interview

England coach Brendon McCullum says his side haven’t lived up to “high hopes and expectations” after failing to regain The Ashes, but that fans can expect his side to “show what we’re capable of achieving” in the final two Test matches in the series against Australia.

MATCH REPORT: England beaten to lose another Ashes in Australia

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The setting looked almost cozy: Los Angeles Mayor Karen Bass and a podcast host seated inside her home in two comfy chairs, talking about President Trump, ICE raids, public schools and the Palisades fire.

The recording session inside the library at Getty House, the official mayor’s residence, lasted an hour. Once it ended, the two shook hands and the room broke into applause.

Then, the mayor kept talking — and let it rip.

Bass gave a blunt assessment of the emergency response to the Palisades and Eaton fires. “Both sides botched it,” she said.

She didn’t offer specifics on the Palisades. But on the Eaton fire, she pointed to the lack of evacuation alerts in west Altadena, where all but one of the 19 deaths occurred.

“They didn’t tell people they were on fire,” she said to Matt Welch, host of “The Fifth Column” podcast.

The mayor’s informal remarks, which lasted around four minutes, came at the tail end of a 66-minute video added to “The Fifth Column’s” YouTube channel last month. In recent weeks, it was replaced by a shorter, 62-minute version — one that omits her more freewheeling final thoughts.

The exact date of the interview was not immediately clear. The video premiered on Nov. 25, according to the podcast’s YouTube channel.

Welch declined to say whether Bass asked for the end of the video to be cut. He had no comment on why the final four minutes can’t be found on the YouTube version of the podcast.

“We’re not going to be talking about any of that right now,” he told The Times before hanging up.

Bass’ team confirmed that her office asked for the final minutes of the video to be removed. “The interview had clearly ended and they acknowledged that when they took it down,” the mayor’s team said Tuesday in an email.

In the longer video, Bass also talked about being blamed for the handling of the Eaton fire in Altadena, which is in unincorporated Los Angeles County, outside of L.A. city limits. Altadena is represented by L.A. County Supervisor Kathryn Barger, not Bass.

“No one goes after the Board of Supervisors,” Bass said on the original 66-minute video. “I’m responsible for everything.”

Bass, in an interview with The Times, said she made those remarks after the podcast was over, during what she called a “casual conversation” — a situation she called “unfortunate.” Nevertheless, she stood by her take, saying she has made similar pronouncements about the emergency response “numerous times.”

In the case of the city, Bass said, the fire department failed to pre-deploy to the Palisades and require firefighters to stay for an extra shift, as The Times first reported in January. In Altadena, she said, residents did not receive timely notices to evacuate.

“The city and the county did a lot of things that we would look back at and say was very unfortunate,” she told The Times.

Bass was out of the country on a diplomatic mission to Ghana when the Palisades fire first broke out on Jan. 7. When she returned, she was unsteady in her handling of questions surrounding the emergency response.

Both the response and the rebuilding effort since the fire have created an opening for Bass’ rivals. Real estate developer Rick Caruso, who lost to her in 2022, is now weighing another run for mayor — and has been a harsh critic of her performance.

Former L.A. schools superintendent Austin Beutner, who is running against Bass in the June 2 primary election, called the mayor’s use of the word “botched” a “stunning admission of failure on behalf of the mayor” on “the biggest crisis Los Angeles has faced in a generation.”

“She’s admitting that she failed her constituents,” Beutner said.

Bass isn’t the first L.A. elected official to use the word “botched” in connection with the Palisades fire, which destroyed thousands of homes and left 12 people dead. Last month, during a meeting on the effort to rebuild in the Palisades, City Councilmember Monica Rodriguez said that Bass’ office had mishandled the recovery, at least in the first few months.

“Let’s be honest,” she told one of the mayor’s staffers. “You guys have to be the first to acknowledge that your office has botched the first few months of this recovery.”

Bass has defended her handling of that work, pointing to an accelerated debris removal process and her own emergency orders cutting red tape for rebuilding projects. The recovery, she told Welch, is moving faster than many other major wildfires, including the 2023 Lahaina fire in Hawaii.

“It’s important to state the facts, especially because in this environment … there’s a number of people out there who have been very, very deliberate in spreading misinformation,” she said.

Bass, who formally launched her reelection campaign over the weekend, has been giving interviews to a growing list of nontraditional outlets. She recently fielded questions on “Naked Lunch with Phil Rosenthal + David Wild.” She also went on “Big Boy’s Off Air Leadership Series” to discuss the Palisades fire and several other issues.

On “Big Boy’s Off Air,” Bass said she was in conflict with then-Fire Chief Kristin Crowley over her handling of the fire. When she ousted Crowley in February, she cited the LAFD’s failure to properly deploy resources ahead of the fierce winds. She also accused Crowley of refusing to participate in an after-action report on the fire.

Bass told Big Boy, the host of the program, that firefighters “were sent home and they shouldn’t have been.”

She also called the revelation that the Jan. 1 Lachman fire reignited days later, causing the Palisades fire, “shocking.” The Times has reported that an LAFD battalion chief ordered firefighters to leave the burn area, despite signs that the fire wasn’t fully extinguished.

Bass said that had she known of the danger facing the region in early January, she wouldn’t have gone to Long Beach, let alone Ghana.

Asked where blame should be assigned, Bass said: “At the end of the day, I’m the mayor, OK? But I am not a firefighter.”

On “The Fifth Column,” Bass spent much of the hour discussing the effect of federal immigration raids on Los Angeles and the effort to rewrite the City Charter to improve the city’s overall governmental structure. She also described the “overwhelming trauma” experienced by fire victims in the Palisades and elsewhere.

“To lose your home, it’s not just the structure. You lost everything inside there. You lost your memories,” she said. “You lost your sense of community, your sense of belonging. You know, it’s overwhelming grief and it’s collective grief, because then you have thousands of people that are experiencing this too.”

In the final four minutes, Welch told Bass that he viewed the Palisades fire as inevitable, given the ferocious strength of the Santa Ana winds that day. “As someone who grew up here, that fire was going to happen,” he said.

“Right,” Bass responded.

Welch continued: “If it’s 100 mile an hour winds and it’s dry, someone’s going to sneeze and there’s going to be a fire.”

“But if you look at the response in Palisades and the county,” Bass replied, “neither side —”

The mayor paused for a moment. “Both sides botched it.”

President Trump wants a very different kind of CNN if the cable news channel’s parent Warner Bros. Discovery changes hands.

As details emerge on the battle between Netflix and Paramount over control of the historic movie studio and its streaming and TV assets, Trump acknowledged he’s made it clear he wants new ownership and leadership at the network that has been the prime target in his attacks on the mainstream media over the last decade.

“I think the people that have run CNN for the last long period of time are a disgrace,” Trump told reporters Wednesday. “I don’t think they should be entrusted with running CNN any longer. So I think any deal should — it should be guaranteed and certain that CNN is part of it or sold separately.”

White House Press Secretary Karoline Leavitt echoed Trump’s sentiment Thursday from her lectern after a testy exchange with CNN anchor Kaitlan Collins. “Their ratings have declined, and I think the president rightfully believes that network would benefit from new ownership with respect to this deal,” Leavitt said.

Trump has said he will be “involved” in the government‘s regulatory review of a WBD deal. Injecting the president’s animus toward CNN — which goes back to his presidential campaign in 2016 — into the process has insiders at the network worried that journalistic independence will be sacrificed for the sake of a Warner Bros. Discovery deal.

CNN declined to comment.

A Wall Street Journal report said Paramount Chief Executive David Ellison has signaled to Trump administration officials he would make “sweeping changes” to CNN if his company took control. (A representative for Ellison declined comment.)

Ellison has said he would combine CNN’s newsgathering operations with Paramount’s CBS News, where conservative-friendly Bari Weiss has been installed as editor in chief. Such a move would follow the $16-million settlement Paramount reached with Trump earlier this year resolving a dispute over a “60 Minutes” interview featuring then-Vice President Kamala Harris.

But Trump said he wants to see a new CNN owner even if Netflix prevails. Netflix’s $72 billion offer does not include CNN or WBD’s other basic cable properties. Paramount has countered with a $78 billion offer.

What Trump desires is more favorable news coverage. But pandering to the White House could have a dubious outcome from a business standpoint for the next CNN owner.

The cable news landscape has evolved over the last decade as the country’s politics have become more polarized and tribal.

The trend helped the conservative-leaning Fox News and progressive MS NOW (formerly MSNBC), both of which have seen their audiences grow over that time even as the number of pay-TV homes has declined dramatically.

CNN has tried to stake out the middle ground, although its aggressive coverage of Trump’s first term created a perception it had moved left, especially as more commentary was added to its prime time programs.

CNN already saw the impact of attempting to bring more right-leaning voices to its program under Chris Licht, the executive brought in to run the network in 2022. He was under a mandate from Warner Bros. Discovery Chief Executive David Zaslav, who publicly said the network needed to appeal more to conservative audiences.

The network experienced an immediate exodus of viewers, putting it in third place behind MS NOW. CNN was generating $1.2 billion in profit earlier in the decade. This year, the figure is expected to be in the range of $675 million.

Jon Klein, a digital entrepreneur and former CNN president, said it would be folly for his former network to blatantly court conservatives again.

“You’re not going to convince all those Fox News viewers that suddenly CNN is friendly to them and their way of life,” he said. “These are much older viewers who don’t change their habits so easily. There has been mistrust that has been fostered over many years.”

Klein noted that even upstart right-wing networks that provide unwavering support of Trump — Newsmax and OAN — haven’t made a dent in Fox News’ dominance. MS NOW would be the beneficiary of any rightward shift by CNN, he added.

“It would accelerate the ratings slide and they become completely irrelevant,” said another former CNN executive who did not want to comment publicly.

Fox News does more than provide largely sympathetic coverage and commentary for Trump. Rupert Murdoch’s network has worked at forging a deep connection with viewers, which has made it the ratings leader since 2002.

The lineup of highly paid Fox News personalities is reliably in sync with the audience’s values and the hot-button issues that keep them tuned in. Viewer loyalty has helped the network attract hundreds of new advertisers in recent years, with some integrating patriotic messages into their marketing efforts.

“Fox is an incredibly well-oiled machine,” Klein said.

Klein said CNN and other legacy news organizations are better off focusing on developing an effective digital strategy to insure their future as traditional TV viewing declines, instead of chasing ideological balance.

Attempting to satisfy Trump’s desire for more positive coverage is a slippery slope. While Paramount appointed an ombudsman to CBS News and brought in Weiss — moves aimed at clearing the regulatory path for its merger with Skydance Media — Trump is still lashing out at coverage he doesn’t like.

After a “60 Minutes” interview with Rep. Marjorie Taylor Greene (R-Ga.) aired Dec. 7, in which she was highly critical of Trump, the president said the program is “worse” under new ownership.

The only significant move to attract conservative viewers under Weiss is her prime time interview with the widow of slain right-wing activist Charlie Kirk that airs Saturday.

“I think the prevailing wisdom over there is this notion that at least if they stay out of the clutches of Paramount, some rich philanthropist will buy them and they’ll be fine,” said the former CNN executive.

But if Netflix gets WBD without CNN, there is no guarantee it would not end up with a Trump-friendly owner if the network were spun off separately. The rank and file may wish for Laurene Powell Jobs, chair of the Atlantic, but could end up with a deep-pocketed right winger.

CNN Chairman Mark Thompson’s message to the troops is keep calm and carry on. “I know this strategic review has been a period of inevitable uncertainty across CNN and indeed the whole of WBD,” Thompson told staff in a recent memo. “Of course, I can’t promise you that the media attention and noise around the sale of our parent will die down overnight. But I do think the path to the successful transformation of this great news enterprise remains open.”

Trump’s anger toward CNN has become more personal as time has gone on. He has insulted reporters during press briefings and reportedly has told people he wants to see the firing of anchors Erin Burnett and Brianna Keilar.

Oddly enough, it was Burnett’s journalism that provided Trump with video for his most effective commercial of his 2024 campaign.

Burnett conducted the 2020 interview with Kamala Harris where the former vice president expressed her support for providing medical care to prisoners undergoing gender-affirming care. A clip of the segment was used in the commercial that said “Kamala’s for they/them, President Trump is for you.”

A New York Times reporter told Jeffrey Epstein that he could write an article that would define the financier on his own terms as he faced allegations of sexually abusing minors in the months leading up to his 2008 conviction, newly uncovered emails reveal.

After a negative article about Epstein was published in September 2007, then-New York Times journalist Landon Thomas Jr advised Epstein to “get ahead” of more bad publicity by doing an interview that would define the story “on your terms”.

“I Just read the Post. Now the floodgates will open — you can expect Vanity Fair and NYMag to pile on,” Thomas wrote to Epstein in an email dated September 20, 2007, referring to the magazines Vanity Fair and New York Magazine.

“My view is that the quicker you get out ahead of this and define the story and who you are on your terms in the NYT, the better it will be for you.”

Thomas, who left the Times in 2019, urged Epstein to quickly do an interview to prevent the “popular tabloid perception” about him from hardening, and expressed sympathy over his legal troubles.

“I know this is tough and hard for you, but remember jail may [be] bad, but it is not forever,” Thomas wrote.

As part of his pitch to Epstein, Thomas recalled a 2002 profile he wrote about the financier for New York Magazine, titled Jeffrey Epstein: International Moneyman of Mystery.

Written before Epstein’s first arrest in 2006, the profile portrayed the financier as an enigmatic but highly successful businessman with the appearance of a “taller, younger Ralph Lauren” and a “relentless brain that challenges Nobel Prize-winning scientists”.

The piece contained glowing appraisals from Epstein’s many high-profile associates, whose praise-filled descriptions included that he was “very smart”, “amazing”, “extraordinary”, and “talented”.

“Remember how for a while my NY Mag piece was the defining piece on you? That is no longer the case after all this,” Thomas wrote to Epstein.

“But I think if we did a piece for the Times, with the documents and evidence that you mention, plus you speaking for the record, we can again have a story that becomes the last public word on Jeffrey Epstein.”

A little more than a week later, on September 28, Thomas sent Epstein an email reiterating the importance of “getting out ahead” of other publications.

Thomas suggested that he begin reaching out to associates of Epstein who could talk about the financier’s business activities and scientific and philanthropic work, including former Harvard President Larry Summers and Israeli Prime Minister Ehud Barak.

“Before I get a glimpse of the legal material, I was thinking that I should at least start calling around to people who know you. Again to focus on the business and scientific/philanthropic aspect of the piece,” Thomas wrote.

“Could I start to do that — call people like Larry Summers, Jess Staley, George Mitchell, Ehud Barak, Bill Richardson and others?” Thomas finished the email expressing his hope that Epstein was “holding up okay” and stating his view that “we need to move on this.”

It is not clear how Epstein responded to Thomas’s emails, which were included in a trove of emails from Epstein’s personal accounts that were made available to Al Jazeera by the whistleblower website Distributed Denial of Secrets.

Thomas did not respond to a request for comment.

Following Thomas’s correspondence with Epstein, the Times went on to publish an article by the journalist detailing the financier’s downfall the following year.

The article, published a day after Epstein’s guilty plea on June 30, 2008, drew from in-person and phone interviews that Thomas had conducted with the financier, including during a visit to Epstein’s island of Little St James several months earlier.

In the article, Thomas described the financier sitting on the patio of his island mansion as he likened himself to the eponymous character of the satirical novel Gulliver’s Travels.

“Gulliver’s playfulness had unintended consequences,” Epstein was quoted as saying.

“That is what happens with wealth. There are unexpected burdens as well as benefits.”

A 2019 report by NPR said colleagues of Thomas at the Times had been “appalled” by the article when they reviewed it years later, following the journalist’s admission that he had solicited a $30,000 donation from Epstein for a cultural centre.

The emails obtained by Al Jazeera also show that Epstein emailed an error-strewn Word document to himself in which Thomas is described discussing the legal case against Epstein with then-Florida prosecutor David Weinstein.

The purpose and origin of the document, which describes Thomas and Weinstein discussing technical aspects of the charges facing Epstein, is unclear. Weinstein said he spoke to Thomas in January 2008, but that the document did not contain an accurate description of their conversation.

Weinstein said they had spoken about the “criminal justice process and general state and federal statutes”, but not Epstein’s case specifically.

He said he did not know where the information in the document came from or who provided it to Epstein.

“I never spoke with him about the specific facts of the late Mr Epstein’s case, nor did I offer any opinion about that matter,” Weinstein told Al Jazeera.

The emergence of the emails between Thomas and Epstein comes after correspondence the two men shared from 2015 to 2018 came to light last month in a batch of documents released by US lawmakers.

Among other revelations, those emails showed that Thomas let Epstein know that the late investigative journalist John Connolly had contacted him for information for Connolly’s 2016 book Filthy Rich: The Jeffrey Epstein Story.

“He seems very interested in your relationship with the news media,” Thomas wrote to Epstein in an email dated June 1, 2016. “I told him you were a hell of a guy :)”.

A spokesperson for the Times said Thomas had not worked for the newspaper since early 2019 “after editors discovered his failure to abide by our ethical standards”.

Before Stuart Scott, the phrase “Boo-yah,” was used to express joy. When he made it one of his catch phrases on ESPN, the expression entered the sports vernacular.

Director Andre Gaines explores the impact Scott had on the media landscape in his 30 for 30 documentary for ESPN, “Boo-Yah: A Portrait of Stuart Scott,” premiering Wednesday.

“He can easily be reduced down to a number of different things, maybe his catchphrases, maybe his style,” he told The Times. “All of these types of things are very reductive and have the ability to sort of diminish his legacy, but the reality is that broadcasting, prior to Stu, looked very different than it did after Stuart.”

The Times spoke to Gaines about the emotional journey he had making the film and capturing the “grit and perseverance” that made Scott a staple of journalism. The following interview has been edited for length and clarity.

How did you decide to open the film with a Stuart Scott quote about his dreams?

Gaines: It really had to do with one of the main themes, conceptually, of the film — the fact that Stuart truly believed that you could manifest your own destiny. It was part of his belief when he tried out for the Jets, was part of his belief when he became the icon that he was. It was something that he really saw, and we had this proof of this through his video journals that he kept over the course of his life that we try to showcase very heavily in the film. So, I wanted to start the film off with a quote from him that was exemplary of that.

Why did you decide to use Scott’s voice throughout the documentary?

Gaines: I always try to tell my stories from the perspective of the subject. I don’t want other people dominating the story or telling the story on behalf of the subject. I want the lead character to be the person to narrate their own story, to narrate their own journey, and for Stuart, this proved to be a bit of a challenge, just because he, for so long, was the interviewer and not the interviewee, and there wasn’t, particularly in the early years of his life, there weren’t a lot of interviews to cut a glean from. But after some heavy research, and digging, we were able to find those little gems, either from his own personal archive, of footage that he shot or from interviews that he conducted, or interviews that he was the subject of the interview with other folks, and able to tell that story. I really wanted to give him the platform to carry us through the entire film and be kind of our spirit guide that takes us through his journey and let him be the leader of his own show.

Black sports reporters only make up less than 34%, according to a report by The Institute for Diversity and Ethics in Sports. How do you hope this film changes the landscape of sports journalism?

Gaines: The third of the landscape in the first place, we have Stuart to thank for a lot of that. He was very cognizant of the shoulders of the giants that he stood upon, and understood his place, and once he realized the level of authenticity that he was bringing to a very stilted medium, he took on that burden by just continuing to be himself. My hope is that those numbers just continue to grow. The closer that we get to equity, I think is honoring Stuart’s legacy in the best way possible. Yes, we have this tribute to him. We have this opportunity to see his life in pictures, and really understand his legacy from the ground up, and where it began, but at the end of the day, there’s always gonna be more work to do.

Many athletes want to be rappers, many rappers want to be athletes, Scott managed to smash both worlds together by incorporating some of the language into his reporting. How different is the collaboration between these two worlds because of Scott?

Gaines: What was needed was a glue, something to admonish and recognize both of those realities and how to bring them together. And that was Stuart. That was one of the many things that set him apart. When you look at what Stuart had to endure as a newbie at ESPN 2, and the reason why they ended up hiring him is the same reason why they ended up trying to squash him. The same reason why they were discriminating against him and being prejudiced against him. But he was there as a spirit guide for these two things to come together in such a clear and cohesive and harmonious way. We do have him to thank for so many of the television personalities that we have today as a result of that. He gets a lot of credit for his celebrity. He gets a lot of credit for bringing personality to a very buttoned up and scripted media. But he doesn’t get a lot of credit for being the excellent journalist that he was.

You managed to get a lot of good stories from athletes and his co-workers. What was a story that didn’t make the final cut but still wanted to get out there in the public?

Gaines: There was definitely a really interesting story about a very, very competitive game of pickup basketball between Stuart Scott and Dan Patrick that was pretty incredible, but ended up getting cut for time. There’s another story about a flag football league that they had at ESPN, and they’re playing against some local news stations and guys. Jay Harris tells a story about how Stuart showed up in full pads like this was a real football game. Full pads and goggles and knee high socks and gloves. It was that level of competitiveness that was baked into his soul that showed us what a real fight against cancer actually looks like. He was physically fighting cancer, physically fighting what it was doing to his body, and trying to defeat it through diet and exercise and just a rigorous workout routine. There were a couple of those tidbits that if we had more time, I would love to add in there, but the essence of what those stories are did make the film ultimately.

You really captured his essence in the film. What does he mean to you as a Black filmmaker?

Gaines: For me, he was always a North Star. I started my career in journalism, I should say, went to school for journalism at Northwestern University, and Stuart was also a member of my fraternity Alpha Phi Alpha. There were a couple of the dots that were connected already there for me. So when ESPN called to ask me to do this, it was a thousand times yes. I never got the opportunity to meet him, unfortunately, but I always looked at him as a symbol. It was just an honor to be able to memorialize this incredibly beloved cultural figure in a way that it will live forever, that people can watch again and again, and come back to relive some of the great moments that we all know and love, and learn a whole hell of a lot about the real human being behind it at the end of the day, someone who had trials and triumphs and difficulties and successes just like all of us do. He just had to experience those things on a display as a public figure.

There is an original song by Common in the end-credits. How did that song come about?

Gaines: Common and I have known each other for quite some time. We were working on a TV show several years ago, and he’s just a wonderful human being, an incredible artist, also someone who’s touched so many. I wanted to interview him for the film, because I knew that he had some relationship with Stuart. We talked, and he said, yeah, you know, I’d love to do a song. And I said, you really read my mind. [The song] was just perfectly fitting for what it is that we needed for the end of the film, both solemn and sublime and uplifting at the same time. And that’s a special sauce that he really has among so many musicians.

What do you hope people take away after watching this documentary?

Gaines: I really hope that they’re inspired. I wanted the movie to be so much more than Stuart being defined by the last battle of his life. I wanted it to be defined by his perseverance through his life. Prior to the battle with cancer, he had a series of different challenges that he had to overcome. And so when cancer showed up, I don’t think, uh, he or his family or anybody around him felt that this wasn’t a hurdle that he was going to not overcome, just like he did anything else in his life. But what he showed us all was what real grit and perseverance looks like.

What will be Scott’s legacy in sports journalism?

Gaines: His legacy really should be looked at through that lens as somebody who changed media, somebody who changed broadcasts, news, for the better. Because now we take someone’s having that level of personality on screen, we take that for granted, but that just wasn’t something that existed prior to him.

“60 Minutes” is back in President Trump’s crosshairs.

Trump went after the prestigious CBS News program following an interview Sunday with Rep. Marjorie Taylor Greene (R-Ga.), his once ardent ally who is leaving Congress in January.

Correspondent Lesley Stahl had a brutally candid sit-down with Greene, who went into detail on her break with the president. Trump has called Greene a traitor, which Green said has led to death threats to her and her family. Greene also said the president is not focusing on the issues most important to his supporters and that many of her colleagues only support him out of fear.

Trump posted on his Truth Social platform blasting Greene and CBS News, which earlier this year paid him $16 million to settle a lawsuit he filed over the network’s handling of an interview with his 2024 opponent, former Vice President Kamala Harris.

Trump’s post said the reason Greene “went BAD is that she was JILTED by the President of the United States. (Certainly not the first time she has been jilted),” and called her a “low IQ traitor.”

But Trump added that his “real problem” with the interview is that parent company Paramount allowed the program to air. Trump had praised CBS News since Paramount was acquired by Skydance Media run by David Ellison, who along with his father Larry has a warm relationship with the president.

Trump has also spoken positively about the hiring of Bari Weiss as editor-in-chief for CBS News. Weiss took on the role after Paramount acquired her heterodox digital news platform “The Free Press.” She met Trump when he recently sat for a “60 Minutes” interview.

But the good vibes didn’t last long.

“THEY ARE NO BETTER THAN THE OLD OWNERSHIP, who just paid me millions of Dollars for FAKE REPORTING about your favorite President, ME!” Trump wrote. “Since they bought it, 60 Minutes has actually gotten WORSE!”

Trump ended his missive by demanding “a complete and total APOLOGY, though far too late to be meaningful, from Lesley Stahl and 60 Minutes for her incorrect and Libelous statements about Hunter’s Laptop!!!”

Representatives for CBS News did not respond to a request for comment.

Greene’s falling out with Trump. began when she supported the release of the Jeffrey Epstein files. She has since sided with Democrats on funding subsidies for the Affordable Care Act, has been critical of the White House policy on Israel and complained the White House has not focused seriously enough on voter concerns about the rising cost of living.

The one-time loyalist who was frequently seen in a red “Make America Great Again” cap, also called out her fellow Republican members of Congress who she said support Trump out of fear of retribution.

“I think they’re terrified to step outta line and get a nasty Truth Social post on them,” Greene said.

Asked if her colleagues are supportive of Trump privately, Greene said “it would shock people how they talk about him” behind the scenes.

“I watched many of my colleagues go from making fun of him, making fun of how he talks, making fun of me constantly for supporting him, to when he won the primary in 2024 they all started — excuse my language, Lesley — kissing his ass and decided to put on a MAGA hat for the first time,” Greene said.