The men’s team was criticised after several players appeared to laugh when Trump made his comment, but Knight said: “I think there’s a genuine level of support there and respect. That’s being overshadowed by a quick lapse.
“The guys were in a tough spot, so I think it’s a shame this storyline and narrative has kind of blown up and [is] overshadowing that connection and genuine interest in one another and cheering each other on.”
US men’s player Charlie McAvoy subsequently apologised for his team’s response, saying it was “not reflective” of how his side view the women’s squad.
“Certainly sorry for how we responded to it in that moment,” the Boston Bruins player told reporters before an NHL game on Thursday. “Things just happened really quick there.
“If you know the men’s team, and if you know the relationships that we have, the amount of time that we’ve spent with the women’s team and how we’ve supported them, it’s certainly not reflective of how we feel and look at them and their accomplishments.”
Knight, 36, ended her Olympic career with 15 goals, the most by any US male or female player.
She said she hopes the Trump controversy proves to be a “really good learning point, to really focus on how we talk about women, not only in sport but in industry”.
She said: “Women aren’t less than, and their achievements shouldn’t be overshadowed by anything else other than how great they are.”
“I thought it was sort of a distasteful joke, and unfortunately, that is overshadowing a lot of the success of just women at the Olympics carrying for Team USA and having amazing gold medal feats,” Knight said Wednesday during an appearance on ESPN’s “SportsCenter.”
On Feb. 19, the U.S. defeated Canada 2-1 in overtime for a third gold medal in women’s hockey; the team won gold in 1998 and 2018. Three days later, the U.S. men’s hockey team also won gold by defeating Canada 2-1 in overtime.
After the men’s game, Trump addressed the U.S. players by phone in the locker room, extending an invitation for them to attend his State of the Union address two days later and adding a seemingly dismissive comment about the women’s team.
“I must tell you, we’re gonna have to bring the women’s team, you do know that,” Trump said during the call. By not inviting the other American gold medal hockey team, the president said, “I do believe I’d probably be impeached.”
Trump’s comment was met with loud laughter in the locker room. But Knight said she and her teammates aren’t spending much time thinking about the remark.
“We’re just trying to focus on celebrating the women in our room, the extraordinary efforts and continue to celebrate three gold medals in program history, as well as the double gold for both men’s and women’s at the same time and really not detract from that with a distasteful joke,” Knight, who has won two gold medals and three silvers in five Olympics with the U.S. team, said.
“It was unfortunate, but yeah, I think really focusing on celebrating all great things that have come out of the Olympics and feeling the love and the support and getting back in our respective communities and sharing this journey with them, that’s what it’s all about and that’s what makes this moment super special.”
The majority of the men’s team met with Trump at the White House on Tuesday before being honored at the State of the Union address, where they received a bipartisan standing ovation lasting about two minutes. During his address, Trump announced that goalie Connor Hellebuyck will receive the Presidential Medal of Freedom, the nation’s highest civilian honor.
The women’s team confirmed in a statement Monday that it declined an invitation to attend the State of the Union address “due to the timing and previously scheduled academic and professional commitments following the Games.” Trump said during the address that the women’s team would be visiting the White House “very soon.”
Amid the controversy over Trump’s locker room comment, hip-hop legend Flavor Flav invited the women’s hockey team to a special event celebrating their achievement in Las Vegas. He later extended the invitation to “ALL Female US Olympians and Paralympian medalists” for the “She’s Got Game Weekend” from July 16-19.
“It was definitely super special, after everything that’s been going around online, to have someone step up like that and really go to bat for us,” forward Alex Carpenter said of Flav’s invitation during a Seattle Torrent news conference on Wednesday. “I think we’re fully gonna take advantage of that and go have some fun and celebrate like we deserve to.”
U.S.men’s team member Jeremy Swayman told reporters at Boston Bruins practice Wednesday that the laughter heard in the locker room following Trump’s comment does not reflect how the players feel about the women’s team and its accomplishments.
“Yeah, we should have reacted differently,” Swayman said. “We are so excited for the women’s team, we have so much respect for the women’s team, and to share that gold medal with them is something that we’re forever grateful for. And now that we’re home we get to share that together forever and see the incredible support we have from the USA and share in this incredible gold medal.”
Jack Hughes, who scored the winning goal for the U.S. men against Canada, said the men’s players were caught “in the moment” during the president’s call that came during the middle of their victory celebration.
“Obviously it is what it is now, but we have so much respect for the women’s team and they have so much respect for us,” Hughes told reporters after his New Jersey Devils’ 2-1 loss to the Buffalo Sabres on Wednesday night. “We’re all just proud Americans and we’re happy that we both swept the Olympics.”
Knight said she thinks there is “a genuine level of support and respect” between the U.S. men’s and women’s players and called the moment a “sort of a quick lapse” by the men’s players.
“I think the guys were in a tough spot,” Knight said. “So it’s a shame that this storyline and narrative is kind of blown up and overshadowing that connection and genuine interest in one another and cheering one another on.
“I think this is just a really good learning point to really focus on, you know, how we talk about women, not only in sport, but in industry.”
Discussion about the call wasn’t the only criticism of the White House from the world of Team USA hockey.
On Thursday, men’s player Brady Tkachuk said he was unhappy that the White House shared a video on TikTok that made it appear he disparaged Canadians while using profanity. The video, which also features hockey footage and part of an interview with Hughes, carries a note saying it “contains AI-generated media.”
“It’s clearly fake because it’s not my voice and not my lips moving. … I know that those words would never come out of my mouth,” Tkachuk told reporters.
He added: “I would never say that. That’s not who I am.”
The White House did not immediately respond to a request for comment from the Associated Press.
Tkachuk also denied being the voice heard shouting “close the northern border” during the team’s call with Trump.
A sparkly pink electric guitar hangs on a wall of the recording studio where Hilary Duff made her new album. The cozy, gear-filled joint near the Van Nuys Airport belongs to her husband, Matthew Koma, who produced “Luck… or Something,” the singer and actor’s first LP in more than a decade. But as Duff points out on a recent afternoon, the paisley-print guitar is all hers.
“I got it for my 16th birthday,” she says proudly — a gift from the Fender company. “I found it in the storage unit and Matt was like, ‘Oh, that’s going up there.’”
Before Miley Cyrus, before Sabrina Carpenter, before Olivia Rodrigo, Duff arrived in the early 2000s as a Disney kid with pop-idol ambitions. She broke out in the endearingly awkward title role of the Disney Channel’s “Lizzie McGuire” then went on to star in family-friendly movies like “Agent Cody Banks” and “Cheaper by the Dozen.” By the time she received that guitar, she’d topped the Billboard 200 with her album “Metamorphosis,” which sold 4 million copies and spawned hit singles like “So Yesterday” and “Come Clean.”
Duff stepped away from music for most of her 20s to focus on acting and starting a family. (An attempted comeback album in 2015, “Breathe In. Breathe Out.,” didn’t really go anywhere.) Now, at 38, she’s returned with a bracingly honest record full of the texture and detail of her life as a wife, sister and mother of four.
In frank yet wordy songs that layer guitars and synths over shimmering grooves, Duff sings about trying to overcome old habits and about her fear that her best times are behind her. “We Don’t Talk” appears to address her estrangement from her older sister, Haylie, while “Weather for Tennis” describes her tendency to keep the peace as a child of divorce. In “Holiday Party,” she recounts a recurring dream in which Koma cheats on her with her friends.
“I wake up in a rage and he’s like, ‘I didn’t do anything!’” she says with a laugh. “And I’m like, ‘But you want to.’ A lot of this stuff came out of the hormonal boom of: I’ve just had a baby and I’m nursing and I’m trying to get my two feet back on the ground again.” (Duff and Koma have three daughters aged 7, 4 and 1, while Duff shares a 13-year-old son with her ex-husband, former hockey player Mike Comrie.)
Asked how he hopes the album fares commercially, Koma says, “I don’t [care]. Public perception or sales, that’s all cool, but it’s a separate experience from why we did it.” The producer, who’s known for his work with Zedd and Shania Twain, adds, “The whole purpose was to make something that Hilary could feel good about stepping into.”
Yet early-2000s nostalgia led to a recent run of sold-out theater gigs, and this summer it’ll carry her into arenas around the world, including Inglewood’s Kia Forum on July 8 and 9. (Less happily for Duff, it also made a viral sensation of an essay in the Cut by her fellow millennial Ashley Tisdale in which Tisdale wrote about leaving a “toxic mom group” that allegedly included Duff and Mandy Moore.)
Curled on a sofa in the studio’s control room, Duff says, “I’m finally at this place where I’m zero percent ashamed of my past and any of the things that used to embarrass me” — one reason she made the bold choice to open her set at the Wiltern last month with two of her biggest hits, “Wake Up” and “So Yesterday.”
After those songs came “Roommates,” perhaps the most vulnerable track on Duff’s new album. It’s about navigating a dry patch in a marriage, and the language is as vivid as it is unsparing: “I only want the beginning / I don’t want the end,” she sings, adding that she longs to be in the “back of a dive bar, giving you h—.”
A surprising word choice. How would you have said it? Sometimes you need to make the lyrics fit — you need it to rhyme with something. [Laughs] It’s meant to be polarizing because it’s such a desperate plea. I can say I haven’t actually given h— in the back of a dive bar. But it’s just trying to capture the feeling of a time when you felt alive.
Like all teen stars, you had to figure out how to grow up and talk about sex as a public figure. Now there’s the idea that it’s better left to the young. I finally feel like I know a lot about sex. My whole 20s, sex was not always enjoyable — it was so much to figure out. Now I finally understand it. Maybe that’s a female thing, but I’m not ready to be put out to pasture. People come up to me all the time and they’re like, “Wow, you aged really well.” I’m like, “I’m only 38! Just because you’ve known me since I was 9…”
You’re handling senior citizenship well. When do I start getting the discounts? I feel like 38 is not old, although when I thought about my parents at 40, they looked so different than we look now.
I always stop at those TikToks where it shows what 35 looked like in 1982. I don’t think anyone drank water back then. They were, like, dusty-crusty.
Hilary Duff, left, and Matthew Koma at Apple Music Studios in Los Angeles in December.
(Amy Sussman / Getty Images for Apple Music)
You borrow the chorus of Blink-182’s “Dammit” for your song “Growing Up.” Why? Blink is one of my favorite bands. I remember getting my driver’s license, and that was what was playing on my iPod. “Growing Up” is such a deeply personal song to me, talking about sitting in the backyard with one of my best friends and just needing to drink too much wine and unload about life. But it also feels like a love letter to my fans. I don’t like saying that word, but I genuinely feel like I’ve had fans for 25 years, and getting to see them now in adulthood — I didn’t know I was going to have this opportunity.
What’s the problem with “fan”? It puts me on a pedestal that makes me feel uncomfortable. If you were to talk to Matt or someone close to me, they’d probably say, “Hilary doesn’t understand what she’s meant to some people.” And I think that’s true. When I think of myself, I’m not like a grand pop star — I feel more like a woman of the people.
A woman of the people? Am I allowed to say that? [Laughs] Is that offensive in any way? My feet hit the ground in the morning, and I’ve got a million things to do. Sometimes my baby’s still sleeping. And I have a teenager to get ready for school that we’re always all waiting on.
Why do you have four children? I know — we’re sick.
Did you expect to have four? I thought I would have at least three. I always wanted a big family because I come from a super small family and I always wanted more siblings. I had Luca obviously pre-Matt, and then we had Banks before we got married. Then the pandemic hit — we had a pandemic baby like everybody else. The fourth was just a crazy-a— decision. Matt was like, “Everybody’s gonna think we’re really Christ-y if we go for No. 4.” We also have three dogs, two cats and eight chickens.
As two artists, how do you sort out the work of child-rearing? I don’t know if I’ve actually said this out loud — to Matt I have for sure — but I think that part of my wanting to make a record was coming out of having my fourth child. I love motherhood, obviously — I wouldn’t have four kids if I didn’t. But I think I felt really jealous that he got to go to work every day and just be alone with his thoughts. I was like, I need to stretch. That’s what it felt like after the fourth baby: I’m either gonna lose myself completely and just become a stay-at-home mom and wait for the phone to ring, or I’m gonna go make something that moves me.
You don’t need me to tell you that our culture is always happy to make moms feel guilty. Was it a journey to accept that it’s OK to do something for yourself? That’s what the healthy part of the brain says. But the other part that’s wired to be with the children you birthed — sometimes that part overshadows it. And it’s very hard to fight that. I could probably cry right now thinking about all the things I’m gonna miss this year.
Hilary Duff in the studio where she recorded her new album.
(Jay L Clendenin / For The Times)
You’ve got a line in “Roommates” where you say, “Life is life-ing and pressure is pressuring me.” At the shows you just played, did you think of your audience as being at the same place in life as you? For sure. When they were scream-singing it back to me, I was like, “Oh, you know.” That doesn’t mean you have to be a parent. “Life is life-ing” is the bills and the monotony and the traffic and the family — it’s all the things. I knew that if it’s bumping around inside my head, and I’ve been living a pretty normal life for 10 years — normal as I can get — then people would see themselves in it.
Twenty-five years ago, you were playing to 10-year-olds. Would a 10-year-old today be interested in your new songs? I don’t think so. But I mean, I used to sing Natalie Imbruglia’s “Torn” all the time, and I had no idea what it was about.
The last decade has been a golden age for young female songwriters: Taylor Swift, Billie Eilish, Olivia Rodrigo. You forgot Chappell Roan.
“Luck… or Something” feels aligned with that deepening craft. But maybe your early stuff felt sophisticated to you. I don’t think the intent back then was sophisticated songwriting. There was no Taylor Swift yet — it’s like before Christ and after Christ.
She changed the game? On all the levels.
How’d you end up on Atlantic Records? I wondered whether this was a product of personal friendships — the Elliot Grainge and Sofia Richie and Good Charlotte of it all. We’re more personally friends with them now. I finished making the record and for the first time ever was like, “It’s done — do you like it?”
You weren’t looking for notes from the label. I’m not saying I didn’t have meetings with A&R. But pretty much the record was created, and that was that. I didn’t go shopping anywhere else, which was fantastic because I hate a dog-and-pony show.
Did you feel like you’d been chewed up by the record industry in any way? After “Breathe In. Breathe Out.,” it was very easy to be like, “RCA forced me to lead with this song when I knew it should’ve been this song.” But that was me not having [courage], you know what I mean? It was a joint effort of [messing] it up. But I learned a lot from that. I don’t think I would’ve made this record if I hadn’t fumbled the ball a little.
The story about the toxic mom group blew up just as you were launching this album. Did that experience give you pause about reentering the pop world? I mean, this is not new for me. I’ve had this since I was maybe 15 and starting to get followed around by paparazzi. Everything starts getting documented and everyone knows my life and all the players in it. So the stories that get news pickup — it’s not what happens to a normal person who maybe became an actor as an adult. And now it’s escalated by the talking heads on TikTok that need clickbait. It’s hard because you’re like, “Wait, whoa, that person kind of got it right,” and “Whoa that person doesn’t know what they’re talking about.” I saw something that was like, “None of the moms at school actually like her and neither do the teachers,” and I was like, “First of all…”
Is it hard or easy for you to tune out — By the way, the women at school are lovely and I’m obsessed with all of them.
But can you ignore the chatter about you on social media? It just depends on the day. Knowing that I get to open up the backdoors and play soccer as a family and take a hot tub and go get our chicken eggs — that’s the purpose of life. On the days when crazy s— happens, I go home and quiet the noise.
AMERICAN actress and singer Hilary Duff has announced she will be hitting the road for a world tour.
The announcement follows the release of her single Mature last November, which marked the end of her decade-long hiatus from the music industry.
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Credit: Christopher Polk/@polkimagingCredit: GettyCredit: Christopher Polk/@polkimaging
Hilary is set to drop her sixth studio album Luck… or Something on February 20.
After rising to fame as the main character of the Disney Channel blockbuster, Lizzie McGuire, Duff kicked off her music career in 2003 with Billboard 200’s number one Metamorphosis.
Her first three albums alone sold a collective 15 million copies worldwide, and she has a total of 3.5million monthly listeners on Spotify.
At the final stop of her Small Rooms, Big Nerves mini-tour in Los Angeles recently, Duff announced her upcoming world tour.
