horror

Netflix fans point out same issue with Stranger Things bosses’ ‘insane’ horror

Stranger Things’ The Duffer Brothers have teamed up with Baby Reindeer’s director for an “atmospheric” new horror drama.

Netflix has dropped the hotly-anticipated trailer for Something Very Bad Is Going To Happen just days before it premieres.

The eight-part limited horror series, starring The Night Manager actress Camila Morrone and The White Lotus actor Adam DiMarco, is scheduled to be released in full on Thursday, March 26, on Netflix.

The streamer teases that it will revolve around an “atmospheric wedding…following a bride and groom in the week leading up to their ill-fated nuptials”, cheekily teasing that it’s “not a spoiler”, given the show’s title.

The trailer sees loved-up Rachel (played by Camile Morrone) and Nicky (Adam DiMarco) head up to his family’s log cabin where they plan to get married but she soon feels as if something “weird” is happening.

While fans have shared their excitement at the upcoming horror, some couldn’t help but point out it resembles the plot of horror franchise Ready or Not.

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Released in 2019, the original horror film saw Grace (Samara Weaving) fight for her life on her wedding night as she is forced to play a deadly game of hide-and-seek with her wealthy in-laws.

The sequel to Ready or Not is scheduled to be released next month and will see Grace joined by her sister as they try and survive rival families hunting them down.

Taking to YouTube ’s comments section, a viewer posted: “Feels like ‘Ready Or Not’ without a sense of humour.”

“What in the Ready or Not,” another said followed by a crying face emoji as a fan replied: “Right??! Like haven’t we already seen this.”

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Someone else asked: “Is this like Ready or Not or something?”

But not everyone agreed that it was the same story as a user pointed out: “Ready Or Not isn’t the first film to have a spooky marriage plot, begging you people to watch movies.”

What makes Something Very Bad Is Going To Happen stand out even more is the fact that it’s executive produced by Stranger Things legends The Duffer Brothers and directed by Baby Reindeer’s Weronika Tofilska.

“The Duffers Cooked,” a fan praised as another posted: “I just realized this is a show by the Duffer brothers..I will be checking it out.”

Someone else then joked: “Imagine Vecna making an entry.”

The official synopsis reads: “Rachel (Camila Morrone) is getting married in five days.

“Together with her fiancé, Nicky (Adam DiMarco), she embarks on a road trip to his family’s vacation home, secluded in a snowy forest, for the intimate wedding ceremony of their dreams.

“Which really would be so lovely, except… prone to superstition and paranoia, Rachel can’t shake the relentless feeling that something bad is going to happen.

“Her foreboding doubts, coupled with a series of eerie coincidences and dreadful surprises, force her to ask the question: What makes two people soulmates? And worse — what could be scarier than lifelong commitment to the wrong person?”

Something Very Bad Is Going To Happen premieres on Thursday, March 26, on Netflix.

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Highlights from our Feb. 26 issue

We made it! After this weekend, when the Producers Guild of America and Screen Actors Guild hand out their highly predictive precursors, the final shape of the Oscar race should be (reasonably) clear — and nominees worn out by months of campaigning will be breathing a sigh of relief.

Before I share highlights from this week’s issue, one programming note: This will be my last letter from the editor until our inaugural Cannes issue drops in May. (Don’t worry, I will be plenty busy in the interim catching up on this year’s top Emmy contenders.)

Thanks as always for following along, and may you triumph in your Oscar pool!

Cover story: Rose Byrne

February 26, 2026 cover of The Envelope featuring Rose Byrne

(Ryan Pfluger / For The Times)

Times columnist Mary McNamara and I don’t agree on everything, but we do agree on this: “Damages” deserves to be ranked alongside “Mad Men” and “Breaking Bad” in any discussion of the Golden Age of TV.

That’s thanks in one part to a gripping flash-forward narrative structure now so common it could be considered a cliché, and in another to Glenn Close’s indelible performance as ruthless litigator Patty Hewes. But it’s also a testament to the multifaceted talents of Rose Byrne, who went “toe-to-toe” with Close in what would become her breakthrough role — and then confidently pivoted to projects like “Insidious,” “Bridesmaids” and “Spy.”

“Byrne is something of a creative chameleon, moving easily from drama to comedy to horror, film to television to stage and back again,” McNamara writes in this week’s cover story. “In many ways, her gut-wrenching, darkly funny performance as a woman pushed beyond all endurance in “If I Had Legs I’d Kick You” is a culmination of all the characters she brought to life before it.”

Inside Warner Bros.’ dominant Oscar haul

Michael De Luca, left, and Pamela Abdy are photographed at the Warner Bros. lot.

(Christina House/Los Angeles Times)

Whether you come down on the side of “Sinners” or “One Battle After Another” in the best picture race may be perfect fodder for debate with friends over a few small beers, but for Warner Bros. executives Mike De Luca and Pam Abdy it would be akin to choosing a favorite child. After all, both projects emerged from the pair’s desire, as contributor Gregory Ellwood writes, to make WB “a destination where filmmakers of all varieties, including auteurs, bring their projects for ‘white glove’ treatment.”

As De Luca explains, “Everything was original once… If you don’t refresh the coffers with new IP to create new franchises, at some point you get to Chapter 10 or 11 and people start to move on.”

The many faces of ‘The Secret Agent’

Gabriel Domingues, nominated in the first ever Oscar casting category for his work on "The Secret Agent."

(Ryan Pfluger/For The Times)

The moment Tânia Maria arrives onscreen as Dona Sebastiana in “The Secret Agent,” you can’t help but ask yourself, “Who is that?!” (Star Wagner Moura had the same reaction.) But the real feat casting director Gabriel Domingues pulls off in the Oscar-nominated Brazilian thriller is to make you ask yourself the same question, over and over, every time a new character appears.

How did Domingues find a range of actors to represent the country’s endless diversity? It’s part of his process, writes contributor Carlos Aguilar: “He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look — those without a prominent arts scene, for instance.”

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The Voice Kids star, 19, killed in horror hit-and-run while crossing road as cops hunt driver who fled the scene

An image collage containing 1 images, Image 1 shows Young Nicole Valeria Vargas poses in a light blue shirt and red polka dot skirt, making a peace sign

A TEEN singer who starred on The Voice Kids has been killed after she was struck by a hit-and-run driver who fled the scene.

Nicole Valeria Vargas Gomez, 19, died in the horror crash in Quindio, Colombia.

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Young Nicole Valeria Vargas starred on Colombia’s version of of The Voice Kids in 2019.Credit: Newsflash

She appeared on Colombia’s edition of The Voice Kids in 2019.

William Andres Paipa, 40, also died in the collision.

Cops said the pair were crossing the road when an unidentified vehicle smashed into them out of nowhere.

The impact threw them through the air onto the opposite side of the road.

Local police confirmed that the driver did not stop the help William and Nicole, but fled the scene.

They are now hunting down the vehicle which caused the deadly crash.

Nicole was studying Business Administration student at the University of Quindío.

The university said in a statment: “Nicole was a young woman committed to her academic training and to the cultural life of our alma mater.

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“From the classrooms and also from the stages, she left her mark through her discipline, sensitivity and deep love for art.

“As a member of Coranto, she always carried the name of the University of Quindio with honour to every meeting and performance.”

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Britain’s Got Talent’s Alesha Dixon reveals horror injury after fighting against Simon Cowell

Alesha Dixon and Simon Cowell both returned to the judging panel of Britain’s Got Talent, alongside Amanda Holden and YouTuber KSI, while Ant and Dec returned as the show’s hosts

Britain’s Got Talent is back, and the nation is ready to watch along as the search for the next big thing gets underway. But for Alesha Dixon, filming the show resulted in a horror injury.

Speaking to the press at a launch event for the show, which kicks off its 19th series on Saturday, 21 February, Alesha revealed how a fight against Simon Cowell left her physically hurt. “I injured myself trying to stop Simon pressing the Golden Buzzer,” she said.

During the audition phase of the series, the judges – Alesha, Simon, Amanda Holden and KSI – can press the Golden Buzzer to send an act straight through to the live semi-finals. Simon shared that he and the other judges were “fighting over the Golden Buzzer a lot” this year.

READ MORE: Alesha Dixon’s emotional journey to father’s homeland unearths shocking secretsREAD MORE: ITV star addresses ‘personal beef’ with Britain’s Got Talent ‘I’m fuming about it’

In one case, this meant Alesha hurt herself. “There was an act where we were quite competitive for the Golden Buzzer. And I could sense Simon getting up, so I literally dived across the desk.

“I’ve never done that before, I dived onto the desk. And then they wanted me to recreate this dive. So how can I recreate this? Because I injured myself just to stop him getting his way.”

Alesha has been a judge on Britain’s Got Talent since 2012. Two of her fellow judges, Amanda and Simon, have been on the show since it began in 2007, but YouTuber KSI is a newcomer. Having made a few guest judging appearances last year, he took over for Bruno Tonioli this year.

Speaking on the series as a whole, Alesha said: “It was so funny. For me, overall, this season felt like we were back to the chaos that we love on our show. More than ever, it just felt bonkers.”

This comes just weeks after the Mirror reported that Alesha’s band Mis-Teeq were in talks to reunite for their 25th anniversary and were eying up a potential Britain’s Got Talent performance.

A reunion had previously seemed unlikely, as Sabrina Washington had launched legal proceedings against Alesha and their prior label, Universal, for royalties six years ago, but she and the BGT judge now seem to be on talking terms again.

Sabrina had claimed that Alesha had “wrongfully claimed” credits for writing their first two singles. At the time, a spokesperson for Ms Dixon said: “Alesha wrote the raps on both Why? and All I Want and that is why she gets a split. The rest of the song was written by a production team. Sabrina has no reason to sue Alesha.”

This now appears to be water under the bridge for the stars, though. Speaking to the Mirror, a source said: “There’s always talk of a reunion and projects on the table, but it’s a matter of trying to get everyone together. Alesha and Su both have children; Su’s in Australia permanently, and Sabrina has been doing a lot of solo gigs across the UK and Europe.

“Sabrina and Su participated in the Girlbands documentary, albeit separately, but it raised more questions than answers, with Sabrina being visibly upset when asked about how the group split, following their UK label’s collapse. Su mentioned there was a potential new record deal for the group at the time, which then became an Alesha solo deal. Nobody’s sure if Sabrina was aware of that, or if the first time she found out was watching the documentary. “

Our source added: “They will want to do something that’s meaningful, but they haven’t been in a room as a trio, together, since their split in 2005. They’ve seen each other individually and speak to each other, but some are most closer than others. They haven’t physically been together yet, and it seems there’s a lot to discuss before they’re in a place to do a reunion.”

A source also told The Sun : “One thing that has come up is the idea of a one-off show. It could be an intimate gig for their die-hard fans or a performance on a big TV programme such as Britain’s Got Talent.”

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