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At least 28 people are killed in Afghanistan and 17 in Pakistan after heavy rainfall causes severe flooding.

Heavy rain that has caused severe flooding and landslides has killed at least 45 people in Afghanistan and Pakistan over the past five days, authorities say.

Afghanistan’s National Disaster Management Authority (ANDMA) said on Monday that 28 people have been killed in the floods and 49 injured with more than 100 homes destroyed.

Most of the deaths in Afghanistan were reported in central and eastern provinces, including Parwan, Maidan Wardak, Daikundi and Logar, according to ANDMA.

The authority added in a statement that weather conditions remained “unstable” in parts of the country and there is a continued risk of more rain and flooding in some areas.

“In total, 1,140 families have been affected,” ANDMA said.

Police spokesperson Sediqullah Seddiqi told the AFP news agency a 14-year-old boy died after being struck by lightning in the northwestern province of Badghis.

He added that in the same province, three people had drowned while trying to gather driftwood to be used for heating.

At the same time in Pakistan’s Khyber Pakhtunkhwa province, which shares a border with Afghanistan, 17 people were killed and 56 wounded, the Provincial Disaster Management Authority said.

Extreme weather

Heavy rainfall has continued to sweep across Afghanistan since Thursday, causing floods and landslides in multiple provinces.

The weather prompted the closure of several highways, according to officials in central and eastern Afghanistan. Further rains and storms are forecast for Tuesday.

Afghanistan’s National Disaster Management Authority has warned citizens to refrain from using “rivers and flooded streams, and follow the weather forecast seriously”.

In the central province of Daikundi, the local disaster management department said a five-year-old was killed when a roof collapsed. A woman was also killed in the same circumstances in the eastern province of Nangarhar, police spokesperson Sayed Tayeb Hamad said.

Afghanistan is vulnerable to extreme weather, particularly heavy rainfall and monsoon seasons, which trigger floods and landslides in remote areas with fragile infrastructure.

In January, flash floods and snowfall caused the deaths of at least 17 people and killed livestock.

The UN’s nuclear watchdog says Iran’s Khondab heavy water production plant is no longer operational after suffering severe damage in an Israeli strike on March 27. The reactor, which contains no declared nuclear material, was hit along with other key infrastructure sites.

Last May, a strange thing happened on the U.S. album charts. Two metal bands (or at least metal-adjacent hard rock acts) scored No. 1 albums in the same month. The genre hadn’t seen multiple bestsellers in the same year since 2019 — and those were from veteran acts. So it was notable when the young U.K. group Sleep Token crushed on streaming and Ghost topped charts with a Taylor Swift-sized vinyl rollout. Meanwhile, avant-garde heavy rockers Deftones became unexpected TikTok darlings and arena stars.

Metal had not-so-quietly reemerged as a commercial force, and not just in the live sphere, where it’s always thrived and continues to grow. Pop culture seemed ready to welcome back a breed of hitmaker thought lost to time — the sleeve-tatted, throat-shredding hard rock star.

So the wider pop world should acquaint itself with the Virginia-born group Bad Omens, whose slam-packed Thursday night show at the Forum in Inglewood reaffirmed that they’re one of the most ambitious and skilled young bands in heavy rock, and have the star wattage and ravenous fan culture to get even bigger.

Bad Omens — with singer Noah Sebastian, bassist Nicholas Ruffilo, guitarist Joakim Karlsson and drummer Nick Folio — are not brand new. They’ve slugged it out on the metalcore and heavy rock circuit for a decade, signed to the small-ish but influential imprint Sumerian Records. But they hit their stride with 2022’s “The Death of Peace of Mind,” which melded a Weeknd-worthy R&B falsetto with rotted, churning guitars and tasteful electronics.

The band became festival headliners and racked up billions of streams, surely aided by Sebastian’s dreamboat-goth-BF good looks and striking range as a vocalist, where he veers from an ear-tickling whisper to an operatic howl and a shriek worthy of Norway in the ‘90s (sometimes on the same song, as he did on “Like a Villain”).

The band has tipped a new album for some time, though for this career-peak arena tour, it had only a handful of new singles in tow. No matter. At the Forum, the band cohered its catalog with an eye-popping stage production, one that made its case as an ultra-modern heavy rock act with the reach to be huge stars, even if they take genuine fame with some ambivalence.

That force-of-gravity was evident in the days leading up to the Forum show, where fans debated how many hours early they needed to be at the Forum to be on the barricades (the consensus — get there by breakfast). Mid-set, Sebastian pointed out one fan whom he recognized from years on the road. “You’ve been coming to see us since we sucked,” he said, laughing.

That commitment wouldn’t be possible if the music didn’t have a preternatural force to speak to current anxieties. From the first notes of its new single “Specter” — a brooding vocal workout for Sebastian that ended on pulverizing riffs — Bad Omens used cutting-edge tools and underground influence to elicit arena-rock catharsis.

One early peak of the set came when Jake Duzsik of the L.A. industrial-rock trio Health came out to duet on “The Drain,” a lurching, menacing collaborative single and a standout for both bands. Heavy-rock veterans see something compelling in Bad Omens, which helps situate the band’s pop-savvy tracks like “Left for Good” and “Just Pretend” (a platinum-selling single that wrapped up the main set) with earned feeling rather than calculation.

After the Forum show, I understood why it’s taking them so long to finish a new LP. Sebastian has been open about his mental health struggles. The band is pitched right at a difficult juncture at which their artistic ambitions abut real, life-altering attention.

They can make songs like “What It Cost” (a hooky, lecherous electro track that I’d totally believe was co-written with Max Martin if you told me) and the serrated metal that them earned them their fanbase and would cause a revolt without. It’s not easy to pair the two in a natural way. (Just ask Code Orange, once pitched as metal’s breakout stars who got bogged down in electronic experiments.) Having a K-pop-caliber devoted fanbase is great on the way up, but it’s a tense relationship.

But first and foremost, Bad Omens are gifted musicians, and whatever eldritch magic Sebastian wields onstage will always be bolstered by a serious band contorting metal, dark pop and electronic music. I saw nothing that would stop that one fan from coming back for 10 more years of Bad Omens shows, and plenty to suggest others are going to follow him.

JESY Nelson has revealed her “heart is super heavy” as she shared an SMA screening battle update to social media.

The doting parent, 34, has been relentlessly campaigning for SMA1 screenings in England after her twins were diagnosed with the rare muscle wasting disease.

Jesy took to Instagram and said “Today my heart feels super heavy. It’s a very bitter sweet moment today knowing that Scotland has become the first UK nation to screen babies for SMA.

“We’re so close yet so far.

“I will never be able to understand why we are still not testing for it in England.

“To know that my girls lives and so many other children in England could look so different if this had of been there for them.

STAYING STRONG

Jesy Nelson reveals emotional update on twin daughters’ SMA1 battle

PROUD MUM

Jesy Nelson shares adorable video of Story Monroe after devastating SMA diagnosis

“But never the less I will keep fighting and pushing for change because nobody should ever have to go through this heartache.”

Earlier, Jesy also shared a beautiful video clip of her daughter Ocean sitting up, as she said: “She’s proving everyone else wrong,” and that they are “going to get there.”

Jesy recently became successful in gaining over 100K signatures on her petition to fund SMA1 screenings.

The good news meant it will now be debated by MPs in the House of Commons.

Jesy has been campaigning for change and demanding the heel prick test be included in newborn health plans to help catch the condition early.

The tots have the most severe form of a rare muscle wasting disease and may never be able to walk.

The former X Factor star gave birth to her little girls prematurely at 31 weeks in May last year.

Jesy first revealed her children’s’ devastating diagnosis in an emotional video.

She has emotionally spoken out about how she could have saved her twins’ legs before their diagnosis.

It comes after the second series of her show Jesy Nelson: Life After Little Mix has already been confirmed and will be coming to the small screen later this year.

The popstar confirmed she’ll be fronting the follow-up programme on Amazon Prime Video focussing on her little girls’ health battle.

The singer, 34, rose to fame in the band after they were created on talent show The X Factor, but left the group in 2020 – with the girls continuing on as a three-piece following her departure.

The singer recently opened about a secret suicide attempt days before quitting the group.

Her abrupt exit from the girl band had been shrouded in mystery and she claimed her cry for help was ignored by bandmates Leigh-Anne Pinnock, Perrie Edwards and Jade Thirlwall.

It was the second time Jesy had tried to take her own life following an overdose in 2013, which she ­previously opened up about in her NTA-winning BBC documentary Jesy Nelson: Odd One Out.