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With its gridlocked terminals, infuriating delays and long lines for everything from security checks to coffee, LAX might be where patience goes to die. It’s a place most dream of escaping; instead L.A.-born novelist Alexander Maksik takes readers inside the airport to witness both the unease and shared humanity of people passing through.

Longlisted for the 2026 National Book Award in fiction, Maksik’s new novel, “Passengers,” unfolds within the airport’s sprawling concourses. The story centers on Ivan and Nina, a distant father and daughter meeting up for a flight to Paris. For 75-year-old Ivan, it’s a chance to show his daughter where he once lived. For 29-year-old Nina, it’s a free trip and an opportunity to finally understand a parent she barely knows. When their flight is delayed, and then delayed again, frustration shifts from the departure boards to the fault lines between them.

Maksik, speaking via video conference from his Parisian apartment, always planned that the book would be about a father-daughter pair. “When my daughter was born, like many new parents, I found I could only think in clichés, and I didn’t try to resist them,” he says. “But as time went by, I started to toy with the idea of writing a novel about a father and daughter in which the battle against cliché would become central, would take on huge, even life-saving, importance.”

The author also plays with the idea of nostalgia. “Nostalgia brings you close to the edge of real feeling without forcing you to confront the weight, power and terror of real feeling. It’s too easy to keep yourself wrapped up in the false ease of the past.” One of the things that airports remind us of, he says, is change. Restaurants and boutiques close and open regularly. In one era, people sought out bookstores; in another, they’re looking for headphones and portable chargers.

“For a long time, airports felt to me like places of civility,” says Maksik. “I remember having real conversations with strangers at a bar or in various waiting areas. There was promise and possibility and warmth in such interactions. Now an airport is just one more place to look at your phone.”

As Ivan and Nina walk, talk, do tequila shots and observe their fellow travelers, those travelers are also observing them. One of the most powerful conceits in the book occurs when the two leave an airport venue and readers get the perspective of a person who served or overheard them. For example, one character, “an elegant woman, long gray hair in a braid” thinks about her dead husband when she notices Ivan and Nina: “It was impossible for the woman to see two people together, really any two people, and not feel his absence.” There’s another man who thinks he can tell that father and daughter “were the kind always looking for a way around the rules, who think waiting is for suckers like him.” Each underscores the fact that strangers affect and can even change one another (like our own offspring do).

Something else Ivan and Nina share is physical labor. Ivan spent decades as a building contractor, while Nina is a masseuse who goes to clients’ homes, not liking “the idea of going to the same place again and again. She wanted to travel, to peer inside different lives.” Maksik himself held service positions for many years, experience that gave him a different outlook than some of his colleagues at the renowned Iowa Writers Workshop, which he entered at the relatively senior age of 38.

“At Iowa, I was drawn to those who were writing about worlds that were far away from literature and academia,” he says. “Maybe that’s because I’ve worked so many different jobs. I washed dishes. I was a bartender. I cooked. I delivered pizza. Those experiences were vivid and interesting and at least as formative to me as a writer as anything I learned in the classroom. To write well about work is something I admire a great deal.”

Of course, Maksik is writing fiction, and can write about any sort of life, including that of a teacher, as he did in his critically acclaimed 2011 novel “You Deserve Nothing,” about an affair between an American teacher and his French high school student. As he knows, there’s a shadow over that book because one of his students alleged that the story was about Maksik’s affair with her when she was 17 years old.

“I will aways have to acknowledge my own history, and how I came to write that novel,” he says. “And there will always exist people to whom this acknowledgment means nothing. Perhaps this is as it should be. I’m certainly not proud of that period of my life, and, frankly, I’m no longer particularly proud of the novel either. Nevertheless, it will always be part and parcel of my history, and I have no intention of pretending otherwise.”

As Ivan and Nina wrestle with their own emotional truths, which range from her mother Nora’s departure from their lives to Ivan’s clumsy recitations of Nina’s childhood antics, something alarming is afoot. Nina can’t make or receive calls on her phone. The pair notices that others can’t make calls, either; a restaurant loses its checkout interface; and everyone is snaking cords around to keep devices charged for the moment when service returns.

Something is definitely wrong, and no one seems to know what it is. Soon Nina sees that her father is tired and weak, despite a meal and plenty of water; she becomes convinced that he needs fresh air. When they try to exit the airport, they find barriers set up and armed soldiers who say no one is allowed to leave.

The sense of unease Maksik creates mirrors the sense of disconnection between all of the people stranded, from a brusque young woman in bunny slippers and giant headphones to an older couple huddled beneath racks of merchandise: “We’re trying to sleep … Can’t you see that?” one of them says. This LAX, unlike the island of civility and good manners Maksik remembers from childhood, fosters alienation and dread.

The author laughs ruefully when accused of his own version of nostalgia, admitting that the version of the airport he’s created feels closer to our present-day reality. As it happens, Maksik himself will be taking a flight soon, from France to Florida, taking part in his fellow author Lauren Groff’s First Editions Book Club. How does he feel about that?

“Our daughter was born in late 2019, and then there was the pandemic. Each day since then seems more dangerous than the previous one. I wouldn’t at all be surprised to find myself trapped in an airport, whether as a result of climate change, AI, or one of the many petulant maniacs who run the world.”

Patrick is a freelance critic and author of the memoir “Life B.”

On the gable walls of the tough, working-class streets of east Belfast, the mystical beasts of Narnia vie for brick space with balaclava-wearing loyalists. The murals of the city have long projected the power of paramilitaries, but in recent years they have also begun to reflect the more positive contributions made by other local people, including the author CS Lewis.

Lewis was born in Dundela in 1898 in an attractive terrace house that has sadly since been demolished to be replaced by rather unattractive flats. But elsewhere in this part of the city, the Lewis connection is being built on and celebrated. CS Lewis Square is in the Holywood Arches neighbourhood and has a short walking trail featuring metal sculptures of Mr and Mrs Beaver, Mr Tumnus and other beloved characters from The Chronicles of Narnia. The centrepiece is a gigantic Aslan, towering over all from atop a circular mound.

About 15 minutes’ walk away, St Mark’s church on the Holywood Road is the proud custodian of a much smaller lion that may have inspired Lewis’s creation of Aslan. His grandfather, the Rev Thomas Hamilton, ministered here, living in the rectory for 13 years, and his front door was decorated with a beautiful brass lion’s head doorknob. The original has been removed for safekeeping, but an exact replica attracts thousands of Lewis pilgrims each year.

Leafy Circular Road, half a mile away, is where the Lewis family moved in 1905 to a large, redbrick house that, back then, was on the outskirts of the city. The road has since been subsumed by the growth of the town, but remains the realm of the prosperous. The house, called Little Lea, is privately owned, but can be seen from the iron gates at the end of the drive.

“To a child, it seemed less like a house than a city,” Lewis wrote of the family home in his autobiography, Surprised By Joy. “I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude.”

Little Lea appears in the opening two Narnia books, first when a boy exploring a large attic in The Magician’s Nephew finds a way into another world, and then in The Lion, the Witch and the Wardrobe when a game of hide and seek leads a group of inquisitive children to that same magical world a generation later.

Although it was close to east Belfast’s industrial heartland, it was also just a fence clamber away from the fields, hills and woodland glens that fringed the city like a vast adventure playground. As children, Lewis and his elder brother Warnie seem to have had a freedom to wander that would terrify modern parents. They would trek for hours up into the hills between Belfast and Strangford Lough, and travelling that way today still evokes a sense of romantic escapism.

The Belmont Road takes you up, climbing dramatically out of the city and into the expansive high ground that towers over Belfast, Bangor and Newtownards. There are many viewpoints up here. Lewis didn’t record the exact spot that inspired the following ethereal description of the views he loved, but for this writer, the crags of the Whitespots country park on the hill above Newtownards are a pretty good bet, especially as this place also chimes loudly with his descriptions of the stone table on which Aslan was sacrificed in The Lion, the Witch and the Wardrobe.

“Looking south with a little east in it, a different world,” he writes in Surprised By Joy. “And having seen it, blame me if you can for being a romantic. For here is the thing itself, utterly irresistible, the way to the world’s end, the land of longing, the breaking and blessing of hearts. You are looking across … the plain of Down, and seeing beyond it the Mourne Mountains.”

Lewis once told Warnie that the view from the Mournes above Rostrevor looking down over Carlingford Lough was his idea of Narnia. The statement is now stencilled on a bench at a viewpoint in the town’s Kilbroney forest park. Sitting there, in the majesty of this area, it is easy to imagine, as Lewis later wrote in an essay, that a “giant might raise his head over the next ridge”.

Rostrevor is an hour’s drive south of Belfast, and an hour’s drive in the other direction will take you to the equally spectacular north coast, where Lewis holidayed with his mother as a young child. There’s an ongoing debate among Lewis scholars and his many passionate fans about whether it was Dunluce Castle or Downhill Demesne that inspired Cair Paravel, the castle capital of Narnia.

The ruins of Dunluce perch precipitously on the coast east of Portrush, while Downhill Demesne, near Castlerock, contains what remains of the old Downhill House but also the iconic Mussenden Temple, which much better fits the description of Cair Paravel looking “like a great star resting on the seashore”.

Lewis was writing his autobiography at the same time he was producing the seven Chronicles of Narnia. The experiences and landscapes he was remembering for his memoir very likely bled into the creation of his magical kingdom. And so the heavenly, pastoral landscapes of Narnia on the murals of east Belfast might feel familiar even to those locals who haven’t read the books or watched the screen adaptations. The wholesome images of his imagination being sandwiched between paintings glorifying terrorism is an unusual setting for a tribute to the world’s most famous Christian apologist, but perhaps in Belfast, as in Narnia, good will win in the end.

The first of Netflix’s new The Chronicles Of Narnia adaptations, Narnia: The Magician’s Nephew, will be released in cinemas on 12 February 2027 and on Netflix on 2 April. Surprised by Joy by CS Lewis © 1955 CS Lewis Pte Ltd, The Lion, The Witch and The Wardrobe by CS Lewis © 1950 CS Lewis Pte Ltd

Welcome back to the Times of Troy newsletter, where it’s beginning to feel like we’ve reached the point of no return for Lincoln Riley. USC’s 24-7 loss to Wisconsin on Saturday was objectively one of the worst of Riley’s tenure as a head coach.

That it came after a bye week only made it a more damning indictment of Riley and the culture he’s built at USC.

The reality is, another loss over USC’s next four games would eliminate the Trojans from College Football Playoff contention for the fifth straight season under Riley. And with three top-10 teams still on the schedule, it feels all but inevitable that USC will fall short of expectations once again this season, a half decade into Riley’s tenure as the Trojans coach.

USC fans, safe to say, are fed up. Many of them, it seems, want Riley fired right now. But the Trojans are technically still in the race, even if they’re just barely limping along, and aside from the brief hit of dopamine and schadenfreude that such a swift firing might provide, cutting ties with a coach before the end of the season is almost always a dangerous idea. It makes even less sense, in this case, for USC — a school that should know by now how sideways a midseason move can go.

Each of the last three Trojan football coaches preceding Riley were fired midseason. And the ripple effects of those firings, you could argue, ended up setting USC back even further.

When USC fired Lane Kiffin in the middle of the night at LAX after a 3-2 start to the season, then-athletic director Pat Haden not only turned the Trojans into a national punchline, but also painted himself into a corner. Interim coach Ed Orgeron ended up turning the season around and earning the endorsement of USC’s entire locker room. (Which you can hear more about on this week’s new episode of House of Troy.) But Haden had no intention of hiring Orgeron, and the decision to move on ended up being a disaster, on multiple levels.

With Steve Sarkisian, Haden had no choice but to cut ties. But this time, he actually did end up hiring the interim coach, Clay Helton, after seeing how Helton had shepherded the program through a difficult season. And of course, that hire ended up being a huge failure.

I’ll never forget the chaos of USC’s 2021 season, after Helton was fired. Interim coach Donte Williams had no idea how to usher a team through a season. The locker room was in disarray. It all felt unfair to the players. The subsequent search did end up yielding Riley — a move that, at the time, looked like a major coup — but because USC was in such a desperate position, it had to offer Riley a huge deal that he couldn’t possibly refuse.

Firing Riley now would leave athletic director Jen Cohen in a similarly tough position, with months of speculation surrounding a high-pressure search. The players, as far as we know, are still behind Riley. Meanwhile, many of the coaches Cohen would probably consider in his stead will have their teams in the playoff hunt through December and even January. One need only look at what’s happened to Penn State to see how that could go awry.

There’s also the matter of Riley’s contract. If USC does fire him, it will be on the hook for his estimated $70-million buyout, plus whatever millions it would owe to the rest of his staff. But there is one way that the school could soften the blow of what would otherwise be a serious expenditure.

If Cohen makes a move, she could wait until the end of the season, when a full picture of the open coaching jobs has come into focus and Riley’s agent has had a chance to take a lay of the land. Maybe then a job would emerge that both Riley and the school agree would be a better fit.

In that case, USC could significantly offset the cost of Riley’s buyout, according to a person familiar with the situation but not authorized to speak on the matter. That would make the move much more palatable to the people already shelling out millions for a state-of-the-art facility, as well as a $40-million NIL budget.

The dots are easy to connect. The Baylor job already opened Sunday, and the school, according to On3, is looking for a coach with Texas roots. It’s possible, too, that the Texas Christian job opens up by the end of the year if Sonny Dykes, who has ties to Riley, can’t turn things around. Other jobs will surely open up that we’re not even anticipating.

Until a donor waving around a $70-million check starts making demands, it makes more sense to weather the next month with Riley, whatever it may hold. Maybe it won’t be as bad as you’re thinking.

But for the moment, it’s the rational thing to do.

JuJu Watkins, pictured earlier this year, was back on court for USC on Sunday.

(Luke Hales / Getty Images)

—USC rushed for negative-17 yards against Wisconsin. Seriously. On the Trojans’ first carry Saturday, King Miller ran straight into a brick wall of the Badger defensive front. And it never really got better from there. Jayden Maiava lost 57 yards on five sacks, which made the rushing numbers look much worse. But it’s not like USC’s other rushers found any room. Miller had eight yards in 11 carries. Freshman Shahn Alston was the leading rusher with 28 yards. And Waymond Jordan, who had been USC’s No. 2, was conspicuously absent. We’ll find out more about that ahead of Saturday. But right now, USC’s rushing attack looks completely out of sorts.

—What was Lincoln Riley thinking on that 58-yard field goal attempt? Riley was asked about that fourth-quarter sequence, which began with a delay of game penalty that moved the Trojans out of field goal range. Riley said that USC was strangely called for the delay because it ran in a player later, then snapped the ball before the referee had given the OK, not after the clock had run out, like a usual delay. Nonetheless, after that, Riley should’ve punted on fourth and 17. Instead, he decided to send out kicker Caden Chittenden to attempt a career long … in the rain. “We knew points were at a premium at that point,” Riley explained. “We just felt like — obviously, a 58-yarder is never going to be crazy high percentages, but we needed points, and to punt it down there didn’t feel like it was the right choice at the time.” Well, they ended up making the wrong choice. Wisconsin scored on the ensuing drive and put the game away.

—USC’s offensive line might’ve been the game’s biggest disappointment. USC boasted some of the best pass protection in college football through the season’s first half, then completely collapsed against Wisconsin. Quarterback Maiava was affected throughout by the Badgers’ pressure. There was barely any room for the run game, either, as Wisconsin simply overpowered USC at the point of attack. Needless to say, not a great week to have written about how great the offensive line was looking!

—USC’s defense held Wisconsin to 58 passing yards. That’s the fewest the Trojans have given up in a game since holding Michigan to 32 in their Big Ten debut, and in an alternate timeline, it might’ve been seen as a big moment for USC’s secondary. But Badger quarterback Colton Joseph didn’t have an incompletion in the second half, completing his final 10 passes. The most critical of which came on fourth down, when Wisconsin went five wide, with four receivers bunched on one side. The subsequent screen went for a 16-yard touchdown, which was Joseph’s only pass of more than 10 yards all game. Turns out, it’s all he needed.

—Defensive tackle Jahkeem Stewart is still limited by an injured foot. The injury continues to linger, and Stewart continues to fight through it. At one point Saturday, he went to the locker room before returning to the game. There’s no questioning Stewart’s toughness, and clearly he’s capable of gutting it out through games. But it doesn’t appear that he’ll be fully healthy again this season without some serious time away from the field.

—USC’s women’s hoops gave a first glimpse of a potential title-winning team on Sunday. The Women of Troy took on Cal in an exhibition matchup that marked JuJu Watkins’ return in front of fans at Galen Center, and Watkins wasted no time making her presence felt, as she went to the hoop 14 seconds into the exhibition. The trio of Watkins, Jazzy Davidson and top freshman Saniyah Hall shot a combined 22 of 45 for 59 of USC’s 78 points. Still, USC barely snuck past Cal.

Notable quotable

“Gritty ain’t pretty. We played the harder football game, brought it to them, and they can’t really do nothing with us. It’s just two different types of football.”

—Former USC running back Bryan Jackson, who scored Saturday’s first touchdown for Wisconsin

Olympic sports spotlight

USC men’s water polo ripped off nine straight wins to start the season, then went 4-3 after that, with two losses to Stanford and one to UCLA, both of which sit just ahead of the Trojans in the national rankings.

The Trojans looked back on track in their final match of the season at home, rolling past Air Force, 21-8. And they still have road matchups against UCLA, Stanford and California that should tell us whether the Trojans are true contenders for a national title.

What I’m watching this week

Olivia Wilde, from left, Seth Rogen, Penélope Cruz and Edward Norton in “The Invite.”

(A24 via Associated Press)

Some of the smartest movies are also the simplest. I kept thinking about that while watching “The Invite” recently. Directed by Olivia Wilde, the story takes place entirely in one couple’s apartment, during one evening spent with their upstairs neighbors.

It ended up being one of my favorite films of 2026 to date, with stellar performances from all the actors involved: Wilde, Seth Rogen, Ed Norton and, especially, Penélope Cruz. Maybe not the best flick to watch if you’re fighting with your significant other. But “The Invite” made me feel all sorts of feelings, which is generally what I’m looking for in a movie.

In case you missed it

Listen now: Podcast ‘House of Troy’ features inside look at highs, lows of USC Athletics

‘I’m disappointed.’ Lincoln Riley laments USC’s struggles in loss to Wisconsin

USC offensive line transforms into one of 6-1 Trojans’ biggest assets

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email Ryan at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.