to medical privacy.

NASA Administrator Jared Isaacman told reporters in a press conference that they expect to announce an anticipated undock and re-entry timeline in the next 42 hours.

It will be the first medical early return of an astronaut in the 25-year history of the orbiting laboratory.

“After discussions with chief health and medical officer Dr. J.D. Polk and leadership across the agency, I’ve come to the decision that it’s in the best interest of our astronauts to return Crew-11 ahead of their planned departure,” Isaacman said.

NASA astronauts Zena Cardman and Mike Fincke, Japan Aerospace Exploration Agency astronaut Kimiya Yui and Roscosmos cosmonaut Oleg Platonov make up Crew-11, which launched on Aug. 1 for the ISS aboard a SpaceX Crew Dragon spacecraft.

Polk said the affected astronaut was “absolutely stable” but had suffered a medical incident “sufficient enough” that they would be best served by a complete evaluation on Earth.

“Again, because the astronaut is absolutely stable, this is not an emergent evacuation,” he said. “We’re not immediately disembarking and getting the astronaut down, but it leaves that lingering risk and lingering question as to what that diagnosis is, and that means there’s some lingering risk for that astronaut aboard.”

Though it is ISS’ first medical evacuation, Polk said it was being carried out as NASA was “erring on the side of caution for the crew member and in their best interest and their best medical welfare.”

The announcement came hours after NASA postponed Thursday’s spacewalk from the ISS due to an astronaut medical issue involving a single crew member.

“Safely conducting our missions is our highest priority, and we are actively evaluating all options, including the possibility of an earlier end to Crew-11’s mission,” NASA said in a statement. “These are the situations NASA and our partners train for and prepare to execute safely.”

Crew-11 was originally scheduled to complete its mission and return to Earth in late February, after being relieved by Crew-12.

Isaacman said they are now looking at earlier launch opportunities for Crew-12 to reach the ISS.

Until then, NASA astronaut Christopher Williams, who launched to the station late November, will maintain a U.S. presence on the orbital laboratory.

Along with Williams, the ISS is inhabited by cosmonauts Sergey Kud-Sverchkov and Sergei Mikayev, who arrived via Russian Soyuz on Nov. 27.

Source link

Highlights from our Jan. 8 issue

Not to offend Larry David by saying it as late as Jan. 7, but: Happy New Year!

The turning of the calendar also signals that Phase I of awards season is coming to a close. With the Golden Globes and a big weekend of parties on the horizon, I’m proud to share our last issue — and my last letter from the editor — until after the Oscar nominations.

I’ll be back in February to unveil our three issues in Phase II. And be sure to keep an eye out Friday for Glenn Whipp’s newsletter, which will have more on our Jan. 8 cover subject, George Clooney.

Digital cover story: ‘Bugonia’

The Envelope digital cover featuring 'Bugonia'

(JSquared Photography / For The Times)

Fans of Yorgos Lanthimos’ misanthropic comedies will forgive the Michael Haneke pun in my coverline for Michael Ordoña’s story on “Bugonia,” starring Emma Stone as a healthcare CEO and Jesse Plemons as the conspiracy theorist who believes she’s an alien invader. And not simply because Haneke’s own brand of bleak absurdism seems to have rubbed off on Lanthimos. Funny games — well, ‘silly games’ — are at the core of Lanthimos’ distinct creative process.

“It makes it light,” the filmmaker explained. “You don’t take yourself too seriously. You don’t take the material seriously. You’re gargling and doing lines, whatever. It’s a way of the actors getting the dialogue in them in an unconscious way, not fixed with a kind of intellectual baggage, so it’s freer and it has more possibilities. And they feel comfortable with each other.”

Small roles, big performances

3 photos of actors on a blue background surrounded by the words "small roles big performances"

(Los Angeles Times photo illustration; photos by Dania Maxwell / For The Times; Warner Bros. Pictures; Tatum Mangus)

Envelope copy chief Blake Hennon sent up a cheer when Lisa Rosen’s recurring spotlight on the brilliant-but-unheralded turns that we love in movies came across his desk, and rightly so. In a flash, a film can make an indelible impression, and it’s often thanks to those who fall outside the usual pundit predictions.

This year’s participants include real-life siblings Jacobi and Noah Jupe (“Hamnet”), Paul Thomas Anderson stalwart April Grace (“One Battle After Another”) and one-scene wonder Hadley Robinson (“The History of Sound”).

The shot of the season

A woman on a movie screen is reflected in a smoking man's dark glasses.

Thanks to contributor Daron James, the back page of every Envelope features an unforgettable frame from a film or TV series, accompanied by an explanation from the artists behind it. And while all are striking, I’m glad to say we’re ending Phase I on my favorite.

Perhaps it’s that “Breathless” was one of the first movies that made me fall in love with movies. Perhaps it’s Richard Linklater’s courageous decision to have his protagonist wear dark sunglasses throughout the movie. Perhaps it’s the charm of actors Guillaume Marbeck and Zoey Deutch. It’s probably all of the above. But whatever the reason, the final shot of “Nouvelle Vague” is, for my money, the best single shot I saw in 2025.

Source link

Attorney blames ‘mental health issue’ for vandalism of Vice President JD Vance’s home

William DeFoor, 26, damaged Vice President JD Vance’s family home in Cincinnati early Monday morning due to mental health issues and not politics, his attorney said. Photo Courtesy of the Hamilton County Sheriff’s Office

Jan. 6 (UPI) — The man accused of vandalizing Vice President JD Vance’s home in Cincinnati has a history of mental health issues, his defense attorney said in court Tuesday.

William DeFoor, 26, was arrested and is accused of vandalizing the Vance home at 12:15 a.m. EST on Monday while the vice president and second lady Usha Vance were in Washington, D.C.

DeFoor’s attorney, Paul Laufman, made the mental health claim during his client’s arraignment hearing in Hamilton County Municipal Court on Tuesday.

Laufman said the vandalism was not politically motivated, and Judge Janaya Trotter Bratton ordered DeFoor to post an $11,000 bond to be released from custody.

DeFoor writes “peaceful” prose in his poems, and his using a hammer to damage a vehicle driven by a federal agent watching Vance’s home and then several windows on the home were not intended as a political statement, Laufman told the court.

“I just don’t think there’s anything political going on,” Laufman said.

DeFoor is accused of felony damage, criminal trespass, criminal damage and obstructing official business.

He has a history of mental health-related cases heard by the Hamilton County Mental Health Court and has been arrested multiple times for vandalism.

When DeFoor arrived outside of Vance’s home, he tried to break the windows of a Secret Service vehicle that was blocking the driveway, according to a criminal complaint filed by FBI Assistant Special Agent Gavin Hartsell.

A Secret Service agent and Cincinnati police announced their presence and ordered DeFoor to “stop and drop the weapon” he was holding, Hartsell wrote.

“DeFoor ignored all commands and began to use a hammer to break glass windows,” located on the front of Vance’s home, he said.

Hartsell described the windows as “large, historic windows” that contained “enhanced security assets” owned by the federal government. He estimated the cost of damage at $28,000.

Vance on Monday said a “crazy person tried to break in by hammering the windows” on his family’s home and thanked the Secret Service and Cincinnati police for quickly responding to the matter in a social media post.

Source link

Celebrity Mastermind viewers issue the same complaint minutes into BBC show

Celebrity Mastermind viewers were left fuming as they hit out at the BBC over the line-up

Celebrity Mastermind viewers expressed their frustration within minutes of Friday night’s episode, with many voicing the same thing.

BBC host Clive Myrie introduced the latest batch of celebrity contestants on the January 2 instalment, featuring actor Colson Smith, radio presenter Nadia Jae, comedian Grace Campbell, and Blue Peter presenter Joel M.

The four personalities put their knowledge to the test in the iconic black chair, tackling questions on Leeds United under Marcelo Bielsa, Marvel’s Avengers films, actor Robin Williams, and illusionist Derren Brown.

Puzzled viewers took to social media to voice their displeasure, with many admitting they only recognised Colson Smith, whilst criticising the BBC’s choice of guests.

One viewer questioned: “Apart from PC Tinks from #Corrie, who are these other people masquerading as ‘celebrities’?” Another queried: “Shot at fame? So an admission of sorts that many of these aren’t very famous already.”

A third viewer added: “These ‘celebrities’ just get further and further away from the actual label ‘celebrity’ every night. What a joke.”

A fourth remarked: “Oh well. They’ve finally run out of celebrities,” whilst a fifth concurred: “They use the term Celebrity quite loosely, don’t they?”

The celebrity contestants found the quiz challenging, with Nadia Jae managing just eight points across both rounds to finish in fourth place. Joel M secured 13 points for third place.

Whilst Colson achieved 14 points for second, and Grace Campbell emerged victorious with a narrow win on 15 points, highlighting the competitive nature of the contest, reports the Express.

Recent episodes have prompted criticism from viewers, who’ve accused the celebrity edition of featuring “dumbed-down questions”.

One fan fumed, “Celebrity Mastermind is a complete waste of licence money.” Meanwhile many fans where pleased to see the show on their TV screens as another added: “#CelebrityMastermind is back, Thank the lord.”

Since its debut as a spin-off in 2002, Celebrity Mastermind has welcomed numerous high-profile participants, including Stephen Fry and Paul O’Grady.

Celebrity Mastermind is available to stream on BBC iPlayer.

Source link

ITV Red Eye viewers issue same complaint minutes into new series

The second series of ITVs Red Eye aired on Thursday night and it failed to impress some viewers.

ITV viewers said the same thing as series two of Red Eye returned to screens on New Year’s Day. Jing Lusi has reprised her role as DS Hana Li for a new investigation alongside guest star Martin Compston.

Joining Jing and Martin in the new series are Lesley Sharp and Jemma Moore, who also return as Head of MI5 Madeline Delaney and journalist Jess Li.

Eighteen months after Russia is blamed for shooting down a new cargo plane over the Atlantic, DS Hana Li (Jing Lusi) is summoned to investigate the murder of an American diplomatic courier at Heathrow.

The investigation leads her to London’s US Embassy, where the new American Ambassador, Ronald Tillman, is hosting a party.

Realising the killer has infiltrated the building, Hana and US Embassy security chief Clay Brody hunt them down. Meanwhile, a Russian threat is received on board a UK Government jet.

However, just minutes into the new series, one viewer wrote, “The biggest pile of s*** I’ve ever seen.”

Another complained, “Loved Red Eye s1. Now on Red Eye s2 ep 3 & not enjoying it quite so much. Barely believable characters who can’t see/understand the bleeding obvious.”

Pointing out a blunder from the episode, one fan said, “Hmm, Ryanair at Heathrow?”

“Glad I’m not the only one who spotted that,” another viewer replied.

Someone else chimed in, “Did anyone else just spot Ryanair on #redeye at Heathrow? That’s not accurate, they don’t operate there!”

Others defended the ITV drama, with one writing, “First episode of new series wasn’t bad. Run of the mill so far.”

Another agreed, “Definitely one worth watching.” Someone else commented, “Love the addition of Martin Compston.”

In a surprising turn of events, ITV has also announced that Richard Armitage will make a surprise appearance in series two as Dr Matthew Nolan.

When speaking about his shock return to series two of Red Eye, Richard shared, “I loved the idea of Jess’ instinctual gravitation to Nolan’s door.

“In season one, he’d been through the mill and also later learned what had happened to her with Sir George Chapman, his boss, so of course, he was going to help her, albeit under the radar. We decided that the surprise might add to the adrenaline of the ‘who’s next’ scenario.”

When asked where fans will find Dr Nolan, the actor added, “We find him at home, and like season one, forced to perform outside of the box. He was just about to open a bottle of red when the doorbell rang, and he was interrupted to deal with a near-fatal bullet wound and perform an emergency blood transfusion on his dining table, cobbling together equipment.

“He’s basically able to improvise major trauma surgery, with a bag of saline from his fridge and a leftover suturing kit from his bag. It says a lot about him!”

The synopsis for episode two of the new series, which airs tomorrow night and is available to watch on ITVX, teases, “When Fox threatens to blow up the jet if anyone leaves the US Embassy, it becomes clear that Delaney and Hana are looking for the same Russian assassin.

“Compelled to lock down the embassy but refusing to worry about his important guests, Ambassador Tillman secretly traps them inside with a killer. As a Russian laptop is located onboard the jet and leaves Delaney and Peterson to carefully determine if it’s the actual bomb, Fox kills his first unsuspecting victim from a hit list.”

Red Eye is available to watch on ITVX.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Source link

The Night Manager fans fume over ‘major issue’ minutes into series two

The Night Manager has returned with both Tom Hiddleston and Hugh Laurie as executive producers.

The Night Manager season two has landed, but it didn’t take fans long to complain about a glaring problem.

Tom Hiddleston fans have been eagerly awaiting his return to The Night Manager, an unforgettable BBC drama that originally aired in February 2016.

Starring opposite Hugh Laurie and Olivia Colman, The Night Manager season one revolved around ex-soldier Jonathan Pine (played by Tom Hiddleston), who was hired to infiltrate the inner circle of a secretive arms dealer.

Despite series one getting rave reviews, viewers had given up hope that it would return for a second season, but to everyone’s delight, the series two renewal came in April 2024.

The Night Manager season two finally made its debut this evening, Thursday, January 1, once again focusing on Pine, now known as Alex Goodwin, who works as part of the nocturnal surveillance unit, the Night Owls.

But it isn’t too long before he spots a familiar face from his past with Richard Roper (Hugh Laurie), taking him down yet another dangerous path.

Fans couldn’t wait to tune into the new series, but many couldn’t help but make the same complaint on X, formerly Twitter, as they struggled to remember season one.

“Watching #TheNightManagerS2 when you already have a notoriously bad memory,” someone joked.

A second echoed: “Was going to watch the #TheNightManagerS2 but I can’t remember #thenightmanager so will have to rewatch series one. Anyone else doing the same thing?”

“I have no idea what is going on”, a third began.

“Not sure if it would be easier to follow if they didn’t keep cutting back to characters from 10 years ago that I have forgotten about.”

A fellow user remarked: “Was struggling to understand why I couldn’t for the life of me remember what happened in season 1 of #TheNightManagerS2 only to Google it and see that it aired TEN years ago?????? Girl bye.”

Someone else posted: “The recap hardly helped, I can’t remember what happened last week, let alone what I watched on TV 10 years ago”, as another added: “The Night Manager is really testing everyone’s memory right now.”

Despite fans having an issue with remembering what happened in series one, others have also been praising the new season.

Someone labelled the debut episode as “outstanding” and “brilliant”, while a fellow viewer commented: “Well that didn’t disappoint!!! Episode 1 of The Night Manager- Phew – must resist the temptation to binge!”

Thankfully, fans won’t have to wait very long for the second episode, with the next instalment set to air on Sunday, January 4, at 9pm.

After this, The Night Manager will continue to be shown every Sunday in the same timeslot.

The Night Manager is available to watch on BBC One and BBC iPlayer.

Source link

Luka Doncic and LeBron James lift Lakers to win over Kings

The Lakers underwent some soul-searching at practice Saturday, with coach JJ Redick starting the conversation before allowing players to speak freely about the team’s issues.

It was an attempt by Redick and the team to prevent things from spiraling out of control after three consecutive losses.

When the Lakers faced the Sacramento Kings on Sunday night at Crypto.com Arena, Redick wanted to see players executing on defense and playing harder.

The Lakers did exactly that, with Luka Doncic and LeBron James leading the way to a 125-101 win.

For the Lakers, it was more than Doncic finishing with 34 points, seven assists and five rebounds. It was Doncic playing defense, illustrated best when he blocked a shot by DeMar DeRozan. It was Doncic hustling, such as when he dove to the floor for a loose ball.

It was more than James scoring 24 points and handing out five assists. It was James throwing down a reverse dunk and offering words of wisdom to teammates.

And it also was reserve Nick Smith Jr. finding a role in the rotation and producing, one of the six Lakers scoring in double figures. Smith had 21 points on eight-for-14 shooting, making five of 10 threes.

Rui Hachimura had 12 points, Deandre Ayton had 11 points and 11 rebounds, and Jake LaRavia had 11 points.

The Lakers (20-10) took control from the start of the third quarter, going on a 13-2 run to give them a 26-point lead that reached as high as 30 in the fourth quarter.

Granted, the Kings (8-24) have the second-worst record in the West and were missing injured stars Zach LaVine, Domantas Sabonis and Keegan Bradley, three of their top four scorers.

But the Lakers lost three straight games because of poor defense and an overall effort that Redick described as “terrible.”

And with Austin Reaves out for at least a month because of a calf strain, getting the chance to talk through their issues might end up changing the team’s fortunes.

“They’re trying, and you know, I told the guys, this is normal,” Redick said. “There’s very few teams that don’t hit troughs throughout the season. It’s not all peaks. … It’s just a natural cycle that every team goes through.

“So we need to identify the problems and then come up with the solutions. So that’s just the process that we’re in the middle of right now.”

Source link

BBC Big Night of Musicals viewers issue same complaint minutes into show

The Big Night of Musicals Christmas special aired on BBC One on Saturday night (December 27) with viewers spotting a vital detail

Big Night of Musicals viewers were left scratching their heads after spotting a glaring detail during the festive BBC programme.

On Saturday night (December 27), Jason Manford presented what was billed as the Christmas compilation of this year’s finest stage musicals.

The show featured performances from the casts of Matilda, Mary Poppins, and Wicked, alongside numbers from cherished films such as Back to the Future, and tributes to music legends like Tina Turner.

However, within minutes of the broadcast beginning, sharp-eyed fans noticed a dead giveaway that this wasn’t actually a fresh compilation but rather a repeat.

Flocking to X – previously Twitter – numerous viewers highlighted that several audience members could be seen wearing face masks throughout the performances, reports the Express.

It wasn’t long before astute watchers realised this television round-up contained footage filmed during the coronavirus pandemic.

One viewer wrote: “When was the Tina Turner bit filmed if people are in masks?” whilst another questioned: “Erm… I’ve seen this exact performance before? ? ? Is this a repeat?”

A third viewer confirmed their suspicions, stating: “YUP… This entire this was a repeat.”

Nevertheless, despite the programme being a rerun from a previous year, many fans still relished the musical spectacular and flocked to social media to heap praise upon it.

One enthusiastic viewer wrote: “Loving Big Night of Musicals with @JasonManford, great that the schools and colleges have been shown too, not just established productions. I’m looking forward to next month even more now [musical notes emoji].”

Another fan concurred: “Really enjoying watching #BigNightOfMusicals on @BBCOne with @JasonManford,” while a third chimed in: “That was brilliant @JasonManford [green heart emoji]. Only problem is now I want to book to see Wicked, Matilda, and Mary Poppins again [crying emoji, laughing emoji].”

The National Lottery’s Big Night of Musicals is gearing up for its fifth dazzling instalment next month, featuring showstopping performances from West End smashes including Wicked, Miss Saigon, Jesus Christ Superstar and many more.

The show will once again be hosted by Jason Manford and will take place at Manchester’s AO Arena on 26 January 2026. Speaking about the upcoming extravaganza, Manford enthused: “I’m absolutely thrilled to be hosting The National Lottery’s Big Night of Musicals for the fifth year running.

“The 2026 line-up is phenomenal; some of the biggest shows in the world are coming together for one night only, and I can’t wait for audiences to experience it. This event is also a huge thank you to National Lottery players whose support keeps theatre alive and accessible.

“Without their contributions, so many productions, training programmes, and venue restorations simply wouldn’t be possible.”

For those unable to attend the event, the fifth instalment will be broadcast on BBC One and BBC iPlayer in Spring 2026.

Big Night of Musicals is available on BBC iPlayer

Source link

Highlights from our Dec. 23 issue

My Christmas shopping is done. My annual rewatch of “The Family Stone” is queued up. And our last issue of 2025 is out in the world. Which means it’s time to sign off and start food prep. (I’m doing beef Wellington this year.)

But before I do, I wanted to share stories from this week’s edition of The Envelope, and my thanks to all of you out there for reading. Have a very happy holiday!

The Envelope Directors Roundtable

December 23, 2025 cover of The Envelope featuring the director's rountable

(Jason Armond / For The Times)

As Rian Johnson said while taping this year’s Envelope Directors Roundtable, filmmakers don’t get many chances to hang out and talk shop — so when they do, it’s always an engaging and illuminating conversation.

Led by moderator Mark Olsen, participants Johnson (“Wake Up Dead Man: A Knives Out Mystery”), Jon M. Chu (“Wicked: For Good”), Nia DaCosta (“Hedda”), Guillermo del Toro (“Frankenstein”), Mona Fastvold (“The Testament of Ann Lee”) and Benny Safdie (“The Smashing Machine”) shared their unvarnished views on theatrical moviegoing, budgets and artificial intelligence. It’s absolutely worth your time.

And by the by: I’m not sure what The Times’ standard is on the, uh, pungent phrase Del Toro used to describe A.I. during the conversation, so I’ll just say that you can and should see it in all its glory on our Instagram.

‘Roofman’ Is a Christmas Movie

A digital cover for The Envelope featuring Channing Tatum and Kristen Dunst of 'Roofman'

(The Tyler Twins / For The Times)

If you’re looking for a new Christmas movie to watch before Santa squeezes down the chimney tonight, “Roofman” is just the ticket. Like “The Holdovers” last year, Derek Cianfrance’s charming fable about a fugitive (Channing Tatum) who falls for a single mom (Kirsten Dunst) while hiding out in a Toys R Us channels Old Hollywood in a way that can seem sadly out of fashion.

“As we were selling this movie, trying to get it financed, I was pitching it to everyone as a Capra movie and what I kept hearing is, ‘We don’t make those movies anymore,’” as Cianfrance told Kristen Lopez.

Perhaps they should reconsider. Unfairly written off after its $8 million opening weekend in October, “Roofman” went on to gross $34 million worldwide from a slim $19 million budget. Not exactly “Home Alone,” to be sure, but a respectable showing nonetheless — and that’s before its streaming afterlife. And those of us who dearly miss the mid-budget studio movie will take any data we can to show they can still thrive at the right price.

Imax’s banner year

A motion picture cameraman using a large-format IMAX camera films the launch of the Space Shuttle Columbia

(Robert Alexander / Getty Images)

Speaking of box office, one big bright spot in 2025 was the performance of Imax and other premium formats, which are attracting cinephiles to see movies theatrically, often multiple times, and at a higher price point than the standard movie ticket.

With an estimated $1.2 billion take this year, and a raft of highly anticipated films like Christopher Nolan’s “The Odyssey” slated for 2026, Imax has forged an alliance between our most committed moviegoers and some of our most exciting filmmakers that bodes well for the future of cinemas, writes Daron James.

“Imax superfan Shane Short, who saw ‘Oppenheimer’ 132 times and once sat next to [cinematographer Autumn Durald] Arkapaw during a screening of ‘Sinners,’ says it’s a good thing. ‘What really pulls me into movies is the emotional aspect when connecting with something. For me, it’s hard to get that in a normal theater. Imax is truly the ultimate immersive experience that draws me in.’”



Source link

Highlights from our Women in Film issue

No, our Women in Film issue doesn’t exclusively feature women — Noah Baumbach and Brendan Fraser feature in our Dec. 16 edition as well — but it does shine a particular spotlight on their extraordinary contribution to the year in film.

As performers and production designers, writers, directors and more, the women included here helped fashion deeply felt stories of parenthood, friendship, grief and betrayal, and that’s just for starters. Read on for more highlights from this week’s Envelope.

The Envelope Actresses Roundtable

The Envelope December 16, 2025 Women in Film Issue

(Jason Armond / Los Angeles Times)

This year’s Oscar Actresses Roundtable was full of laughter, sparked by everything from Gwyneth Paltrow’s impression of mother Blythe Danner to Sydney Sweeney’s tales from inside the ring on “Christy.” But when it comes to self-determination, this year’s participants — who also included Emily Blunt, Elle Fanning, Jennifer Lopez and Tessa Thompson — are dead serious.

As performers, producers and businesswomen, the sextet told moderator Lorraine Ali, the boxes that Hollywood and the broader culture seek to put them in need not apply. And realizing that is its own liberation. As Lopez put it, “I don’t ever feel like there’s somebody who can say to me, ‘No, you can’t.’”

‘Hamnet’s’ last-minute miracle

The Envelope digital cover featuring Jessie Buckley and Paul Mescal

(Evelyn Freja / For The Times))

Since the moment I first saw “Hamnet,” I’ve been raving to everyone I know about its climactic sequence, set inside the Globe Theatre during a performance of Shakespeare’s “Hamlet.” (Well, if you can call it “raving” when you preface your recommendation with the sentence, “I sobbed through the last 45 minutes.”) As it turns out, though, the process of making the film’s final act was as miraculous as the finished product.

“There were only four days left of shooting on ‘Hamnet’ when Chloé Zhao realized she didn’t have an ending,” Emily Zemler begins this week’s digital cover story, which features Zhao, actors Jessie Buckley, Paul Mescal and Joe Alwyn and production designer Fiona Crombie. What they created from that point, combining kismet, creative inspiration and grueling preparation, will buoy your belief in the power of art. “It was like a tsunami,” Buckley tells Zemler. “I’ll never forget it.”

A Is for Animal Wrangler

Claire Foy in H IS FOR HAWK Courtesy of Roadside Attractions

When I first read Helen Macdonald’s transporting “H Is for Hawk,” which combines memoir, nature writing and literary criticism, I can’t say I closed the book wondering when we’d get a film adaptation. Little did I know that director Philippa Lowthorpe, star Claire Foy and a pair of married bird handlers would provide such a thorough answer to my skepticism.

As Lisa Rosen writes in her story on the marriage of art and goshawk in “H Is For Hawk,” that meant shaping the production around the notoriously wary birds of prey, including its lead performance. “It wasn’t like having another actor who had another agenda or actions or a perspective that they wanted to get across in the scene,” Foy told Rosen of her extensive screen time alone with the five goshawks who stood in for Helen’s. “I was along for the ride with these animals.”

Source link