head

Kosha is a boutique spa in Sherman Oaks offering skincare and massages. One of its signature offerings is the “buccal facial,” which is actually more of a face and jaw area massage as opposed to a facial involving exfoliating, steaming and pore extraction.

The 55-minute treatment promises to improve circulation and relax muscles, helping to plump the skin while lifting and firming, “giving it a more contoured appearance,” Kosha owner Anastasia Talan told me.

It starts with a short grounding meditation before a cleansing of the skin and a light scalp massage. It then transitions into a wonderfully relaxing neck, shoulder and face massage, with an emphasis on the face. (The actual “buccal massage” part comes later.) Talan said the overall treatment blends multiple types of massage, including European “contouring and lifting massage,” lymphatic drainage, acupressure and myofascial release as well as light stretching.

As she worked on my face, Talan applied pressure while stroking under my cheek bones, along my sinuses and up, down and around my cheeks and jaw area.

The “buccal massage” portion was about 15 minutes. It’s also called “intraoral massage” because it takes place inside of the mouth. Talan donned blue plastic gloves and then pulled my lips apart, massaging the inside of my cheeks, lips and around my jawbone and temporomandibular joint. Relieving tension there is helpful in aiding TMJ and other temporomandibular joint disorders. Another benefit, says Talan: clenching the jaw, a stress reaction, can enlarge the masseter muscles on the jaw, leading to the lower part of the face looking heavy. Relaxing those muscles could preserve slimness of the face.

But go for the sheer relaxation of it. Once the (admittedly awkward) intraoral massage part was over, Talan spent a few more minutes massaging the outside of my face and neck. The treatment was so dreamy, I nearly drooled while fighting off sleep.

Treatment name: The Buccal Facial

Price: 55 minutes, $195

The general consensus is that President Trump’s social media post of himself dressed in robes, after a busy weekend in which he blasted Pope Leo and attended a prizefight while an Iran peace plan fell apart, was an attempt to cast himself as a Jesus-like figure.

But Trump says we have it wrong.

“It’s supposed to be me as a doctor, making people better,” he said.

As a graduate of St. Peter Martyr grade school in the San Francisco East Bay area, and as someone who has seen a lot of doctors for various ailments, I feel uniquely qualified to weigh in.

In Catholic school, holy cards are a big deal. You’ve seen a couple hundred of them by the time you hit second or third grade, so you become familiar with the muted ethereal glow, the heavenly gaze and the look of piety. A standard feature is the halo, a clearly defined sphere that sits like a buttered bonnet on the head of the saint.

Let the record show that in his post on his very own Truth Social, which is not always truthful, Trump does not have a halo.

So in total fairness, it’s possible the president was not lying when he said he was supposed to be a doctor.

On the other hand, having seen a good number of cardiologists and surgeons and orthopedic specialists, I don’t recall any doctors who wore flowing robes while bathed in heavenly light, with a flock of eagles coming out of their ears and a team of Navy SEALs busting through the hospital ceiling.

And then there’s the fireball emanating from Trump’s right hand. All of which begs the question: If Trump thinks this is what a doctor looks like, what ailment is he being treated for, and shouldn’t the public be advised?

There’s also the question of creation — not of human life, but of the very existence of a social media post like this from the president of the United States in wartime. It was described as an AI-generated image, but who was at the computer?

Did the president sit down at the end of a long day and churn out an image of himself playing doctor, if not Jesus Christ? Or does he have a team of staffers who do this sort of thing, and if so, how could Elon Musk have missed them when he said the government was bloated and set out to fire half the federal workforce?

You’d at least hope the president would have the courage of his convictions. But as criticism of his post mounted, Trump deleted it Monday morning.

I think he should have stuck with the story — he was portraying himself a doctor because he’s a healer. The next day, he could have been in a New York Jets uniform and told us he’s a quarterback. Then he could have released an image of himself in the Artemis space capsule and told us he’s an astronaut, and he’s thinking of building a string of Trump hotels on the moon. Ask yourself this: Would anyone have been surprised?

A guy who only knows how to go for broke, and always doubles down when things go wrong, has to stick to his guns or the whole shtick unravels. I’d have respected Trump more if he had traipsed around the White House with a stethoscope for a week or two, or maybe performed brain surgery on Pete Hegseth, just to see what’s going on in there.

What’s going on in Trump’s head, if I might volunteer a bit of armchair psychoanalysis, is that failure triggers a sense of grandeur rather than humility.

Things are not going well at the moment, so he’s lashing out. The price of things was supposed to come down on Day One, but thanks to his upheaval of the world economy, prices went up, and now they’re soaring because he helped start a war that made no sense.

A war that has been criticized by Pope Leo, who has pointed out that while the Trump administration has ascribed a religious imperative to the assault on Iran, and Trump promised to blow the country all the way back to the “Stone Ages,” Jesus would probably not be on board.

Trump, who said last year that he wants to “try and get to heaven, if possible,” now realizes he’s not going to get an endorsement from the pontiff.

And so the man who once issued a national call to prayer, said the Bible was his favorite book, joked after the death of Pope Francis that he wanted to be the next pontiff, and has now issued his own holy card, has attacked Pope Leo for being too liberal as well as “weak on crime and terrible for foreign policy.” He has, in effect, anointed himself as holier than the pope himself.

Even staunch supporters of Trump have worked themselves into a lather over this. They’re lashing out at Trump, as if his criticism of the pope and depiction of himself as Jesus Christ are shocking.

My fellow Americans, certain words have been rendered meaningless in describing the current state of affairs. Among them are shocking, surreal, unbelievable, unprecedented and unexpected.

If indeed Trump thinks he’s Jesus, let his penance begin with 100 Our Fathers, 500 Hail Marys and 1,000 Acts of Contrition.

If indeed he thinks he’s a doctor:

Physician, heal thyself.

steve.lopez@latimes.com

AUGUSTA, Ga. — After the career grand slam, a grand entrance.

Rory McIlroy, who last year became the sixth man to win all four major championships, got off to a spectacular start at the Masters on Thursday to claim a share of the lead with a five-under-par 67.

In one sense, the pressure is off. No more wondering about winning a green jacket. Yet he was relieved to feel those familiar butterflies on the first tee.

“Look, we’re playing the first major of the year, it’s the Masters,” he said, having overcome a slightly wobbly start to collect five birdies in his final 11 holes. “If I felt absolutely nothing on that first tee, that’s not a good sign.

“So it was nice to feel my hand shaking a little bit when the tee went into the ground, and struggle to put the ball on top of the tee. So I knew I was feeling it. That’s a good thing. That’s why we want to be here. We want to be able to play our best golf when we’re feeling like that.”

He finished the postcard day tied atop the leaderboard with Sam Burns, who shot his best-ever round at the Masters.

Among those two shots off the lead is 2018 Masters champion Patrick Reed, who said the warm and dry conditions figure to make a difficult course even more challenging.

“It definitely has the teeth in it to make it really, really tough,” Reed said. “The greens are already getting firm, crusty, and bouncy.”

He said the 17th green, typically one of the firmest on the course, is a good example of that.

“I actually broke one tee on the hole trying to fix a ball mark,” he said. “You already know it’s going to get crusty. You know it’s going to get fast, and it’s going to take a lot of patience.”

Some stars struggled. Two-time champion Bubba Watson shot four-over, as did the long-hitting Bryson DeChambeau, who tied for fifth last year.

Said Shane Lowry, who finished two under: “This might be the toughest Masters we’ve played in a while.”

There’s something about this storied tournament that can make even the steeliest of players weak in the knees. Mason Howell, the 18-year-old amateur playing with McIlroy, was taking such vicious swings at the ball that his hat came off three times during his round, including on the opening tee.

“That hasn’t happened in a while,” said Howell, who last year became the third-youngest winner of the U.S. Amateur. “I mean, I was going to swing out of my shoes to see if I could cover that right bunker [on No. 1].”

Even the legendary Jack Nicklaus, who won the Masters a record six times, duck-hooked his ceremonial tee shot early Thursday morning, sending it over the head of patrons lining the left side of the downward slope in front of him.

“I got it high enough to hit it about 110 yards over their heads to the left,” said Nicklaus, 86, who won his last green jacket 40 years ago. “I don’t know what was running through my mind other than not hurt anybody.”

Fred Couples, 66, the oldest competitor in the field, went from a tie for eighth to a tie for 43rd … on one hole. He had a nine on the par-five 15th, landing in the water twice.

Couples, who had been two under to that point, finished quadruple bogey, double bogey, double bogey.

Collin Morikawa, who shot a 74 at two over, said he doesn’t feel quite right, physically, although it doesn’t feel like a back issue to him.

“Physically there’s no pain,” he said. “It’s just a trust thing. My legs don’t want to trust that it’s going to hold up the back and the rest of the body. When that’s feeling wobbly, plus you add the adrenaline and the nerves, it’s just not — it’s not easy…”

He called Thursday “the toughest round I’ve ever played,” and said he could not remember waking up quite as nervous as he was before the start of this tournament.

“I honestly didn’t know if I was going to make contact,” he said.

McIlroy, playing in his 18th Masters, said he leaned heavily on his experience to maintain an even keel. A year ago, he had two double-bogeys on Thursday, and two more on Sunday, yet never panicked.

So this time, when he found himself hitting out the trees on some early holes, he resisted the urge to get too “guide-y” on his shots and instead kept swinging away.

“Even though I wasn’t hitting fairways the first few holes, I still kept swinging,” he said. “I didn’t try to get the tee down and hit fairway finders. I just trusted that eventually I’ll start to make some good swings. So that was a little bit different.”

The biggest difference? What he achieved a year ago.

“It’s easier for me,” McIlroy said, “to make those swings and not worry about where it goes when I know that I can go to the Champions Locker Room and put my green jacket on and have a Coke Zero at the end of the day.”

Corona High baseball coaches have been joking about seeking an NIL deal for sophomore pitcher Chris Woodson regarding his hair that moves in many directions while blowing in the wind as he tries to keep his hat on.

Think former NFL star Troy Polamalu, who has been featured in Head & Shoulders shampoo commercials showing off his hair.

When Woodson and Corona Santiago’s Striker Pence were facing each other on Wednesday, it was the battle for hair supremacy. Pence still has blond hair sticking out from the back of his hat after he recently got his hair cut.

“Me and his dad are both bald and both had hair when we were young,” Corona coach Andy Wise said of Woodson. “We’re both not letting him cut it. It’s flowing. He has a 4.0 GPA and is an awesome kid that everyone loves.”

During his days coaching at Granada Hills, starting in the 1970s, Darryl Stroh used to require players to cut their hair to a certain length. Think Army.

As long as Woodson isn’t distracted, Wise is fine with it.

“Be yourself kid,” he tells him.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

I am blindfolded and seated in a vintage armchair set in the center of a darkened, red-lit room with Gothic accents. An actor is performing nearby. I hear their voice, but cannot, of course, see them. I suddenly spring upward in my seat, alarmed at the touch of some sort of cloth — or perhaps a feather? — across my ankles.

I’ll never be entirely sure. For wearing the small veil across my eyes was a requirement to participate in “Poe: Pulse & Pendulum,” the debut offering from new troupe Theatre Obscura L.A. The company’s initial performance contains two one-act plays, modern interpretations of Edgar Allan Poe’s “The Pit and the Pendulum” and “The Tell-Tale Heart.”

While the stories are familiar to many, Theatre Obscura increases the levels of discomfort. In this room, I am at times unsettled, at once tracking the movements of the actors while attempting to remain hyper aware of any sudden touch or scent. “The Pit and the Pendulum,” the first half of the program, translates especially well to this setting, its dark sense of demented confinement keeping my nerves on high alert.

Conjuring such a state of anxiety was the point.

“If you take the visual away, it’s going to make you feel uneasy,” says Paul Millet, who devised the concept.

There are jump scares. Downtown event space the Count’s Den has been outfitted with about 50 speakers for the Obscura shows, which run through April 12. Some are visible before one puts on the blindfold. Many, though, are hidden under seats or couches, as the audio will trail the actors around the room, or perhaps a sudden crash or door opening will have me jolting my attention elsewhere.

“The Pit and the Pendulum” is a story of torture, and as the narrator, here played by Melissa Lugo, desperately speaks of a blade swinging above, actors will fan us, timing their waves with each swoosh of the audio. I was prepared for that one, as a fellow theatergoer nearby let out a soft yelp when the unseen gestures first arrived above their head.

For many, sight is the most coveted sense. “If you take that away, you’re already naturally uncomfortable,” Millet says. “So we lean into that. We know you’re going to be uncomfortable. We know this is not the norm. But get on that ride with us. Be willing to be uncomfortable. Discomfort, I think, helps to heighten the experience, and ideally allow it to trigger the emotional reactions that the story does.”

Still, touch is limited in the show. Occasionally a rattling of a chair, but little more. The fluttering I felt near my ankles was to mimic the sensation of a running critter. The troupe will ask for audience consent, and participants can opt out. While I went in wondering if “Poe: Pulse & Pendulum” would seek to recall more extreme haunt experiences with lengthy waivers, Millet wanted to keep it light — an audio play, primarily, with just a few in-the-flesh signals.

“We want people to feel unease, but I don’t want anyone taken out of the story because a boundary or line was crossed,” Millet says.

Scent, too, is used with restraint. There are moments when guests will get a whiff of a fragrance that pairs with the storyline. Millet considers the first run of Theatre Obscure to be an experiment in how much touch and scent audiences may want to endure. Smell, he says, is tricky, as the aroma may linger and become a distraction.

Millet has been honing the concept since 2023. Previously, he was part of the team behind Wicked Lit, which ended in 2019 after running for a number of years at unique locations such as Altadena’s Mountain View Mausoleum. Those immersive performances would feature casts and guests walking the venue. Theatre Obscura, however, is fully seated.

And while the stories of Poe lend themselves to the Halloween season, spooky events increasingly occur year round. Long-running production “The Willows” is set to wrap in early April, and “Monster Party,” a period piece that takes guests to a devilishly extravagant cocktail party, is re-launching in mid-April. Millet, a longtime theater producer who has a day job in television editing, is hoping to stand out by avoiding “the glut” of horror events that occur each September and October.

Theatre Obscura may face challenges, namely persuading potential guests that “The Pit and the Pendulum” is more than simply a live reading with audio effects.

“You can feel the movement of the characters around you,” Millet says. “You’re in the environment with the story as it unfolds. You can experience it on a more visceral level.”

Blindfolded, I felt Theatre Obscura was mostly playing off our fears rather than giving in to them, largely keying in on our anticipation that something may happen to us when stripped of sight. Lugo in much of “The Pit and the Pendulum” circles guests, who are seated sporadically around the room, allowing each of us to imagine how close or far we may be from the hole we are told is at its center. Each show deals with claustrophobia in some way, either of a space, or of a mind.

“The Tell-Tale Heart” is louder, more crowded. The sounds of crashing glass and creaky floorboards had my head working overtime to draw a floorplan, only to then have it distorted when actors would unexpectedly whisper in both of my ears to bring forth the protagonist’s nightmares. While I expected Theatre Obscura to be slightly more aggressive in its uses of touch and scent, it’s a show that asks us to live in our heads, and to sit in our own feeling of trepidation.

“I was intrigued,” Millet says, “with really trying to engage the audience’s imagination.”

WASHINGTON — Since becoming defense secretary, Pete Hegseth has found no shortage of ways to bring his strand of conservative evangelicalism into the Pentagon.

He hosts monthly Christian worship services for employees. His department’s promotional videos have displayed Bible verses alongside military footage. In speeches and interviews, he often argues the U.S. was founded as a Christian nation and troops should embrace God, potentially risking the military’s secular mission and hard-won pluralism.

Now the defense secretary’s Christian rhetoric has taken on new meaning after the U.S. and Israel went to war with Iran, an Islamic theocracy.

“The mullahs are desperate and scrambling,” he said at a recent Pentagon press briefing, referring to Iran’s Shiite Muslim clerics. He later recited Psalm 144, a passage of Scripture that Jews and Christians share: “Blessed be the Lord, my rock, who trains my hands for war and my fingers for battle.”

Hegseth has a history of defending the Crusades, the brutal medieval wars that pitted Christians against Muslims. In his 2020 book “American Crusade,” he wrote that those who enjoy Western civilization should “thank a crusader.” Two of his tattoos draw from crusader imagery: the Jerusalem Cross and the phrase “Deus Vult,” or “God wills it,” which Hegseth has called “the rallying cry of Christian knights as they marched to Jerusalem.”

Matthew D. Taylor, a visiting scholar at Georgetown who studies religious extremism and has been a frequent Hegseth critic, said, “The U.S. voluntarily going to war against a Muslim country with the military under the leadership of Pete Hegseth is exactly the kind of scenario that people like me were warning about before the election and throughout his appointment process.”

Taylor said Hegseth’s rhetoric and leadership “can only inflame and reinforce the fears and deep animosity that the regime in Iran has towards the U.S.”

When asked whether Hegseth views the war in Iran in religious terms, a Defense Department spokesperson pointed to a recent CBS interview in which Hegseth seemed to confirm as much.

“We’re fighting religious fanatics who seek a nuclear capability in order for some religious Armageddon,” Hegseth said of Iranian leaders. “But from my perspective, I mean, obviously I’m a man of faith who encourages our troops to lean into their faith, rely on God.”

Allegations U.S. military commanders cited biblical prophecies remain unverified

Generations of evangelicals have been influenced by their own version of Armageddon and the end of the world, circulated by books like the “Left Behind” series and “The Late Great Planet Earth,” or the horror film “A Thief in the Night.” Some evangelicals espouse prophecies in which warfare involving Israel is key to bringing about the return of Jesus.

Christian Zionist pastor John Hagee, head of Christians United for Israel, said of the Iran war, “Prophetically, we’re right on cue.”

The co-founder of Hegseth’s denomination, however, does not teach this theology. Pastor Doug Wilson of the Communion of Reformed Evangelical Churches identifies as a postmillennialist, meaning he believes most of the apocalyptic events of the Bible have already happened, paving the way for the gradual Christianization of the world before Christ’s return.

Hegseth has not said the Iran war is part of Christian prophecy. Yet days after the conflict began, claims went viral that U.S. military commanders were telling troops the war fulfilled biblical prophecies around Armageddon and the return of Christ.

The Associated Press has not been able to verify these claims, which stem from one source: Mikey Weinstein, the head of the Military Religious Freedom Foundation, a watchdog group. Based on allegations Weinstein said he received from hundreds of troops, 30 Democratic members of Congress asked the Pentagon inspector general to investigate.

In an interview with the AP, Weinstein declined to provide documentation or the original emails he received from service members. He said troops were afraid of retaliation, so they would not speak to the media, even if their identities remained protected.

Three major religion watchdog groups — the Freedom From Religion Foundation, the Anti-Defamation League and the Council on American-Islamic Relations — said they have not received similar complaints. The Pentagon declined to comment on the allegations.

Hegseth wants to reform the military chaplain corps

Hegseth’s church network, the CREC, preaches a patriarchal form of Christianity, where women cannot serve in leadership, and pastors argue that homosexuality should be criminalized. Hegseth last year reposted a video in which a CREC pastor opposed women’s right to vote. Wilson, its most prominent leader, identifies as a Christian nationalist and preached at the Pentagon in February at Hegseth’s invitation.

Both Wilson and Hegseth have questioned Muslim immigration to the United States. Wilson argues the country should restrict Muslim immigration in order to remain predominantly Christian. In “American Crusade,” Hegseth lamented growing Muslim birth rates and that Muhammad was a popular boys’ name in the U.S.

As head of the armed forces, Hegseth has overseen changes that are in line with his conservative Christian worldview, including banning transgender troops, curtailing diversity initiatives and reviewing women in combat roles.

Youssef Chouhoud, a political scientist at Christopher Newport University, said, “The intrusion of Christian nationalist policy, not just Christian nationalist rhetoric … that is what’s troubling.”

Hegseth has pledged to reform the military’s chaplain corps, which provides spiritual care to troops of any faith and no faith at all. He scrapped the 2025 U.S. Army Spiritual Fitness Guide and wants to renew chaplains’ religious focus, which he said in a December video message has been minimized “in an atmosphere of political correctness and secular humanism.”

Rabbi Laurence Bazer, a retired U.S. Army colonel and chaplain, said it risks making service members feel like outsiders when the language of military leadership draws exclusively from one faith tradition.

“The U.S. military reflects the full diversity of this country — people of every faith step forward to serve,” Bazer said in a statement. “That diversity is a strength worth protecting.”

Stanley writes for the Associated Press. AP reporter Peter Smith in Pittsburgh , and AP reporter Konstantin Toropin contributed to this report..

Disneyland Resort President Thomas Mazloum has been named chairman of Walt Disney Co.’s experiences division, the company said Tuesday.

Mazloum succeeds soon-to-be Disney Chief Executive Josh D’Amaro as the head of the Mouse House’s vital parks portfolio, which has become the economic engine for the Burbank media and entertainment giant. His purview includes Disney’s theme parks, famed Imagineering division, merchandise, cruise line, as well as the Aulani Resort and Spa in Hawaii.

Jill Estorino will become the head of Disneyland Resort in Anaheim. She previously served as president and managing director of Disney Parks International and oversaw the company’s theme parks and resorts in Europe and Asia.

Estorino and Mazloum will assume their new roles on March 18, the same day as D’Amaro and incoming Disney President and Chief Creative Officer Dana Walden.

“Thomas Mazloum is an exceptional leader with a genuine appreciation for our cast members and a proven track record of delivering growth,” D’Amaro said in a statement. “His focus on service excellence, broad international leadership and strong connection to the creativity that brings our stories to life make him the right leader to guide Disney Experiences into its next chapter.”

Mazloum had been about a year into his tenure at Disneyland. Prior to that, he was head of Disney Signature Experiences, which includes the cruise line. He was trained in hospitality in Europe.

In his time at Disneyland, Mazloum oversaw the park’s 70th anniversary celebration and recently pledged to eliminate time limitations for park-hopping, which are designed to manage foot traffic at Disneyland and California Adventure.

Mazloum will now oversee a 10-year, $60-billion investment plan for Disney’s overall experiences business, which includes new themed lands in Disneyland Resort and Walt Disney World. At Disneyland, that expansion could result in at least $1.9 billion of development.

The size of that investment indicates how important the parks are to Disney’s bottom line. Last year, the experiences business brought in nearly 57% of the company’s operating income. Maintaining that momentum, as well as fending off competitors such as Universal Studios, is key to Disney’s continued growth.

In his new role, Mazloum will have to keep an eye on “international visitation headwinds” at its U.S.-based parks, which the company has said will likely factor into its earnings for the fiscal second quarter. At Disneyland Resort, that dip was mitigated by the park’s high percentage of California-based visitors.

Times staff writer Todd Martens contributed to this report.