inglewood

The run-up to the World Cup in Los Angeles was marked by anxiety over how immigration enforcement, travel restrictions and anti-Trump backlash would affect the spirit and attendance of the games.

But on the streets of L.A. over the last week, something very different has happened.

Fans from a kaleidoscope of cultural backgrounds have come together to act out the kind of world — and city — they want to live in.

On the shuttle bus from downtown to Inglewood on Monday, there were scores of people with Farsi-emblazoned shirts and crowds of grinning Kiwis as one would expect for the Iran-versus-New Zealand showdown that evening. However, there were also clusters of striped blue Argentina T-shirts, plenty of Team USA jerseys, and a loud group of fans chanting “Viva Mexico” from the back of the bus.

Similar scenes played out on the Metro K Line as World Cup-goers from all over traded stories of how they scored tickets, tips for navigating L.A.’s transit system, and wistful memories of tournaments past.

“This festival is about unity and bringing the whole world together; there are 48 nations and everybody is having a good time,” said Ardy Salem, an Iranian American dentist who traveled from the Bay Area to attend the game, as he surveyed the crowd outside SoFi Stadium on Monday with unabashed glee.

“Just for a moment,” he said, “we get to leave all the politics behind.”

David Leon, 32, of Watts was grinning from ear to ear as he stood outside the stadium entrance in his forest-green Mexico jersey, despite the fact that he initially didn’t support having the World Cup in Los Angeles.

“I thought it was going to be a big issue for a bunch of different people to come here,” Leon said.

Leon worried that people from other countries would be turned off by American politics and fearful about traveling to the U.S.

Instead, he’s been delightfully entertained by tourists documenting their wholesome reactions to American culture on social media — such as the German man experiencing Waffle House for the first time and the Swedish woman blown away by ranch dressing.

“It really does bring people together from all these different ethnicities,” Leon said, looking at the lines of people waiting to get into the stadium. “I’ve seen Colombians, I’ve seen Mexicans, people from New Zealand, people from Iran, Germans, Spaniards.”

And for his own community of Mexican Americans, he said the matches had brought a much-needed infusion of joy. This time last year, Immigration and Customs Enforcement raids were roiling Los Angeles, instilling fear throughout immigrant households.

Just last month, about 2,000 SoFi Stadium workers threatened to strike if they didn’t receive assurance that immigration agents would be kept out of the venue during the World Cup.

Leon said he was definitely worried that ICE would take advantage of crowds gathering for the matches to perform further immigration enforcement.

But, so far, that has not been the case. Instead, many people in his hometown of Watts have been consumed with “World Cup fever,” calling out of work to attend watch parties at local bars and walking down the streets with eyes glued to a livestream of a game on a phone, he said.

While joy was the overriding mood among soccer fans gathered in Inglewood on Monday, the day was not entirely free of tension or pangs of grief for the people who were missing out on the fun.

James Carling, 63, of Ventura said it pains him to know that many fans from countries such as Iran, Haiti and Senegal are unable to attend the matches because of the Trump administration’s travel restrictions.

“Let’s face it, our government hasn’t made it easy for people to visit us, which is a shame,” he said outside the stadium. “There were people from countries whose teams made it [to the World Cup] who were not allowed to come and, sorry, that’s wrong.”

The shadow of the U.S. war with Iran and the anger many Iranian Americans feel over Iran’s current government were also present in Inglewood on Monday. Outside the stadium, some Iranian soccer fans had heated encounters with protesters who felt that supporting the Iranian national team was synonymous with supporting an oppressive regime.

Yet the atmosphere among the Iranians attending Monday night’s game was one of cathartic celebration, where for a few hours they could set aside geopolitical tensions and unite over the simple love of soccer.

In the stadium parking lot, David Arias, a Mexican American resident of Inglewood, gave a fist bump to Kam Pirouz, an Iranian fan who had traveled from Washington, D.C., to see the game.

Mexico and Iran are “homies right now,” Arias said, referencing the fact that the Iranian players are commuting to the Los Angeles games from Tijuana because of restrictions placed on them by the Trump administration.

Although Arias did not have tickets to the match, he said he could not resist the chance to meet people from all over the world. So he decided to take his local barbershop to the parking lot outside the stadium and offer free haircuts to fans.

With an hour to go before Monday night’s game, all three seats at his pop-up shop were occupied; Pirouz, the Iranian fan, was getting a fresh fade while seated next to a Mormon missionary from Utah and an Egyptian fan.

“It’s the World Cup, man, the entire world comes together, and it’s beautiful,” Pirouz said mid-haircut. “Best sport in the world.”

Times staff writer Seamus Bozeman contributed to this report.

The U.S. men’s national team made its first World Cup game on home soil in 32 years one to remember, defeating Paraguay 4-1 in front of a sold-out crowd at Los Angeles Stadium (SoFi Stadium) in Inglewood on Friday night.

Here’s a look at some of the best moments before and during the game as captured by the Los Angeles Times photography staff:

TIJUANA — Iran’s soccer team arrived in Mexico on Sunday morning for training ahead of the World Cup, before its first two group matches at SoFi Stadium in Inglewood later this month.

Ehsan Hajsafi was the first player to exit the plane with markings for German charter airline USC, which arrived at about 5:05 a.m. He led the team, dressed in blue blazers over white T-shirts, through a brief security check with Mexican officials and dogs before boarding a bus.

The bus stopped briefly at the entrance to the Tijuana airport, where around 20 or so Iran fans waved flags.

The team’s participation in the World Cup, jointly hosted by the United States, Mexico and Canada, has been complicated by the Iran war. Problems with processing visas earlier led Iran to move its training base from Tucson to Tijuana.

The team has been training in the Turkish city of Antalya. It flew directly to Mexico on a private jet from the Mediterranean city’s airport.

Some members of their entourage were reportedly still without U.S. visas, according to Iranian state television Saturday. Those include the Iranian Football Federation’s secretary-general, Hedayat Mombeini, and its vice president, Mehdi Mohammad Nabi.

Iran plays its first two games at SoFi Stadium in Inglewood against New Zealand on June 15 and Belgium on June 21, then heads to Seattle to face Egypt on June 26. Iran and the U.S. could meet in the Round of 32 on July 3 in Arlington, Texas, if both teams finish second in their groups.

In March, President Trump discouraged Iran from participating in the tournament, saying he didn’t think it was “appropriate” and raising concerns over players’ “life and safety.” A day later, Iran’s national team countered, saying “no one can exclude” it from playing.

Iran finalized its team on Monday, including 17 home-based players whose clubs haven’t played since February because of the war. Star forward Sardar Azmoun was dropped in March, reportedly because of a social media post that angered Iranian authorities during the war.

Iran’s sports minister said in March that it would “not be possible” for the team to participate in the World Cup, but the Islamic Republic’s soccer federation said in May that it was moving ahead with a team. The federation had insisted that all players and staff be granted visas, including those who had military service in the Islamic Revolutionary Guard Corps.

Start sending out “Smoke Signals.” Phoebe Bridgers finally announced her upcoming phone-free arena tour, and it includes two spooky nights in the Los Angeles area.

Bridgers shared details about the Lost Tour on Friday morning, following a sold-out show the previous night at Madison Square Garden in New York City and a series of secret pop-up shows across the United States.

The tour will kick off in Indianapolis in September and cap off the North American run with back-to-back shows at Inglewood’s Intuit Dome on Oct. 30 and 31, fitting dates for the skeleton suit-wearing singer-songwriter. A European leg will follow in November.

All tickets for Bridgers’ surprise acoustic show at Madison Square Garden were sold for $20 or under, and proceeds were donated to the Community Justice Exchange’s Immigration Bond Freedom Fund, which provides bail support to ICE detainees. For the Lost Tour, Bridgers will donate $1 from every ticket sold for North American concerts to RAINN, the nation’s largest anti-sexual violence organization and operator of the National Sexual Assault Hotline.

A phone ban was also instituted at the MSG show and Bridgers’ previous pop-up sets, with attendees storing their devices in Yondr bags, which physically lock using magnets. The same policy will be in effect throughout the upcoming tour.

At the Intuit Dome, home of the Los Angeles Clippers, guests may not need their phones at all to access tickets or purchase concessions, since the arena is equipped with “GameFace ID” facial recognition technology.

The Lost Tour is Bridgers’ first full-band solo tour since Reunion Tour in support of her 2020 album “Punisher” wrapped in April 2023, though she has since toured as a member of the supergroup Boygenius. “Punisher” is her latest solo album, and her debut album with Boygenius, “The Record,” came out in 2023.

Though she debuted eight new songs at Thursday’s MSG show, she has yet to announce a new album.

Singer-songwriter Alex G will provide support on the tour’s North American leg, including the Inglewood dates, while former Black Country, New Road frontman Isaac Wood will support in Europe. The tour’s eerie imagery was created in collaboration with fine art photographer Gregory Crewdson.

In an effort to get tickets in the hands of fans, rather than scalpers or bots, there will be two days of presales before the general sale. Fans can register from now until midnight Sunday for lottery access to the Day 1 presale taking place Tuesday. There will be another presale Wednesday. Tickets go on sale to the general public June 12.

Bridgers last played in L.A. as part of a secret show at all-ages venue the Smell in February 2024, where Boygenius announced its hiatus.

In addition to touring, Bridgers has a role in the upcoming A24 feature “Primetime,” directed by Lance Oppenheim, which hits theaters in September.

Bridgers, who grew up in Pasadena and attended the Los Angeles County High School for the Arts, told The Times in 2022 that her music taste was shaped in part by her upbringing in L.A., where she attended massive music festivals and local Día de los Muertos celebrations alike.

“I learned that there can be fun in the darkness,” she said.

Making a rib stop on the way to a game and then eating your barbecue inside your car — or, better, on the hood of your car if you don’t want sauce-stained seats — has been a classic move since the days the Lakers used to play at the Forum in Inglewood. Lately, however, it’s getting harder to find old-school L.A. barbecue — the wood-smoked ribs and links and small ends that have long powered this city. Luckily, Inglewood is home to two outposts from the first family of L.A. barbecue: Woody’s (see separate entry), started by the late Woodrow “Woody” Phillips and Phillips Bar-B-Que from Woody’s cousin Foster Phillips, who still inspires younger pitmasters. Where Woody’s has patio seating, Phillips, in traditional barbecue style, is a take-out-only shop with a tightly packed parking lot off Centinela Avenue. It’s the only location that remains after the 2024 closure of Phillips’ Crenshaw spot. Recently, I stopped in for pork ribs so tender the meat easily came free from the bone; small ends, a meaty cut Phillips helped popularize; plus sides of greens and an especially cheesy macaroni and cheese. If you order your rib sauce hot, it may not be as spicy as it was in the old days, but it still has the sweet taste of nostalgia.

Daniel Patterson, the chef behind San Francisco’s Coi, who once helmed Alta Adams alongside chef Keith Corbin, has opened a new tasting restaurant in Hollywood, alongside his wife and former music journalist and producer Sarah Lewitinn. Jacaranda challenges stereotypes of stuffy or restrained fine dining restaurants with a Gen X playlist, casual service and lively conversations among guests. This approach, as Patterson told reporter Stephanie Breijo, better reflects the ethos of Los Angeles, where your next great meal is just as likely to come from a street vendor as it is from a 10-course dinner. The restaurant holds only one seating per night, to allow diners the opportunity to linger as you would at a friend’s dinner party, as well as a multi-course lunch on Sunday.

A lot has changed since Jacori Perry attended Morningside High School.

Perry is now a renowned artist who goes by the names Mr. Ace and AiseBorn.

The school is now known as Inglewood High School United.

And the lecture hall on that campus now features a large, ornate mural of a soccer ball being grasped by the hands of two people — freshly painted by the 2004 Morningside graduate as the city of Inglewood prepares to host eight World Cup games at SoFi Stadium starting next month.

“If you told me that I would be back here painting one of the walls on this campus when I was in high school, I don’t think that I necessarily would have foreseen it,” Mr. Ace said as he put the finishing touches on his mural last week. “So I’m a little in amazement about just the way life works in that sense.”

He was one of several Los Angeles-based artists to participate in a Road to World Cup Community Day last month at Inglewood High United. Many of the artists — including Juan Pablo Reyes (“JP murals”), Michelle Ruby Guerrero (“Mr. B Baby”) and Angel Acordagoitia — sketched designs on portable panels (12-feet by 8-feet) and picnic tables for community members to paint.

The picnic tables will remain at the high school in front of Mr. Ace’s mural. The mobile murals will be placed throughout LAX to welcome visitors arriving for the World Cup.

Kathryn Schloessman, chief executive of the Los Angeles World Cup 2026 Host Committee, said in a news release that the event was “just one example of how the energy of the World Cup can be felt in neighborhoods across our region.”

“Students, artists, and volunteers came together to create a work of art that will live on well beyond the end of the tournament,” Schloessman said. “It’s a reflection of the creativity, diversity, and community pride that makes our region so special as we prepare to host the world for FIFA World Cup 2026.”

Community members were encouraged to take part in the painting process, no matter their skill level.

“We made it easy enough for people that have zero experience to a proficient level of experience, for them to all be involved,” said Reyes, who designed and helped paint two mural panels and three tables. “We did the sketch, and then I tried to dab a little bit of color — whatever color is supposed to be there, I dabbed a little bit of color right there, so they would have a guide. …

“I was right there, kind of supervising, making sure that everything went as planned. And if anybody has questions, they’re more than welcome to let me know about them. But, yeah, it’s pretty easy for them to kind of be involved and feel that sense of ownership and have a sense of pride that, ‘Yeah, I was part of that mural-creation process.’ It’s a rich experience for them.”

Acordagoitia sketched several tabletop designs for the public to paint at the event.

“They did great,” he said of the community members. “They helped a lot. They were asking questions. They got all the other colors correct. So, yeah, they were excited. A lot of kids were excited to see the live painting, because now kids are used to being on their phones. So that was a great experience for them.”

Acordagoitia also opted to paint a mural panel on his own because “it was a little more technical,” involving portraits of his 8-year-old son, a nephew and a friend.

“I wanted to focus more on the youth because that’s really our future,” he said. “So that’s, that’s the main thing about the mural, just about the kids, soccer, culture, community. It’s exciting for me, because I grew up playing soccer and to include soccer with art, it’s just a dream come true.”

Guerrero said “the community was a big help in filling in all the background colors that I need in order to build the detail and layers” on the two mural panels she designed.

“My whole style is based on culture. And I think that there’s a connection there with the World Cup and how I feel like it brings together all the culture and just, like, celebration,” Guerrero said. “It kind of goes hand in hand with the type of work I do, because my stuff is really festive, celebrating culture. And just as an L.A.-based artist, I think the collaboration made sense.”

The four artists also took part in another Road to World Cup Community Day in downtown L.A. at Gloria Molina Grand Park on March 14. At that event, the artists sketched designs on large sculptures shaped like soccer balls and on an oversized picnic table, also for community members to paint.

While Mr. Ace opted to paint his permanent mural at Inglewood High School United on his own, he was sure to include the community theme into his work.

“The idea was really centered around just creating something that was community-based — something that represented the World Cup but also represented some sense of community,” he said. “And so what I did was try to create something that was symbolic, very direct in terms of its relationship to soccer and figuring out through that how to create something simple that [brings] into that a sense of community. And that’s how I landed on the two hands holding the soccer ball.”

Back when he was a student on that campus, Mr. Ace said he was always involved in art and knew he wanted a career as an artist. He struggled to come up with the right words to describe how it felt being back there creating a work of art to be shared with the students, all of the community and everyone who happens to see it on the way to a World Cup match.

“I guess there’s no words to really describe it,” he said. “I think if any artist gets the opportunity to paint at their own high school — especially if they’ve been doing large-scale works around the city, the country or the world — I think that is a little touching. When it’s attached to something like the World Cup … you know, a large part of my childhood was spent in Inglewood, so coming from my circumstances and life, I think it’s even more intriguing.”

Former UFC champion and Olympic medalist Ronda Rousey (13-2) needed just 17 seconds to defeat Gina Carano (7-2) with her signature armbar on Saturday at the Intuit Dome in Inglewood, bringing her mixed martial arts (MMA) career to a close.

In her return to MMA, Rousey quickly took Carano down to the mat at the start of the round. Carano tried to defend herself but left her arm exposed, allowing the judoka to apply her signature armbar.

Rousey stopped fighting in 2016 following losses to Holly Holm in 2015 and Amanda Nunes a year later. For the Riverside resident, this fight marks the career finale Rousey never had.

“There’s no way I can top this,” said Rousey, 39, when asked after the fight if she planned to return to the ring.

“I wanted it to last longer,” said Carano, 44.

Rousey urged Carano to consider the fight at a difficult time in her life and the actor said she lost 100 pounds to prepare for the bout.

“She gave me a reason; I woke up every day thinking about her,” Carano said of Rousey.

“She’s a hero to me. You changed my world,” Rousey told Carano, before hugging her after the brief bout. “I didn’t want to hurt her — that’s just how mixed martial arts is.”

The event was organized by MVP, co-owned by influencer and boxer Jake Paul and businessman Nakisa Bridarian. The bout was scheduled for five rounds in the featherweight division.

“You’re going to see more MMA on MVP, and it’s all thanks to these women,” Paul said, before telling UFC President Dana White that his company would host more high-profile MMA events like Saturday’s card at Intuit Dome that paid the headliners millions and every fighter lower on the card at least $40,000 apiece.

Carano had not competed since 2009 — a 17-year hiatus — and is considered by many to be the pioneer of women’s MMA, having competed in Strikeforce and Elite XC before retiring following a loss to Cyborg.

In other welterweight bouts, 41-year-old Nate Díaz (22-14) was unable to make it to the third round of his fight against Mike Perry (15-8) after taking a beating in two rounds, during which he also landed some strikes but bore the brunt of the action.

With Díaz’s face bleeding profusely, Perry took advantage of Díaz’s questionable physical condition. Díaz hadn’t fought in MMA since 2022, when he defeated Tony Ferguson, though he had dabbled in boxing.

Mike Beltrán, the referee for the bout, stopped the fight after Díaz was unable to stop the bleeding and continue at the end of the second round.

“I landed some good shots, but I was getting tired,” said Perry, 34. “He’s very good, tough; when he looks like he’s hurt, he always has a trick up his sleeve, so I had to be careful.”

In another heavyweight bout, Cameroonian Francis Ngannou (19-3) needed just one round to dispatch Brazilian Philipe Lins (18-6) in a fight where he didn’t seem to be trying very hard. The African fighter punished Lins, who, although he defended himself and managed to land a few blows on Ngannou, was easy prey for a blow to the head that knocked him out in the opening round.

“I kept my composure,” said Ngannou, 39. “My knockout wasn’t impressive for my style.”

Ngannou also challenged legendary former UFC champion Jon Jones to a bout in MVP MMA. Jones was in the arena conducting an interview with the Netflix broadcast team when he received the challenge and gave a thumbs up amid the crowd’s cheers. Another potential boxing opponent for the Cameroonian is MVP promoter Jake Paul himself, who stepped into the Octagon to celebrate with winners on Saturday.

“As a businessman, we’re going to promote MMA. And hopefully we can fight one day in boxing,” Paul said.

In the lightweight division, Salahdine Parnasse (23-2) defeated Kenneth Cross (17-5) in the first round after landing a flurry of punches and dominating him early. Parnasse unleashed a wide-ranging offensive, from body shots to head strikes, to end the fight at the 4:18 mark of the first round.

In another bout, in the heavyweight division, Brazilian Junior dos Santos (21-11) was knocked out spectacularly by Cuban Robelis Despaigne (6-2) in the first round. The Cuban landed a three-punch combination — two rights and a left — to finish off a bloodied Dos Santos at 2:59.

Despaigne, who has fought for promotions such as Karate Combat, said afterward that he would like to face Ngannou.

Other results

In the main event of the preliminary card, Namo Fazil (10-1) submitted Jake Babian (6-2) in the second round of their welterweight bout.

In a 130-pound catchweight bout, Brazilian Adriano Moraes (22-6) knocked out American Phumi Nkuta (11-1) in the final second of the third round. Moraes landed a kick to Nkuta’s body in the final moments of a close bout, and as Nkuta fell, Moraes applied a guillotine choke. At first, it appeared the bell had saved Nkuta, but the referee determined that the fighter was already knocked out and awarded the victory to Moraes.

In the welterweight division, one of the best knockouts of the night occurred when Jason Jackson (20-6) sent Jefferson Creighton (12-3-1) to the canvas in just 22 seconds.

In the featherweight division, David Mgoyan (9-1) dominated Albert Morales (19-11), defeating him by unanimous decision (29-28, 30-26, and 30-27).

Aline Pereira (3-2) defeated Jade Masson-Wong (3-3) by split decision (29-28, 29-28, 27-30) in a 130-pound bout.

Chris Avila (8-10) was defeated by split decision (29-28, 29-28, 28-29) by Brandon Jenkins (17-11) in a 165-pound bout.

This article first appeared in Spanish via L.A. Times en Español.

Zayn Malik, the former One Direction star turned solo artist, canceled all U.S. dates for his upcoming tour. The hitmaker was recently hospitalized for an undisclosed illness.

“To my fans: Thank you so much for all the support and love you’ve shown me on the album release and more importantly your love, prayers, and well wishes for my health,” Malik wrote Friday in an Instagram story. “I’ve felt it, and it’s meant the world. I’ve been at home recovering and I’m doing well and will be better and stronger than before.

“I’ve had to take another look at my schedule for the months ahead and have to reduce the number of shows on the KONNAKOL Tour,” he continued. “I want to make sure I still get out and see as many of you as I possibly can. I’m really looking forward to playing these shows for you, and I hope to see the rest of you around the world very soon. Big Love, Z”

While the “Side Effects” singer still has forthcoming shows in the United Kingdom and Mexico later this month, he nixed the U.S. leg of the tour, which was slated to kick off this July in Philadelphia. Other major stops included Pittsburgh, Milwaukee, Chicago, Indianapolis, Nashville, Phoenix, San Diego, Inglewood, Anaheim, San Francisco and Seattle, with the tour concluding in Miami on Nov. 20.

The announcement comes weeks after Malik, 33, revealed he was hospitalized. The singer didn’t disclose what condition he was suffering from, but on April 17 — the day his latest album “Konnakol” dropped — he shared a since-expired Instagram story that included selfies of the singer in a hospital bed hooked up to an IV.

“To my fans – Thank you to all of you for your love & support now & always – been a long week and am still unexpectedly recovering,” he wrote alongside the photo. “Heartbroken that I can’t see you all this week, I wouldn’t be in the place I am today without you guys and am so thankful for your understanding.”

The “Prayers” singer also thanked “all the incredible hospital staff of [doctors], nurses, cardiologist, management, admin and everyone who had helped along the way and continue to”.

Earlier this year, Malik performed his first ever seven-night residency in Las Vegas at Dolby Live at Park MGM.