horror

AMERICAN Pie star Tara Reid told police she was drugged at a Chicago hotel bar – ending in a hospital dash with the star in a concerning state.

Distressing footage shows the actress, 50, looking unwell as she sits in a wheelchair, before being stretchered out by paramedics on Saturday night.

The Rosemont Public Safety Department confirmed on Tuesday that the actress had filed a report.

Reid has vowed she is willing to prosecute anyone involved.

The 90s film pin-up said the night was a “big blur”, but insisted she had only had one drink before being taken ill.

Speaking to TMZ Live on Tuesday, she recounted leaving her drink in the hotel bar to go for a smoke, and returning to find a napkin covering it that hadn’t been there when she left it.

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She said: “And then I drank my drink, and without even finishing my drink, I just passed out. And before I knew it, I was in the hospital eight hours later.”

The person who filmed the episode told the publication that Reid was yelling: “You don’t know who I am. I am famous. I’m an actress,” before medics arrived.

Tara was allegedly told by hospital doctors that she had been drugged, though said no tests were undertaken to determine what the drug was or her blood alcohol level.

She continued: “It was all kind of vague. It was all like very blurry, do you know what I mean? I can’t even explain it because I don’t even know what happened.”

When she came around, Tara left hospital with her agent and went straight to a signing before heading home.

A representative for the star said: “Tara Reid has filed a police report after an incident in which she believes her drink was tampered with.

“She is cooperating fully with the investigation. Tara is recovering and asks for privacy during this traumatic time.

“She also urges everyone to be careful, watch your drinks and never leave them unattended, as this can happen to anyone. She will not be making further comments at this stage.”

Tara’s screen career began in the 90s with small roles in the soap opera Days of Our Lives and teen sitcom Saved by the Bell: The New Class.

In 1998 she appeared in slasher flick Urban Legend, teen drama Cruel Intentions and cult hit crime comedy The Big Lebowski.

But it was as sexy virgin Vicky in American Pie and its sequels that really made her famous.

Tara’s career stalled in the mid-2000s with a string of critical and commercial flops including Josie and the Pussycats, Van Wilder and Alone in the Dark, for which she received a Razzie Award nomination for Worst Actress.

To make matters worse, she suffered two botched plastic surgery procedures in 2004, including breast implants and a body contouring procedure meant to give her a six-pack.

She later said she’d asked the surgeon for B cups, but he gave her Cs, and told US Weekly: “My stomach became the most ripply, bulgy thing. I had a hernia, this huge bump next to my belly button.

“As a result, I couldn’t wear a bikini. I lost a lot of work.”

She swapped the big screen for reality TV appearing in travel show Taradise and Celebrity Big Brother in the UK.

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In 2023 she appeared in Special Forces: World’s Toughest Test and was cruelly body-shamed over her slim figure.

She hit back in the Los Angeles Inquisitor, “So stop it. Leave me alone. Pick on me again on something else, but not on those two things. It’s not right.”

CHAPPELL Roan was left gasping in horror when she dropped an F-bomb live on air at the 2025 Rock and Roll Hall of Fame Induction Ceremony.

The singer, 27, appeared on stage at the glitziest night in the rock and roll calendar in Los Angeles at the Peacock Theatre on Saturday evening.

She was tasked with introducing Cyndi Lauper, who was receiving the honour, but things went from bad to worse for Chappell as she struggled to read the prompter.

The songwriter, who sported a huge headpiece and glittery costume began: “I think we can all agree that the best art comes from the most authentic people.

“When artists stay true to themselves, even when some people say they’re too much, too loud, too eccentric, or all of the above, their honesty becomes their greatest strength.”

At this point, the Good Luck, Babe! singer began to squint as she went silent and attempted to read the prompter.

She then said: “I f**k,” before putting her hand over her mouth, in shock at what she had just said.

The audience began laughing and cheering as she attempted to compose herself after her blunder.

Chappell admitted: “I messed up so bad by refusing to get contacts. Holy cow.”

She attempted to carry on as she was clearly struggling to read what was written and said: “It’s that courage that not only creates incredible art, it gives everyone who experiences the permission to be themselves.

“It opens their hearts, it changes their minds and that is it’s power. Tonight we honor a woman who redefined what a pop star could look like, sound like, sing like and be.”

Putting the faux pas behind her and ending on a high note, Chappell concluded: “A music legend whose authenticity has inspired us for the last four decades with her four octave range and the amazingly fabulous Cyndi Lauper.”

Fans flocked to social media to share their reactions to Chappell’s F-bomb mic drop moment as one joked on Instagram: “Someone get her glasses.”

Another supportive fan commented: “Even with the difficulty to read, the speech was beautiful! @chappellroan is the best thing that happened to the music world lately!”

Somebody else enthused: “Her speech was the best part of the night hands down.”

Yet another said: “She looks like she’s doing some major multi taking with the speech and balancing that thing on her head.”

She made sure all eyes were on her for different reasons also as she a huge skirt made out of newspaper clippings which she paired with a glitzy bralette complete with chain detailing.

As if her look wasn’t dramatic enough, she donned a massive diamond headpiece reminiscent of a chandelier, on her head and opted for her signature heavy make-up with eyeshadow and a red lip.

Chappell has had a phenomenal year after playing her biggest headline show ever in August for 60,000 fans at Edinburgh’s Royal Highland Centre as part of Summer Sessions.

The two-night shows saw concert-goers attend in their thousands to see the songstress live, a stark difference to her UK debut two years prior, in which she performed for an intimate 600-person crowd in London.

HER face is her fortune, but Sydney Sweeney told co-stars not to hold back from punching it during her new boxing biopic.

The scenes for her role as US fighter Christy Martin may have been carefully choreographed, but they were so ferocious she suffered a bloodied nose and concussion.

The 28-year-old actress said: “The girls and all the fights you see are real. When I walked in and I met with everyone, I said, ‘I want you to hit me. And I want you to hit me hard. And can I hit you?’.

“So when you watch all those fights, we’re actually hitting each other. We were knocking each other out, we were getting bloody noses. I got concussion. We were actually fighting.”

Sydney added of co-star Katy O’Brian, who plays ring rival Lisa Holewyne: “Katy is a badass. I mean, she is strong.

“Katy’s only request was, ‘Please don’t break my nose’.”

Sydney’s childhood in Idaho saw her “kickboxing and grappling” from the age of nine to 19, which helped with the fight scenes.

But her astonishing physical transformation — putting on more than 2st of muscle over three months — was hard-earned, with up to five hours of training a day and countless protein shakes chugged.

She said: “I built my own ‘Rocky’ gym in my grandma’s shed and I trained back home in Idaho.

“I worked with my weight trainer in the morning and night, and then I had a boxing coach I worked with every day for two to three hours.

“I put on 35 pounds during that time.”

The movie, called Christy, which opens in cinemas on November 28, tells the story of WBC female super welterweight champion Christy, now 57, who was a trailblazer in the 1990s and put women’s boxing on the map.

But her biggest battle was behind closed doors, as her marriage to her older manager Jim Martin descended into violence.

When she tried to leave him in 2010, he shot and stabbed her. He was found guilty of attempted murder and died in prison last year.

But for Sydney, it was the strained scenes between Christy and her mum that she found the hardest to film.

She said: “Everything that happens within the house towards the end of the story of her life in the film weighed on me emotionally. But the one I had the hardest time doing and just ­processing was when she asked for her mum’s help.

“I have such amazing parents and I can go to them for anything. And I couldn’t imagine how hard it was for Christy and for others that deal with that as well.

“And it broke my heart while I was making that scene.”

As soon as Sydney heard Christy’s story, she told her team she had to have a part.

She said: “When I first read the script, I was completely blown away that I didn’t know who this woman was. She is one of the most inspiring women I’ve met in my life.”

For her part, Sydney’s grit and ­determination to succeed began at the age of ten, when she made a “five-year business plan presentation” to persuade her parents to let her try to become a movie star.

When they realised she was serious at 13, they made 38-hour round trips for auditions before relocating to Los Angeles to give her a ­better shot at stardom.

Sydney said: “It’s not easy. I didn’t get a project that helped open more doors until I was, like, 19, 20. And you get told ‘no’ endlessly by everyone.”

Sadly, her parents’ decision to relocate was a catalyst for them going bankrupt and they divorced in 2016.

But that setback only served to fuel Sydney’s drive.

She worked as a cleaner and babysitter before her break came in 2018, with roles in three big TV shows — The Handmaid’s Tale, Sharp Objects and Everything Sucks!.

A year later, she was cast as Cassie Howard in global hit Euphoria, and The White Lotus followed in 2021.

‘Really scary’

Movie hits also came with 2019’s Once Upon A Time In Hollywood, 2023’s Anyone But You and last year’s Madame Web and Immaculate.

In her love life, she has been linked to 44-year-old US record executive Scooter Braun, who she met at Amazon boss Jeff Bezos’ wedding to Lauren Sanchez in the summer.

But she has insisted: “I’m single.”

She was previously engaged to movie producer Jonathan Davino, but they split in March.

For now, she’s firmly focused on her career as it goes stratospheric.

Speculation has also been rife that, with Amazon now owning the James Bond franchise, Bezos wanted her to be a Bond Girl in the next movie.

She responded that it would depend on the script and that she would have “more fun” playing 007.

She said of her upcoming roles: “Of course I have projects that I’m working on and I’m developing and I can’t wait to do. It’s kind of like this crazy rollercoaster.

“You’re never sure if it’s going to go up or down or upside down.”

Her path to success, Sydney admits, has been a battle at times.

I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

Sydney Sweeney

She said: “I know what it feels like to be underestimated, to have people define you before you have a chance to define yourself.

“I know what it feels like to have to prove that you deserve to be here, to be seen, to be taken seriously.”

During filming of the boxing biopic, Christy herself turned up every day on set with her Pomeranian emotional support dog Champ.

And Sydney has since formed a friendship with her, with the pair going to a Nascar event in Phoenix together last week.

It is a leap forward from their first meeting.

Sydney recalled: “I was so nervous. It’s so weird when you’re playing somebody and then you meet them.

“You’re like, ‘Do you like me? Are you going to like what I do?’. It’s really scary.”

And the star admits the role has made her see life differently.

She said: “I think Christy has changed me. I’m a huge believer in separating yourself as much as possible from your character.

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“So that the moment they call ‘action’ and ‘cut’, you’re in and you’re out. And I go home and I’m Syd.

“But with Christy, I felt like I became the most free and powerful version of myself afterwards.”

There’s a good chance that a horror movie will be nominated for the 2025 best picture Oscar.

And if Ryan Coogler’s “Sinners” or Guillermo del Toro’s “Frankenstein” make the cut, it will be the first time in the Academy Awards’ 97-year history that a fright film has been nominated in consecutive contests.

It’s long overdue. And if you believe part of Oscars’ purpose is to promote the industry and celebrate its achievements, there’s no better time for the academy to get over its traditional disdain for cinematic monstrosities.

As most other sectors of Hollywood’s film business look precarious — adult dramas, the traditional awards season ponies, are dropping like dead horses at the box office, while attendance for the once-mighty superhero supergenre continues to disappoint — horror has hit its highest annual gross of all time, $1.2 billion, with a good two months left to go.

“Sinners,” released in April, remains in fifth place on the domestic box office chart with $279 million. Its fellow Warner Bros. offerings “The Conjuring: Last Rites,” “Weapons” and “Final Destination: Bloodlines” occupied slots 12 through 14 as of mid-October.

Mia Goth as Elizabeth and Oscar Isaac in “Frankenstein.”

(Ken Woroner / Netflix)

“Horror has been, historically, the Rodney Dangerfield of genres,” notes Paul Dergarabedian, head of marketplace trends for global media measurement firm Comscore. “It can’t get no respect.

“But horror is very important to the industry on so many levels now,” he continues. “We have four horror movies in the top 15 this year, all of those generating over $100 million in domestic box office. And to make a significant scary horror movie, you don’t have to break the bank. Look at [‘Weapons’ filmmaker Zach Cregger’s 2022 breakout feature] ‘Barbarian’; half of that was shot in a basement.” Similarly, compare “Sinners’” $90 million price tag to “Black Panther’s” $200 million.

Horror’s popularity has gone in cycles since Universal’s run of classic monster movies in the early 1930s. But profitability has been a reliable bet more often than not — and Karloff’s “Frankenstein” and Lugosi’s “Dracula” still resonate through pop culture while most best picture winners of the same era are forgotten.

Still, it wasn’t until 1974 that “The Exorcist” received the first best picture nomination for a horror film, and ahead of the success of “The Substance” at the 2025 Oscar nominations the genre’s fortunes had only marginally improved. Indeed, many of the titles usually cited as a mark of horror’s growing foothold in awards season — “Jaws,” “The Sixth Sense,” “Black Swan,” 1991 winner “The Silence of the Lambs” — are arguably better characterized as something else entirely, or at best as hybrids. (To wit, the sole monster movie that’s won best picture, Del Toro’s 2017 “The Shape of Water,” is primarily considered a romantic fantasy.)

Ryan Coogler’s “Sinners.”

(Warner Bros. Pictures)

Fright films’ reputation for delivering cheap thrills to undiscerning audiences was often deserved, but there were always stellar horror films that the academy overlooked. And more recently, films such as “The Substance,” “Sinners” and Jordan Peele’s 2017 nominee “Get Out” have pierced ingrained voter prejudices against the genre by adding social commentary and undeniable aesthetic quality without compromising gory fundamentals.

“The horror genre really does seem to be attracting great directors who are immersed in it, have a real auteur point-of-view and make interesting movies that have horror elements but explore other themes as well,” notes The Envelope’s awards columnist, Glenn Whipp. “‘Sinners’ is Ryan Coogler’s vampire movie, but it’s also about the Jim Crow South and American blues music. How can you resist that if you’re an academy voter?”

And with horror packing in filmgoers like no other genre, high-profile nominations could help the Academy Awards broadcast attract the bigger ratings its stakeholders have been desperately seeking at least since “The Dark Knight” failed to make the best picture cut in 2008.

Austin Abrams in “Weapons.”

(Warner Bros. Pictures)

“That was the whole reason we went to 10 potential nominees,” Dergarabedian recalls. “We wanted to have more blockbuster representation at the Oscars. This may be the perfect storm. If I were an academy voter, I would vote for ‘Sinners’ and ‘Weapons.’ I don’t think that’s an overstatement, given the films that have come out this year.”

Even beyond this “perfect storm,” though, Whipp sees a sea change afoot.

“Everything’s an Oscar movie now if it’s well made,” he says. “Studios aren’t really making traditional, grown-up dramas and the academy can only nominate what’s in front of them. Horror is being produced at a rate that is greater than it used to be, and at least two of these Warner movies really landed with audiences and critics. The genre is attracting some of our top filmmakers right now, and that’s something that will trickle down to the Oscars.”

“This is not a blip,” Dergarabedian concludes. “It’s a trend that feels like it’s happened overnight but it’s been a long time coming. Back in 2017 we had our first $1-billion-plus horror movie box office. If they stop making good horror movies it might be a blip, but I think Hollywood should take this and bloody run with it.”

Bethany Clarke and her best friend Simone White were backpacking together around Southeast Asia when they drank bootleg shots laced with methanol – and it proved tragically fatal for Simone

A woman has died after unknowingly drinking shots laced with methanol.

Bethany Clarke, 28, from Orpington, southeast London, went backpacking around Southeast Asia with her best friend, Simone White, 28, last year.

Both the women drank the bootleg alcohol, and tragically it proved fatal for Simone.

Bethany and Simone started their backpacking in Cambodia and went from there to Laos. They had spent the day tubing down the river – a popular tourist activity – before returning to their hostel for a night of drinking.

Bethany said: “We had methanol-laced shots. We had five or six each, just mixing them with Sprite.

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“The next morning, we didn’t feel right, but we just assumed it was a hangover. It was strange though – unlike any hangover I’d had before.

“It felt like being drunk but in a way where you couldn’t enjoy it. Something was just off.”

Despite their condition, they continued on with their plans, heading to the Blue Lagoon and kayaking down the river again.

Bethany added: “We were just lying on the backs of the kayaks, too weak to paddle. Simone was being sick off one of them. Neither of us wanted to swim or eat – which, we later learned, are early signs of methanol poisoning.”

It wasn’t until hours later, after they’d boarded a bus to their next destination, that things worsened, with Bethany fainting and Simone continuing to vomit.

Eventually, they were taken to a local hospital – one that Bethany described as “very poor”.

She said: “They had no idea what was wrong, they talked about food poisoning, but we hadn’t eaten the same things. It didn’t make sense.”

Still confused and deteriorating, the women made it to a private hospital. But by then it was too late.

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Bethany said: “They told me they’d do all they could to save her. She was having seizures during dialysis.”

When Simone’s condition worsened, her mother, Sue White, flew out to Laos, arriving just as her daughter was being wheeled into emergency brain surgery.

Bethany said: “Her brain had started to swell, and they had to shave her head. The surgery relieved the pressure but caused bleeding and the other side started swelling.”

The results confirming methanol poisoning wouldn’t arrive until two weeks later. By then, Simone had died.

Bethany said: “On an emotional level, it’s been a lot to process. Sometimes I still think, ‘Why don’t you reach out to Simone for that?’ and then I remember I can’t.”

Bethany has channeled her grief into campaigning for change and awareness. She said: “People still aren’t aware and don’t know the signs to look for.

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“The government aren’t doing enough to educate British citizens about the signs of methanol poisoning.

“In Australia, where I live now, they have a big TikTok campaign and signs in all the airports.

“There’s a lot more work to be done in the UK – we’re behind. Anywhere there is organised crime, the opportunity exists – even in the UK.

Bethany also reckons there will be more deaths until people become more aware.”It’s highly likely we’ll see more deaths unless the UK government acts in a more radical way,” she said.

“It has to be in people’s heads – stick to canned drinks. But bottles can be more risky because the cap could have been replaced.

“Any spirits can be a risk. I say ‘steer clear, drink beer’ which rolls off the tongue.”

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Just recently, the Foreign Office added eight further countries to the risk list for methanol poisoning due to risks associated with counterfeit or tainted alcoholic drinks.

The list already covered Thailand, Laos and Vietnam, Cambodia, Indonesia, Turkey, Costa Rica and Fiji.

Ecuador, Japan, Kenya, Mexico, Nigeria, Peru, Russia and Uganda were now included in the list following incidents.

Methanol poisoning results from methanol being added to drinks such as cocktails and spirits to up the volume and cut costs.

Signs of the poisoning include nausea, vomiting, dizziness and confusion – and more distinctive symptoms, such as vision issues, can develop between 12 and 48 hours after consumption.