heart

While seven league defeats have curtailed Celtic’s defence of the title, 11 draws have left Rangers frustrated in their pursuit of Hearts.

The most recent was a 2-2 draw from two down at Livingston last week while Celtic lost at home to Hibernian. The weekend before, Rangers recovered from 1-0 and 2-1 down to defeat Hearts 4-2 at Ibrox.

“My team showed character, big personality in the last couple of weeks,” Rohl added.

“Also to come back away in Celtic, in the stadium there after 1-0 down, showed that even if the game goes in one direction, what we don’t want, we always have a chance to come back.

“Yeah, we dropped two points [at Livingston]. We missed two points. But let’s turn it in a positive way. At the end, we won one point after 2-0 down.

“When you are a manager and you have the chance to play at home this kind of game, then you are also on fire. We are on fire. It was a good training week so far.

“I feel the confidence, I feel the belief. It’s not just about the shape and the tactic, but it’s also about how we go in duels, how we win the balls, how we play forward.”

The German said: “It’s a crucial game, but no team will be out after this game because there are still 27 points you can take. It’s two matchdays and you are in the title race again.

“It’s a crucial one because when you come closer and closer to the end of the season and there is more and more in, then you know every game is important.”

BASEBALL

CITY SECTION

Bravo 2, Fremont 1

Mendez 13, West Adams 1

Torres 12, Lincoln 2

SOUTHERN SECTION

Aliso Niguel 5, Millikan 3

Anaheim Canyon 9, Villa Park 8

Arroyo 8, Edgewood 1

Banning 5, San Bernardino 3

Barstow 2, Eastvale Roosevelt 1

Bellflower 4, Mary Star of the Sea 0

Bell Gardens 12, Hacienda Heights Wilson 4

Bishop Montgomery 11, South East 0

Bonita 11, Northview 6

Brentwood 6, Campbell Hall 4

Buckley 18, Shalhevet 2

Calvary Baptist 8, Fontana 2

Cantwell-Sacred Heart 6, Burbank 2

Cerritos 7, Ocean View 1

Charter Oak 11, Montebello 3

Colton 15, Vista del Lago 2

Compton Centennial 12, Compton Early College 3

Cornerstone Christian 14, Lakeside 5

Corona 11, Trabuco Hills 1

Corona Centennial 10, Arrowhead Christian 8

Crossroads 6, Viewpoint 1

Desert Christian 10, Boron 5

Downey 4, Redondo Union 1

Entrepreneur 23, California Lutheran 14

Excelsior Charter 14, Yucca Valley 5

Foothill Tech 8, Fillmore 1

Flintridge Prep 4, Schurr 3

Garey 20, El Monte 2

Great Oak 8, Los Osos 5

Hemet 11, Temecula Prep 1

Heritage 7, Rancho Mirage 5

Hesperia Christian 17, ACE 1

Hoover 24, La Puente 2

Indian Springs , Arroyo Valley 1

Irvine 3, Estancia 1

Kaiser 4, Cajon 3

Katella 2, Woodbridge 1

Laguna Beach 10, Segerstrom 1

Lawndale 4, Firebaugh 3

Linfield Christian 18, Whittier Christian 8

Long Beach Jordan 10, Dominguez 0

Long Beach Poly 3, Palos Verdes 2

Maranatha 5, St. Augustine 4

Montclair 6, Miller 1

Moreno Valley 11, Redlands 2

Mountain View 10, Mark Keppel 2

Murrieta Mesa 9, Rancho Verde 1

Nordhoff 6, Santa Clara 3

Norte Vista 14, San Gorgonio 1

Nuview Bridge 6, Bloomington 2

Oak Hills 2, Granite Hills 1

Oakwood 11, Pasadena Poly 1

Ontario 7, Azusa 3

Oxnard 7, Santa Monica 5

PACS 31, Mojave 4

Paramount 8, Glenn 0

Ramona 8, Hillcrest 3

Righetti 12, Milken 2

Riverside North 6, Tahquitz 6

Rowland 10, Pasadena Marshall 0

Royal 10, Trinity Classical Academy 2

San Clemente 3, Colony 2

San Jacinto 9, Santa Rosa Academy 4

San Jacinto Valley Academy 13, Xavier Prep 3

San Marino 6, Cathedral 5

Santa Ana Foothill 6, Santa Fe 5

Saugus 16, Quartz Hill 9

St. Anthony 6, Cerritos Valley Christian 1

Summit 3, Etiwanda 0

Temescal Canyon 6, La Sierra 2

Thousand Oaks 10, Chaminade 8

Victor Valley 9, Vasquez 4

Village Christian d. South El Monte, forfeit

Vista Murrieta 5, Yorba Linda 5

Webb 19, Pomona 3

West Valley 7, Indio 6

INTERSECTIONAL

El Rancho 6, Maywood CES 0

Bishop Montgomery 11, South East 0

Mira Costa 8, Chatsworth 3

San Fernando 3, Castaic 1

JSerra 5, Southlake Carroll 2

South Torrance 10, Venice 0

St. Francis 9, Taft 0

St. Monica 12, LA Hamilton 1

Warren 12, Mesa (AZ) Dobson 3

SOFTBALL

CITY SECTION

Bernstein 17, Fairfax 16

Cleveland 15, Reseda 9

Mendez d. Animo Venice, forfeit

SOUTHERN SECTION

AAE 16, Rim of the World 0

Ayala 7, Carter 0

Banning 11, San Bernardino 5

Beaumont 7, Northview 2

Bishop Montgomery 15, St. Anthony 4

Bloomington 8, Indian Springs 4

Bolsa Grande 17, Long Beach Cabrillo 14

Bonita 11, Baldwin 2

Boron 9, Desert Christian 4

Burbank Providence 15, Santa Clarita Christian 3

California 5, Downey 3

Calvary Baptist 7, Fontana 2

Cantwell-Sacred Heart 17, Mayfield 1

Capistrano Valley 7, Villa Park 4

Cathedral City 10, Coachella Valley 4

Chaffey 8, Patriot 1

Chaminade 10, Heritage Christian 0

Chino 12, Beckman 7

Claremont 13, Don Lugo 2

Colton 16, Tahquitz 9

Compton Centennial 12, Burbank Burroughs 0

Corona 7, Colony 5

Corona del Mar 7, Ocean View 2

Costa Mesa 16, Compton Early College 9

Covina 7, Diamond Ranch 3

Crescenta Valley 7, Hart 3

Crossroads 11, Trinity Classical Academy 7

Desert Hot Springs 24, Xavier Prep 20

Dos Pueblos 10, Lompoc 5

Downey Calvary Chapel 12, Santa Ana Valley 9

El Dorado 4, Esperanza 1

El Monte 15, Mark Keppel 3

Etiwanda 13, Cajon 4

Firebaugh 17, Rosemead 4

Fountain Valley 9, Irvine 6

Garden Grove Pacifica 7, Mater Dei 2

Glendale 15, St. Bernard 5

Glendora 11, West Covina 0

Grace 8, Vasquez 2

Hacienda Heights Wilson 9, Montebello 4

Hawthorne 15, St. Pius X-St. Matthias Academy 3

Hesperia 14, Moreno Valley 4

La Habra 9, La Palma Kennedy 0

Lakewood St. Joseph 10, Katella 0

Lancaster 12, Silverado 1

La Serna 1, Mission Viejo 0

Liberty 16, Ridgecrest Burroughs 3

Los Amigos 18, Century 3

Maranatha 18, South Pasadena 3

Millikan 21, Gahr 7

Moorpark 18, Ventura 4

Newbury Park 12, Santa Paula 2

Nogales 12, Montclair 6

Northview 7, Eastvale Roosevelt 2

Northwood 24, Newport Harbor 5

Oak Park 2, Rio Mesa 1

Oaks Christian 11, Simi Valley 2

Ontario 9, Azusa 2

Ontario Christian 15, Irvine University 3

Oxford Academy 20, Samueli Academy 4

Oxnard 6, Camarillo 5

Oxnard Pacifica 11, Carpinteria 0

Paloma Valley 10, Jurupa Valley 0

Paramount 13, Long Beach Jordan 1

Ramona 3, Los Osos 1

Rancho Cucamonga 8, Rancho Verde 0

Riverside Notre Dame 13, Barstow 2

Riverside Prep 13, Arroyo Valley 0

Riverside Prep 14, AAE 1

Sacred Heart of Jesus 7, Ramona Convent 6

Sage Creek 9, Elsinore 5

San Juan Hills 8, Santa Ana Foothill 4

San Marcos 14, Del Sol 2

Santa Margarita 2, Trabuco Hills 1

Segerstrom 6, Tesoro 1

Sierra Vista 9, Pasadena 8

South El Monte 16, Edgewood 16

Southlands Christian 14, La Puente 1

South Torrance 12, Mary Star of the Sea 3

St. Bonaventure 8, Buena 5

St. Paul 8, Sonora 2

Thousand Oaks 3, Valencia 2

University Prep 9, Hesperia Christian 3

University Prep 13, Riverside Notre Dame 3

Valley View 12, Lakeside 2

Viewpoint 6, Flintridge Prep 4

Walnut 11, Rowland 2

Warren 15, Sunny Hills 5

Westlake 2, Royal 1

West Valley 13, Temecula Prep 5

Yorba Linda 17, Troy 0

INTERSECTIONAL

Alhambra 11, LA Marshall 2

Bonita 11, Kailua (HI) 0

Burbank Burroughs 7, Granada Hills Kennedy 2

Canyon Country Canyon 9, Verdugo Hills 8

Culver City 13, LA Hamilton 3

El Camino Real 4, Louisville 1

El Rancho 11, Garfield 7

Golden Valley 24, Grant 4

Granada Hills 13, La Canada 1

HMSA 8, Animo Venice 1

Long Beach Poly 9, Legacy 2

Muir 12, Eagle Rock 2

Port of LA 10, Bishop Conaty-Loretto 0

Shadow Hills 6, Brawley 5

Wilmington Banning 12, Peninsula 0

Beethoven’s “Missa Solemnis” is a grand mass for large orchestra, chorus and four vocal soloists that lasts around 80 minutes. It was written near the end of Beethoven’s life and is his most ambitious work musically and spiritually. “Coming from the heart, may it go to the heart,” he wrote on the first page of the score.

The Beethoven biographer Jan Swafford put it this way: “ ‘Missa Solemnis’ is Beethoven talking to God, man to man. And what they talked about is peace. Creation was for Beethoven’s the magnificence in the world which we inhabit; ‘Missa Solemnis’ is meant to keep it thus.”

Yet among Beethoven’s major works, “Missa Solemnis” is, by far, the least performed, and not merely because of the need for large forces. Conductors struggle to get a handle on its mysteries and intricacies. Upon turning 70 last year, Simon Rattle contended “Missa Solemnis” remains beyond him. Upon his reaching 70, Michael Tilson Thomas made a momentous meal of “Missa Solemnis” 11 years ago with a staged performance with the Los Angeles Philharmonic at Walt Disney Concert Hall.

Gustavo Dudamel, who has been conducting Beethoven since he was a teen, waited until he passed his 45th birthday last month. His first “Missa Solemnis” performances over the weekend at Disney were the centerpiece of his month-long L.A. Phil focus on Beethoven.

That venture began a week earlier with a political statement. Beethoven’s incidental music to Goethe’s drama of liberation, “Egmont,” was updated with a new text that served as an urgent call for protest in our own era of authoritarianism and militarism. Here, Beethoven exerts a compulsion for triumphant glory.

The glory in “Missa Solemnis” is that of stupefaction. By this point in his life, Beethoven has had it with weapons, the drumbeat of soldiers, the addictive emotion of trumpet calls to action. His man-to-man with God is celestial diplomacy. There is no compromise. We either care, at all costs, for our magnificent world or nothing matters.

Dudamel clearly cares. He conducted the massive mass from memory. And costs be damned. He imported from Spain two spectacular choruses — Orfeó Català and Cor de Cambra del Palau de la Música Catalana — a total of some 130 singers who sounded like they had rehearsed for months under their impressive director, Xavier Puig. The four soloists — soprano Pretty Yende, mezzo-soprano Sarah Saturnino, tenor SeokJong Baek and bass Nicholas Brownlee — were needfully robust and powerful. They were placed mid-orchestra, behind the violas and bravely in front of the timpani.

“Missa Solemnis” follows the standard mass text but doesn’t necessarily follow the liturgical narrative. It is a work of theater, dramatizing feelings, as the earlier Disney staging attempted. Director Peter Sellars and conductor Teodor Currentzis have also been promising a major staged “Missa Solemnis” for many years.

The Kyrie opens with a strong D-major chord in the large orchestra that seems an obvious downbeat but turns out to be an upbeat. Down is up. Eighty or more minutes later at the end of the Agnus Dei, when the great plea for peace reaches its ultimate transcendence, up becomes, in one of the most profoundly unsettling moments in all music, down again. We never fully know where we stand in “Missa Solemnis.” Every expectation is thwarted. Beethovenian peace is a nearly superhuman endeavor.

Gustavo Dudamel conducts L.A. Phil, vocal soloists and Catalan choruses in Beethoven’s ‘Missa Solemnis’ at Walt Disney Concert Hall.

(David Butow / For The Times)

Dudamel‘s approach is to attempt the all-encompassing. He conducted without a baton but with his body. His arms were often open and wide as if embracing the musician masses on the stage, holding the whole world in his hands. Tidiness wasn’t necessarily the issue. Grandeur was. Molding sound was. And, of course, awe.

Throughout his career, Beethoven was the overwhelming master of awe. In “Missa Solemnis,” he out-glories the Gloria. His fugues are a draftsman’s rendering of heavenly splendor. Such awe asks for the superhuman from singers, especially in this ensemble from their ravishing high notes.

But Beethoven also questions every sentiment in the Mass. Grandeur can so suddenly turn solemn that it feels almost a ceremonial sleight of hand. In the Sanctus, a solo violin sails in from nowhere (“descending like a dove from heaven,” Hugh MacDonald nicely puts it in the program note), and suddenly we’re in a violin concerto with vocal soloists of transcendent allure.

The Agnus Dei begins in glum realization that there may be no compensation for humanity’s great sins when, again astonishingly without expectation, one of Beethoven’s uniquely wondrous melodies takes over. Saber-rattling trumpet and timpani intrude and are shushed away as worthless. Peace returns but just as it is about to climax it weakens. There is no grand Beethoven ending. “Missa Solemnis” just stops.

Dudamel’s approach was not, as his Beethoven has generally become, filled with fervent intensity in the moment. That may happen as he gains more experience with Beethoven’s most exigent score. The big moments were still huge, especially with the help of his fabulous chorus. The somber moments were well of the heart. There was eloquent solo playing in the orchestra, and extravagance from the solo singers.

Most unusual was the violin solo. The L.A. Phil is in a concertmaster search, and Alan Snow, the associate concertmaster of the Minnesota Symphony, sat in. He brought silken “descending dove” tone to his solo playing, but at low tone becoming more a voice from afar than soloist. Whether that is simply his sound or what Dudamel was after is, like so much in the “Missa Solemnis,” up to question. Still, its quiet exemplified the elusive essence of peace.

When Dudamel first walked on stage, he got, as he always does and especially in his last season as music director, a strong ovation. At the end of “Missa Solemnis,” the reaction was a respectful standing ovation, unlike the de rigueur rapturous reception he always earns with Beethoven.

Dudamel earned something far more rewarding. It wasn’t a moment for cheering but reflection. True peace in “Missa Solemnis” comes not from winning but from ending conflict, be it between nations, nature or among ourselves. We have as yet too little to celebrate.

This essay is excerpted from Gov. Gavin Newsom’s new memoir, “Young Man in a Hurry: A Memoir of Discovery.”

On January 20, 2004, I took a seat in the gallery of the House of Representatives to hear President Bush deliver his State of the Union address. The seat came courtesy of House Minority Leader Nancy Pelosi. Ten months earlier, Bush had made the decision to invade Iraq after his administration’s historic campaign of lies convinced the American people that Saddam Hussein possessed weapons of mass destruction. We would not extricate ourselves from that costly conflict for another seventeen years. Much of his speech that night was a further attempt to sell to the nation the justification for his war. “Had we failed to act, the dictator’s weapons of mass destruction programs would continue to this day,” Bush said. He characterized the Patriot Act, which had unleashed a new magnitude of spying on American citizens, as “one of those essential tools” in the war on terror.

“Young Man in a Hurry: A Memoir of Discovery” by Gavin Newsom

(Penguin Press)

The rest of his speech was standard fare, ho-hum really, until he reached a section near the end about American values and the need for us to “work together to counter the negative influences of the culture and to send the right messages to our children.” He said he was troubled by activist judges in activist states who were threatening to undo the Defense of Marriage Act signed into law by his predecessor, President Bill Clinton. We had to “defend the sanctity of marriage” as the union of one man and one woman, he said. If need be, he would seek a constitutional amendment to ban same-sex marriage.

As I was leaving the chamber, a middle-aged couple next to me was talking about how pleased they were that their president was finally confronting the “homosexual agenda.” The word homosexual came out of their mouths bent by contempt. I was supposed to head downstairs for a reception with Congresswoman Pelosi and a delegation of California Democrats, but I needed a breath of fresh air. Outside the Capitol, I kept walking and muttering to myself. “These are my people Bush is attacking. My constituents. My staff. My closest advisers.” In the cold and dark of Washington, I called one of my aides back in San Francisco and pledged that I was “going to do something about it” as soon as I returned home.

The law in our state was no different from the law in every other state. Same-sex unions could not be recognized by the local assessor-recorder’s office. They were illegal. As I explained to aides my willingness to now defy that law, I held up a copy of the California Constitution. In Article I, the first section promises that “all people are by nature free and independent and have inalienable rights.” Among these rights are pursuing and obtaining “safety, happiness and privacy.” It was not until Section 7.5 that these rights were then abridged: “Only a marriage between a man and a woman is valid or recognized in California.” This not only contradicted the first section but was discriminatory on its face.

My top staff didn’t disagree with my reading, but almost to a person they were opposed to my taking on the issue. Steve Kawa, my chief of staff, a gay Bostonian whose accent cut through all nonsense, pulled me aside and spoke from his heart. His father had renounced him for being gay, and he wanted nothing more than to live in an America where homophobia was no longer the norm. But swinging open the doors to the city clerk’s office and inviting gay men and lesbian women to the marriage altar was political suicide, he argued. We were new to office, for one thing. And polls showed that less than one third of Californians supported gay marriage.

The “go it slow” admonition was the mother’s milk of Democratic politics. In the endless battle for the hearts and minds of moderates, it seemed the only feasible way for a Democrat to get elected and govern. But this was San Francisco, and we were talking about equal protection under the law for a class of people whose ostracism by family, friends, and community had brought them to San Francisco in the first place. If not here, where? Eric Jaye, one of my campaign consultants, could see my quandary. I was caught between my conscience and the sound political advice of the people closest to me. We had several late-night conversations on the phone. “What the f— are you doing here? Why did we work so hard to win if you can’t do something bold?” he asked. “This is a short life, Gavin. Your time as a politician to get things done is just a blip.”

I thought back to my model for the wine store. The entire purpose was to turn the staid on its head and create a new reality. I called Joyce Newstat, my policy director, who was also gay. “We need to do this,” I told her. She could hear in my voice that I had made up my mind. “OK, but we can’t afford to take a wrong step,” she said. “Gays and lesbians have a history of being blindsided, and you don’t want to become part of that narrative. Give me a week or two to reach out to the community.” Joyce sat down with Kate Kendell, the brilliant executive director of the National Center for Lesbian Rights, based in San Francisco. “Who is this guy?” Kendell wondered. “He can’t just come waltzing in here and upset the delicate balance we’ve taken years to achieve.” Joyce told her I couldn’t be talked out of it, that it had become internalized after I had gone to Washington and heard the words of bigotry ring out in the Capitol. “Well, OK. But if he’s going to do it, he has to do it right,” Kendell said. She directed her attorneys at the center to work with our team on fashioning a plan.

I then went to Mabel Teng, my former colleague on the board of supervisors who was now the assessor-recorder of San Francisco. I asked her what complications would be presented to her official duties if we allowed same-sex marriages at city hall. Mabel, who began her career in politics as an activist with Jesse Jackson’s Rainbow Coalition, did not surprise me with her reply. “It would be no problem at all, Mayor.” The marriage of a man and a man, or a woman and a woman, would require hardly any change to the paperwork. Rather than “man and wife,” they would show up in her computer as “Applicant One” and “Applicant Two.”

Alarmed by my plans, my father and Uncle Brennan and their close friend Joe Cotchett — each one steeped in law and politics but only Joe standing six foot four and a former Special Forces paratrooper —attempted a last-minute intervention. They lured me to the Balboa Cafe for dinner and wine. They weren’t the kind to beat around the bush. Did I realize that I was about to torpedo my political career?

Joe got right in my face. “Why are you doing this, Gavin?”

“I’ll tell you why I’m doing this,” I said defiantly. “Because it’s the right thing to do.”

I could not have given him a more simple and true answer, and it seemed to hit Joe, who had built his career out of representing the underdog, right in the gut.

“OK,” he said in a different voice. “Then let’s do it.”

With that, my father and uncle went quiet. Not another word was said about it. I left there that night thinking that even my Newsom kin, the ones who had my best interests at heart, could get it wrong from time to time. While I was open to skepticism and second-guessing, indeed I welcomed such a process, in the end I had to trust my own gut. On the matter of civil rights for all Californians, there was no turning back. As for big Joe Cotchett, he ended up joining the ranks of lawyers fighting for the legal right to same-sex marriage.

From “Young Man in a Hurry: A Memoir of Discovery” by Gavin Newsom, published by Penguin Press, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright © 2026 by Gavin Newsom.

Bed rest can go pound sand: Ray J gave his all on stage on Friday night, it seems, with fan videos showing his eyes appearing to bleed as he worked the crowd.

The singer also doffed the top of his orange jumpsuit to reveal some sort of medical port or device inserted on the upper left side of his chest.

The “Love & Hip-Hop: Hollywood” star, who is singer-actor Brandy’s brother, was performing in Shreveport, La.

In the first clip, red liquid — which many assumed was blood — ran down one of the R&B singer’s cheeks like tears as he handed out long-stemmed red roses to people in the audience. Another clip showed him singing into a mic while climbing down from the stage after shedding the top part of his jumpsuit.

“Hey, y’all, we perfectly fine. Ain’t nobody sick. Look at me, I’m fine,” he says in a later clip, which takes place off stage. The 45-year-old appears to be annoyed, saying that people have been laughing at him because he’s sick.

“He loves the camera. He loves the attention,” Tommy Nard II of Nard Multimedia Group, who was behind the scenes that night, told Shreveport news station KTAL separately. “It’s all theatrical … I seen him literally put on the fake blood and go out there.”

A concertgoer told KTAL that it was “very concerning to see blood, what appeared to be blood, coming from his eyes.”

Ray J told TMZ in late January that he was under doctor’s orders to stay on bed rest and avoid drugs and alcohol. He said he was on eight medications related to his heart, which he said had been damaged because of his excessive drug and alcohol use.

“I thought I could handle all the alcohol, I could handle all the Adderall,” he said in a video livestream in late January.

Doctors told Ray J — real name William Ray Norwood Jr. — that he should prepare for the chance that he might need a pacemaker or defibrillator soon, the singer told the celebrity site. He expected to get an update when he went back in two weeks for a checkup.

Two weeks was up over the weekend.

Ray J told followers in a video posted Jan. 25 that he wanted to “thank everyone for praying for me.”

“I was in the hospital,” he said. “My heart is only beating like 25%, but as long as I stay focused and stay on the right path, then everything will be all right.” In a video, he said the right side of his heart was “like, black. It’s like done.”

Ray J said elsewhere that his heart was beating at 60%. The number likely refers to his heart’s ejection fraction, which measures the volume of blood coming out of the heart’s left ventricle or being drawn into the right ventricle when the heart beats. Right-sided heart failure is far less common, according to WebMD.

A representative for Ray J did not respond immediately Tuesday to The Times’ request for comment.

However, in an Instagram story posted Monday, Ray J put up this quote: “‘If you want to know who your real friends & family are, lose your job, get sick, or go through hard times. You’ll see clearly.”

Support for James Van Der Beek’s family continues to pour in. The GoFundMe created to support them following the “Dawson’s Creek” star’s death approached $2.3 million in donations Friday morning.

Steven Spielberg and his wife Kate Capshaw are among the celebrity donors who have contributed to the fundraiser organized by the late actor’s friends. The couple’s donation is listed as $25,000. Those familiar with Van Der Beek’s breakout role on the millennial teen drama know that Spielberg is Dawson Leery’s favorite director.

Originally airing from 1998 to 2003, “Dawson’s Creek” was a seminal teen drama that followed four friends growing up in a small coastal town as they navigated their dreams, relationships and various coming-of-age milestones. Van Der Beek’s Dawson was an aspiring filmmaker whose dreams were bigger than his small hometown. Along with friends Joey (Katie Holmes), Pacey (Joshua Jackson) and Jen (Michelle Williams), Dawson grappled with very relatable teen dilemmas including heartbreak, betrayal and bad decisions.

The fundraiser, which had more than 44,000 donors as of Friday morning, was organized to help support Van Der Beek’s wife and children, who “are facing an uncertain future” due to the financial strain of the late actor’s medical costs. The late actor died following a battle with colorectal cancer. Funds will be used to “help cover essential living expenses, pay bills, and support the children’s education,” the organizers wrote.

Van Der Beek revealed in 2012 that he had been paid “almost nothing” for his work on “Dawson’s Creek” and had not received any residuals from the hit show.

“There was no residual money,” he told “Today.” “I was 20. It was a bad contract. I saw almost nothing from that.”

Before his death, Van Der Beek auctioned off personal memorabilia and sold collectibles to help pay for his cancer treatments. In September, his “Dawson’s Creek” co-stars helped organize and stage a reunion fundraiser to support Van Der Beek and his family — a reunion the actor had to miss because of a virus. “Black Bird” actor Paul Walter Hauser had also been raising funds through Cameo videos and auctions to help the late actor prior to his death.

Besides Spielberg, celebrity donors to Van Der Beek’s GoFundMe also reportedly include Zoe Saldaña, Jon M. Chu, Derek Hough, Busy Philipps, Jenna Dewan and others.

Van Der Beek’s “Dawson’s Creek” colleagues have also been among the many who have shared tributes to the late actor.

“Several times today, from my heart, I’ve tried to form the words to express the beautiful brilliance of James and what his presence has meant to my life,” “Dawson’s” creator Kevin Williamson wrote Thursday in a post shared on Instagram. “But I am truly at a loss for words. I will have to trust that one day those words will come… But today, all I can think about is Kimberly and the entire Van Der Beek family.”

Holmes, meanwhile, shared a handwritten note addressed to Van Der Beek on Instagram Wednesday. She was the first of “Dawson’s Creek’s” surviving core quartet to publicly acknowledge Van Der Beek’s death.

“Thank you,” Holmes wrote in her note, which was addressed to Van Der Beek. “To share a space with your imagination is sacred — breathing the same air in the land of make believe and trusting that each others’ hearts are safe in their expression.”

In her remembrance, Holmes highlighted their shared “laughter, conversations about life, James Taylor songs” and their “adventures of a unique youth.” She also highlighted Van Der Beek’s “Bravery. Compassion. Selflessness [and] Strength.”

“I mourn this loss with a heart holding the reality of his absence and deep gratitude for his imprint on it,” wrote Holmes, who also sent love to Van Der Beek’s wife and children in her message.

Other members of the extended “Dawson’s Creek” family, including actors Chad Michael Murray, Kerr Smith and Sasha Alexander, have also been among those offering condolences and paying tribute to Van Der Beek and his family online.

“James Van Der Beek was one in a billion and he will be forever missed and i don’t know what else to say,” wrote Busy Philipps in her Instagram tribute. “He was my friend and i loved him and i’m so grateful for our friendship all these years.”