horror

A FORMER Nickelodeon child star has laid bare his life on the streets, revealing a staggering list of drugs he says he is taking even as his mother urges fans not to help him financially.

Tylor Chase, 36, once a fresh-faced teen actor on Ned’s Declassified School Survival Guide, is now roaming the streets of Riverside, California, picking up cigarette butts and discarded Christmas cards.

When reporters found Chase behind a 7-Eleven on Monday, he was digging in the dirt, dressed in a torn jacket, a scruffy LA Raiders polo and pants patched with characters from Rugrats.

His hands were cut and blistered, dirt packed under his fingernails.

Offered food, Chase instead asked for marijuana.

“I could use maybe a joint or a bong. Do you guys smoke weed?” he told the Daily Mail.

He also revealed the list of drugs he says he is taking while living on the streets.

“I like to vape,” Chase said, adding that he takes “Prozac, Adderall, Sudafed, Wellbutrin or also Zoloft,” which he claimed were prescribed by a psychiatrist, though he denied having any diagnosed mental health conditions.

Chase rose to fame at 15 playing brainy Martin Qwerly on the Nickelodeon hit from 2004 to 2007.

After the show wrapped, his acting career fizzled and his life slowly unraveled.

In 2014, he posted bleak poetry online hinting at his mental state.

In one poem titled Bipolar, he wrote: “I’m a leaf in a running gutter with the inevitable fate of ending up in a drain… Perhaps I am doomed. Perhaps I have done nothing. Perhaps I am nothing.”

The former actor eventually moved to Riverside “about seven to nine years” ago, where his mother lives.

He tried to pursue art, self-publishing two fantasy novels in 2020 and continuing to post poetry online until 2021.

But Chase also began spending more time on the streets and racked up a long rap sheet.

Riverside County court records show 12 criminal cases since August 2023, including eight this year.

His most recent arrests involve alleged shoplifting and being under the influence of a controlled substance. Both cases are ongoing.

Riverside Police say Chase is not wanted for any crimes.

Police spokesman Ryan Railsback told the Mail that during all interactions with cops, Chase “has been cordial and cooperative”.

He added that officers offer him shelter, treatment and mental health services weekly, all of which he has declined.

Despite his appearance, Chase insisted he is not homeless.

“I stay around here locally. My mom is here,” he said.

“I have a lot of good people helping me.

“It’s not too shabby. A lot of people help out. It goes a long way.”

Chase said he may move back to Georgia to live with his father and enter a housing assistance programme.

“I’m not really active homeless at this time,” he said.

“I’m thinking that I would like to go see my dad… Probably a housing assistance program in Georgia most likely.”

After videos of Chase looking unrecognisable went viral, a GoFundMe raised more than $1,200.

But his mother, Paula Moisio, demanded it be taken down.

“Tylor needs medical attention not money. But he refuses it,” she wrote in messages shared online.

“Money would not be a benefit to him. He can’t manage money for his meds by himself.”

The singer described one moment that it all went wrong during a show

The singer Taylor Swift has recalled suffering a horrific injury during her ambitious Eras Tour that left her skin ‘flapping off’.

Her admission came during the latest episode of her new doc-series releasing on Disney Plus. The End of an Era is a 6-episode documentary series chronicling the creation, influence, and behind-the-scenes workings of the mega-popular artist’s The Eras Tour.

It offers an intimate glimpse into Taylor’s world as her tour dominated headlines and delighted supporters globally. Two episodes have been releasing weekly starting with last week’s double premiere.

Fans have already been treated to plenty of behind the scenes secrets, including emotional moments. They include the singer rewarding her team with bonus payments for their efforts. Also the pop star broke her silence regarding the tragic Southport attacks for the first time.

Unsurprisingly, the series has proven to be a huge hit with fans. Taylor has even given them an early Christmas gift as it was recently revealed that the two final episodes will now release earlier than originally planned, on December 23.

The latest episodes demonstrated the physical effort needed for Taylor and her team to pull off the Eras show. She is seen rehearsing extensively with plenty of time also spent working out in a personal gym so she can perform all the dances and moves to the best of her ability.

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However, even with all this preparation, sometimes things don’t go quite as planned. Taylor reveals that she suffered a horrendous injury during a show in Texas back in April 2023.

During the show, she tripped and cut her hand open during a costume change. Explaining the incident, she says: “I remember I was running from the Evermore era, and I tripped over the hem of my dress. Bust my knee. I skid the palm of my hand off. Hobble into the quick-change room, blood’s coming down my hand.”

Somehow, she still managed to make her change, which is often timed to take as much as 39 seconds, and into the next item which happens to be her Reputation body suit. But she adds that a piece of her skin was “flapping off.”

She added: “I just pull it off. More blood. They don’t have a Band-Aid back there.” Recreating her movements, she proudly concludes: “Wasn’t late. Wasn’t late for the intro of that song.”

While the incident or injury was not publicly mentioned, it didn’t take long for Swifties to noticed. Taylor adds: “”The fans noticed it a couple of days later, they’re like, ‘Oh, her palm’s gone.’ I was like, ‘I am not acknowledging this. What? Nothing’s wrong, it’s always been like that.'”

Taylor Swift: The End of An Era is streaming on Disney Plus.

I think about Rob Reiner almost every time I put on my socks.

I am old enough to remember the famously hilarious (and largely improvised) bit from “All in the Family” in which Reiner’s Mike “Meathead” Stivic and Carroll O’Connor’s Archie Bunker argue about the correct order of donning footwear — both socks first (Archie’s method) or sock/shoe, sock/shoe (Mike’s).

The straight-faced back and forth was, and is, a pitch-perfect exhibition of how much time and energy we waste judging, and arguing about, personal differences that are none of anyone’s business and matter not at all.

I also think about Reiner whenever my now-adult children and I sit down for a movie night. When all other suggestions fail, at least one of his films — ”Stand by Me,” “The Princess Bride,” “A Few Good Men,” “When Harry Met Sally…,” “Misery” — will achieve consensus, in large part, because of that same understanding.

Reiner was, above all, a compassionate filmmaker, willing to excavate all manner of conflict and tension in search of the essential humanity that connects us all.

Reiner helped shape the culture of my youth and early adulthood with such brilliant empathy that his random appearances on television — as Jess’ (Zooey Deschanel) father in “New Girl” or, more recently, Ebra’s (Edwin Lee Gibson) business mentor on “The Bear” — sparked immediate reflexive delight, as if a beloved uncle had shown up unexpectedly at a family dinner.

It helped, no doubt, that I share his political leanings. Reiner’s advocacy for gay marriage and early education were well-known, as was, in recent years, his unvarnished criticism of President Trump, who Reiner, like many others, considered a danger to democracy.

That criticism should have prepared me for the chilling invective unleashed by some, including Trump, in the wake of the news that Reiner and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, victims of a knife attack, and that their son Nick, who has a history of drug addiction, was in police custody.

Even as the millions who were touched by Reiner’s work struggled to process their shock, grief and horror, Trump responded with a post in which he claimed that the Reiners’ murders were “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS.”

Horror unfolds around the world on a daily basis. This weekend, a father and son opened fire on a Hanukkah celebration in Australia, killing 15 and wounding many others; a gunman killed two and wounded nine at Brown University; and two members of the Iowa National Guard were killed and three others injured by gunmen in Syria.

Even so, between the shocking news of the Reiners’ deaths, the possible involvement of their son and the unhinged and cold-hearted response of the president of the United States, it is difficult to know how to react, short of tearing out one’s hair and screaming up to an indifferent sky.

No person’s life means intrinsically more than any other — many people are killed by violence each and every weekend, often by family members; that we seem to have become inured to mass shootings is another sort of horror.

But Reiner’s work, in film, television and politics, affected millions around the world personally and culturally. In “All in the Family,” his young leftie was far from the hero of the piece — Mike’s values were more humane and progressive than the bigoted Archie’s, but he could be just as narrow-minded as his father-in-law and just as capable of change.

As a director, Reiner championed independent filmmaking, which is to say smartly written movies that told interesting stories about characters that were recognizable in their humor and humanity (which is one reason he was so successful in adapting Stephen King’s work, including the novella “Stand by Me” is based on and “Misery”).

His political activism too was grounded in the desire to make life better for those historically marginalized by policy and culture. He campaigned against tobacco use and for Proposition 10, which increased the tax on cigarettes, and funded early education. In 2009, he used his considerable influence to co-found the American Foundation for Equal Rights and successfully fought to legally challenge Proposition 8, which banned same-sex marriage in California.

As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.

The news cycle surrounding the Reiners’ deaths is likely to get worse, as details emerge and reactions of all kinds continue. For a long while, it will be difficult to think of Reiner and his wife as anything but victims of a brutal crime of truly tragic proportions and the regrettable heartlessness that our political divisions have created.

Ironically, and mercifully, solace for this loss, and so many others, can be found in Reiner’s work, films and performances that are impossible to watch without feeling at least a little bit better.

As Hollywood and the world mourns, I will try to think of Reiner as I always have. After all, no matter the order, we all put on our shoes and socks one at a time.

And then, as his artistic legacy teaches us, we stand and try to do the best we can with whatever happens next.

As the players walked out at a packed Celtic Park, and a stirring rendition of You’ll Never Walk Alone echoed around the stadium, the camera cut to Nancy.

The disco lights, which were splurged out on for these European nights, flashed towards the Frenchman.

Hart said the ground in the east end of Glasgow is a “special place” on such occasions but the mood of that place has turned sour in recent times.

Long before Nancy’s arrival, the club was riven with disharmony.

The events of last summer – recruitment issues, Champions League dismay, Brendan Rodgers’ acrimonious departure – had cast a long shadow.

Martin O’Neill’s interim stint back at the club steadied matters, with seven wins from eight games and an uplift in the mood.

But by the time Roma had a fourth goal ruled out in the closing stages on Thursday, large swathes of the crowd had gone home. Many fans had seen enough.

“It breaks my heart to see [Celtic Park] like this,” said Hart. “The atmosphere just isn’t there. This is such a special football club, but it’s only special when it’s united.

“It’s not easy for a new manager and new system, but it’s not rocket science and Nancy’s got to learn quick.”

Perhaps one thing all of a green and white persuasion could agree upon was that Roma were rampant as they cantered to a second win in Glasgow this term.

“It wasn’t good enough, especially first half, we lost too many duels and too many sloppy balls,” midfielder Arne Engels – who missed a first-half penalty – said.

“We know we can do better and hopefully we can move on because we have a final in a few days. We need to keep our heads high and move on.

“It’s up to us to react. We need to look to ourselves to keep performing.”

CAMRYN Magness, the singer who toured with One Direction, has died aged 26 after being struck while riding an electric scooter.

Her death was confirmed this week in a statement on her official social media pages, describing her as a “radiant force”.

It read: “Our hearts are heavy as we mourn the loss of our beloved Camryn, a radiant force whose voice, coy, and bright spirit touched so many.

“Whether beneath the waves or on stage, she met life with fearless energy and boundless kindness.

“In the quiet between waves, her memory will surface—bright, bold, unforgotten.

“Rest in endless blue, our sweet girl. You are deeply loved and forever cherished.

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“Please keep her family and friends in prayer as they navigate this difficult time. Camryn will live on in our hearts forever.”

Camryn died last Friday after being struck in Fort Myers, Florida, according to multiple reports.

Born in Denver, Colorado, in 1999, she began her career at eight, posting YouTube videos that led to a record deal and a move to Los Angeles.

Her debut single Wait and See featured in the 2011 film Judy Moody and the Not Bummer Summer.

She toured with Cody Simpson and Greyson Chance in 2011 before joining One Direction as a support act for seven US dates on their 2012 Up All Night Tour.

The band then brought her back for 63 shows on their 2013 Take Me Home Tour.

Reflecting on that breakthrough, she previously told Teen Vogue: “Going into the tour, I was an unknown artist.

“It’s a great feeling to be walking around and someone coming up to me and saying, ‘Hey, you did so well!’. It was really exciting for me when that happened for the first time.”

Camryn later supported Fifth Harmony and released a run of singles, along with her 2017 album Glow.

Her official obituary described her as “beloved” as a “daughter, sister, fiancée, granddaughter, and friend” who died “far too young, and long before her light was ever meant to leave this world”.

It remembered her as a “vibrant, fearless, and deeply loved young woman whose compassion, humour, and bright spirit touched every person blessed to know her.”

It added: “A gifted performer, Camryn’s voice and music were extensions of her soul.

“Whether she was on a stage, at a family gathering, or sharing a song with someone who needed it, Camryn’s music was a reflection of her heart, her courage, and her endless creativity.”

Camryn Magness is survived by her parents, Sarah and Gary; siblings Chelsea and Cable; and her fiancée, Christian.

More to follow… For the latest news on this story keep checking back at The Sun Online

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