Hurricane

As Puerto Rico continues to grapple with the long aftermath of Hurricane Maria — from an unreliable electrical grid to ongoing water shortages — the need for stories that see the island as more than a backdrop feels especially urgent.

That’s part of what makes “Hurricane Seasons,” an intimate new independent film about a Puerto Rican family returning home, feel so timely. The film, which screens Sunday at the Newport Beach Film Festival, stars comedian Aida Rodriguez as Glori, a Brooklyn-based artist and community-center worker. She returns to Puerto Rico to help her sister (Justina Machado) care for their terminally ill mother (Priscilla Lopez).

When their matriarch convinces the family to embark on a bucket-list road trip around the island, old family secrets surface as the 2019 protests following Hurricane Maria unfold around them. Directed by Nicole Gomez Fisher and written by Xavier Ortiz — with Rodriguez also serving as a producer — the film is both a story of a multigenerational family and a love letter to Puerto Rico.

For Rodriguez, who is best known as a stand-up comedian, “Hurricane Seasons” also marked a return to a part of her artistic identity that existed long before comedy — her love of acting. But she admits that stepping back into acting, especially as the film’s protagonist, wasn’t an easy transition.

Aida Rodriguez, left, and Priscilla Lopez in a scene from “Hurricane Seasons,” directed by Nicole Gomez-Fisher.

(Laura T Magruder)

“It was terrifying. It was very scary because as a stand-up comedian, I work very hard at trying to obtain my most authentic self so that I can share it with everybody — to be my truest self, my truest Aida,” she says. “And when you loan yourself to a character and the art form of acting, you’re loaning yourself to that character and bringing yourself to that character, of course, because that is why they choose you. But you are telling a story from the perspective of another person.”

Rodriguez had pursued acting before going into stand-up comedy. Upon moving to Los Angeles, she quickly booked acting work, signed with an agency and began taking classes.

But comedy eventually taught her to do almost the opposite of what acting required.

“When I started doing standup, the direction and the notes were always like: ‘Release any character you have in mind and just access yourself,’” she says. “So it was a battle for me. Coming back to becoming an actor and giving the character Glori what Glori deserved — and allowing Glori to live, and Aida to sit in the back — became something important for me to do.”

She adds that it took a lot of work with coaches and classes for her to relax into acting again, allowing Aida the comedian to rest while focusing on what this role required of her.

The film’s protagonist, Glori, is a Brooklyn-born-and-raised Puerto Rican woman whose connection to the island runs deep, despite her living stateside. This is something Rodriguez, who is half Puerto Rican and half Dominican, born and raised in the States, also personally relates to.

That tension — between where you live, where your family comes from, and who gets to decide whether you are “Puerto Rican enough” — is one of the film’s central themes and one reason the script resonated with Rodriguez.

“My testimony through my art has always been finding unity, solidarity, power and connection with other people,” she says. “I think that the story of growing up in the States and connecting to the island is a universal story that most people, regardless of where they come from, experience. [There’s this] idea that you’re never American enough nor whatever you are — in this case Puerto Rican enough — because there’s always a judge and jury on both sides.”

Rodriguez sees those tensions as a consequence of a much larger and complex history. She believes so much of the judgment on both sides is a lingering effect of colonization.

“For me, that was one of the most attractive things about the script — [it] was being able to engage in a conversation about what being Puerto Rican really is,” she says. “Is it based on colonial standards? Or is it based on maintaining our cultural richness and our legacy, that is handed down to us regardless of where we are?”

That question takes on even more weight today as Puerto Rico sits in the aftermath of Hurricane Maria, which Rodriguez believes shifted the relationship between Puerto Ricans on the island and those living stateside.

“There was a shift, because there are wounds from both places,” she says. “There are wounds from the people on the island that stayed and stuck it out. [They want to ask] the ones who left, ‘why do you get to claim this, if you’re not here sticking it out with us?’ Then the people who leave feel like, ‘we had to do this, so that we can not only survive, but send money back to the island.”

Rodriguez explains that, in many ways, the aftermath of the hurricane sparked arguments on both sides that were necessary to begin healing the tension. She believes it highlighted issues that Puerto Ricans, as part of a diaspora, could no longer ignore; it also highlighted an island and a community that Americans outside of the Latine community paid little to no attention to.

“It took a hurricane for people to know what Puerto Ricans were,” she says. “I think there was a cultural shift and there was a conversation that needed to be had, about what happens on the island. And what that means to those of us who are not there.”

That conversation serves as the meat and bones of “Hurricane Seasons,” in which Puerto Rico isn’t simply a location. It’s an integral presence in the story. Rodriguez, Ortiz and Gomez Fisher all agreed that filming most of the movie on the island was essential, not only creatively but also economically and culturally.

“The other thing that was very important about taking the movie back to Puerto Rico was to invest in Puerto Rico and to stimulate some sort of revenues for the island and that the crew was a Puerto Rican crew,” she says. “The DP [director of photography] was a Puerto Rican DP — all people that live on the island.”

It was important to them that if they were going to tell a story about Puerto Rico that was also shot in Puerto Rico, that Puerto Ricans on the island actually benefited from the production.

“It’s not cool to go to Puerto Rico and shoot a movie and bring in your own people from the States, and the people in Puerto Rico have to be inconvenienced with their roads being blocked and things shut down and an influx of Americans that come there to be disrespectful and them not making anything out of it,” Rodriguez says.

This commitment shows in the protest scenes. Rather than using background actors, the film features real Puerto Rican residents, including a local activist and singer.

“It didn’t feel rehearsed. It didn’t feel fake,” she says. “I just think that the feelings and the passion and the rage and the sense of urgency is still there.”

Ortiz’s commitment to specificity extended to the family casting, intentionally matching the actors to the real-life relatives they are based on.

“It wasn’t performative. It was actually real because that’s what all of our families look like,” she says. “Puerto Ricans, Dominicans, we just have that diversity because of all the stuff that’s happened in the past.”

Glori’s character also represents a refreshing departure from the way Latina women are often portrayed onscreen. She is a mother, a daughter, a community center worker, an artist — and a woman with a complicated romantic and family history. She is beautiful and desirable, but her sexuality isn’t the defining characteristic of her existence — something we don’t see enough when it comes to Latina roles.

“For me, I didn’t have to step outside of myself for the role, which was really refreshing because every audition that I ever get, I do have to step out of myself because when people write Latinas in Hollywood, they tend to write them one way,” says Rodriguez. “They look a certain way, they talk a certain way, and that’s not the reality of what being Latino, especially in America, is like.”

Rodriguez could freely inhabit a Latina character without feeling as though she had to perform her Puerto Rican-ness for the audience.

“I didn’t feel like I had to perform my Latinidad. I could just exist in it,” she says.

Rodriguez adds she’s ready for a Hollywood that wants Latina actors to have the same range of characterization that white actors have long been afforded. She’s open to seeing Latinas being everything in TV and film, where can they exist in a world in which they can just be people who just happen to be Latinas.

“I really do look for a day when we can just be people and not just be the funny, spicy friend,” she adds. “Some Latinas are not spicy. Some Latinas are nerds, and some Latinas are quirky, and some of them are goofy and some of them are clumsy. And just like everybody gets to see the spectrum of whiteness with all the different kinds of characters, I would love to see that for our people. For all people of color, actually. I think it’s important to see us all as full human beings, and that means that we can be anything.”

The film’s multigenerational story touches on the cultural inheritance passed between mothers, daughters and grandmothers — whether through old traditions or ordinary rituals. It’s something audiences, regardless of background, can likely relate to.

“The most important message that I’ve kept from my [foremothers] was never to lose my sense of Puerto Rico; that, even if I don’t live in Puerto Rico, Puerto Rico lives in me,” she says. So much of that inheritance lives in the little things she remembers about her Puerto Rican grandmother, she says, from the té de tilo she’d make for an upset stomach; the recao that grew on her grandmother’s balcony because she didn’t have a backyard; or the azabache she still wears to this day for spiritual protection. They are the same small traditions she has passed on to her kids.

“My daughter makes better arroz con gandules than all of us,” Rodriguez says. “And her recipe is true to what my grandmother’s recipe was. That will continue to live on, until we are able to go back to our island and live in peace.”

That freedom is one reason Rodriguez believes independent film is so important for stories like “Hurricane Seasons.” Without a studio machine making decisions based primarily on commercial expectations, filmmakers have more room to tell a story on their own terms.

“Once the studio gets involved, they start thinking about dollars, which they got to make money, but they prioritize the dollars,” Rodriguez says. “And I think that’s why a lot of these big projects that they spend a lot of money on have failed because they don’t honor the storytelling. They don’t honor the authenticity of the world, the authenticity of the stories.”

Her hope is that “Hurricane Seasons” encourages more people to tell their own stories — especially Puerto Ricans.

“Puerto Ricans are not a joke; we’re not a punchline. You don’t get to tell us we don’t speak correct Spanish and make fun of our songs. Then, years later, appropriate our culture and become big time doing what we do, using our terms and our colloquialisms because it brings you capital,” she says. “We are people. We’ve been doing this for a very long time, and our grandmothers and our tias and tios matter, and they’re not [a] costume that you can just put on [to] make money off of it.”

Before we wrapped up the call, Rodriguez paused for a moment when I asked her what Puerto Rico means to her. Then her eyes lit up, and her voice softened as she described why the island means so much to her — and why so many people, even outside of the diaspora, find themselves drawn to it.

“Puerto Rico is a very special place, which is why so many people want to kick us out, so they can move [in],” she says. “But they’ll never have the magic, because the magic is us.”

Simon caps a Pacific season of record-breaking intensity, as deadly storms wreak havoc from Hawaii to Mexico.

At least two people have died in Mexico after Hurricane Simon and former tropical storm Rachel brought torrential rain and catastrophic flooding to Pacific coast communities.

At a Monday news briefing, Guerrero Governor Evelyn Salgado confirmed that a 71-year-old man had died during Hurricane Simon after a retaining wall collapsed under the weight of intense precipitation.

According to the Guerrero-based news agency IRZA, the man, identified by his family as Albino Moreno Jimenez, had been feeding his animals on the western outskirts of Chilpancingo when a wall came crashing down on him.

A second death was announced later in the day in the state of Baja California along Mexico’s western coast. There, Governor Marina del Pilar said that a young girl had died from the effects of what was once Hurricane Rachel, which peaked in early October as a Category 3 storm.

At least 10 more people remain missing in Baja California, according to the governor. Eight were reported missing in the city of Ensenada, on the Pacific coast, and two in the fishing town of San Felipe on the Gulf of California.

The figures remain preliminary, with local newspaper La Jornada reporting a higher death toll of two in Baja California and 11 missing.

Death toll expected to rise

Rachel made landfall in the Mexican state as a post-tropical cyclone, and its remnants have travelled north through southern California in the southwestern United States.

Hurricane Simon, meanwhile, has churned off the coast of Mexico since the weekend. By late Monday morning, it had weakened from a powerful Category 4 storm to a Category 2.

Its maximum sustained winds had slowed slightly to around 155km/h (100mph), according to the US National Hurricane Center. Its centre was about 115km west-southwest of Cabo Corrientes, a cape in the state of Jalisco, drifting west at 3km/h.

Forecasters predict Simon could make landfall on Thursday or Friday. Hurricane warnings remain in effect for western Mexico, which is vulnerable to landslides and deadly surf conditions as a result of the storm.

Experts warn the death toll from both storms could rise, and officials have called on residents to exercise caution amid the devastation wrought by downed trees, high winds and floodwaters.

The Spanish newspaper El Pais reported the death of a cliff diver, Juan Patines, who was killed in Mazatlan, the northwestern state of Sinaloa, after jumping into the sea on Saturday night.

According to Mexican media, the heavy surf hampered his efforts to return to shore amid dangerous coastal conditions associated with Hurricane Simon. Local authorities later halted cliff-diving at the site due to hazardous sea conditions.

Officials have yet to confirm whether his death was directly linked to Hurricane Simon.

A record Pacific storm season

Rachel and Simon have battered Mexico’s western coast as part of an extraordinary stretch of hurricane activity across the Pacific.

The northeastern and central Pacific Ocean has experienced a record storm season this year, fuelled in part by the El Nino weather phenomenon, which results in warming waters in parts of the region. Twenty-one named storms have been recorded in the Pacific so far.

On Sunday, Simon tipped the region to a historic high for accumulated cyclone energy (ACE), a metric of the combined strength and longevity of tropical storms. This year has already surpassed the previous high set in 2018.

The US island chain of Hawaii has been among the hardest-hit places. In August, Hurricane Lala unleashed ruinous flooding on Hawaii’s Big Island as a Category 1 storm, killing a 93-year-old woman and destroying some 100 homes, according to state officials.

A few weeks later, Hurricane Lowell, a Category 4 hurricane at its peak, struck the Hawaiian islands of Kauai and Niihau, where powerful winds, storm surge and flooding overwhelmed towns and roads.

Roughly 90 percent of Kauai’s power customers were plunged into darkness as a result of electricity outages. At least two deaths were linked to Lowell.

In late September, Hurricane Nolo brought another round of flooding and landslides to the Hawaiian islands, though it did not make landfall.

Residents across the southeastern United States have begun cleanup efforts after Hurricane Isaias, the first Atlantic tropical cyclone of the 2026 season, slammed ashore near Destin, Florida, on Friday.

As of midafternoon Sunday, roughly 356,000 customers remain without power in southern Alabama and the northwestern region of Florida, according to data from PowerOutage.com, an independent tracking website.

At its peak, the storm knocked out power to nearly 800,000 homes and businesses across the Gulf Coast.

Sarah Gatewood, a spokesperson for the utility company Florida Power and Light (FPL), announced that workers from across Florida and more than two dozen other states had mobilised to restore power.

At least four deaths have been linked to Isais after it made landfall as a Category 2 storm on the five-tier Saffir-Simpson Hurricane Wind Scale.

The tempest churned northward into Alabama on Saturday with fierce tropical-storm-force winds before weakening into a post-tropical cyclone and tracking further north towards the Appalachians.

Though its power is waning, the storm continues to endanger the mid-Atlantic region with the potential for flash flooding.

According to the National Weather Service (NWS), surface observations indicate that Isaias now has maximum sustained winds of 160 km/h (100 mph) and an estimated minimum central pressure of 28.88 inches, or 978 millibars.

Across Florida and Alabama, residents have reported damage from the storm’s high-velocity winds.

A Rest and Relax Inn in the resort city of Pensacola, Florida, saw its roof sheared off during the hurricane, and a boathouse was flattened in Destin.

The immediate struggle for basic necessities was most stark in Pensacola, the westernmost part of the Florida Panhandle, where the storm downed power grids and caused widespread structural damage.

Hundreds of cars lined the block around a United Cajun Navy distribution site, a volunteer disaster relief organisation, on Saturday morning.

Pensacola’s Mayor DC Reeves warned of critical drinking water shortages following the storm, which affected drinking wells and water infrastructure. Residents, he said, remain under an advisory to boil tap water before use.

“We are winding down day three of storm response and recovery operations, and we remain focused on public safety, clearing debris, and restoring critical infrastructure and services,” Reeves said on social media.

Isaias also forced the indefinite closure of Pensacola International airport, Florida’s 10th-largest airfield, due to severe damage.

Fallen trees and power lines continue to make travel hazardous in Houston County, Alabama, which remains under an emergency flash flood warning, according to state emergency officials.

“Due to the impacts of Hurricane Isaias, all Houston County roads are closed until further notice,” the agency posted on X.

The Mexican community of Cabo Corrientes faces the risk of a direct hit as the Category 4 storm churns off Jalisco.

Mexican President ‌‌Claudia Sheinbaum has urged residents along the Pacific Ocean to stay indoors as Hurricane Simon’s powerful winds and heavy rains pound coastal communities.

As of Sunday, the hurricane’s eye was moving offshore of Mexico’s Jalisco state, with winds of at least 240km/h (150mph).

Torrential rain has already battered residents living between the Sierra Madre mountain range and the ocean. Communities in hilly and mountainous areas have been warned to brace for mudslides.

Simon reached Category 4 strength, on a scale of five, on Saturday, as part of an unusually active Pacific hurricane season.

“With the approaching impact of Category 4 Hurricane Simon, we urge residents of coastal municipalities ‌‌in Jalisco, Colima, Nayarit and Michoacan to remain sheltered until authorities officially declare that the danger has passed,” Sheinbaum wrote in a post on the social media platform X on Sunday.

In a midday advisory, the United States’ National Hurricane Center (NHC) warned that Simon could produce “additional rainfall totals of 8 to 16 inches (20 to 41 cm) over portions of southwestern Mexico”.

Precipitation totals as high as 76 cm (30 inches) were possible in areas of Michoacan, Colima, and Jalisco until Monday.

It’s not clear whether the storm will make landfall. But the greatest risk of a direct hit lies at the moment with Cabo Corrientes, a town that sits on a cape in Jalisco, jutting into the Pacific Ocean.

Mexico’s National Civil Protection ⁠⁠Coordination (CNPC) placed 28 municipalities in Jalisco and Colima under its highest cyclone alert level, while another 93 municipalities were under a ⁠⁠high alert level, according to civil protection bulletins.

Classes were suspended in the affected areas, and efforts to evacuate residents were under way.

Businesses in popular tourist destinations like Puerto Vallarta boarded up windows and placed sandbags at entrances as the storm approached.

Jalisco’s Governor Pablo Navarro warned that the high-powered hurricane was creating “high-risk marine conditions” along the coast of his state, with waves reaching as high as eight metres (26 feet).

On Sunday, he also shared video on social media of the storm surge crashing onto sidewalks and flooding waterways.

“Here is the current state of Jalisco’s beaches this morning — from Barra de Navidad to Puerto Vallarta — as Hurricane Simon passes through,” he wrote in the video’s caption.

“I ask everyone to heed official instructions, take precautions and avoid putting themselves at risk. The safety of Jalisco’s families is the top priority.”

Storm damage stretches across Florida and Alabama as officials warn of continued flooding and possible tornadoes.

Hurricane Isaias, the first hurricane of the 2026 Atlantic season, has killed two people and left hundreds of thousands of customers without power across the southeastern United States.

The storm made landfall near Destin, Florida, on Friday evening as a Category 2 hurricane before weakening as it moved inland through Alabama overnight.

One person died in Birmingham, Alabama, when a tree fell on a house overnight, according to local emergency officials. A second person was killed in Escambia County, Florida, after a tree fell during the storm, according to local authorities.

Florida Governor Ron DeSantis said on Saturday that state officials had not confirmed any storm-related fatalities, including the report from Escambia County.

Isaias hit land with sustained winds of 169km/h (105mph), bringing powerful gusts and heavy rain to the Florida Panhandle. By Saturday morning, the storm had weakened to a post-tropical cyclone with wind speeds of about 55km/h (35mph).

More than 900,000 electricity customers in Florida, Alabama and Georgia were without power early Saturday morning. That number has since gone down to under 800,000, according to PowerOutage.us.

Fallen trees and downed power lines caused widespread disruption, while flooding forced road closures in parts of southern Alabama, including Houston County. Alabama Governor Kay Ivey said on Saturday morning that her team was concerned about “strong winds, heavy rain and possible spinoff tornadoes”.

Local officials in Pensacola, Florida reported strong winds that damaged an airport and tore the roof off a hotel. Trees and power lines also came down across the city, leaving some residents without electricity and roads blocked.

Despite the storm’s weakening, officials warned that dangerous conditions could persist. Heavy rainfall threatened flash flooding across parts of the Southeast.

“The flooding story is not over,” DeSantis said on Saturday, warning that saturated ground and continued rainfall could cause dangerous flooding a day or two after the storm passed. He said state search and rescue resources would remain available in case rapidly rising waters required emergency rescues.

Florida Attorney General James Uthmeier also warned residents to be alert for contractors seeking to exploit storm victims as homeowners begin repairing damaged properties.

More than 664,000 customers in Florida and Alabama have been left without power as Isaias downs trees, power lines.

Hurricane Isaias has crashed into the United States Gulf Coast before losing speed and turning into a post-tropical storm as it moved over southern Alabama, threatening flash flooding and strong winds farther inland.

The US National Hurricane Center (NHC) said on Saturday that Isaias is about 89km (55 miles) south-southwest of Montgomery, with maximum ⁠sustained winds of 100 kilometres per hour (65 ⁠miles per hour).

When it made landfall near Destin, Florida, as the first hurricane of the Atlantic season, Isaias had maximum sustained winds of 169km/h (105mph), the agency said.

Roads in Destin were flooded, while in nearby Pensacola, police warned residents to stay off the streets because of debris across roadways.

While the extent of the damage was not immediately known, many area residents posted pictures online of downed trees and power lines, and one social media video showed a roof being ripped off an inn in Pensacola.

Some Panhandle counties temporarily suspended their emergency response on Friday night because of dangerous conditions.

Parts of southern Alabama were also flooded, with officials in Mobile reporting downed trees and power lines.

Roads in Houston County, which is in the southeastern corner of the state, were closed because of similar conditions.

More than 664,000 customers in Florida and Alabama were without power early Saturday, according to poweroutage.com.

One of the biggest concerns is a storm surge that could reach 0.91-1.52 metres (3-5ft) from Dauphin Island, Alabama, to Florida’s Aucilla River, according to the hurricane centre.

The storm grounded most Friday flights at several airports, including all flights in and out of Destin-Fort Walton Beach Airport.

‘Under control’

Asked about hurricane preparations, President Donald Trump ⁠told reporters outside the White House, “We’re watching it very ⁠closely, the hurricane,” adding that it was “under control”.

Florida’s National Guard deployed about 5,000 soldiers and airmen to help with the response, with search-and-rescue teams ready to respond, while some prisons evacuated inmates.

“Emergency declarations have ‌been approved in Florida and Alabama to ensure federal resources are available to respond to Isaias,” Homeland Security Secretary Markwayne Mullin said on X, as residents ‌were urged to take shelter and watch out for hurricane conditions.

Another tropical storm, Rachel, was also expected to bring strong winds and rain to northern Mexico and Southern California over the weekend.

And Simon has strengthened into a powerful Category 4 hurricane as it barrelled towards Mexico’s coast early on Saturday.

The NHC said Simon’s maximum sustained winds increased to 225km/h (140mph). A storm of that strength or greater is considered a major hurricane.

Simon is expected to bring heavy rainfall over parts of southwestern Mexico, possibly concentrated along the coast of Jalisco and in parts of Michoacan, Colima, and Nayarit.

Forecasters warned of life-threatening flooding and mudslides.