historic

A MUCH-loved English lido is set to finally reopen – after being forced to close last year.

The 90-year-old Stroud Lido has just received funding from the local council for urgent repairs.

The Stratford-based pool initially closed 10 months ago as it needed to undergo structural and mechanical repairs.

In early 2026, it was announced that lido would not be reopening and would be closed indefinitely.

Since its closure, locals have been campaigning to save the lido with over 100 written requests from residents to see what the future of the pool would be.

In a huge U-turn, Stroud District Council has now approved the funding needed to repair the pool.

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Work is set to start immediately, so the lido could open as soon as July 29 – failing that, it’s scheduled to reopen on August 14.

Initial funding to upgrade the lido was estimated at £5.1million, but has been brought down to £476,000.

The pool may need to undergo more repairs at a later date.

On its Facebook page, Save Stroud Lido said: “We are absolutely delighted by last night’s decision and can’t wait to see families, swimmers and young people enjoying the Lido again this summer. 

“And now the focus turns to getting the works completed and the gates reopened as quickly as possible. Because this is more than a pool.

“It’s part of Stroud’s identity. A place for fun, friendships, exercise, memories and safe outdoor swimming for generations to come.’

The Stratford-based lido first opened to swimmers in 1937 at a cost of just £20,000.

It’s a 50-metre long cold water pool with six swimming lanes and has a 10-metre high diving board.

Usually the pool is only open for the summer season and is open for around 100 days starting in May.

Elon Musk’s rocket company SpaceX is targeting a valuation of nearly $1.77 trillion in its blockbuster initial public offering (IPO), paving the way for the largest stock market debut in history.

In a filing with the US Securities and Exchange Commission on Wednesday, SpaceX said that it plans to sell 555.6 million shares at $135 apiece, raising approximately $75bn.

The eye-popping valuation would make SpaceX the world’s seventh-largest company by market capitalisation, ahead of Musk’s electric vehicle maker Tesla and social media giant Meta, and just behind Taiwanese chipmaker TSMC.

It would also eclipse energy giant Saudi Aramco’s 2019 debut, which raised $26bn at a valuation of $1.7 trillion.

Musk, who holds a roughly 42 percent stake in SpaceX, is poised to become the world’s first trillionaire upon the company’s debut on the New York-based Nasdaq stock exchange on June 12.

Despite the public listing, Musk will retain effective control of SpaceX with more than 82 percent of voting rights, the result of a dual-class stock structure that grants certain shares 10 votes instead of one.

The Texas-based firm’s decision to set a specific share price ahead of its IPO marks a break from usual practice.

Companies preparing for a public listing usually announce a preliminary price range that can be adjusted based on investor interest.

“The genuine surprise is that SpaceX fixed a price before the investor roadshow began,” Fabien Yip, a market analyst at online trading and investment company IG Group, told Al Jazeera.

“To me, this reflects Musk’s control over the deal terms and his confidence that the book will fill.”

Founded by Musk in 2002, SpaceX is best known for designing and launching rockets, spacecraft and reusable launch vehicles on behalf of NASA and private companies.

The company also provides internet services and artificial intelligence models through its Starlink and xAI divisions.

Musk has outlined lofty ambitions for SpaceX, including to establish a “self-sustaining” city on Mars, “make life multiplanetary,” and “extend the light of consciousness to the stars”.

SpaceX’s listing will be a test of investors’ confidence in Musk’s vision, which has yet to translate into profits at the company.

SpaceX reported a net loss of $4.9bn on revenue of 18.7bn in 2025, followed by a $4.3bn loss in the first quarter of this year.

Jay R Ritter, an emeritus professor at the University of Florida who specialises in IPOs, said the SpaceX IPO differs from Saudi Aramco’s blockbuster listing as the state-owned oil company had a track record of generating large revenues and profits.

“SpaceX, in contrast, has trailing annual revenue of less than $20bn, and is not profitable,” Ritter told Al Jazeera.

“So, one company’s valuation was – and is – based on its demonstrated profitability, while the other company’s valuation is based on potential.”

“With SpaceX, there is a risk that cash flows will be used to send hundreds of thousands of people to Mars, at a loss,” Ritter added.

Despite SpaceX’s lack of profitability, market sentiment is strong, said IG’s Yip, noting that buyers of investment products linked to the listing are pricing the company’s end-of-first-day market capitalisation at $2.2 trillion.

“The Tesla parallel is perhaps worth drawing: It debuted in 2010 as a loss-making company and largely tracked the S&P 500 for years, only breaking away decisively once it turned profitable for the first time in Q1 2013,” Yip said, referring to the benchmark stock index on Wall Street.

“SpaceX investors are making a similar bet on future growth, with the added complexity that SpaceX’s addressable market – rockets, satellite internet, AI – is considerably broader than Tesla’s was at listing.”

SANTIAGO, Chile, June 2 (UPI) — Chile has recorded a historic decline in births, with the birth rate falling 46.9% over the past 32 years and the total fertility rate dropping below one child per woman for the first time, raising concerns about long-term population replacement.

According to the National Statistics Institute, or INE, report “Demographic Overview of Chile,” the number of births declined to 146,446 in 2025 from 275,916 in 1993. The average number of children per woman last year fell to 0.99 live births, a 59.4% decrease from 1993.

At the same time, the share of births to foreign mothers has increased significantly. Between 2017 and 2025, the proportion nearly tripled, rising to 19.7% of live births from 6.9%.

“These are concerning figures. Chile is the most aged country in Latin America, with one of the region’s highest life expectancies at 81.5 years, comparable to Canada,” public health specialist Claudia Rodriguez, head of the Public Health Department at the University of the Andes, told UPI.

“As a result, Chile is beginning to display the demographic characteristics of a developed country without being one, and the country could soon reach a point where deaths outnumber births,” she said.

Sara Parada, director of obstetrics at Andres Bello University, said the decline reflects a combination of social, economic, cultural and institutional changes.

“Women are making reproductive decisions in a more informed environment. Greater female participation in higher education and the labor market has contributed to delaying motherhood,” she told UPI.

She said additional factors include the high cost of raising children, uncertain or unstable employment conditions, and limited support from partners in caregiving responsibilities.

“There has been a significant cultural shift. Motherhood is no longer viewed as an obligatory path for all women, but as an autonomous and informed decision that coexists with other life goals,” Parada said.

“That in itself is not negative. The problem arises when people who do want children do not find the material, labor, family or institutional conditions needed to have them.”

Parada noted that Chile’s situation is not unique and reflects a broader trend across Latin America and the Caribbean.

“Fertility has been steadily declining across the region. According to the Economic Commission for Latin America and the Caribbean, fertility reached 1.8 children per woman in 2024 and has remained below the replacement level of 2.1 children per woman since 2015,” she said.

“In 2024, 76% of countries and territories in the region recorded fertility rates below that threshold.”

She said Costa Rica registered 1.32 children per woman, Uruguay 1.40 and Argentina 1.50.

Uruguay’s birth rate continues to decline. The country recorded about 50,000 births in 2016, but the figure fell to 29,000 within a decade. The National Institute for Educational Evaluation estimates the number of students will decline by 25% by 2045.

“In less than 10 years, Argentina’s birth rate has fallen 40%. The countries facing the most severe fertility crises in the region are Uruguay, followed by Chile and then Argentina,” family specialist Lorena Bolzon told Argentine newspaper La Nacion.

Parada said Chile stands out not only for having one of the region’s lowest fertility rates, but also for the speed of the decline.

Analysts warn that a sustained drop in births could have significant long-term consequences by reducing the future working-age population, potentially affecting labor availability, productivity and economic growth unless accompanied by adaptation policies.

“It also increases the proportion of older adults relative to the active population, placing greater pressure on pension systems, healthcare spending and long-term care services,” Parada said.

She said governments should not focus solely on encouraging births, but instead adopt comprehensive measures that support families, including access to child care, work schedules compatible with family life and financial assistance for raising children.

IN one of Norfolk’s best seaside towns is a pier over 100 years old – and it could soon undergo a huge revamp.

On what will be the year of its 125th anniversary, the Pavilion Theatre in Cromer is being considered for an upgrade worth millions.

The Pavilion Theatre sits on the end of Cromer Pier and hosts shows throughout the year from tribute acts to vintage festivals.

It also reportedly shows the “world’s only remaining full-season end-of-pier variety show”.

Now, the local North Norfolk District Council (NNDC) is considering making improvements to the theatre at the predicted cost of £2.4million.

The Grade-II listed pier itself was built in 1901 as was the theatre which at the time was originally a bandstand.

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It was converted into the enclosed pavilion it is today in 1905 with several repairs made throughout the years.

The most famous performances there have been by the likes of Paul Daniels, Ken Dodd and Cannon and Ball.

Possible upgrades to the theatre include installing new heating and cooling systems, upgrading lighting and sound, and refurbishing the theatre’s 440 seats.

As for the wider town, Cromer on the north coast of Norfolk is actually considered one of the best in the UK.

Last year when The Times totted up its ‘best seaside towns in the UK’ from Cornish harbours to a good old British resort, Cromer made the list.

Coming second, just below Aldeburgh in Suffolk, The Times said Cromer is the “real deal” a “traditional port town with a Victorian pier, pastel-tinted beach huts, a bucket-and-spade beach.”

Travel Reporter Jenna Stevens, who hails from Norfolk, has given her verdict on the town.

She said: “Cromer mixes old-school seaside town tradition with trendy places to eat and shop, meaning this is a staycation spot that will please the whole family.

“The town’s real showstopper is Cromer Pier, which dates back all the way to 1391. The original jetties built over the years have been washed away by storms and rebuilt, but the pier you see today has jetted out over the water since the Victorian era.

“Perched at the end of the pier is the Pavilion Theatre, which puts on shows from Beatles tribute acts to Mamma Mia-themed parties.

“Plus it’s well worth a visit to catch the Cromer Pier Show with dazzling guests with high-production singing, dancing and comedy.

“Cromer is also home to a pristine, Blue Flag beach, which attracts sunbathers for its flat, golden sands, surfers for its waves and wild foragers for its fresh cockles and mussels.”

Jenna continued: “And when it comes to seafood, you can’t miss out on trying some delicious Cromer Crab. You’ll find this famous Brown Crab cropping up on menus all the way along the North Norfolk coast, so what better place to try some than the town in which they were freshly caught?

“However the charm of this seaside town isn’t all found at the pier, it’s recently become a lot trendier, too. In the lanes behind the seafront, Cromer has recently seen a wave of new vintage shops, cool cafes and quirky art galleries arrive.

“Pop into Grey Seal Coffee for a smooth flat white in a beachy, boho setting, or have a nosey in Cromer Artspace to admire local artists’ landscapes.

“For a memorable bite to eat, Norfolk Crumble has captured the love of locals, whipping up tasty pots of crumble loaded with toppings like popcorn and banoffee, as well as ice-cold thickshake.”

I live in Santa Barbara and I’m interested in photography. Where are some historical places to take pictures in Los Angeles? I’m interested in old movie palaces, movie and TV show locations, historic homes and buildings, World War II–related sites and airplane museums. — William Lemons

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

It’s cool to hear that you’re interested in capturing the beauty and history of Los Angeles through your camera lens, William. Given that you’ll be traveling from out of town, I am recommending spots that you can visit in a single day, if you’d like. They’re mostly in and around Downtown L.A.

First off, if you don’t feel like driving and paying for parking all over town, I’d suggest taking Amtrak from Santa Barbara to L.A. You can take take photos of the gorgeous view along the way and once you step off the train, you’ll already be at the first historic site on the list: the true stunner that is Union Station.

Open since 1939, it’s one of the country’s last great train stations and considered to be the largest railroad passenger terminal on the West Coast. Designed by father-and-son architect team John and Donald Parkinson, it blends Art Deco, Spanish Colonial and Streamline Moderne styles. Travel writer Christopher Reynolds, a.k.a. the person in the newsroom that everyone goes to for trip advice, tells me, “With its clock tower, big arches and high ceilings, Union Station feels like a secular church.” He notes that security guards will often shoo you off if you use a tripod without advance approval, so it’s best to bring a handheld camera instead.

Next, walk across the road to Olvera Street, one of the oldest streets in L.A. It’s part of El Pueblo de Los Angeles Historic Monument that’s been fighting to stay open since the pandemic. As you stroll through the area and take pictures, check out the Mexican marketplace, capturing the pottery, clothing and art along the way, and grab some authentic cuisine. Times food editor Daniel Hernandez swears by Cielito Lindo, a taquería that’s been around since the 1934, and still makes the most “perfectly rolled taquitos.” (The family-owned restaurant is currently raising funds to stay open due to economic hardship.)

Next, hop on an e-scooter or take a quick bus ride to the Historic Broadway Theater District, which has 12 stunning movie theaters — all of which were built between 1910 and 1931. The Los Angeles Conservancy even hosts walking tours of the famous district. You can register online for the next ones on June 6, 13, 20 and 27.

You’ll probably be hungry after the tour, so you might as well visit Grand Central Market, the city’s largest and oldest public market. Open since 1917, the market has more than 40 food stalls including China Cafe (open since 1959), Villa’s Tacos, Egg Slut and more. Afterward, take a brisk walk to L.A.’s most beautiful library, the L.A. Central Library, which turns 100 this year. Grab your camera and marvel at the exterior of the Art Deco-style building, which draws inspiration from Egyptian and Mediterranean Revival architecture. Then head inside on the second floor rotunda to see the marvelous California history mural and the breathtaking globe chandelier.

Now for some rapid-fire suggestions across L.A.: There’s Frank Lloyd Wright’s 1920s-era Hollyhock House at Barnsdall Art Park in East Hollywood. (If you go here, I suggest stopping by nearby Ululani’s Hawaiian Shave Ice for a delicious sweet treat.) Or check out any one of L.A.’s most iconic TV houses including “The Brady Bunch” home in Studio City, “The Golden Girls” residence in Brentwood and the “Seinfield” Koreatown apartment building. (These are private residencies, so you won’t be able to go inside but you can snap a photo of the exterior.) If it’s architecture you’re into, peruse this guide to L.A.’s iconic homes that you can tour IRL, including the Adamson House in Malibu, the Eames House in Pacific Palisades and the Lummis Home (El Alisal) near Mount Washington. Finally, if you’re open to joining a group of fellow photographers, I suggest following Instagram pages for collectives like L.A. Photo Club and the 85 Mil Photo Walk Series, which host meetups and walking tours regularly.

L.A. is filled with so many beautiful historical sites, so I hope that these suggestions help get you started, and most importantly, that you continue taking awesome pictures. Have a great time!

WE’VE all gone a little K-razy – with Brits obsessed with K-pop, K-drama and K-beauty.

So it’s no wonder Virgin Atlantic chose to launch new direct flights to South Korea’s cool capital Seoul.

From the music legends BTS and Netflix hits KPop Demon Hunters and Squid Game to the latest in advanced skin treatments, would my first trip live up to the hype?

After a whistlestop three days, I can ­definitely say yes — it was all I thought it would be and so much more.

The journey from Incheon International Airport to the city centre was eye-opening as we rattled along a highway next to the great expanse of the Han River that splits the city into its historic northern half and glitzy southern districts.

In the shadows of the countless skyscraper apartment blocks, locals gather on the riverfront’s parks, walking trails and cycling paths.

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And this high-tech capital of endless high rises and neon-lit streets is also home to ancient palaces and surprisingly tranquil green spaces.

Locals and tourists alike flock to the five grand Joseon-era palaces and if you wear a Hanbok — the traditional Korean clothing — admission to them all is free.

While it may seem a little odd to us, embracing the traditional garb is actively encouraged and there are plenty of boutique rental shops surrounding the palace district that will, for a small fee, dress you head to toe in the brightly coloured garments and even braid your hair.

With little time to waste, we went straight from the plane to the palaces.

Top tip: plan your days carefully.

The ­magnificent main palace, Gyeongbokgung, is closed on Tuesdays, while the nearby ­Changdeokgung shuts its gates on Mondays.

We spent time wandering Changdeokgung’s ancient courtyards — just make sure to book ahead if you want to see its famous, tranquil Secret Garden.

Next morning, it was time to shake off the jetlag and embrace modern Seoul with a K-Pop dance class in the city’s university ­district.

Our incredibly patient instructor walked us through a routine to the Saja Boys’ hit Soda Pop, from Netflix’s KPop Demon Hunters.

The 90-minute session was an absolute blast, and even someone with two left feet like me could just about pick up the moves — albeit I was a few beats behind the music!

More modern-day Korean fun came next with a visit to one of the flagship Olive Young K-beauty stores in the Myeong-dong shopping district.

You’ll find smaller stores on almost every street corner here, packed with Korean beauty products from floor to ceiling.

The trick is to do your research before you go — it can be overwhelming looking at the overflowing aisles but you can score amazing bargains, with some products just a third of the price you’d pay in the UK.

Next up was another Korean trend that has taken social media by storm — colour analysis.

Stepping into a deliberately all-white room, your personal stylist will assess the colours that suit your skin tone best.

While I am sure the colours picked for me suited the Korean aesthetic — you’ll rarely see very bright tones on locals strolling streets by day or night — I felt they missed the mark.

After my colour analysis, we stumbled across the Roof Cat Me cafe which, as a feline fan, was a must.

The £10 entry fee included unlimited drinks for the humans — and the chance to chill next to some of the most beautiful pedigrees, all of whom appeared extremely happy with their spotlessly clean, custom-built hangout.

What surprised me the most was the great value — and warm welcome — we got everywhere we went.

While the efficient metro system costs just 80p per journey, it was also very easy to grab an Uber — and journeys were a fraction of the price we’d pay in the UK.

Download the Naver app to get around though, as Google and Apple maps are limited to public transport routes.

Food and drink was also very reasonable.

Local beers cost just £2.50 and you can even enjoy unlimited beef Korean barbecue for around £15.

And what’s more important, even at night I felt completely safe on the buzzing streets of bars, clubs and restaurants.

There is none of the edgier atmosphere you can get in big cities.

We ticked one last thing off the bucket list with a trip to the Gangnam southern district — known for its upscale shopping and nightlife made famous by the original smash-hit song from Psy.

There was just time to pose under the giant Psy hands statue outside the COEX mall before it was back to the airport and I was boarding my Virgin Atlantic flight home to London.

My feet were tired but my skin was glowing.

Seoul is a dizzying, delightful mix of old and new — and it more than lives up to the hype.

That sound of breaking glass? It’s Hong Kong-born conductor Elim Chan, 39, shattering a particularly stubborn ceiling after being named the first woman to lead the San Francisco Symphony in its 115-year history. Her title is currently Music Director Designate, and when she officially steps into the job of music director in September 2027, she will become the first woman to lead a major American orchestra.

Chan arrives as the orchestra’s 13th music director at a precarious moment for the organization, which in 2024 was rocked by the resignation of its last music director, Esa-Pekka Salonen, who declined to renew his contract after five years and said he didn’t share the same vision as the orchestra’s board of governors. Like many arts organizations, the symphony is still struggling with a pandemic-precipitated drop in attendance and a shrinking budget.

Fans will get their first chance to see Chan in action on June 5 and 6 when she’ll take the stage in a program including Richard Wagner’s Prelude from “Tristan und Isolde,” Hector Berlioz’s “Les Nuits d’été” wih mezzo-soprano soloist Sasha Cooke, and Claude Debussy’s “La Mer.”

“In Elim Chan, we have found a musician of unusual gifts and a leader of equal substance — a rare combination, and the one behind her remarkable international rise,” said San Francisco Symphony Chief Executive Matthew Spivey in a news release. “What sets her apart on the podium is the conviction she brings to the music itself. Works orchestras have played a hundred times sound newly made under her hand, lit by a feeling for structure, color, and emotional architecture that audiences hear before they can name.”

Chan studied piano and cello in Hong Kong before moving to the U.S. to attend Smith College. She went to graduate school at University of Michigan, Ann Arbor, where she ultimately earned a Doctor of Musical Arts degree in 2015. The year before that she became the first woman to win the prestigious Donatella Flick LSO Conducting Competition, and was named assistant conductor of the London Symphony Orchestra.

Chan made her conducting debut with SF Symphony in January 2023 and has conducted the orchestra twice since. A rep for the the group said the feedback they’ve received from “our Orchestra, press, our audiences, and donors has been remarkable.” Chan is, indeed, a electrifying presence to behold onstage, a fact that no doubt played a major role in the search committee’s decision.

And now audiences get to delight in her fresh, invigorating approach to the conductor’s podium. Glass ceilings should be broken more often.

I’m Arts editor Jessica Gelt rooting for something new and different. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

David E. Frank and Nicolet Anton in “Limonade Tous les Jours: A Paris Love Story” at City Garage.

(Paul Rubenstein)

Limonade Tous les Jours: A Paris Love Story
Romance in the City of Lights from Obie Award-winning playwright Charles L. Mee, in which a young chanteuse and a reserved American in his 50s ponder amour amid classic French cabaret songs.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays, through June 28. City Garage, 2525 Michigan Ave., Building T1, Santa Monica. citygarage.org

Three Lives
Written, directed by and starring Alex Xander Luu, this solo theater performance shares the dramatic, sometimes humorous, story of the Luu family’s escape from Saigon in 1975 through the perspectives of a father, son and grandson.
8 p.m. Friday-Saturday; 2 and 8 p.m. Sunday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

David Call and Lena Dunham in the movie “Tiny Furniture.”

(Joe Anderson / IFC Films)

Tiny Furniture
Multi-hyphenate Lena Dunham’s breakout 2010 indie feature about a new college graduate adrift in New York City screens with “Welcome to Bushwick a.k.a The Crackcident,” an episode from Dunham’s series “Girls.”
7:30 p.m. Friday; 6 p.m. Saturday. The Eastwood (Oxford Underground), 1089 N Oxford Ave. eastwoodpac.stagey.net

SATURDAY

Daisuke Ryu in Akira Kurosawa’s 1985 film “Ran,” screening Saturday at the Academy Museum.

(Winstar Cinema)

Darkness and Humanity: The Complete Akira Kurosawa
The series continues with 35 mm screenings of “Ran,” the filmmaker’s 1985 adaptation of Shakespeare’s “King Lear” transported to 16th century Japan; and “Kagemusha,” a 1980 feudal epic executive produced by George Lucas that helped revive Kurosawa’s career and cement his legacy.
“Ran,” 7:30 p.m. Saturday; “Kagemusha,” 6:30 p.m. Sunday. 6067 Wilshire Blvd. academymuseum.org

“Cut Piece,” 1964, performed in “New Works of Yoko Ono,” Carnegie Recital Hall, New York, filmed by David and Albert Maysles. Part of the exhibit “Yoko Ono: Music of the Mind” at the Broad.

(© Yoko Ono)

Yoko Ono: Music of the Mind
The first solo museum exhibition in Southern California of the singular artist, musician and activist, organized in collaboration with Tate Modern, London, includes work from her seven-decade career; direct participation by visitors will be invited in many of Ono’s transformational works.
Through Oct. 11. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

Artist Kyungmi Shin, whose solo exhibition “My Fantasy’s Burdens” is currently showing at Perrotin Los Angeles, talks with Aleesa Pitchamarn Alexander on Sunday.

(Todd Gray)

Kyungmi Shin
The L.A.-based artist will discuss her work, including the current exhibition “My Fantasy’s Burdens,” with Aleesa Pitchamarn Alexander, curator of Modern and Contemporary Art at the Cantor Arts Center and co-director of the Asian American Art Initiative at Stanford University. “My Fantasy’s Burden” includes both paintings and ceramics by Shin, featuring the artist’s practice of interrogating the Asian American diasporic identity, focusing on the cultural, economic and scientific consequences of colonialism.
4 p.m. Saturday; the exhibition concludes May 30. Perrotin Los Angeles, 5036 W Pico Blvd. perrotin.com

SUNDAY
Bob Dylan double feature
It’s the music icon’s 85th birthday and what better way to celebrate than with screenings of his 2021 concert film “Shadow Kingdom,” directed by Alma Har’el, and the 1987 musical melodrama “Hearts Of Fire” — one of Dylan’s forays into acting — directed by Richard Marquand.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

Stephen Schwartz performs during the Songwriters Hall of Fame induction and awards gala in 2025.

(Charles Sykes /Invision / AP)

An Evening With Stephen Schwartz
Katharine McPhee, Joey McIntyre, Loren Allred and other performers join the celebrated composer-lyricist for a benefit concert to help the Altadena Music Theatre recover from the Eaton fire. Schwartz has won three Oscars, three Grammys, four Drama Desk Awards, a Golden Globe and the Richard Rodgers Award for Excellence in Musical Theater, in addition to six Tony nominations for shows including “Wicked,” “Pippin” and “Godspell.” Preceded by a VIP cocktail hour.
7:30 p.m. Manoukian Cultural Performing Arts Center, 2495 E. Mountain St., Pasadena. altadenamusictheatre.com

Arts anywhere

New and recent releases of arts-related media.

An Evening with Nicole Scherzinger

The lead singer of the Pussycat Dolls crowned her triumphant, Olivier- and Tony-winning turn as Norma Desmond in the musical revival of “Sunset Boulevard” with a series of solo concerts at prestigious venues (including Walt Disney Concert Hall). The latest edition of “Great Performances” captured Scherzinger’s performance at London’s Royal Albert Hall in October 2025, when she sang showtunes, covers and songs from her own repertoire. 9 p.m. Friday on PBS and streaming on the PBS app

“Reading Pictures: A History of Illustration,” by D.B. Dowd.

(Princeton University Press)

Reading Pictures: A History of Illustration

In this visual chronicle, D.B. Dowd, a professor of design and American culture studies at Washington University in St. Louis, follows this unique art form from relief prints and woodcuts in ancient China and Japan, through the development of the printing press in 15th century Europe, and on to modern developments such as illustrated news, recreational reading and ad-driven consumer culture. Dowd reconsiders the traditional narrative to view illustration in the context of race, gender, literacy and cultural memory. The book examines the integration of reading and looking, the increasing prevalence of images in the digital age, and what it means to be literate in the 21st century. Princeton University Press: 400 pages, $60

— Kevin Crust

Culture news and the SoCal scene

Kylie Victoria Edwards and Daniel Yearwood in “Brigadoon” at Pasadena Playhouse.

(Jeff Lorch)

Theater lovers rejoice: “Brigadoon” at the Pasadena Playhouse may be the “best local staging of a musical” Times theater critic Charles McNulty has seen in 20 years covering the scene for The Times. The revival, directed by Katie Spelman with an updated book by playwright Alexandra Silber, is “the high-water mark so far of Pasadena Playhouse producing artistic director Danny Feldman’s ongoing reexamination of the American musical canon,” McNulty writes. In the same column, McNulty notes that another classic musical revival, “Flower Drum Song” at East West Players, does not hit its mark.

The Skirball Cultural Center‘s latest exhibit takes on the genesis of Punk rock in the 1970s, and traces its rise from the UK to New York and Los Angeles. The exhibit, “Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86,” pegs punk’s year zero to 1976, “when the Ramones debuted their self-titled record. That same year, the Sex Pistols cursed on live TV, John Holmstrom and Legs McNeil co-founded Punk magazine, and the Damned released the first British punk single, ‘New Rose’.”

Erin Davis, son of Miles Davis, poses for a portrait during Musichead Gallery’s photography exhibition marking a centennial celebration of the jazz musician.

(Jason Armond / Los Angeles Times)

As the world celebrates the centennial of jazz legend Miles Davis, a unique photo show is happening at Musichead Gallery on Sunset Boulevard. “The show celebrates the late jazz musician’s centennial through imagery captured over a career spanning nearly five decades,” writes staff writer Julius Miller, noting that some of those photos have not even been seen by members of the Davis family.

Times classical music critic Mark Swed sat down for an exclusive interview with Los Angeles Philharmonic Music and Artistic Director Gustavo Dudamel as he readied to play his final shows with the orchestra at Walt Disney Concert Hall before departing for the New York Philharmonic. “I’m living here and I’m not living here,” Dudamel told Swed. “The connection will always be here.”

Swed also weighed in on two performances marking composer Philip Glass’ 90th birthday (which arrives at the end of January): Paris Opera’s “shocking” new “noir” production of Glass’ “Satyagraha”; and a UC Santa Barbara Arts & Lectures-commissioned show called “Philip Glass and the Poets,” which premiered at Campbell Hall featuring readings by performance artist Taylor Mac and dancer/choreographer Lucinda Childs.

Lisa Waund’s work in the Joy Department at the Hospital of Emotions at St. Vincent Medical Center.

(Carlin Stiehl / For The Times)

The Times got an exclusive first look inside the soon-to-open Hospital of Emotions, which features 70 artists in a takeover of 80 rooms at the shuttered St. Vincent’s Medical Center on the outskirts of downtown L.A. The sprawling immersive art project is divided into various departments including joy, fear and sadness, and shines a spotlight on wellness and mental health.

Meow Wolf L.A. won’t open until later this year, but The Times got an early look at a new character that will be featured in the immersive art space. Its name is WoWoW and it’s the creation of the experimental video art collective Everything Is Terrible. Read all about the “20-foot-tall, 1,000-pound amoeba-like creature” here.

Guests enjoy wine and friendship at the Barnsdall Art Park Foundation’s weekly wine tasting.

(Janna Ireland / Barnsdall Art Park Foundation)

Barnsdall Friday Wine Nights are returning for a 17th year. The event is set to begin May 29 and run through Sept. 11, every Friday evening from 5:30 to 9:00 p.m. Located on the West Lawn of Frank Lloyd Wright’s magnificent Hollyhock House, the gathering occupies one of the city’s most magical outdoor spots. A $55 general admission ticket gets you four glasses of wine from Silverlake Wine, along with a rotating lineup of food trucks. DJs also regularly perform throughout the series. Best of all: Proceeds support arts programming and preservation at Barnsdall Art Park. A rep for the event notes that, “this year’s fundraiser is especially critical amid proposed budget and staffing cuts to the City of Los Angeles Department of Cultural Affairs.”

Break out your best picnic basket and blanket: Independent Shakespeare Co. has announced this summer’s Griffith Park Free Shakespeare Festival, which runs outdoors every year at the park’s Old Zoo. This year’s lineup includes the Bard’s “Coriolanus” and “The Comedy of Errors.” Performances are free, but registration is requested at www.IndieShakes.org.

— Jessica Gelt

And last but not least

Times restaurant critic Bill Addison declares the 10-table Wilde’s the new “crown jewel” of Los Feliz.

Tehran, Iran – Iran and the United States have evoked historical and geographical references to the MENA region as the world awaits the announcement of a possible deal to end the conflict between the two countries.

Iranian officials have revived key moments in the nation’s history to drive forward a message of a David-versus-Goliath battle between the two sides, with the underdog ultimately victorious.

This comes as US President Donald Trump announced that a deal with Iran had been “largely negotiated”, with Tehran also indicating there could be an agreement soon. Both sides have been keen to portray any deal to end their 66-day conflict as a victory.

Historic messaging

Iran’s Foreign Ministry spokesman Esmaeil Baghaei drew parallels to the march of the Romans against the Persians in the third century, with the invading party ultimately being forced to “come to terms” with the latter.

Baghaei also posted an image of Roman Emperor Valerian after he was captured by Persia’s King Shapur I in the year 260. It is an illustration repeatedly drawn on by Iranian authorities in recent months to evoke nationalist sentiments and promote the idea that the country is again bravely standing up to another invading force.

Sunday also happened to mark the anniversary of a more recent conflict, when Iran – under a new revolutionary government still in place today – fought an eight-year war with its neighbour, Iraq, from 1980 to 1988.

Every year, the Islamic Republic celebrates the 1982 recapture of Khorramshahr, a city with an Arabic-speaking majority in the western Iranian province of Khuzestan.

Khorramshahr marked a turning point for the Iranian side in a protracted war that killed hundreds of thousands from both sides, with that battle being one of the bloodiest.

It has been used in government discourse and messaging during the latest war with the US and Israel to symbolise the country’s long history of resistance and determination to maintain the sovereignty of its lands.

Ahmad Vahidi, the commander-in-chief of Iran’s Islamic Revolutionary Guard Corps (IRGC), used the battle to signal that Tehran would continue to fight the US and Israel in the region.

“The liberation of Khorramshahr is a lasting model for victory in future Khorramshahr, and the liberation of Quds sharif [Jerusalem], and the destruction of the evil Zionist regime by the axis of resistance and the fighters of the Islamic world,” he said, in reference to Israel.

Masoud Pezeshkian, Iran’s relatively moderate president, linked the event to the current standoff.

“Iran’s Khorramshahr today is the Persian Gulf and the Strait of Hormuz,” he wrote on X. “Resistance, sacrifice and fighting off aggression are rooted in the culture of this land.”

Preparing for peace

Mohammad Mokhber, an adviser to Iran’s slain Supreme Leader Ayatollah Ali Khamenei, said both former Iraqi leader Saddam Hussein and US President Donald Trump failed to fully recognise Iran’s power when starting a war.

“The first was buried in the trenches of Khorramshahr, while the second has been afflicted with a political crisis in a quagmire created by the Zionist regime,” he wrote on X.

Kazem Gharibabadi, a member of Iran’s negotiating team and its deputy foreign minister for international affairs, linked the issue of Khorramshahr with the United Nations Charter and the country’s current concerns.

“Any nation that falls victim to aggression and occupation has an intrinsic right for legitimate defence to safeguard its territory, independence and integrity,” he said.

Gharibabadi added that Tehran is currently following the same logic of “peace-seeking paired with power, diplomacy paired with integrity and decisive defence”.

First Vice President Mohammad Reza Aref said the recapture of the city in 1982 showed that the new government could defeat aggression on its own terms.

Tehran now aims to “overcome our savage enemy” through holding its ground, he wrote on X.

The latest barrage of messaging from leaders in Tehran came after Trump appeared to suggest that he wanted to take control of Iran.

On his Truth Social account on Saturday, the US president posted a photo of the US flag covering the map of Iran, with the question: “United States of the Middle East?”

In response, the X accounts of multiple Iranian embassies abroad posted a US map covered with the flag of the Islamic Republic, with the question: “United States of Iran?”

The Trump administration has emphasised that it wants a long-term suspension of uranium enrichment in Iran and the extraction of high-enriched nuclear material from the country.

It also wants the Strait of Hormuz – through which one-fifth of the world’s oil shipments normally pass, but which Iran has blockaded – reopened fully without any tolls from Iran, officials have said.

Israeli officials have remained largely silent about a US deal with Tehran, but have reportedly been pushing to resume the war.

IF you want a beautiful stay in the middle of a historic UK city, we’ve found just the place.

Here’s everything you need to know about the Varsity Cambridge Hotel, from how much the rooms cost to what there is to do there.

Where is The Varsity?

It’s a brilliantly located hotel, right in the centre of the city on the banks of the River Cam too.

A short stroll from a handful of Cambridge University’s unspeakably beautiful colleges and green spaces.

What are the rooms like?

Our fifth-floor Senior Fellows Superking Room was spot-on with nods to the university-swamped location dotted throughout and an enormous, contemporary four-poster bed – our cockapoo Frisbee was with us so it was a joy to see a herringbone wooden floor – no carpets to mess up!

But the true highlight is the dual-aspect, floor-to-ceiling windows that allow those views out on to Cambridge, with elegant church spires puncturing the skyline.

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Get a room on a higher floor and you get to see all of this from the comfort of your bed.

Rooms start at £170 including breakfast. Dogs charged at £28 per stay. See here.

What is there to eat and drink there?

There are plenty of options here.

The Six Brasserie & Bar is on the hotel’s sixth floor and has even better panoramic views. In spring/summer, there’s also the open-air Roof Terrace to enjoy.

Our tactic was to have a cocktail at Six (at 7pm, confusingly) before heading around the corner to the hotel’s affiliated River Bar Steakhouse & Grill.

Our shared Tomahawk was incredible and truly stirred the caveman within.

What else is there to do there?

The Glassworks Gym & Spa is well worth a visit – the gym is set in a stunning old warehouse, while the jacuzzi is right by a beautiful arched window where you can watch people bobbing past in punts on the Cam.

And if you can stretch to a treatment, the 50-minute Elemis Facial and Massage combo is divine – but is guaranteed to feel like the shortest 50 minutes of your life.

Is the hotel family friendly?

There are some options for kids like options for extra beds and cots, but this is more of an adult hotel.

Is it accessible?

The hotel has accessible rooms with a lift to all of the floors, excluding the rooftop bar.

Taijul Islam’s six-for helps Bangladesh bowl out the visitors for 328 in their first home series win over Pakistan.

Bangladesh have sealed a historic home Test series win over Pakistan after handing the visitors a 78-run defeat in their second Test in Sylhet.

Spinner Taijul Islam took six wickets to lead the spirited home side’s series win on the fifth day of the match on Wednesday.

Pakistan, who started the day on 316-7 while chasing a record 437, were bowled out for 328 in the first session after Mohammad Rizwan hit a valiant 94.

It was Bangladesh’s first Test series win at home against Pakistan and their second successive sweep after their 2-0 triumph on Pakistani soil in 2024.

Wicketkeeper Rizwan kept Pakistan in the hunt for an unlikely win with a 166-ball stay after the visitors had slumped to 162-5 on day four.

Rizwan put on an eighth-wicket partnership of 54 with overnight partner Sajid Khan, who made 28.

Taijul broke through to dismiss Sajid for his 18th Test five-wicket haul, and Shoriful Islam had Rizwan caught in the next over to end Pakistan’s resistance.

Taijul took the final wicket of Khurram Shahzad to return figures of 6-120 and trigger Bangladesh celebrations.

The left-arm spinner also took 3-67 during Pakistan’s 232 in the first innings.

Bangladesh wicketkeeper Litton Das scored 126 in their 278 in the first innings.

Veteran batsman Mushfiqur Rahim scored 137 in the second to guide Bangladesh to 390, with contributions from Mahmudul Hasan Joy (52) and Litton (69).

Bangladesh, led by Najmul Hossain Shanto, won the opening Test by 104 runs.

OFF the coast of Northumberland is a remote, tidal island that you’ll have to time right to visit – as it is cut off from the mainland twice a day.

Called Lindisfarne, or by its other name, Holy Island, it might be familiar to fans of horror movies.

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The island off the coast of Northumberland was used to film post-apocalyptic film, 28 Years Later, which came out just last year.

The 2025 movie was about a group of survivors of the rage virus living on a small island starring actors like Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes.

Filming spots included the tidal causeway and Lindisfarne Castle which attracts thousands of visitors every year.

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The National Trust took over the property in 1944 and it has been open to the public ever since.

Inside the castle, visitors can explore the different rooms, including a dining room, a kitchen, and bedrooms, as well as the upper battery, which has panoramic sea views.

In addition to exploring the interior of the castle, there are plenty of other things to see.

Entry to the castle is £14.30 for adults and £7.20 for children (between 5-17).

The island is also referred to as Holy Island, and it got its nickname after becoming the centre of Anglo-Saxon Christianity in the 7th century.

It was home to saints and it’s considered a very religious place.

But for those who want to move away from its history, there’s plenty to do on the island, like visit its coffee roastery, Pilgrims Coffee.

The business first set up in a yurt, but now even has a cosy cafe on the island too serving up caffeine hits and homemade cakes.

The family that runs Pilgrims Coffee moved from the mainland to Holy Island in 2022.

Another spot to visit is St Aidan’s Winery, where Lindisfarne Mead is made, and visitors to the island can pop in for tastings and browse the shop that sells its wine and beer.

The island has around 160 permanent residents, but it does have places for visitors to stay from hotels to holiday lets.

One of the top spots on Tripadvisor for Holy Island is Belvue Guesthouse which sleeps two guests.

One guest on Tripadvisor wrote: “We had such a lovely stay in Belvue, I think it was one of the best guesthouses we have ever been to!”

There are also cosy B&Bs as well as rooms in the local Ship Inn Pub.

The pub dates back to the 18th century with a dedicated dining room and a beer garden to the back.

It has also made an appearance on TV and was featured as the fictional ‘Seahorse Pub’ in ITV’s Vera.

Visitors can walk the historic Pilgrim’s Way or visit the Gertrude Jekyll Garden.

For seal spotting, head to the harbour or the sand flats around Lindisfarne National Nature Reserve where there are thousands of grey seals especially between February and October.

To get to Lindisfarne, you have to cross the causeway from the mainland which is only accessible at low tide from the town of Beal.

While the tides can be predicted, holidaymakers will need to check the crossings on the day on the Northumberland County Council website.

ONE museum in Leicestershire which has been called a ‘jewel’ of the city could soon look very different.

The Moira Furnace Museum is set to undergo a £2.4million investment and will add a playground and café to its site.

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The attraction is a well-preserved 19th-century iron-making blast furnace and historical landmark that is now a museum set in a huge country park.

The Moira Furnace Museum in Ashby reopened in April after undergoing the first phase of its regeneration project which took just over one year.

It needed £490,000 worth of repairs after water damage – but as much as £2.4million could be invested for phase two.

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The development could see a new visitor centre built with café and a play area for children.

Also included in the plans are additional storage facilities, improved parking with electric vehicle charging points and canal structural safety works.

Councillor Mike Ball (Con) told the committee that the improvements would make a “big difference to the future life of the furnace” and it was “one of the jewels in [our] crown”.

There is a phase three plan too which includes a new “basement entrance area” as well as “monument interpretation and illumination“.

The museum sits on a 36-acre country park and inside the attraction is a chance to learn about the 220 year old iron blast furnace.

The attraction is actually considered one of the most significant surviving monuments of the Industrial Revolution.

Inside are immersive spaces taking visitors back to the time it was used, including how the site looked 200 years ago.

There are activities for children too like dressing up or trying one of the seasonal trails around the site.

Museum tickets for adults cost £4 and £2 for children (between 2-18 years).

While the proposed visitors centre is set to have a new café, there is a takeaway spot within the museum shop.

Here, visitors can pick up hot and soft drinks as well as sweet treats like cake and ice cream.

Outside on the country park are woodlands with cycling paths and picnic spots.

Alongside the museum is a canal and visitors can even take a trip on a 100 year-old narrowboat.

The heritage boat called The Joseph Wilkes offers 15-minute trips along the water.

Tickets cost £4 for adults, £3 for children (between 2-18), and family tickets are £12 (for 2 adults and 2 children).

The museum and boat rides are open from April until late October with the country park being open year-round.

A BRAND new lido could be coming to one of the UK’s most beautiful cities under new plans.

A formal bid has been made to transform an old leisure centre into a prime swim spot in the city of Winchester.

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Winchester’s River Park Leisure Centre, which closed in 2021, would instead have an outdoor swimming pool, as well as lido a splash pad and food and drink stands.

The lido designs have been created by Design Engine Architects, with previous projects including university campuses and private homes across the UK.

The bid has been put to Winchester City Council by Sea Lanes which runs the lido in nearby Brighton and Hilsea Lido in Portsmouth.

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Harry Smith, director of Sea Lanes, said: “We submitted our bid as part of the consultation for the site. We worked with the (Winchester Lido) community group, which really supported the bid.

“We’re really excited to bring a lido to Winchester. I think the decision will be soon, if it’s still on track, and then we will be working with the city if we get the opportunity to pursue the project.

“There’s huge community support for the lido. We have worked with the community group, which contacted us about the site. It is something that has been bubbling around for a while.”

The plan has been met with positivity from locals.

On a Facebook post announcing the news, one said: “Absolutely stunning! Can’t wait to hear more about it!”

Another wrote: “Hard to imagine how this would not be good for everyone in Winchester. Wonderful first visual.”

A third added: “I swam in Hilsea Lido the other day – fantastic. This would be great.”

There was previously an open-air swimming lido in Winchester on Worthy Lane, which opened in the 1930s and closed in the late 1970s – since then, Winchester hasn’t had a lido.

Nearby Hilsea Lido had been closed since 2022 but reopened on May 2 after a £7.6million revamp.

New showers and toilets, including a Changing Places toilet, and a sauna were added as part of the upgrades.

Formerly a saltwater pool, the 220-foot lido now uses unheated chlorinated fresh water.

The lido served as a training centre for the Team GB diving team ahead of the 1936 and 1952 Olympics, and it also featured as a filming location for The Who’s 1975 film Tommy.

I’M in pursuit of the perfect pier – this year’s best boardwalk is a firm favourite for my family and should definitely be on your beach bingo card for 2026.

Great Yarmouth’s Britannia Pier was recently declared ‘Pier of the Year’ and is the perfect spot for a classic British day out at the seaside.

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I’ve been visiting Great Yarmouth ever since my boys were little – the town that is historically the birthplace of the fishfinger, and the hometown of Keith Chapman, the creator of Bob the Builder and PAW Patrol.

Over the years, I’ve seen the hard work that’s gone into breathing new life into the pier at the north end of Great Yarmouth.

With it having just been named pier of the year, it’s the perfect gateway onto the town’s famous Golden Mile, with a little bit of everything you’d expect from a best-of-British day out at the beach.

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Whether you want refreshments, rides, arcade machines, a trip to the theatre or just a spot of sea air, this really is peak pier here.

You can catch the little land train that transports day trippers and holidaymakers along the seafront to arrive at the big pedestrian plaza at the entrance to the pier.

The white frontage and subtle slimline signage are a far cry from the iconic 70s orange lettering that was controversially removed last year.

But the streamlined makeover’s more modern vibe makes you want to step through the doors and check out what else is new.

I really loved the curved ceiling and vibrant red walls of the new amusement arcade, which feels light and airy thanks to a wall of windows and doors down one side.

The sit-down booths in Krispies fish and chip restaurant reminded me of an American diner, while food stalls selling ice cream, sweet treats and seafood line the walkway up to the arcade.

You can certainly see where the new owners Joseph and Cherise Abbott, who took over at the end of 2022, have spent their £2million makeover money and why it wowed the judges looking for the best of the boardwalks to beat off competition from 60 other piers across the UK.

Ever since the pier of the year prize was announced at Easter, more areas have been unveiled, including a fresh look for the Pier Tavern overlooking the plaza and a new casino and sports zone with pool and interactive darts.

Combining modern makeovers with timeless seaside staples like the end-of-the-pier theatre and funfair is certainly one way to hit the jackpot.

The theatre is hosting plenty of big names this summer, including Jason Manford, Gareth Gates and Joe Pasquale, with pantos, tribute acts and variety shows also taking to the stage.

I enjoyed taking a promenade to check out family favourites new and old like the ghost train and the dodgems, while looking out over the wide golden sands to either side of the boardwalk. 

The pier’s new look is just the latest in a series of seafront improvements that are putting the Great back into Yarmouth.

If you turn south onto the Golden Mile and head past Joyland with its popular Super Snails ride, a short stroll will take you to the recently relocated big wheel in between the Marina Leisure Centre and Sealife aquarium.

But my top tip would be to head north along the prom to take a wander through the refurbished Venetian waterways and up to the boating lake, where you can enjoy a pastry at the thatched cafe on an island in the pool while watching passing pedalos.

It’s a little slice of what the coastal resort would have been like a century ago, with its recent multi-million-pound makeover taking it back to its heyday.

What’s lovely is that Britannia Pier feels totally in keeping with both vibes – the ‘olde worlde’ waterside walks to the north and the bright lights and hustle and bustle of beachside attractions to the south.

It’s found a brilliant balance of new and old – like all the symbols lining up on a fruit machine for the first time in a while. 

If you visit and fall in love, you could even lease a beach hut nearby for £12k, after Great Yarmouth Council offered up some of its newly built huts on the Esplanade.

With the picture-perfect pier taking pride of place on the promenade this year, it certainly seems to be taking inspiration from the famous anthem – Britannia Rules the Waves and long may it continue.

A BEACHFRONT lido in a pretty seaside town is set to reopen this month.

Brightlinsea in Essex is one of the last remaining lidos in the county, dating back to the 1930s.

Along with a 50m outdoor pool, there is also a smaller toddler pool as well as sunloungers, changing rooms and a cafe.

Set to open from May 23, sessions will run from 7am until 5pm, with the first three hours for relaxed lane swimming sessions.

Other sessions include aquacise and ‘little dipper’ ones for younger swimmers.

Having first opened in 1932 as a tidal salt pool, it is now a freshwater pool.

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It nearly closed in 2017, only to remain open thanks to a group of volunteers who still run it now.

One previous visitor wrote: “The atmosphere at the Lido has to be mentioned it felt like you were on holiday, everyone chatting and smiling.”

During the summertime, Brightlingsea is much quieter than its neighbours such as Clacton.

However, it’s shingle beach is recognisable thanks to its line of colourful beach huts on the promenade.

One said: “Very unspoilt, family oriented, beautiful beach. Traditional town back in the 50’s.”

Brightlingsea is on the Sunshine Coast, which one mum said is like “going back in time to seaside holidays of the past.”

Mum Catherine Lofthouse told The Sun: “Because I was on the Sunshine Coast of Essex, which is often compared to Spain thanks to it being one of the sunniest, driest spots in the country.

“What I really loved about exploring the Essex seaside is the sheer variety of experiences on one relatively small stretch of coast, bookended by Brightlingsea in the south and Harwich in the north.”

“We’ve been so used to thinking about politics in terms of left and right, yet what Reform are able to do is to win in areas that have always been Conservative, but equally, we’re proving in a big way that we could win in areas that Labour has dominated since the end of World War I.”

LOUISVILLE, Ky. — Before Cherie DeVaux won a Breeders’ Cup race, before one of her horses won an Eclipse Award, before she became the answer to a Siri question — “Who was the first female trainer to win the Kentucky Derby?” — she faced the same problem as every new trainer.

She needed horses.

Fortunately for her, this was 2018 and she had just married David Ingordo, a leading bloodstock agent. Surely he’d bring her some top horses and DeVaux would be on her way.

Except … it took DeVaux 11 months to win her first race.

Cherie DeVaux, trainer of Kentucky Derby winner Golden Tempo, celebrates with her husband, David Ingordo, on Saturday at Churchill Downs in Louisville, Ky.

(Andy Lyons / Getty Images)

“That was 100% my fault,” Ingordo said. “We gathered up some horses of our own; we were totally self-funded. And the collection of horses I gathered up were yaks and llamas and sheep. They weren’t related to the equine species.

“I told her, ‘You should have divorced me for the effing horses I put in there.’”

Ingordo was telling this story Sunday, standing in the morning chill outside Barn 37 at Churchill Downs, where dozens of cameras and a few reporters were there to record every word his wife had to say, 12 hours after she made history.

“Good thing I don’t have social anxiety,” DeVaux quipped as she stepped in front of the throng.

She reported Golden Tempo, munching on some hay in his stall maybe 50 feet behind her, was doing well, two hours before he took a 70-mile van ride to DeVaux’s base at Keeneland. A decision on whether he will continue east next week to Laurel Park, temporary home of the May 16 Preakness, won’t be made for several days.

DeVaux said she celebrated with family late Saturday night, eventually getting to sleep at 1:30 a.m. and allowing herself to “sleep in a bit,” not rising until a whole four hours later. There were more than 800 text messages on her phone and she was thinking about what she was going to pack for a flight to New York, where she’s scheduled to appear at 7:30 a.m. Monday on NBC’s “Today.”

“I don’t know if the enormity of this has sunk in yet,” she said.

But DeVaux, 44, has never forgotten where she came from. She grew up in Saratoga Springs, N.Y., which is known for thoroughbred racing, but her family was involved in harness racing and she never wanted to be a trainer anyway. She was in college when most of her family moved to Florida, and she stayed behind to finish school. She needed a job to help pay tuition, and her mom told her there was a racetrack across the street “and all you have to do is walk the horses.”

Cherie DeVaux, trainer of Kentucky Derby winner Golden Tempo, is surrounded by media in the winner’s circle Saturday in Louisville, Ky.

(Michael Reaves / Getty Images)

DeVaux’s plan was to go to medical school, but when an advisor said she had to take a class in organic chemistry, “I just looked at her and said: ‘No, I’m going to go work on the racetrack.’ She’s like: ‘Are you sure?’ and I was like, ‘I’m just going to see how it works.’”

Her first job was with Chuck Simon, who had worked for her father. She was 22 when she showed up at Churchill Downs.

“I was a wild child,” DeVaux said Saturday night. “Chuck saw I was going the wrong way and took me under his wing and made me be an assistant trainer, begrudgingly, because I was really enjoying the party life. But he kind of wrangled me in.

“He would be so proud. I am here because of him. Because he pushed me. He pushed my boundaries. He gave me direction when I needed it. And he was always proud of me. But I just think this definitely would have put him over the top.”

Holding one of the roses that came with Golden Tempo’s victory, she added, “And I can’t wait to drop one of these off at our old barn here.”

She did just that Saturday night before leaving the track.

Cherie DeVaux, trainer of Golden Tempo, looks on during morning workouts ahead of the Kentucky Derby on April 27 at Churchill Downs in Louisville, Ky.

(Michael Reaves / Getty Images)

“It was really emotional,” she said Sunday of her stop at Barn 14. “You know, you walk up, and all the memories flood back of being there, and … it’s an honor to get to be able to do something, you know? It’s just a rose, but it meant a lot. That was where I first unloaded my car, and I thought, ‘OK, let’s do this.’”

DeVaux then worked several years for Chad Brown before making the decision to go out on her own. She said Ingordo told her to give it three years and if it didn’t work, she could do something else.

But Ingordo, who has been working in racing since he was 15, spending time with trainers such as Bobby Frankel and Bruce Headley and later his stepfather, John Shirreffs, said he knew it would work.

“I always say that talent and class are evident in horses and people very quickly,” Ingordo said. “And, you know, I’d watch Cherie and see her, and I knew her from her previous job. And I could watch … the one trainer’s name might have been on the headlines, but I saw who was doing the work. And I told her, ‘You’re too talented to be an assistant. And it’d be a waste if you don’t try it.’”

It did work. Slowly at first, but business picked up and DeVaux started winning bigger races. Her breakthrough came in 2023 when she had the likes of More Than Looks, Vahva and She Feels Pretty. The latter provided her first Grade 1 win in the 2023 Natalma at Woodbine, and the next year all three of those horses captured Grade 1 races, including More Than Looks in the Breeders’ Cup Mile at Del Mar. Last year, She Feels Pretty won two more Grade 1s and was voted the Eclipse Award as top female turf horse.

She has a life away from the track as well, as much as any trainer can have. Ingordo has full custody of a 15-year-old daughter from a previous marriage, and he said, “Meeting Cherie was not only good for me, it’s been great for my daughter.”

As for making history, Ingordo said it wasn’t anything they talked about, and DeVaux “doesn’t sit there and go, ‘I’m a woman, hear me roar.’

“But at the same time,” he said, “she’s very cognizant of the fact this is a very male-dominated business throughout history. It’s probably a little chauvinist at times, if not more.

“And for her to do this. … You know, she’s not a one-hit wonder. The top 25 should be her domain, somewhere in there, for a long time.”

LOUISVILLE, Ky. — Cherie DeVaux made history Saturday as the first female trainer to win the Kentucky Derby when Golden Tempo rallied from far back to capture the race over Renegade at Churchill Downs.

“I don’t even have any words right now,” DeVaux said on NBC. “So, so, so happy for Golden Tempo. [Jockey] Jose [Ortiz] did a wonderful job, masterful job. He has had so much faith in this horse.

“I’m glad I could be representative of all women everywhere, that we can do anything we set our minds to.”

It was the first Derby win for Ortiz, whose brother, Irad Ortiz Jr., rode Renegade.

“I’m glad I get my lifetime dream achieved,” said Jose Ortiz, who also won the Kentucky Oaks on Friday with Always a Runner.

Sent off at 23-1, the winner paid $48.24 for a $2 bet after running 1 1/4 miles in 2 minutes, 2.27 seconds.

Ocelli was third, Chief Wallabee fourth and Danon Bourbon, who had the lead at midstretch, fifth. So Happy, the Santa Anita Derby winner, finished ninth.

Great White, another long shot, was scratched just before post time after he bucked and fell over at the starting gate.

The United States has fallen to a “historic low” in the Reporters Sans Frontieres (RSF), or Reporters Without Borders, annual press freedom tracker, continuing a decade-long decline, the organisation has said.

The report on Thursday recorded a global drop in press freedom indicators in 2025, with, for the first time, more than half of the world’s countries labelled as “difficult” or “very serious”.

While the US, during the first year of US President Donald Trump’s second term, remained in the “problematic” category, it dropped seven spaces from 57th in the world to 64th. Norway led the list, with Eritrea ranked lowest among 180 countries.

In a statement, Clayton Weimers, executive director of RSF’s North America office, said the US was experiencing a “press freedom crisis”.

“Trump and his administration have carried out a coordinated war on press freedom since the day he took office, and we will live with the consequences for years to come,” he said in a statement.

“Our message is clear: Protect legal rights, ensure accountability for attacks on media professionals, and support independent media to restore American press freedom.”

The report pointed to both Trump administration policies and the wider consolidation of media companies in the US, which critics say opens the door to stifling certain points of view.

That has included Skydance Media’s acquisition of Paramount Global, which includes CBS News. Skydance is owned by David Ellison, whose father, Larry Ellison, is a confidant of Trump’s.

Paramount Skydance is also currently acquiring Warner Bros, which owns CNN.

All told, just six companies control most US media: Comcast, Walt Disney, Warner Bros Discovery, Paramount Skydance, Sony, and Amazon.

While Trump has long had an adversarial relationship with journalists, press freedom observers say the head of the Federal Communications Commission (FCC) has accelerated pressure on media figures and journalists during the president’s second term.

In March, FCC chair Brendan Carr said he would revoke the licences of broadcasters that are “running hoaxes and news distortions”, and that do not “operate in the public interest” in their reporting on the US-Israel war with Iran. Trump said he was “thrilled” by Carr’s statements.

Carr has also threatened to revoke the licenses of broadcasters for their coverage of Trump’s immigration policies, which critics say can have a chilling effect on local news organisations.

The effort has extended to television talk show hosts, who have been threatened by the FCC over jokes.

Most recently, Carr announced an investigation into several ABC channels.

That came days after the network’s flagship late-night host, Jimmy Kimmel, made a joke about the White House Correspondents Dinner (WHCD).

Kimmel had quipped that First Lady Melania Trump had the “glow of an expectant widow” before the event.

Days later, a gunman attempted to storm the WHCD in Washington, DC, which Trump was attending for the first time. The Trumps later connected Kimmel’s joke to the attack, calling for Kimmel’s firing.

Kimmel has said the joke was about the 79-year-old president and the 56-year-old first lady’s “age difference” and not a call for violence.

Critics of the FCC’s move included Republican Senator Ted Cruz, who said he does “not believe the FCC should operate as the speech police”.

The White House has repeatedly called Trump the most “transparent” president in US history, pointing to his regular news conferences.

Demis Hassabis, the co-founder of Google DeepMind, reunited Wednesday with South Korea’s legendary baduk player Lee Sedol, who went up against the company’s AlphaGo AI in a legendary human-versus-machine match 10 years ago.

“It’s great to be back here kind of the center of where it all started” Hassabis said at the event held by Google in central Seoul, saying that the historic five-game match “signaled the beginning of these incredible advances that happened in the last decade.”

When asked about the Lee-AlphaGo match in 2016, the Google executive pointed to the AI’s move 37 as the “most incredible moment” that demonstrated that AI can show creativity.

During game two of the 2016 match, AlphaGo made an unconventional shoulder hit on the fifth line for its 37th move, widely considered a pivotal move that secured its victory against Lee.

Such AI creativity can usher in a new “renaissance” of humans flourishing in science, he said, as it did in helping him solve the 50-year-old “protein folding problem,” which led to a Nobel prize in 2024.

“I think we could maybe even like solve all diseases in the next 10 to 20 years. We can use these technologies to help the environment and new energy sources,” he said.

The father of AlphaGo also mentioned South Korea’s potential to become one of the leaders in the AI sector.

“It’s amazing at manufacturing from chips to robotics, incredible strength in industry, fantastic universities and research institutes,” he said. “So I think it has all of the ingredients to be one of the world leaders in this technology.”

Hassabis, who has been in Seoul since Monday, has met with President Lee Jae Myung and signed a memorandum of understanding with the science ministry technology partnerships program.

The executive is also said to have held separate meetings with chiefs of local conglomerates, including LG Group and Hyundai Motor Group.

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“From the depths of the Atlantic to the disastrously melting ice-caps of the Arctic, the commitment and expertise of the United States Armed Forces and its allies lie at the heart of Nato, pledged to each other’s defence, protecting our citizens and interests, keeping North Americans and Europeans safe from our common adversaries,” he said.