imminent

Lynx KF41 Fighting Vehicles’ Arrival In Ukraine Imminent

German defense manufacturer Rheinmetall has confirmed that a batch of Lynx KF41 infantry fighting vehicles will arrive in Ukraine “in the coming weeks.” While a single example has already been provided for evaluation, the next five vehicles are expected to make the type’s combat debut. The KF41 variant was unveiled in 2018 and is otherwise only used by Hungary. Its future success could depend on how it fares on the battlefield with the Ukrainian Armed Forces.

Rheinmetall announced yesterday that five KF41s funded by the German government will soon be in Ukraine, in line with a contract signed last month.

A KF41 Lynx fires its gun while on the move during trials. Rheinmetall

“We are grateful for the trust that Ukraine has placed in us,” Rheinmetall CEO Armin Papperger said in a company statement. He also thanked the German government for paying for the initial batch.

The value of that contract is not known but is reported to be in the “mid-double-digit million-euro range.”

More important is the potential for much larger procurement by Kyiv, potentially including setting up a Ukrainian production line.

Ukraine made the decision to acquire the KF41 following the testing of a single evaluation example that was delivered in late 2024.

Profile view of a KF41 Lynx with the door to the crew compartment open. Rheinmetall Nyakas Viktor www.zalafoto.hu

It’s also noteworthy that the version of the KF41 now headed to Ukraine has been specially adapted to local requirements. This includes a two-person Lance turret and other changes.

The exact configuration of the Lance has not been revealed, but this is a highly modular turret that can accommodate a variety of weapons and sensors and is available in crewed and uncrewed configurations. So far, Lynx versions have appeared with Lance turrets armed with 30mm or 35mm autocannons.

There is also provision for an anti-tank guided missile launcher, which has been demonstrated with a pair of Israeli-made Spike-LR missiles. Other payloads include small drones or loitering munitions, or additional equipment, while a coaxial 7.62mm machine gun is also a normal fixture.

Rheinmetall Lynx IFV hits with Spike ATGM




Overall, Rheinmetall’s Lynx was designed with modularity in mind so that it can readily accept different mission modules to perform different roles. The company began work on the vehicle in 2015, originally as a competitor to the Puma, which the German Army eventually selected as a successor to its Cold War-era Marder infantry fighting vehicle.

A German Army soldier in front of a Puma IFV. Rheinmetall

The company developed the Lynx with an eye toward the export market and uses a greater number of commercial-off-the-shelf automotive parts and other existing components to reduce overall cost and potential strains on logistics chains.

So far, however, the two major variants the company has shown publicly, the KF31 and KF41, are relatively similar.

The KF41 has a larger overall configuration, though, with a weight of around 44 tons, almost 10 tons heavier than the KF31 and even bigger than the Puma in its base configuration.

Within these main versions, Rheinmetall has also offered a variety of mission-specialist Lynx vehicles. These include a mortar carrier, heavy fire support vehicle, self-propelled anti-aircraft gun with Skyranger 30 air defense turret, command and control vehicle, reconnaissance vehicle, recovery vehicle, and ambulance. Any of these could also be attractive to Ukraine, with a common platform offering logistics advantages as well as economies of scale.

A prototype KF41 Lynx fitted with a Skyranger 30mm air defense turret. Rheinmetall

Otherwise, the KF41 has a standard crew of three as well as provisions to transport a squad of up to eight infantry. Like most modern infantry fighting vehicles, the Lynx is provided with sufficient firepower to engage enemy infantry as well as lightly armored targets.

As well as the standard attributes of mobility and firepower, the design of the Lynx focuses on a high level of protection to defend against certain anti-armor weapons, medium-caliber ammunition, artillery shrapnel, and bomb blasts. There is also the option to add active protection systems if specified by the customer.

The vehicle can reach speeds of up to 50 miles per hour.

Almost exactly a year ago, Rheinmetall’s Papperger announced that a single KF41 had been delivered to Ukraine at the end of 2024.

This first evaluation vehicle was produced at Rheinmetall’s factory in Unterlüß, Germany.

06 June 2023, Lower Saxony, Unterlüß: Lynx infantry fighting vehicles stand in a Rheinmetall production hall. Photo: Philipp Schulze/dpa (Photo by Philipp Schulze/picture alliance via Getty Images)
06 June 2023, Lower Saxony, Unterlüß: Lynx infantry fighting vehicles stand in a Rheinmetall production hall. Photo: Philipp Schulze/dpa (Photo by Philipp Schulze/picture alliance via Getty Images) picture alliance

However, in the future, additional KF41s could be manufactured in Ukraine.

In 2023, Oleksandr Kamyshin, Ukraine’s then-Minister of Strategic Industries, announced plans for joint production of the vehicles with Rheinmetall.

This was followed up in November of last year by Papperger proposing Ukrainian production lines for the Lynx, as well as the Fuchs and Panther vehicles. This would be broadly in line with a similar arrangement that Rheinmetall implemented in Algeria.

As it stands, Ukraine will become the second country to introduce the KF41 to service, following Hungary, which received its first vehicles last December. These were manufactured in a purpose-built Rheinmetall facility in Szeged, Hungary.

The Lynx KF41 in Hungarian Army service:

The payment of the first batch of Ukrainian KF41s by the German government underscores the military support that Berlin has provided to Kyiv since the start of Russia’s full-scale invasion. As of October last year, German military aid to Ukraine amounted to more than $23.3 billion.

German military equipment transferred to Ukraine includes surplus Marder infantry fighting vehicles, as well as secondhand Soviet-designed BMP-1s that previously served with Germany but were later donated to Greece and Slovakia and then passed on to Ukraine with Berlin’s approval.

DONETSK OBLAST, UKRAINE - DECEMBER 7: Ukrainian soldiers exit an Marder Infantry Fighting Vehicle (IFV) on December 7, 2023 in Donetsk Oblast, Ukraine. Ukraine received armored vehicles as part of international military assistance programs to help defend itself against the ongoing Russian invasion. (Photo by Roman Chop/Global Images Ukraine via Getty Images)
Ukrainian soldiers disembark from a Marder IFV on December 7, 2023, in the Donetsk region, Ukraine. Photo by Roman Chop/Global Images Ukraine via Getty Images Roman Chop

The case of the KF41, however, is somewhat different, since it is the first time that Germany is providing a vehicle in this class that is brand-new; in fact, not even in service with the German military.

Rheinmetall clearly sees a market for a new-generation infantry fighting vehicle, optimized for export, to challenge more established designs like the U.S. Bradley and the Swedish CV90.

A U.S. Army M2A3 Bradley from 5th Squadron, 4th Cavalry Regiment, 2nd Armored Brigade Combat Team, 1st Infantry Division, moves into position to conduct a firing systems check at the Presidenski Range, Trzebien, Poland, in 2023. U.S. Army photo by Staff Sgt. Wallace Bonner

As far as the Bradley is concerned, a version of the Lynx is also in the running to replace this vehicle with the U.S. Army. Under the Optionally Manned Fighting Vehicle (OMFV) program, or XM30, American Rheinmetall Vehicles and General Dynamics Land Systems are each building a prototype. Two previous efforts to replace the Bradley — the Future Combat System (FCS) program and the Ground Combat Vehicle (GCV) program — were cancelled.

Rheinmetall – Exclusively Lynx XM30 for the U.S. Army’s next-gen combat vehicle program




Already, the Lynx has been connected with around a dozen potential customers, but aside from Ukraine, only Hungary and Italy have so far placed firm orders. Much, therefore, could rest on whether the KF41 proves a success in Ukrainian hands, something that we might start to learn before too long.

Contact the author: thomas@thewarzone.com

Thomas is a defense writer and editor with over 20 years of experience covering military aerospace topics and conflicts. He’s written a number of books, edited many more, and has contributed to many of the world’s leading aviation publications. Before joining The War Zone in 2020, he was the editor of AirForces Monthly.


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The Trump administration’s imminent threat to historic New Deal art

With the ongoing fracas over President Trump’s demolition of the White House’s East Wing, a number of other Trump administration-led attempts to remake the architectural landscape of Washington, D.C., have flown largely under the radar. This includes the sale and possible demolition of the Wilbur J. Cohen Building, which was completed in 1940 and was added to the National Register of Historic Places in 2007.

Part of what makes the building so beloved is a series of 1942 frescoes by Ben Shahn titled “The Meaning of Social Security,” commissioned as part of the Roosevelt administration’s robust New Deal art program. In a recent article in the New Republic, architectural historian Gray Brechin is quoted as calling the Cohen building, “a kind of Sistine Chapel of the New Deal.”

The structure, originally known as the Social Security Administration Building, has served as the headquarters for Voice of America since 1954. In March, Trump signed an executive order cutting funding for the agency that oversees VOA, and most of its staff was placed on administrative leave. In June, more than 600 VOA employees received layoff notices, and the service basically shut down.

At the beginning of this year, Congress agreed to sell the Cohen building, which had been suffering from major maintenance issues. The scope of the threat to the building became clear earlier this month when Bloomberg reported that “The White House is independently soliciting bids to recommend the demolition of the historic buildings [including the Cohen building], without the input of the General Services Administration, which maintains government buildings.”

A petition on Change.org now seeks to oppose the new “accelerated disposal” program.

“Federal properties can be sold quickly with limited public input. As powerful interests move in haste to sell this historic building, we call for the process to be paused and conducted with transparency, respect, and public participation,” the petition, which has garnered more than 4,700 signatures, states.

The Shahn frescoes aren’t the only precious New Deal artworks in danger. Other art housed in the Cohen building include murals by Seymour Fogel and Philip Guston.

I’m arts and culture writer Jessica Gelt wondering when enough is enough. Here’s your arts news for the week.

On our radar

Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Concert Hall

Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Concert Hall.

(Jamie Phan / Los Angeles Master Chorale)

Disney Hall-e-lu-jah
It’s hard to imagine the holidays without music, and the Los Angeles Master Chorale has three days of caroling and chorusing that should lift anyone’s seasonal spirits. A new addition to the choir’s traditional offerings is the family-friendly “Carols for Kids” (11 a.m. Saturday. Walt Disney Concert Hall), featuring Youth Chorus LA and designed for even the squirmiest children, 6 and under. That will be followed by the “Festival of Carols” (2 p.m. Saturday. Disney Hall), a program of global holiday music. The group’s performance of “Handel’s Messiah” (7 p.m. Sunday. Disney Hall) is a worthy centerpiece of any celebration. If you’re ready to have your own voice be heard, “Carols on the Plaza” (6 p.m. Monday, across the street at the Music Center’s Jerry Moss Plaza), is your chance to join in on free outdoor caroling with family, friends and fellow Angelenos. Festivities conclude with the Master Chorale’s “Messiah Sing-Along” (7:30 p.m. Monday) back at Disney Hall where 2,000 voices will unite for the “Hallelujah Chorus.”
— Kevin Crust
Walt Disney Concert Hall, 111 S. Grand Ave.; Music Center, 135 N. Grand Ave., downtown L.A. lamasterchorale.org

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The week ahead: A curated calendar

FRIDAY
The Fruit Cake Follies
In its 27th year, this madcap holiday variety show promises “music, mirth and merriment.”
8:30 p.m. Friday and Saturday, with dinner at 6:30 p.m.; 1 p.m Sunday, with brunch at 11 a.m. Catalina Jazz Club, 6725 Sunset Blvd. Hollywood. catalinajazzclub.com

Guadalupe Maravilla: A Performance
Expanding on his solo exhibition “Les soñadores,” the transdisciplinary artist creates a collective ritual combining sound, vibration and healers from around the world alongside L.A.-based artists.
8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Piotr Beczala
The Polish-born tenor, known for his work in opera and the classical vocal canon, performs, accompanied by conductor and pianist Kamal Khan.
7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica broadstage.org

“Wet” by Sahar Khoury at Parker Gallery, 2025

“Wet” by Sahar Khoury at Parker Gallery, 2025

(Sahar Khoury / Parker Gallery)

Sahar Khoury
The interdependence of materials and their social and cultural environments inspired the sculptor’s newest solo exhibition, “Wet,” a series of pieces created from ceramic, steel, iron, brass and aluminum.
11 a.m.–6 p.m. Tuesday–Saturday, through Jan. 17. Parker Gallery, 6700 Melrose Ave. parkergallery.com

SATURDAY
Christmas Joy Concert
The free Third@First concert series continues with a program of carols, classic and new.
4 p.m. First United Methodist Church of Pasadena, 500. E. Colorado Blvd., Pasadena. thirdatfirst.org

Sanaa Lathan and Omar Epps in the romantic drama "Love & Basketball."

Sanaa Lathan and Omar Epps in the romantic drama “Love & Basketball.”

(New Line Cinema)

Love & Basketball
Writer-director Gina Prince-Bythewood marks the 25th anniversary of her modern romance classic, starring Sanaa Lathan, Omar Epps, Alfre Woodard and Dennis Haysbert.
7 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

The cast of "Nutcracker! Magical Christmas Ballet."

The cast of “Nutcracker! Magical Christmas Ballet.”

(Konstantin Viktorov / Nutcracker! Magical Christmas Ballet)

Nutcracker! Magical Christmas Ballet
This 80-plus city tour offers a distinct blend of classical ballet with avant-garde circus techniques and global influences, complete with 10-foot-tall animal puppets constructed by Roger Titley. For its 33rd year on the road, the production adds a new character: Sweets the Dog, created by Barry Gordemer of the award-winning puppeteer studio Handemonium.
— Ashley Lee
Noon, 4 and 8 p.m. Saturday. Wiltern Theatre, 3790 Wilshire Blvd., Los Angeles; and 1:30 and 6:30 p.m. Sunday. La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. nutcracker.com

SUNDAY
Collecting Impressionism at LACMA
This new exhibition traces how the museum built its collection and its pursuit of legitimacy through early acquisitions of American and California Impressionism and donations of paintings by Edgar Degas and Camille Pissarro from major Hollywood collectors.
Through Jan. 3, 2027. Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

A man with his arms crossed listens to another man with a microphone.

Actor Taylor Nichols, left, and director Whit Stillman at a 20th anniversary screening of “Metropolitan” at the 2010 Sundance Film Festival.

(Jemal Countess / Getty Images)

Metropolitan
It’s hard to believe that it’s been 35 years since the young socialites of the “urban haute bourgeoisie” entered our consciousness via filmmaker Whit Stillman’s delightfully droll film and its banter-driven, Oscar-nominated screenplay. Stillman and actor Taylor Nichols will be on hand for a Q&A with the screening.
2 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

WEDNESDAY

Aloe Blacc and Maya Jupiter host the 2025 L.A. County Holiday Celebration.

Aloe Blacc and Maya Jupiter host the 2025 L.A. County Holiday Celebration.

(Music Center)

L.A. County Holiday Celebration
The Music Center’s annual spectacular features more than 20 local music ensembles, choirs and dance companies. The free, ticketed event will also be broadcast on PBS SoCal. Aloe Blacc and Maya Jupiter are this year’s hosts.
3-6 p.m. Dec. 24. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org

— Kevin Crust

Dispatch: A director with a human touch

Cameron Watson is the new artistic director of Skylight Theatre Company.

Cameron Watson is the new artistic director of Skylight Theatre Company.

(David Zaugh)

Stage director Cameron Watson has one of the best batting averages in town.

His productions of “The Sound Inside” at Pasadena Playhouse, “On the Other Hand, We’re Happy” for Rogue Machine Theatre at the Matrix and “Top Girls” at Antaeus Theatre Company were morale-boosting for a critic in the trenches, offering proof that serious, humane, highly intelligent and happily unorthodox drama was alive and well in Los Angeles.

Watson’s appointment as artistic director of Los Feliz’s Skylight Theatre Company starting Jan. 1 is good news for the city’s theater ecology. Producing artistic director Gary Grossman, who led the company for 40 years with enormous integrity, built the small but ambitious Skylight into an incubator of new work that embraces diversity and the local community.

Developing new plays is fraught with risk. Watson has the both the artistic acumen and audience sensitivity needed to usher Skylight through this perilous moment in the American theater when so many companies seem to be holding on by a thread.

Watson, like Peter Brook before him, knows how to convert an empty space into a realm of magic and meaning. For Watson, the play’s the thing. But for the spark to happen, actors and audience members need a director as intuitively attuned to the uncertain human drama as Skylight Theatre Company’s new leader. (The director’s current production of “Heisenberg” at Skylight ends Sunday.)

— Charles McNulty

Culture news and the SoCal scene

Moving in stereo
The most Tony-nominated play in Broadway history, “Stereophonic,” is playing at the Hollywood Pantages Theatre through Jan. 2. Times theater critic Charles McNulty caught opening night and wrote that the first touring production fails to capture the high notes of the Broadway original. A few days later, I sat down for an interview at Amoeba Records with Will Butler, the former Arcade Fire multi-instrumentalist who wrote the music for the show. Our interview took place before Butler got onstage with the cast of the show for a short live in-store performance.

Live from L.A., it’s Ben Platt
McNulty also attended opening night of Ben Platt’s 10-day residency at Center Theatre Group’s Ahmanson Theatre, noting that Platt, “wears both his nervous diffidence and his blazing talent on his sleeve.”

Boiling in Brooklyn
Brooklyn was also on McNulty’s itinerary, where he saw Michelle Williams in the new revival of Eugene O’Neill’s “Anna Christie” at St. Ann’s Warehouse. “Michelle Williams seems to have unlimited emotional access. Her inner intensity expresses itself in a frenzy of volcanic feeling that can never be tamped down once it reaches its boiling point,” McNulty writes.

Zakir Hussain tribute
Times classical music critic Mark Swed headed to the Nimoy Theatre in Westwood to watch tabla player Salar Nader perform with the Third Coast Percussion ensemble. The show celebrated the group’s collaboration with the late Zakir Hussain’s “Murmurs in Time,” which was the tabla legend’s last work.

The name game
The Kennedy Center continued its Trump-era transformation Thursday after the board voted unanimously to rename the world-famous performing arts venue The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts. It remains unclear if the move is legal, or if the name change will need to be made official via an act of Congress.

Viva Las Vegas
I got a look at newly revealed architectural plans for the Las Vegas Museum of Art, which is expected to break ground in 2027. Pritzker Prize-winning architect Diébédo Francis Kéré is designing the city’s first freestanding museum and says his ideas were inspired by the red rocks and canyons of the desert surrounding Sin City.

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LACMA United
Workers at Los Angeles County Museum of art voted to unionize Wednesday. The vote in favor was 96%, and came after LACMA rejected workers’ requests for voluntary recognition. Staffers have expressed disappointment in management over what they are calling its anti-union campaign.

La malchance
The Louvre is down on its luck. Maintenance issues have lately plagued the famous Paris museum, and then there was that infamous heist. Now workers have voted to strike over working conditions among other complaints.

— Jessica Gelt

And last but not least

Here’s a list that you will either love or hate (I love it): Here are the best tuna melt sandwiches in L.A. and Orange County.

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