honors

July 4 (UPI) — Pope Leo XIV, the first American pope, spent his second Fourth of July as the pontiff at Lampedusa, Italy, an island at the forefront of the European migrant crisis, and appealed to Americans to treat immigrants with “compassion and generosity.”

Leo visited Lampedusa, an Italian island in the Mediterranean Sea between Tunisia and Malta, instead of celebrating the day in the United States.

Soon after his arrival, he released a letter to Americans about the 250th Anniversary of the country’s birth, reflecting on the principles that have shaped the United States for two and a half centuries, particularly religious freedom and human dignity.

In the letter Leo said that, “among the principles that have guided the development of this country is the God-given dignity of every human life, each person being endowed with an inherent worth that calls for reverence, protection and care … and of building a society in which the vulnerable, the suffering and the forgotten are always met with compassion, solidarity and love.

“Defending human life also includes welcoming, protecting and assisting immigrants, whose hopes, sacrifices and contribution have formed part of the history of this country from its very beginning. In every generation, those who have arrived seeking freedom, opportunity and a place to belong have helped to shape the nation’s character. To receive them with compassion and generosity is not only an act of charity, but also a recognition of the dignity that belongs to every human person,” Leo said.

He said he hopes Americans “honor the courage and vision of those who came before them by strengthening their communities, respecting their differences and working together toward a more perfect union.”

Upon landing at Lampedusa, the pope visited the “Door to Europe,” a piece of art that is a memorial to thousands of migrants who died or disappeared trying to cross the sea.

He also visited the Cemetery of the Nameless in Cala Pisana to pray over the graves of migrants who died at sea. The graves are marked with crosses made from the wood of boats that sank off the island’s coast, Euro News reported.

Leo then visited Molo Favaloro, a site where migrant boats are brought to shore. He unveiled and blessed a plaque dedicated to Pope Francis there. The quay there will now be named Molo Francisco. Francis visited the island in 2013.

The pope met and shook hands with 15 migrants brought from a migrant housing center run by the Red Cross. It now houses 138 people, including 51 unaccompanied minors. On Friday night, the Italian coast guard rescued 17 people aboard a small boat, Euro News said.

“By deciding to name Molo Favaloro after Pope Francis you are giving a sign of the bond my predecessor forged with your community and with migrant brothers and sisters: the Pope has stood by you in these very demanding times. And today I am here to tell you that the Pope continues to walk alongside you, to support you and encourage you,” Leo wrote in a letter to the mayor of Lampedusa.

On Friday, Leo gave a virtual speech to Philadelphia when he was awarded the Liberty Medal. The medal has been awarded since 1989 and was managed by the Philadelphia Foundation until 2006, when it became part of the National Constitution Center in Philadelphia.

As La Cruz continues to break down barriers for the LGBTQ+ community in reggaeton, the rising Venezuelan star enjoys living out his gay fantasies in his music videos. Take the sultry video for his 2023 breakthrough single, “Quítate La Ropa,” which sees shirtless men perreando (twerking) before him in a locker room.

But at the same time, La Cruz has come to understand that his platform as a gay reggaeton artist coincides at a time when conservatism is sweeping the globe — and queer rights are receding.

“It fills me with happiness to represent a community that has been denigrated, treated badly and pushed into a corner for many years,” a bedheaded La Cruz says over Zoom from his New York City hotel room. (He had just performed at a Pride event the night before.)

“It’s a fact that [LGBTQ] rights are becoming progressive, but they’re rolled back even faster than they advance,” he adds. “This is very painful and concerning. This is happening in every country in different ways. During these difficult times, I’m going to keep putting my heart into my music more than ever.”

La Cruz is the stage name of Alfonso La Cruz. The native of La Guaira, a coastal city in Venezuela, pursued a music career after relocating to Spain in 2015. Following a brief stint on the singing competition “Operación Triunfo” three years later, La Cruz was closeted and found his momentum stifled. In 2022, he took the brave step of singing about his affection and lust for other men in his debut album, “Hawaira.”

Venezuelan reggaeton singer La Cruz released his new EP, “El Nene, Vol. 2,” on June 11.

(Maria Camila Pinzon)

Backed by the beats of reggaeton, a genre that had historically excluded the LGBTQ+ community, La Cruz found both his groove and his tribe with hits like “Te Conocí Bailando” and “Quítate La Ropa.” Early supporters included Colombian superstar Karol G, as well as Mexican American R&B singer Omar Apollo.

Alongside Puerto Rican provocateurs like Young Miko and Villano Antillano, La Cruz has continued to queer the heteronormative urbano space. He has also pushed his sound to broader horizons in his new EP, “El Nene, Vol. 2,” which includes “Sírveme,” a Brazilian funk banger with drag pop star Gloria Groove — and “Te Perdí,” a touching tribute to the victims and survivors of the 2016 Pulse nightclub shooting in Orlando, Fla.

La Cruz’s EP dropped on June 11, the day before the 10th anniversary of that tragedy, which largely impacted the queer Latino community. In an interview with The Times, he opened up about being a gay reggaetonero and “Te Perdi,” his tribute to the 49 people lost at Pulse.

It’s been three years since you first went viral with “Quítate La Ropa.” What have you learned about yourself during that time?
There are songs that have brought me a lot of love and I’m thankful to my fans that consider that song to be a classic. It’s brought me a lot of blessings. At this moment, I feel like I have the best opportunities in my life. However, I feel like the industry is a bit uncomfortable with an artist that’s openly gay and wants to be a part of this. That hasn’t stopped me at all. It’s the gasoline in my motor. It’s what pushes me to keep working hard. My fans are what’s building my career and I won’t let them down. I’m sticking with this until the end.

You connected with Karol G early in your career. Did she give you any advice when you met her?
I want to say publicly that I would love to open for her concerts on her Viajando Por El Mundo Tropitour. I’m very close to her. I love her so much. She has always treated me with so much love. I hope that something between me and her can happen sometime. I know everything happens in due time. I told her that I love the way she is and how she connects with her fans. When I see her singing and performing, I feel like she’s a sister to me. A big piece of advice that she gave me and that I’ll always carry with me is to never lose the humility and closeness that I have with my fans. The key to success is humility. I never want to be out of reach. I want people to see me and say, “I want to achieve my dreams like he has.”

How did your collaboration “Sírveme” with Gloria Groove come together?
I love her so much! I’ve always been a big fan of hers. I’ve gotten close to a lot of artists in Brazil and Gloria has been one of them. We didn’t think twice about making this song. Gloria was coincidentally traveling to the amusement parks in Orlando. I told her: “Baby, let’s go! I’m ready for you in Miami.” She told me: “Baby, I’m going to Miami!” We met one afternoon to create this song. She paused her vacation to go to the studio with me. It was very beautiful. I love my Brazilian fans.

With “El Nene, Vol. 2,” why was it important for you to also shed a light on the 10th anniversary of the Pulse nightclub shooting?
In 2016, when I recently arrived in Spain and my brother recently arrived in the U.S., we had a call with our family. My brother said, “There was a shooting close to where I live and it was in a gay club.” My family has supported me since I first told them about my sexuality. I thought that that could’ve happened to me.

I’m following up on this tragedy because it shaped my life. As the years go on, information about this attack has faded away. Each day people are talking less about it. It’s a tragedy that’s super important to remember, like 9/11 and the [2017] Las Vegas shooting, because it’s one of the worst attacks in U.S. history. Why are we not talking about it anymore? We have to keep talking about things so that they don’t happen again.

What inspiration did you pull from the Pulse tragedy for your song “Te Perdí”?
On this path, I’ve gotten to know the stories of people that survived that shooting. For example, there was a boy with his mother that lost her life and he survived. There’s a lot of stories of love from that club that have [since] come out. When I went to the studio, I was inspired by loss, or a love that’s gone away, with respect and love for the community that supports me. It is my gift, to be a voice for this situation that should never be repeated. There are people that don’t know about this tragedy and I want to let the world know that this happened. I hope that the victims’ families and the people that survived are living lives of peace and calm.

At only 24, Samuel Kim Arredondo, better known as Samuel, has lived through nearly every iteration possible in a K-pop idol’s career.

As a child growing up in L.A.’s Koreatown, he attended Wilshire Park Elementary School — but by the fifth grade he had moved to South Korea with his mother, Kyung-ju, with dreams of K-pop stardom. There, he became a trainee under Pledis Entertainment.

Now a subsidiary label of Hybe — parent company of K-pop superstars BTS — Pledis was forming what became one of the most successful “third generation” K-pop groups of all time: Seventeen. Samuel, who was in the running to debut with the group, is even captured in early footage from their “Seventeen TV” variety show.

Though he didn’t make the cut, he remained close with the members and helped write lyrics for their 10-year anniversary album. Just last week, he filmed a dance challenge with singer-MC Mingyu for the reggaeton-infused pop number “Zigi Zigi Zigi” — the lead single off of his new EP, “Samuelito,” which dropped June 8.

After leaving Pledis, Samuel — who is fluent in both English and Korean — signed to a new agency, Brave Entertainment, then formed one half of a short-lived hip-hop duo, 1Punch. (He was Punch, the other kid was One.)

In 2017 he competed on the second season of Produce 101, a globally popular Korean competition franchise, where he made it to the penultimate episode before the debut of the group Wanna One. That same year, he released his first solo album, “Sixteen,” fully showcasing his outstanding dance ability, youthful swagger and velvety tenor.

Yet before he could finally make headway, he suffered a devastating loss.

Samuel’s father, José Arredondo, who came to the U.S. from Michoacán as a child, died tragically in a 2019 case that made national and local headlines. After having spent years apart from his father while living in Korea, Samuel spent quality time with him shortly before his death.

José was a pillar of his community; he rose from washing cars to owning his own car dealership, alongside other businesses in Bakersfield. A precocious young Samuel can still be found showing off his dance and Spanish skills in an old commercial for the dealership. (“Volkswagen me hace bailar,” he says before busting a move.)

The loss of his father was made more harrowing when the news went public, Samuel recalls over a Zoom interview from Seoul, where he is promoting his new album.

“The articles went out first,” he explains. “It was everywhere before I even wanted to talk about it, so I had no choice to keep it private … of course it’s definitely hard for me.”

In the aftermath, Samuel went under the radar — but after a year or two, he started to pave a way forward. After getting out of the contract with his former label, and with the support of his mother, he launched his own company, Samuel Music Group.

“If I kept on staying in the past, I think no one would like it — even my dad wouldn’t like it,” he says. “I learned a lot through that emotion as well. Always be grateful, always be thankful every time, and try to say ‘thank you’ always, especially to parents.”

Composed of three songs and one interlude, “Samuelito” takes its name from the childhood moniker some know him by today. As the follow-up to his 2024 EP, “Now,” it is his second record release since he became independent. It’s also his first record sung predominantly in Spanish — along with the occasional sprinkle of English and Korean. (Take the onomatopoeic “Ddook Ddak,” which is Korean slang for “just like that.”)

Singing in Spanish for the first time, he tells me, to music he created himself, made his “heart race.”

“Samuelito” is not so much an exploration of Mexican musical traditions, but of Latin-influenced rhythms and sounds filtered through his uniquely multicultural lens. In the future, he dreams of working with genre-spanning Latino pop artists who crossed over culturally, like Selena Gomez, Camila Cabello and Rauw Alejandro.

In an Instagram reel from earlier this year he described his efforts as “K-tone” — a Latin and reggaeton fusion, powered by K-pop discipline. The comments below were peppered with encouraging responses from fans in multiple languages.

Wrote Liz Zeledon, from Oceanside: “As a Korean-Nicaraguan who grew up with exposure to both cultures, I love hearing Latin influences in K-pop… Korean Latines are so underrepresented in the Korean music industry.”

Reached by phone, Zeledon is a K-pop fan who has kept tabs on Samuel since his Seventeen trainee days; she is also a child of immigrant parents.”Representation is so important, because existence and visibility are not the same thing,” she says.

In the lead-up to the album’s release, Samuel posted photos and videos of himself as a young child. In one, his dad holds him up as a baby, dressed in all-white with a tam hat. Though Samuel says the EP is not an on-the-nose tribute to the elder Arredondo, his spirit resonates through the lyrics of the poignant downtempo track, “Never Say Goodbye.”

“Gritos que yo sé/Que llegan hasta El Cielo/Gotitas en el suelo/Y se me cae el mundo entero,” he sings. (“Cries that I know/Reach all the way to Heaven/Little drops on the ground/And my whole world comes crashing down.”)

“I used to listen to a lot of Spanish music while I was growing up … I used to eat a lot of Mexican food too,” he says. “While I was in the studio last year, I had [this] big vision: [‘What if] I bring back my roots and just be the true me and call this album “Samuelito?”’ It just felt fresh.”

Samuel started songwriting and producing for himself in the making of “Now.” On his new album, only three writers are credited, including himself — which is somewhat of a rarity these days in K-pop. One of them is Canadian Mexican singer-songwriter Andrea Rocha.

From her new home in L.A., Rocha said the main goal was to seamlessly blend two distinct musical cultures. Although Samuel came to the studio with the structure for his songs already in place, they worked on melodies and writing in Spanish together, since this was his first time penning lyrics in the language.

Rocha says she was taken aback by Samuel’s professionalism. “I’d be like, ‘Oh, what about this melody?’ And then he would sing it perfectly,” she says. “I did ask him about his K-pop training, because it sounds really intense. I think it shows how hard he’s worked in those years because he’s got all the star qualities. Compared to a lot of newer artists that I work with, I’m like, ‘Ooh, they’ve [done] a lot of work to get to that level.’”

These days, Samuel splits his time between Seoul and Los Angeles — once again calling Koreatown his permanent home. He also continues to spend time with his dad’s side of the family in Bakersfield.

“I think the biggest thing that I am happy about is getting back to my roots, where I started,” says Samuel.

CONCORD, N.C. — When Daniel Suarez was struggling to make his name in auto racing, he would often get phone calls from Kyle Busch offering words of encouragement and urging him to keep working.

That made his crown jewel Cup Series victory Sunday night all the more special.

Suarez benefited from a crucial pit call, then caught a break from Mother Nature to win the rain-shortened Coca-Cola 600, capping an emotional day in which the racing world remembered the late Busch.

Suarez became the first Mexican-born driver to win the Coke 600. It was his third Cup Series win and first since 2024.

The victory was especially emotional for Suarez, who previously raced for Kyle Busch Motorsports.

“Kyle, he was special,” Saurez said as he teared up. “I was doing this for Kyle, for [his wife] Samatha, for [his children] Brexton and Lennix and for all of his family.”

A non-factor for most of the race, Suarez gambled and took two tires during a late pit stop, then held off Christopher Bell and Denny Hamlin on restarts before the race was called when the sky opened up and rain drenched the track shortly before midnight Eastern time.

NASCAR quickly made the decision to call the race with 27 laps remaining.

Bell finished second; Hamlin was third.

The two Joe Gibbs Racing teammates had a chance to catch Suarez on the two restarts, but couldn’t clear his No. 7 Chevrolet.

“It’s a bummer,” Bell said, who won the rain-shortened 2024 Coca-Cola 600. “It wasn’t meant to be today. That’s 2026 for us.”

Hamlin said he was “just a little unlucky.”

“The 20 car (Bell) and us were just really battling because we knew whoever could clear him (would win the race),” Hamlin said. “We were really good all day. We just didn’t get to see it through.”

The race came just three days after Busch’s death sent shockwaves throughout the motorsports world and beyond. The 41-year-old Busch died after severe pneumonia progressed into sepsis, resulting in rapid and overwhelming complications, according to a statement released by his family.

The two-time Cup Series champion and winner of a record 234 races across NASCAR’s three national series had become unresponsive while practicing in a Chevrolet simulator Wednesday, a person familiar with the situation told The Associated Press on condition of anonymity because no details were released by the family.

Busch’s family attended the race and NASCAR CEO Steve O’Donnell told them they are part of the NASCAR community and “we got you.”

NASCAR and CMS honored Busch with his No. 8 and signature on the frontstretch grass and a highway billboard near the main entrance of the track. The U.S. Army Golden Knights carried a Busch flag prior to the race and each of the 39 cars in field carried a small, black No. 8 decal.

Kyle Larson won the first stage race. Hamlin won the second stage and Bell the third.

Crashing out

Defending champion Ross Chastain crashed out when Ricky Stenhouse Jr. clipped his car in Turn 2 with 81 laps remaining in the race.

Connor Zilisch and Austin Cindric only made it 52 laps before getting caught up in a crash. Cindric got turned around and Zilisch came crashing in to the side of his No. 2 Ford, ending both drivers’ day.

Chase Elliott, a two-time winner this year, hit the outside wall and ping-ponged into the inside wall on Lap 90. That car was beyond repair and he finished 37th.

“I was trying to make something happen and I stepped over the line,” Elliott said.

Replacing Busch

Austin Hill, a regular driver in the O’Reilly Auto Parts Series for Richard Childress Racing, took Busch’s spot in the race and finished 26th. He drove the No. 33 car after RCR temporarily retired the No. 8 until Busch’s 11-year-old son Brexton is ready to drive.

Austin Dillon, went behind the wall with damage to the front of his car with 56 laps to go, ending any hope of an emotional win for RCR. He finished 32nd.

Reed writes for the Associated Press.

May 8 (UPI) — President Donald Trump on Friday delivered a Mother’s Day address as he hosted Gold Star Mothers and Angel Mothers in the White House Rose Garden.

Starting with his own mother, Trump thanked mothers across the country in a 20-minute speech that included specific thanks for mothers in the audience and those who work for his administration.

“I want to thank every single mother here this afternoon and all across our nation for your work,” Trump said.

“Every single day, America’s moms are raising — really — raising the future of our country … You have the most important job there is in America or any place else, and you’re doing an incredible job,” he said.

During the speech, Trump honored the mothers of children who died in crimes linked to illegal immigrants, whom he has dubbed Angel Mothers, noting that he hoped to prevent their ranks from growing due to “open borders” and what his administration has in pursuit of that goal.

The president honored Gold Star Mothers — the mothers of members of the military who have been killed in action — some of whom in attendance lost children during the war in Afghanistan.

Questioning whether “time heals all wounds,” Trump said that “our hearts are out to you on Mother’s Day.”

He also spoke about legislative and executive actions his administration has meant to benefit mothers and families.

“We’re honored to be joined by many strong and truly heroic moms who have stood up for their children,” he said, wishing them a Mother’s Day “filled with love and gratitude and joy.”

“Curly” Williams returned to his old high school campus last week for the first time in 76 years, but did so under his given name — the same name emblazoned on North Hollywood High’s newest attraction: the John Williams Performing Arts Center.

Williams, 94, attended the ribbon-cutting ceremony last Wednesday, which commenced with the composer’s rousing “Raiders March” played by the school’s marching band and accompanied by its blue-clad cheerleaders.

“I think you played that better than we could have,” Williams said, speaking from a wheelchair under the sign of his namesake venue in front of other accomplished alumni and friends, including producer Kathleen Kennedy. “That’s a hard piece.”

The ambitious construction project, initiated in 2015 and designed by CO Architects occupies 35,000 square feet and seats 800. Michael Stebbins, project manager for the BroadStage in Santa Monica, served as project manager. The center is equipped with state-of-the-art amenities to host student performances and school assemblies, but also to train the next generation of theater technicians. Besides an enormous stage, blue velvet curtains, a mixing console and safe catwalks, the building also features new classrooms and rehearsal spaces.

Students, faculty and guests stand for the national anthem before a concert inside the new John Williams Performing Arts Center, named for one of North Hollywood High’s most famous alumni.

(Genaro Molina / Los Angeles Times)

A 75-foot hand-painted mural in the lobby, still in the works by artist Ian Robertson-Salt, is inspired by Williams’ formidable filmography, which serves “as a daily reminder to every student who walks these halls that greatness can begin right here,” remarked Andrés Chait, acting superintendent of Los Angeles Unified School District.

Due to health complications, Williams has made few public appearances in the last two years. He last conducted a concert in February 2024 — and he has also consistently turned down requests to name buildings after him, including at his beloved Tanglewood in Massachusetts, although the Hollywood Bowl did recently name its stage for Williams. It’s a testament to his affection for his time at North Hollywood High, and his regard for the next generation of students, that he not only blessed this dedication but showed up and spoke to a gathered crowd of hundreds.

“I’m sort of silly happy to be here,” he said, calling the dedication “a singular honor in my life.”

Other showbiz alumni on hand included “Beauty and the Beast” producer Don Hahn (class of ’73), “Independence Day” writer-producer Dean Devlin (’80), and Rob Friedman (’81), CEO of Ascendant Entertainment. Partly due to its proximity to the entertainment industry, North Hollywood High has produced a host of famous artists over the decades, including the late Michael Tilson Thomas, who attended in the early 1960s.

John Williams smiles while applauding a performance by the North Hollywood High School band at the dedication ceremony of the John Williams Performing Arts Center on campus.

(Genaro Molina / Los Angeles Times)

“At some point you have to stop calling that a coincidence,” said Kennedy, a longtime collaborator of Williams who gave brief remarks before handing him the microphone. “Something happened here, and something can happen again.”

Williams moved to North Hollywood with his family in 1947, having grown up in Queens. He transferred to North Hollywood High as a 15-year-old sophomore, and joined the band and orchestra as a jazz-loving trombonist. His classmates included Susan Sontag (“I remember her teaching a class in civics, when the teacher would sit down and listen to her,” he told me in 2023) and many future actors, including Barbara Ruick, who played Carrie Pipperidge in “Carousel.” But his best friends were all music-inclined guys whose dads, like his, were famous musicians.

A poster board featured yearbook photos of John Williams, left, performing with the North Hollywood High School Band, class of 1950, in the lobby of the new John Williams Performing Arts Center on the North Hollywood High School campus.

(Genaro Molina / Los Angeles Times)

Williams embraced the nickname “Curly,” given to him by a fellow student in response to his curly red hair, and quickly created his own jazz band with classmates. Ruick sang with them at school events and dances, and they became the house band at a new teens-only venue in Van Nuys called the Dri-Nite Club. Broadcast on local radio, they caught the attention of Time magazine, which ran a story on “Curly’s” band in October 1949.

A newspaper story about John Williams’ high school band from the Los Angeles Unified School District’s archives.

(Los Angeles Unified School District)

Williams has said he fondly remembers his civics and French classes at North Hollywood High, but his time and passion were almost exclusively devoted to music. He rigorously practiced the piano at home, studying with a local concert pianist and MGM arranger named Robert Van Eps; on Wednesday nights he played in jam sessions with his father (Johnny Sr., a drummer) and the Columbia Pictures orchestra. He bopped around clubs in L.A. listening to jazz greats like Oscar Peterson (whose style influenced Williams’ recent piano concerto), and started making a name of his own as a wunderkind performer and arranger.

Long before he scored “Star Wars” or “Harry Potter,” Williams did his earliest arranging and orchestrating for theater productions at North Hollywood High. The impact of his time at North Hollywood High cannot be overstated.

John Williams featured with members of the class of 1950 in the North Hollywood High School Yearbook.

(Los Angeles Unified School District)

During his remarks about the performing arts center on Wednesday, Williams said he felt particularly overwhelmed because the school was “formative in my thinking and my professional work … This is a great, magical place, North Hollywood.”

Williams eventually married Ruick, his high school sweetheart and mother of his three children. Ruick was instrumental in making many of Williams’ earliest career connections. She died from a brain aneurysm in 1974, at the age of 41, just one year before Williams’ career catapulted with “Jaws.” The couple’s youngest son, Joseph, lead singer of Toto, stood proudly behind Williams during the theater’s dedication.

The John Williams Performing Arts Center (JWPAC) is the crescendo of a $319.5 million modernization project at North Hollywood High, which also includes modern classrooms and athletic facilities. It’s a reflection of the diverse public school’s commitment to the arts; students here can play in the orchestra, marching band or modern band, and study drama or modern dance.

“As I think about what else I might say to all of you younger people, students here,” Williams said at his homecoming Wednesday, “two words about this beautiful building: simply use it. Make sure you all use the place.”

Tim Greiving is the author of “John Williams: A Composer’s Life.”

Salesian High School held its 15th Salesian Gala on Saturday night, with defensive back Deommodore Lenoir from the San Francisco 49ers and a Salesian graduate being honored.

Deommodore Lenoir of Salesian in 2016. Now he’s NFL defensive back for 49ers.

(Eric Sondheimer / Los Angeles Times)

Lenoir used Salesian as a key path to playing college football at Oregon and then the NFL. He received a $92 million contract extension in 2024.

“Growing up in South Los Angeles taught me a lot,” he said in 2016. “It taught me to stay focused in order to be able to go where I want to go, and that’s to the NFL. You have to stay in the classroom and do what you’re told to do.”

He’s come back to Salesian to offer a message of hope and hard work.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com