indie

A BRITISH indie rocker has left pub punters feeling shocked as he performed in a cover band – but would you have recognised him?

The global songwriter, 31, was spotted singing at a local pub in his home town Shields alongside his dad and brother.

Sam Fender has had three Brit Awards and his albums Hypersonic Missiles and Seventeen Going Under also topped UK charts.

But the Geordie star took to covering other people’s songs as he got together with his family in a social club.

A fan took to TikTok and posted a video of the star performing and captioned it: “Rare .. Sam Fender playing and singing with his dad and brother on keyboard.

“All for a good cause #teamjanine raising awareness for MND . Real canny lads!”

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The award-winning singer took part in the event to raise funds for MND in memory of the late Janine Turnbull, joining his dad and brother on stage as part of band The Pirates.

In another video shared of the same event, fans rushed to the comments section to praise the star: “The vocals are absolutely insane, fair play.”

A second said: “They’re a talented bunch those Fenders.”

While a third wrote: “I love how humble Sam is and doing this.”

A fourth stated: “Was great that he was able to do that and just be Sam local lad again.”

A fifth added: “Unreal scenes.”

Sam is allegedly a multi-millionaire after years and years of hard graft combined with his natural musical talent.

He’s built formidable music connections from a collaboration with rising US star Noah Kahan to supporting Bruce Springsteen and The Killers and hanging out with the late guitar virtuoso Jeff Beck. and Johnny Depp when the actor was in the North East with his Hollywood Vampires band.

The singer-songwriter, nabbed the Mercury trophy and £25,000 cash at the 2025 ceremony in his native Newcastle – the first time the awards had been held outside London.

He won with his third album ahead of a star-studded pack of 12 nominees, including Pulp, Wolf Alice, FKA Twigs, PinkPantheress and Pa Salieu.

Sam was not fancied by the bookies, so his victory was something of a shock, and the crowd went ballistic at his name.

The Geordie name-checked fellow nominees during his acceptance speech and thanked an ecstatic crowd.

He said: “We did not expect this at all. I want to say thank you,” before declaring: “This region is the best region in the country.”

Sam then grabbed his guitar and launched into a rendition of his album’s titular track, People Watching.

He also paid tribute to the late actress Annie Orwin, the inspiration behind the song, who he described as like a “surrogate mother”.

Sam added that his win on home turf was “really, really important” because the music scene in Newcastle had “always been in an isolated bubble”.

Last year, Sam hoped to toast his global success with his own range of booze.

The star had been granted permission by the UK’s Intellectual Property Office to use his name to sell a range of goods.

The documents revealed he could market “Beers, Alcoholic beverages, and Non-alcoholic beverages; Retail services connected to the sale of Beers, Alcoholic beverages, Non-alcoholic beverages, Mineral and aerated waters, Fruit beverages and fruit juices.”

The application stays in place for ten years now that it has been rubber-stamped.

THIS NOUGHTIES indie band looks unrecognisable after undergoing a bleach blonde hair transformation.

The rockers released a new promo photo for their upcoming gigs later this year.

The lads looked very different as they showcased their new look.

The trio posed for a photo all suited and booted and looking serious.

But have you worked out who it is yet?

Well it’s none other than British punk rock band The Ordinary Boys.

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The band consists of Samuel Preston ‘aka Preston’, along with Charles “Chuck” Stanley, James Gregory and Matthew Powers.

The band is set to return to live music next month after a decade’s hiatus to celebrate their 20th anniversary.

They will be performing a number of intimate gigs in Worthing, Bristol, Darwen and Portsmouth.

But first they will be kicking things off with a special show in London at the Strongroom Bar – and fans can get tickets for as little as £20.

The group will also be making an appearance this summer at Chester’s Together Again Festival at Bolesworth Castle.

In a bid to reinvent themselves ahead of the shows, the singers were seen sporting their striking hairdo for a new poster.

The Ordinary Boys are best known for their 2006 UK Top 10 hits Boys Will Be Boys.

Their collaboration with Lady Sovereign titled Nine2Five was also a hit.

They also released a number of other tracks during the mid-2000s including I Luv U, Lonely at the Top, and Talk Talk Talk.

Preston is arguably the most well known member of the group thanks to his appearance on Celebrity Big Brother in 2006.

The singer went on to marry fellow housemate Chantelle Houghton after meeting on the show, but split just a year later.

Preston’s ex Chantelle told The Sun last year: “I think everyone loves a romance love story don’t they.

“I think a house romance would definitely make it easier for you, because you’ve got that person haven’t you.

“Whereas if you have no real friendship or connection, you’re sort of there on your own and it’s quite lonely and there’s a lot of mind games.

Whether you’re already on the inside or new to the party, the Canadian meta-comedy “Nirvanna the Band the Show the Movie,” about a music duo’s epic undiscoveredness, shows little audience favoritism as it ping-pongs between timelines, formats, realities, cultural shout-outs and its two indefatigable lead characters. Make that four leads, since director and co-writer Matt Johnson and his composer-best friend Jay McCarrol each play themselves twice, thanks to archival footage presented in this zippy mockumentary as evidence of time travel.

Don’t be confused. Or rather, be confused but adventurously so! Especially if you aren’t familiar with the cult web series from which this film derives. Indie-savvy viewers might know Johnson’s work from the moon-landing conspiracy lark “Operation Avalanche” or the cheeky docu-dramedy “BlackBerry,” both of which he directed and acted in. But there’s no getting around the fact that if you haven’t encountered them before, then for a good while they’ll come across as Motormouth Clown in a Fedora (Johnson) and Understated Guy at the Piano (McCarrol).

With three Ns to their band name (no relation to a slightly better-known group), a dream of booking Toronto’s longstanding live venue and only a cluttered suburban home to show for it, the duo’s act seems primarily to be coming up with boneheaded ideas for exposure. Johnson’s latest bolt of inspiration is for them to parachute from the top of downtown Toronto’s 2,000-foot CN Tower into the open Rogers Centre stadium below, a plan which meets with amusingly alarmed concern from a very real employee at the hardware store. It’s the first of many encounters with unsuspecting citizens, à la the oeuvre of Sacha Baron Cohen.

Though their stunt fails — yet succeeds for us as a piece of guerrilla filmmaking wizardry — it spurs Johnson toward an even crazier notion: time traveling in an RV to 2008 to change their fates and secure their inevitable fame. Think “Back to the Future” and think about it a lot, since from here on out, that 1985 classic becomes this movie’s lodestar of structural, comedic and musical reference. (McCarrol’s enjoyably overwrought orchestral score shouts out to composer Alan Silvestri.)

That the filmmakers could play against themselves using video of the 2008 versions of their characters (when they had the web series) is undeniably clever, if not always the laugh riot it promises to be. But it also helps foster the jealousy-driven farce that takes over the current-day narrative and is genuinely funny: a rejiggered timeline in which McCarrol becomes a massive pop star and Johnson gets left behind.

Invariably these wacky scenarios will be more amusing to longtime fans, for whom a frantic climax akin to the lightning-meets-DeLorean ending of “Back to the Future” will play like nostalgia for nostalgia. To the uninitiated, though, even amid steady laughter and a sneaking concern for this silly friendship to right itself, it may come off as much ado about who knows what.

But Johnson is nothing if not a punchy ringmaster of deadpan humor and his grab-bag mindset generates enough goodwill to appreciate the DIY brashness of it all. I’m one of those who had no clue of this act’s history and I’m fairly certain I’d look forward to “Nirvanna the Band the Show the Movie the Sequel.”