honored

We’d have to say the most challenging thing about us writing “The Comeback” was coming back from the dead after the show was canceled following its first season way back in 2005. Talk about a hiatus.

There are always nerves when you return to do the next season of a series, but when the hiatus lasts 10 years between Season 1 and Season 2, and then another 10 years between the second and this third, final season — that’s a whole other level of “When we last left Valerie …”

But, gratefully, when we get together to write Valerie Cherish and her world again, it’s somehow more exciting than daunting. The nerves fade and the fun starts. The fun along with — of course — the doubts, the surprises, the deadlines, the page count. The comedy and the tragedy (see page count again). We improvise dialogue so much in the writing room that our notes tend to reach into hundreds and hundreds of pages — per episode. That’s a joke … kind of. And on top of all that, this season and this script that we’ve been nominated for writing had a particular challenge.

(Christina House / Los Angeles Times)

Between the second and third seasons, one of our most beloved cast members, Robert Michael Morris, died. Robert played the beloved, significant, audience-favorite character Mickey, Valerie’s hairdresser. At first, we couldn’t imagine doing a season without this important person and character … but when we decided to go forward with this season’s story, which deals with the TV industry’s fear of an AI takeover, we knew we had to find a way to deal with Mickey’s absence. We decided that since Robert Michael’s death happened during that second 10-year hiatus, we had to find a way to incorporate that history into the Valerie and Mickey storyline. And because it had never been dealt with by the show on camera, we decided that maybe Valerie hadn’t fully dealt with it as well. That way, the viewers wouldn’t feel like they missed a significant turn in Valerie’s journey. We decided if we could create a story where Valerie hadn’t really grieved Mickey’s passing and had to face it in the episode, then she and (hopefully) the viewers could share the sadness and the love together. And together, they could find a way to accept and release him with respect for the actor and the character and with a bit of triumph for all he meant to Valerie and to all of us on our series.

So, we created a character named Tommy Tomlin — another hairdresser and longtime friend of Mickey’s who Valerie hires to step in and take Mickey’s place and be the hairdresser on her new AI-written sitcom. Well, Tommy can do her hair but, by design, can never replace Mickey, and that conflict between Valerie and Tommy underlines her loss and her denial of Mickey’s passing. Tommy’s presence helps push Valerie to acknowledge Mickey’s absence and moves her to gently face it, finally scatter his ashes and let him go.

It was an emotional story to write and even more emotional to film. Lisa was standing on top of a Warner Bros. soundstage ready to open the box of prop ashes, to allow them to float over “Old Hollywood,” a lure that Mickey loved. But we were filming this scene at sunset, and what comes with the light at that picturesque time of day in Burbank is a strong wind from the surrounding mountains that gets trapped in an impromptu kind of wind tunnel between the soundstages. If Lisa opened the box at the wrong moment, the ashes would fly right back into her face — and in this moment, we were not going for comedy.

I was directing from down on the ground, and I looked up to the heavens and said to Robert Michael Morris, “This is your big moment — please quiet the wind so it can be beautiful and touching and an appropriate goodbye to you and your character.” And — I swear — the wind died down. I called “Action!” and on top of the soundstage, Lisa said her goodbye as Valerie, opened the box and the ashes lifted out, almost magically, and floated out and away into the sunset over the Warner Bros. Studio back lot — just as we imagined in the writing room all those months earlier.

Diogo Jota was with Portugal in spirit on the eve of the one-year anniversary of his death.

After the team’s dramatic 2-1 win over Croatia on Thursday in a World Cup knockout game, Portugal’s players posed for a group photo in the middle of the field at Toronto Stadium. Team captain Cristiano Ronaldo stood front and center, looking serious amid many beaming teammates and holding up a red No. 21 jersey in Jota’s honor.

Ronaldo then put on the shirt and became emotional as he slowly walked across the field acknowledging the cheers from the crowd.

“It’s a special day, for our Jota, who is up there illuminating us,” Ronaldo later told Portugal’s Sport TV. “We know he’s present with us and it only made sense to win today to honor him in the best way.”

Ronaldo posted the team photo on X and wrote: “We won for ourselves, for Diogo, and for Portugal!!! LET’S GO!!!!”

The 41-year-old superstar tied the game at 1-1 on a penalty kick in the 68th minute, and teammate Goncalo Ramos headed in the eventual game-winner during stoppage time More drama was to follow, however, as an apparent Croatian goal disallowed for offside just before the final whistle.

After the intense finish, Ramos spoke of his late teammate.

“We think about him every day,” Ramos told Fox Sports of Jota. “It’s even more special to win this game in this day. And he gives us strength every day and for every game.”

Jota’s image was shown on the big screen during the playing of Portugal’s national anthem before the game.

Cristiano Ronaldo, left, celebrates with Portugal teammate Diogo Jota during a Euro 2020 qualifying match in Luxembourg in November 2019.

(Francisco Seco / Associated Press)

Some Portugal fans rose to their feet during the 21st minute (in honor of Jota’s jersey number), unveiling a banner featuring the beloved player’s image and releasing balloons that featured his jersey number.

Just after midnight July 3, 2025, Jota and his brother, André Silva, died in a single-car crash, near Zamora, Spain. Jota was 28, and Silva was 25. A player known as a clinical finisher, Jota played nearly 50 games for Portugal. He made the 2022 World Cup squad but was unable to play because of injury.

Jota also played for Liverpool FC, scoring 65 goals in 182 games for the Reds. On Wednesday, the team unveiled a memorial dedicated to “Jota and Silva at its Anfield Stadium. The monument, designed by sculptor Emma Rodgers, is named “Forever 20,” in honor of Jota’s Liverpool jersey number.

“Today, as every day, we remember Diogo Jota and André Silva, who tragically passed away one year ago,” the team wrote Friday on X. “Through immeasurable loss and incalculable pain, the impact they made and the legacies they left behind — not only within the footballing world, but in the hearts and minds of so many around the world — has shone through over the last 12 months.

“All of our love, support, thoughts and prayers continue to be with Diogo and André’s families, friends and all those whose lives were touched by them. Forever in our hearts, forever our number 20.”