intuit dome

Hollywood Park was winning one fight and losing another, both by slim margins, as vote counting continued Tuesday night on two ballot measures in Inglewood.

According to results posted by the Los Angeles County registrar shortly after 10:30 p.m., Measure AT was losing, 51.9% to 48.1%, a margin of 583 votes; and Measure BB was losing 51% to 49%, a margin of 307.

Measure AT would mean more ticket taxes for big events in Inglewood, home to SoFi Stadium, Intuit Dome and the Forum. The City of Inglewood wants that.

Measure BB would bar the city from allowing billboard advertising on sidewalks, medians and the like. Owners of those sports and entertainment venues, who have their own sponsorship deals, are backing that measure.

Meanwhile, City Council member Gloria D. Gray led incumbent Mayor James T. Butts Jr., 34.6% to 29.8%, putting them on an early track for a runoff election in March.

Los Angeles County does not provide a timeline for when the election results will be listed as final.

The ballot measures were spawned by a feud between Inglewood and Hollywood Park, the nearly 300-acre development anchored by SoFi Stadium and owned by Rams owner Stan Kroenke.

The fight started last year over billboards. Inglewood signed a deal with WOW Media for 60 digital signs carrying 108 screens, some of them bus-shelter-sized kiosks. Others are street displays up to 22 feet tall on sidewalks and medians.

SoFi Stadium, Intuit Dome and the Forum sued to block the deal, arguing the signs would undercut their individual sponsors who paid for exclusivity. A judge sided with the city and an appeal is underway.

Measure BB, short for “Billboard Blight,” aimed to restrict billboard advertising on public property. It qualified with nearly 13,000 signatures.

The WOW deal runs 20 years with two 10-year options, so it could be around for 40 years.

“It’s biblical in length,” said John Shallman, the political strategist managing the “Yes on BB” campaign. “You go back 40 years. We didn’t even have the Internet. We didn’t have cell phones.”

Skip Miller, lead attorney for the city, said the kiosks “blend in with the surrounding areas” and connect to a network that provides traffic and safety information.

The billboards are subject to Inglewood Ballot Measure BB, which calls for the halt of advertising on them.

(Eric Thayer/Los Angeles Times)

Measure AT, backed by the city, would lift a $15-million cap on the 10% admission tax the stadium pays. Hollywood Park sees it as punishment for challenging the billboard deal.

The billboard fight led to a bigger one. Last month, a Los Angeles County Superior Court judge ruled void the 2015 development agreement that cleared the way for SoFi Stadium, citing a 2018 Moreno Valley decision.

Under the 2015 agreement, Hollywood Park paid up front for roads, water lines, streetlights and event-day police and emergency services, with the city agreeing to eventually reimburse Kroenke for those expenses. Now that the agreement has been voided, the city argues it isn’t required to pay.

Halloween in Los Angeles is not just Gay Christmas — it’s become a pretty exceptional weekend for music, with top touring acts planning blowout stands around the occasion. While the weekend might be a little soggy weather-wise, here are a few of the better shows and club nights to plan your costumes around.

Phoebe Bridgers
You don’t wear a custom Thom Browne crystal skeleton suit to the Grammys unless you have a deep bench of spooky gear. Bridgers’ three shows at the Intuit Dome this weekend, supporting her expansive LP “Lost Weekend,” secure her status as a stadium-caliber star with a subculture all her own. Intuit Dome, Friday through Sunday.

My Chemical Romance
It’s never not Halloween for My Chem lifers, but there’s no band better equipped for the occasion fresh off a full revisit of their 2006 LP “The Black Parade.” They also have a new short film with Bridgers and Billie Eilish and reportedly a comeback album in the works. Hollywood Bowl, Friday and Saturday.

‘Weird Al’ Yankovic
Pop’s finest satirist had his Hollywood star turn with 1989’s “UHF,” where he played an amateur TV station manager going off the rails. Yankovic revisits the cult classic with a screening set to a live-soundtrack performance. Greek Theatre, Saturday.

Origin
The new Arts District electronic music venue, an ambitious bet on DTLA’s eventual revival, formally debuts to the city with this block party featuring French duo the Blaze, Dirtybird don Claude VonStroke and a tribute to the late “Nightcall” producer Kavinsky. (There’s also an Arcade Fire DJ set, pending your interest in their comeback.) Origin, Saturday.

Freakquencies
A chain-smoking electroclash-y DJ in a slim-cut suit playing the Roosevelt Hotel? Close enough — welcome back Teddy’s circa 2006. The Dare’s Freakquencies party has a pretty savvy lineup, with freshly-minted pop star Tinashe, buzzy duo Frost Children, Dorian Electra and Kenny Beats on decks. Roosevelt Hotel, Saturday.

Rave to the Grave
Lights Down Low wrangles a bill right at home on a Berlin bender — Avalon Emerson (who has a great pop project too), Sextile, Ellen Allien, Effy and Johnny from the industrial-noise combo Health. TBA, Saturday.

Escape
The Great Pumpkin of SoCal mega EDM events this season, this Insomniac institution has all the usual heavy hitters (Zedd, Nina Kraviz, Disco Lines, Cloonee). NOS Events Center, Saturday.

Expression
Yamashiro is an old Hollywood dame that should be more of a nightlife destination. Scene vets Dave Aju, Heidi Lawden and Masha Mar are the ones to do it. Yamashiro, Saturday.

Mayan Warrior
One of Burning Man’s A-list art cars and roving dance music institutions rolls it up to Grand Park, with dancing room for the whole postapocalyptic polycule. Grand Park, Saturday.

I can’t tell you exactly what time Phoebe Bridgers started her concert Friday night or exactly what time it ended. I’m reluctant to say which of her band members was dressed as a crocodile since I can’t check my memory against a photo.

Most regretfully, I can’t report the precise words Bridgers used to describe her difficult relationship with her late father as she introduced her song “Still Standing” — though I can say her language so quieted the thousands of people inside Inglewood’s Intuit Dome that it almost felt like you could hear her thinking.

The first of three hometown shows on Bridgers’ Lost Tour, Friday’s gig was a phone-free experience: As you walked into the arena, you surrendered your device to a venue employee, who locked it in a fabric pouch that would put you beyond the reach of the digital world, including your clock and your camera and your voice recorder, until you walked back out.

In her lengthy preamble to “Still Standing” — it’s a chilling highlight from the singer’s latest album, “Lost Weekend,” about how abuse can shape ideas of love — Bridgers thanked her fans for going along with the no-phones policy, which she framed as a necessary condition for performing such intimate material.

Had phones been allowed, she added, this very moment “would have been a TikTok video with someone who doesn’t like my face commenting on it.” (A quote that sharp I could easily remember.)

Widely expected to land multiple nominations for February’s Grammy Awards, “Lost Weekend” — which in addition to Bridgers’ dad’s death addresses the flowering of her romantic relationship with the comedian Bo Burnham — complements all the emotional bloodletting with a biting sense of humor. Friday’s show opened, as the album does, with “The Outside,” which ushers the listener into her dad’s funeral this way: “Crying in a suit and tie / But you should see the other guy / One more time for old time’s sake / I’ll watch him get carried away.”

At Intuit, after she brought out Billie Eilish to join her for her song “Savior Complex” — guaranteed Instagram content in any other circumstance — Bridgers said, “You don’t have your phones,” then added a literal “ha-ha.”

It’s anyone’s guess whether Bridgers would’ve been able to muster the deep feelings she put across Friday if she hadn’t banned the handheld computers whose bluish glow has become a ubiquitous feature of the concert landscape. For all her vulnerability on “Lost Weekend,” she remains a pro who’s been performing since she was a teenager; my suspicion is that she probably would’ve found a way to get there.

What I know is that she did get there: Wearing a Peter Pan costume the night before Halloween, Bridgers sang folky ballads like “Kill Me” and “The Governor’s Waltz” with a tenderness that belied a pretty tough view of her experiences over the last few years; relatively rowdy rock songs like “Bobby” and “Lost Boys,” meanwhile, crackled with an energy bordering on the ecstatic.

The show took place across a pair of stages: one beneath an illuminated dome that resembled either a spaceship or an old-fashioned greenhouse, the other a smaller circle positioned near the middle of the arena floor. Bridgers and her musicians (who’d dressed up as Tinker Bell and John and other Pan-related characters) moved a couple of times between the two, which was about it as elaborate as the production got.

Beyond Eilish, Bridgers welcomed the indie-pop band Muna, which did its song “Silk Chiffon,” and her younger brother, Jackson, who sang a vocal part in “I Can’t Wait” performed on the new album by Geese’s Cameron Winter. At the beginning of “Lost Weekend’s” title track, Bridgers had to futz with her keyboard when it didn’t do what she wanted.

“Of course, this happens at home,” she said.

In the audience, the lack of phones provided for a level of attention you could practically feel, never less so than in “As Above,” which she did after “Still Standing” and for which she centered herself alone at the base of a cone of light.

“I thought about my mom driving herself to the hospital,” she sang, green felt hat perched on her head, daring us not to turn away.

Starting over has to start somewhere, and so the Clippers got on with it Wednesday.

While Kawhi Leonard got an NBA Finals hero’s welcome back up north in Toronto, the Clippers did what they could to entice fans back to Intuit Dome.

Not with superstars or championship aspirations. But with the promise of free parking, a jersey trade-in and a basketball team that is, at least, better than the Sacramento Kings, who they beat 121-96 in both teams’ season opener. Coach Tyronn Lue dedicated the win to suspended team owner Steve Ballmer: “Just want to say thank you for everything. We’re still fighting for him.”

Yeah, but the Clippers should focus on fighting for their fans, not the billionaire whose apparent salary cap circumvention has the organization in hot water.

Clippers coach Tyronn Lue directs his players during a win over the Sacramento Kings Wednesday at Intuit Dome.

(Jayne Kamin-Oncea / Associated Press)

Wednesday’s fan appreciation stuff was a swell gesture, as a start. But it wasn’t nearly far-reaching enough.

Not for embattled Clippers supporters who have stuck with the team through thick and thin, sickness and health, in spite of Donald Sterling, the former cheap, racist owner and now Ballmer, the wealthy, over-invested one whose salary cap circumvention cost his team its first-round picks in the 2029, 2030, 2031, 2032, and 2033 NBA drafts.

To fans, that was the most consequential part of the historic punishment dealt by the NBA, which commissioned a year-long investigation that determined the Clippers committed audacious levels of salary cap circumvention.

The league also fined the team $30 million, suspended team owner Ballmer and president of business operations Gillian Zucker for a year and president of basketball operations Lawrence Frank for six months.

And Leonard? He got a $700,000 slap on the wrist and got traded back to Toronto, where he signed a two-year, $115 million contract extension and on Wednesday, had Raptors coach Darko Rajaković saying he was “super excited for the chance to bring a Hall of Famer back home.”

“That’s one of the most insulting parts of it all, the way [Leonard] was able to walk away scot-free and the fans are left sort of holding the bag,” said Torrance’s Justin Ratterree, while he tried to dodge raindrops as he waited in line, four hours before tipoff, to trade in his No. 2 Leonard jersey.

Young Clippers fans watch the team play the the Sacramento Kings Wednesday at the Intuit Dome.

(Jayne Kamin-Oncea / Associated Press)

“It’s rough right now. Defending the team this past couple months has been really rough … and I’ve kind of just given up defending. How can you defend it?”

Even Ballmer stopped doing that, releasing a statement on Sept. 13 that read, in part: “This has been a very difficult time for everybody associated with the Clippers, and for that, I have sincere regrets.

“I want to apologize to our fans, employees, and my fellow NBA team owners for the distraction and distress this matter has caused, for which I accept responsibility as principal owner.

“We are,” he added, “committing to put this chapter behind us.”

Yes, let them try to scrub the memory of Leonard, the intensely skilled and private player who demanded so much of the Clippers when he signed with them as a free agent in 2019. Who made no efforts to popularize the team, missed almost as much time as he worked, and who failed to lead the Clippers to their first championship or anywhere close to it in his seven seasons.

After his trade to Toronto went through on Sept. 23, the Clippers resisted posting the “Thank You, Kawhi” graphic that pro sports teams do when they part ways with a player.

Let them also forget to play a tribute video when Leonard’s Raptors visit Intuit Dome for the only time this season on Nov. 2.

And let the Clippers expand the jersey swap beyond the first 4,000 paying customers at Game 1; there was no official figure available Wednesday night for exactly how many jerseys were traded and how many of them belonged to he-who-must-not-be-named.

The Clippers should keep it going, offer the option all season. Set it up at the Intuit Dome’s Lost and Found — invite fans to exchange the No. 2 jersey of the player whom they lost all respect for a guy they’ve found themselves newly enamored with, likely rookie Keaton Wagler if Wednesday’s exchange was any indication.

Clippers fans also deserve more than having their parking picked up until an hour before gametime, on one rainy workday, on late notice.

They should have their parking at games covered all season — or at least substantially reduced from the typical $70 price that’s already too steep. (The Dodgers didn’t start charging $65 until the National League Division Series!)

They should do more if they want to continue to draw a crowd to watch a team whose best player is now Darius Garland, whose future is compromised, whose current best-cast scenario — the play-in! — only Clippers fans could love.

Clippers forward Rui Hachimura drives past Kings guard De’andre Hunter and center Domantas Sabonis Wednesday at the Intuit Dome.

(Jayne Kamin-Oncea / Associated Press)

Several fans Wednesday also said they would appreciate improved transparency, including in terms of player injury and availability news.

It’s the least the team can do for these patient people, who will have the type of team that they usually fall hard for, actually — a group of gamers, devoid of divas, punching above their weight.

“All this stuff that’s going on,” Lue said, “you can’t take that out on our players … that’s not their fault, you know?”

It’s not fans’ fault, either. Let’s see the Clippers go above and beyond for them.