homeland security

WASHINGTON — When a 37-year-old mother of three was fatally shot by an immigration agent Wednesday morning, driving in her Minneapolis neighborhood after dropping her son off at school, the Trump administration’s response was swift. The victim was to blame for her own death — acting as a “professional agitator,” a “domestic terrorist,” possibly trained to use her car against law enforcement, officials said.

It was an uncompromising response without any pretense the administration would rely on independent investigations of the event, video of which quickly circulated online, gripping the nation.

“You can accept that this woman’s death is a tragedy,” Vice President JD Vance wrote on social media, defending the shooting by an Immigration and Customs Enforcement agent within hours of her death, “while acknowledging it’s a tragedy of her own making.”

The shooting of Renee Nicole Good, an American citizen, put the administration on defense over one of President Trump’s signature policy initiatives, exponentially expanding the ranks of ICE to outnumber most armies, and deploying its agents across unassuming communities throughout the United States.

ICE had just announced the deployment of “the largest immigration operation ever” in the Minnesota city, allegedly targeting Somali residents involved in fraud schemes. But Good’s death could prove a turning point. The shooting has highlighted souring public opinion on Trump’s immigration enforcement, with a majority of Americans now disapproving of the administration’s tactics, according to Pew Research.

Despite the outcry, Trump’s team doubled down on Thursday, vowing to send even more agents to the Midwestern state.

It was not immediately clear whether Good had positioned her car intentionally to thwart law enforcement agents, or in protest of their activities in her neighborhood.

Eyewitnesses to the shooting said that ICE agents were telling her to move her vehicle. Initial footage that emerged of the incident showed that, as she was doing so, Good briefly drove her car in reverse before turning her front wheels away to leave the scene.

She was shot three times by an officer who stood by her front left headlight, who the Department of Homeland Security said was hit by Good and fired in self-defense.

Only Tom Homan, the president’s border czar, urged caution from lawmakers and the public in responding to the incident, telling people to “take a deep breath” and “hold their judgment” for additional footage and evidence.

He distanced himself from the Department of Homeland Security and its secretary, Kristi Noem, who took mere hours to accuse the deceased of domestic terrorism. “The investigation’s just started,” Homan told CBS in an interview.

“I’m not going to make a judgment call on one video,” he said. “It would be unprofessional to comment.”

Homeland Security Secretary Kristi Noem said Renee Nicole Good was engaged in “domestic terrorism” when she was fatally shot by a federal immigration agent.

(Michael M. Santiago / Getty Images)

Yet, asked why DHS had felt compelled to comment, Homan replied, “that’s a question for Homeland Security.”

It was not just the department. Trump, too, wrote on X that the victim was “obviously, a professional agitator.”

“The woman driving the car was very disorderly, obstructing and resisting, who then violently, willfully, and viciously ran over the ICE Officer,” Trump wrote, “who seems to have shot her in self defense.”

Noem was unequivocal in her assessment of the incident during engagements with the media on Wednesday and Thursday.

“It was an act of domestic terrorism,” Noem said. “A woman attacked them, and those surrounding them, and attempted to run them over.”

But local officials and law enforcement expressed concern over the incident, warning federal officials that the deployment had unnecessarily increased tensions within the community, and expressing support for the rights of residents to peacefully protest.

“What I think everybody knows that’s been happening here over the last several weeks is that there have been groups of people exercising their 1st Amendment rights,” Minneapolis Chief of Police Brian O’Hara said in an interview with MS NOW. “They have the right to observe, to livestream and record police activity, and they have the right to protest and object to it.”

“The line is, people must be able to exercise those 1st Amendment rights lawfully,” O’Hara said, adding, “and to do it safely.”

On Thursday, Trump administration officials told local law enforcement that the investigation of the matter would be within federal hands.

Vance told reporters at the White House on Thursday that the Justice Department and the Department of Homeland Security would both investigate the case, and said without evidence that Good had “aimed her car at a law enforcement officer and pressed on the accelerator.”

“I can believe that her death is a tragedy while also recognizing that it’s a tragedy of her own making and a tragedy of the far left who has marshaled an entire movement, a lunatic fringe, against our law enforcement officers,” Vance said.

PORTLAND, Ore. — Federal immigration officers shot and wounded two people outside a hospital in Portland, Ore., on Thursday, a day after an officer shot and killed a driver in Minnesota, authorities said.

The FBI’s Portland office said it was investigating an “agent involved shooting” that happened around 2:15 p.m. According to the the Portland Police bureau, officers initially responded to a report of a shooting near a hospital.

A few minutes later, police received information that a man who had been shot was asking for help in a different area a couple of miles away. Officers then responded there and found the two people with apparent gunshot wounds. Officers determined they were injured in the shooting with federal agents, police said.

Their conditions were not immediately known. Council President Elana Pirtle-Guiney said during a Portland city council meeting that Thursday’s shooting took place in the eastern part of the city and that two Portlanders were wounded.

“As far as we know both of these individuals are still alive and we are hoping for more positive updates throughout the afternoon,” she said.

The shooting comes a day after an Immigration and Customs Enforcement officer shot and killed a woman in Minnesota. It escalated tensions in an city that has long had a contentious relationship with President Trump, including Trump’s recent, failed effort to deploy National Guard troops in the city.

Portland police secured both the scene of the shooting and the area where the wounded people were found pending investigation.

“We are still in the early stages of this incident,” said Chief Bob Day. “We understand the heightened emotion and tension many are feeling in the wake of the shooting in Minneapolis, but I am asking the community to remain calm as we work to learn more.”

Portland Mayor Keith Wilson and the City Council called on U.S. Immigration and Customs Enforcement to end all operations in Oregon’s largest city until a full investigation is completed.

“We stand united as elected officials in saying that we cannot sit by while constitutional protections erode and bloodshed mounts,” a joint statement said. “Portland is not a ‘training ground’ for militarized agents, and the ‘full force’ threatened by the administration has deadly consequences.”

The city officials said “federal militarization undermines effective, community‑based public safety, and it runs counter to the values that define our region. We’ll use every legal and legislative tool available to protect our residents’ civil and human rights.”

They urged residents to show up with “calm and purpose during this difficult time.”

“We respond with clarity, unity, and a commitment to justice,” the statement said. “We must stand together to protect Portland.”

U.S. Sen. Jeff Merkley, an Oregon Democrat, urged any protesters to remain peaceful.

“Trump wants to generate riots,” he said in a post on the X social media platform. “Don’t take the bait.”

Rush writes for the Associated Press.

For decades, American families have gathered to watch “It’s a Wonderful Life” on Christmas Eve.

The 1946 Frank Capra movie, about a man who on one of the worst days of his life discovers how he has positively impacted his hometown of Bedford Falls, is beloved for extolling selflessness, community and the little guy taking on rapacious capitalists. Take those values, add in powerful acting and the promise of light in the darkest of hours, and it’s the only movie that makes me cry.

No less a figure of goodwill than Pope Leo XIV revealed last month that it’s one of his favorite movies. But as with anything holy in this nation, President Trump and his followers are trying to hijack the holiday classic.

Last weekend, the Department of Homeland Security posted two videos celebrating its mass deportation campaign. One, titled “It’s a Wonderful Flight,” re-creates the scene where George Bailey (Jimmy Stewart in one of his best performances) contemplates taking his own life by jumping off a snowy bridge. But the protagonist is a Latino man crying over the film’s despairing score that he’ll “do anything” to return to his wife and kids and “live again.”

Cut to the same man now mugging for the camera on a plane ride out of the United States. The scene ends with a plug for an app that allows undocumented immigrants to take up Homeland Security’s offer of a free self-deportation flight and a $1,000 bonus — $3,000 if they take the one-way trip during the holidays.

The other DHS clip is a montage of Yuletide cheer — Santa, elves, stockings, dancing — over a sped-up electro-trash remake of Mariah Carey’s “All I Want for Christmas is You.” In one split-second image, Bedford Falls residents sing “Auld Lang Syne,” just after they’ve saved George Bailey from financial ruin and an arrest warrant.

“This Christmas,” the caption reads, “our hearts grow as our illegal population shrinks.”

“It’s a Wonderful Life” has long served as a political Rorschach test. Conservatives once thought Capra’s masterpiece was so anti-American for its vilification of big-time bankers that they accused him of sneaking in pro-Communist propaganda. In fact, the director was a Republican who paused his career during World War II to make short documentaries for the Department of War. Progressives tend to loathe the film’s patriotism, its sappiness, its relegation of Black people to the background and its depiction of urban life as downright demonic.

Then came Trump’s rise to power. His similarity to the film’s villain, Mr. Potter — a wealthy, nasty slumlord who names everything he takes control of after himself — was easier to point out than spots on a cheetah. Left-leaning essayists quickly made the facile comparison, and a 2018 “Saturday Night Live” parody imagining a country without Trump as president so infuriated him that he threatened to sue.

But in recent years, Trumpworld has claimed that the film is actually a parable about their dear leader.

Trump is a modern day George Bailey, the argument goes, a secular saint walking away from sure riches to try to save the “rabble” that Mr. Potter — who in their minds somehow represents the liberal elite — sneers at. A speaker at the 2020 Republican National Convention explicitly made the comparison, and the recent Homeland Security videos warping “It’s a Wonderful Life” imply it too — except now, it’s unchecked immigration that threatens Bedford Falls.

The Trump administration’s take on “It’s a Wonderful Life” is that it reflects a simpler, better, whiter time. But that’s a conscious misinterpretation of this most American of movies, whose foundation is strengthened by immigrant dreams.

Director Frank Capra

(Handout)

In his 1971 autobiography “The Name Above the Title,” Capra revealed that his “dirty, hollowed-out immigrant family” left Sicily for Los Angeles in the 1900s to reunite with an older brother who “jumped the ship” to enter the U.S. years before. Young Frank grew up in the “sleazy Sicilian ghetto” of Lincoln Heights, finding kinship at Manual Arts High with the “riff-raff” of immigrant and working-class white kids “other schools discarded” and earning U.S. citizenship only after serving in the first World War. Hard times wouldn’t stop Capra and his peers from achieving success.

The director captured that sentiment in “It’s a Wonderful Life” through the character of Giuseppe Martini, an Italian immigrant who runs a bar. His heavily accented English is heard early in the film as one of many Bedford Falls residents praying for Bailey. In a flashback, Martini is seen leaving his shabby Potter-owned apartment with a goat and a troop of kids for a suburban tract home that Bailey developed and sold to him.

Today, Trumpworld would cast the Martinis as swarthy invaders destroying the American way of life. In “It’s a Wonderful Life,” they’re America itself.

When an angry husband punches Bailey at Martini’s bar for insulting his wife, the immigrant kicks out the man for assaulting his “best friend.” And when Bedford Falls gathers at the end of the film to raise funds and save Bailey, it’s Martini who arrives with the night’s profits from his business, as well as wine for everyone to celebrate.

Immigrants are so key to the good life in this country, the film argues, that in the alternate reality if George Bailey had never lived, Martini is nowhere to be heard.

Capra long stated that “It’s a Wonderful Life” was his favorite of his own movies, adding in his memoir that it was a love letter “for the Magdalenes stoned by hypocrites and the afflicted Lazaruses with only dogs to lick their sores.”

I’ve tried to catch at least the ending every Christmas Eve to warm my spirits, no matter how bad things may be. But after Homeland Security’s hijacking of Capra’s message, I made time to watch the entire film, which I’ve seen at least 10 times, before its customary airing on NBC.

I shook my head, feeling the deja vu, as Bailey’s father sighed, “In this town, there’s no place for any man unless they crawl to Potter.”

I cheered as Bailey told Potter years later, “You think the whole world revolves around you and your money. Well, it doesn’t.” I wondered why more people haven’t said that to Trump.

When Potter ridiculed Bailey as someone “trapped into frittering his life away playing nursemaid to a lot of garlic eaters,” I was reminded of the right-wingers who portray those of us who stand up to Trump’s cruelty as stupid and even treasonous.

And as the famous conclusion came, all I thought about was immigrants.

People giving Bailey whatever money they could spare reminded me of how regular folks have done a far better job standing up to Trump’s deportation Leviathan than the rich and mighty have.

As the film ends, with Bailey and his family looking on in awe at how many people came to help out, I remembered my own immigrant elders, who also forsook dreams and careers so their children could achieve their own — the only reward to a lifetime of silent sacrifice.

The tears flowed as always, this time prompted by a new takeaway that was always there — “Solo el pueblo salva el pueblo,” or “Only we can save ourselves,” a phrase adopted by pro-immigrant activists in Southern California this year as a mantra of comfort and resistance.

It’s the heart of “It’s a Wonderful Life” and the opposite of Trump’s push to make us all dependent on his mercy. He and his fellow Potters can’t do anything to change that truth.